Theatrical release poster
|Directed by||Ralph Bakshi|
|Produced by||Ralph Bakshi
|Written by||Ronni Kern|
Lisa Jane Persky
|Music by||Lee Holdridge|
|Edited by||David Ramirez|
|Distributed by||Columbia Pictures|
|Running time||96 minutes|
American Pop is a 1981 American animated musical drama film starring Ron Thompson and produced and directed by Ralph Bakshi. It was the fourth animated feature film to be presented in Dolby sound. The film tells the story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music.
The majority of the film's animation was completed through rotoscoping, a process in which live actors are filmed and the subsequent footage is used for animators to draw over. However, the film also uses a variety of other mixed media including water colors, computer graphics, live-action shots, and archival footage.
In Imperial Russia during the late 1890s, a rabbi's wife and her young son Zalmie escape to America while the rabbi is killed by the Cossacks. Shortly after their arrival in New York City, Zalmie is recruited by Louie, a performer at a burlesque house, to hand out chorus slips. As Zalmie grows into adolescence, he spends more time with Louie backstage at burlesque shows. When Zalmie's mother dies in a sweatshop blaze, he begins working with Louie full-time at a small theatre. Though Zalmie aspires to be a singer, he is beginning to enter puberty and his changing voice becomes a significant obstacle. When World War I strikes, Zalmie travels the globe performing for the troops as the bottom half of a pantomime horse and sustains a wound to his throat.
When Zalmie returns to New York, he briefly continues performing as a clown, and falls in love with a stripper named Bella, vowing to make her a famous singer and getting involved with mobsters in order to do so. After Zalmie impregnates her, he uses money from mob boss Nicky Palumbo to pay for their wedding. Bella achieves modest success, but she is killed after opening a package containing a bomb intended for Zalmie. Their son, Benny, who is already an introverted child, focuses all of his efforts into becoming a talented jazz pianist. Benny marries Palumbo's daughter at Zalmie's request and enlists to fight in World War II seeking redemption for his family, despite pleas from his father. Benny is killed in Nazi Germany when he stops to play on an abandoned piano and is caught off-guard by a Nazi soldier; Benny begins to play Lili Marleen and the Nazi closes his eyes in bliss, but when the song ends, the Nazi pauses only to thank Benny before riddling him with gunfire. Benny's wife and son, named Tony, now live in a suburban Long Island town, and Zalmie testifies against Palumbo on television.
A teenage Tony steals his stepfather's car and drives across the country for four weeks, ending up in Kansas, where he spends the day washing dishes at a diner and spends the night with a waitress. In California, Tony takes another job dishwashing, but soon grows tired of it and quits. A six-piece rock group invites him to write songs for them after hearing him playing harmonica under their doorstep. The band becomes successful but slowly starts to decompose because of the heroin addictions of female lead singer Frankie Heart and Tony himself. Tony becomes addicted to drugs after being hospitalized from falling off a stage while on acid at one of Frankie's shows. Frankie and the band's drummer, Johnny Webb marry, but divorce after two weeks, and Frankie begins an affair with Tony. In Kansas, the band is set to perform after Jimi Hendrix, but Frankie overdoses backstage, and Tony meets a blonde, blue-eyed boy, Little Pete, whom Tony realizes is his son.
Tony and Pete move to New York City, where Tony deals drugs. Pete makes a small amount of money playing the acoustic guitar, but Tony takes any money that Pete earns to buy drugs for himself. Tony gives Benny's harmonica to Pete, then takes Pete's guitar to pawn it, telling Pete to wait on the bench. The next morning, a man approaches Pete and gives him a small package of drugs to sell and tells Pete that Tony said goodbye to him. After years of selling drugs to rock bands, Pete refuses to sell the band members any more cocaine unless they are willing to listen to his music. His talent stuns both the band and the management and they agree to record and hire him on the spot. The film ends with Pete performing in concert with the band, images of his ancestors appearing during his performance.
- Ron Thompson as Tony Belinksy / Pete Belinksy
- Lisa Jane Persky as Bella
- Jeffrey Lippa as Zalmie Belinksy
- Richard Singer as Benny Belinksy
- Jerry Holland as Louie
- Marya Small as Frankie Hart
- Hilary Beane as Showgirl
- Robert Beecher as Hobo No. 2
- Gene Borkan as Izzy
- Beatrice Colen as Prostitute
- Frank Dekova as Crisco
- Ben Frommer as Nicky Palumbo
- Roz Kelly as Eva Tanguay
- Amy Levitt as Nancy
- Richard Moll as Poet
- Elsa Raven as Hannele
- Vincent Schiavelli as Theatre Owner
- Leonard Stone as Leo
- Eric Taslitz as Little Pete
- Lynda Wiesmeier as The Blonde
Following the production struggles of The Lord of the Rings, Ralph Bakshi decided that it was time to work on something more personal. He pitched American Pop to Columbia Pictures president Dan Melnick. Bakshi wanted to produce a film with an extensive soundtrack of songs which would be given an entirely new context in juxtaposition to the visuals in a film. While the film does not reflect Bakshi's own experiences, its themes were strongly influenced by individuals he had encountered in Brownsville. The film's crew included character layout and design artist Louise Zingarelli, Vita, Barry E. Jackson, and Marcia Adams, each of whom brought their own personal touch to the film. Bakshi once again used rotoscoping, in an attempt to capture the range of emotions and movement required for the film's story. According to Bakshi, "Rotoscoping is terrible for subtleties, so it was tough to get facial performances to match the stage ones."
The score for American Pop was composed by Lee Holdridge. As the result of his reputation as an innovator of adult animation, Bakshi was able to acquire the rights to an extensive soundtrack, including songs by Bob Dylan, Jefferson Airplane, Janis Joplin, The Doors, George Gershwin, The Mamas & the Papas, Herbie Hancock, Lou Reed and Louis Prima, for under US$1 million in permissions fees. Due to music clearance issues, the film was not released on home video until 1998.
American Pop received generally positive reviews from critics and audiences. Critics say that the interlacing of real footage and photos from earlier times brings a level of realism not seen in many animated films. The characters move realistically as well; minute body language is portrayed well. The voice acting also was praised. Of course it's not "Disney quality", but it's got a grittiness to it that truly makes it original. The film was a success upon its February 12, 1981, release. Writer Jerry Beck called it "one of Bakshi's best films". The film currently holds 59% on Rotten Tomatoes.
Michael Barrier, an animation historian, described American Pop as one of two films that demonstrated "that Bakshi was utterly lacking in the artistic self-discipline that might have permitted him to outgrow his limitations."
In 2008, director Hype Williams and Kanye West paid tribute to the film in the music video for West's single "Heartless", which featured use of rotoscoped animation and references to scenes and backgrounds from the film.
After attending a Quentin Tarantino FilmFest in April 1999 where Ralph Bakshi's film Coonskin was screened, Ain't It Cool News head writer Harry Knowles wrote that American Pop was his favorite Ralph Bakshi film.
On January 12, 2014, at The Egyptian Theatre in Hollywood, California, there was a special screening of American Pop with actors Ron Thompson and Mews Small in attendance, it was the first time lead actor Ron Thompson had ever introduced the film before a live audience.
- Maçek III, J.C. (August 2, 2012). "'American Pop'... Matters: Ron Thompson, the Illustrated Man Unsung". PopMatters.
- Vespe, Eric (November 5, 2012). "What does the Behind the Scenes Pic of the Day look like, man? A soda fountain?". Ain't It Cool News.
- Canby, Vincent (February 13, 1981). "'American Pop' Grown-Up Animation". The New York Times. Retrieved 2011-08-16.
- Gibson, Jon M.; McDonnell, Chris (2008). "American Pop". Unfiltered: The Complete Ralph Bakshi. Universe Publishing. pp. 148; 160; 164; 169. ISBN 0-7893-1684-6.
- Beck, Jerry (2005). "American Pop". The Animated Movie Guide. Chicago Review Press. p. 19. ISBN 978-1-55652-591-9.
- American Pop at Rotten Tomatoes
- Gaslin, Glenn (November 21, 2001). "Ralph Bakshi's unfairly maligned Lord of the Rings". Slate.
- Barrier, Michael. Hollywood Cartoons: American Animation in Its Golden Age. Oxford University Press US, 2003. pp. 572. Retrieved on October 15, 2009. ISBN 0-19-516729-5, ISBN 978-0-19-516729-0.
- Kaufman, Gil (May 13, 2009). "Kris Allen's 'Heartless': The Story Behind The Cover". MTV News. Archived from the original on May 15, 2009. Retrieved 2009-05-15.
- Knowles, Harry (April 25, 1999). "MIGHTY PEKING MAN among other reviews (repost)". Ain't It Cool News.
- West, Jay (January 21, 2014). "American Pop - Q&A with Actor Ron Thompson at the Egyptian Theatre in Hollywood, California on 1-12-2014". Vimeo.
- West, Jay (January 21, 2014). "EXCLUSIVE: Ralph Bakshi’s AMERICAN POP – Video of Historic Q&A with Actor Ron Thompson". Beyond the Marquee.
|Wikiquote has quotations related to: American Pop|
- American Pop at the Internet Movie Database
- American Pop at the Big Cartoon DataBase
- American Pop at AllMovie
- American Pop at Box Office Mojo
- American Pop at Rotten Tomatoes
- Radio interview with actor Ron Thompson of American Pop
- American Pop - Q&A video with actor Ron Thompson at The Egyptian Theatre in Hollywood, California