Cowboy Bebop: The Movie

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Cowboy Bebop: The Movie

U.S.-Region 1 DVD cover
Kanji 劇場版 カウボーイビバップ 天国の扉
Rōmaji Gekijōban Kaubōi Bibappu: Tengoku no Tobira
Directed by Shinichiro Watanabe
Produced by Masahiko Minami
Minoru Takanashi
Masuo Ueda
Written by Screenplay:
Keiko Nobumoto
Story:
Hajime Yatate
Starring Kōichi Yamadera
Unshō Ishizuka
Megumi Hayashibara
Aoi Tada
Ai Kobayashi
Tsutomu Isobe
Music by Yoko Kanno & The Seatbelts
Herbie Hancock & V.S.O.P.
Cinematography Yōichi Ōgami
Editing by Shūichi Kakesu
Distributed by Sony Pictures Entertainment
TriStar Pictures
Release date(s) September 1, 2001 (Japan)
August 11, 2002 (US)
Running time 115 min.
Language Japanese

Cowboy Bebop: The Movie, known in Japan as Cowboy Bebop: Knockin' on Heaven's Door (劇場版 カウボーイビバップ 天国の扉 Gekijōban Kaubōi Bibappu: Tengoku no Tobira?, titled Cowboy Bebop: Heaven's Door in English), is a 2001 animated film directed by Shinichirō Watanabe. The screenplay was written by Keiko Nobumoto, based on the Cowboy Bebop television series created by Sunrise. The plot centers on Spike Spiegel and his crew as they find a criminal who is planning to release a virus on Mars. The original Japanese title of the movie is taken from the Bob Dylan's song of the same name. The character Vincent is based around the musician.[1]

Opening on September 1, 2001 in Japan and in the U.S. on August 11, 2002, the film grossed over $3 million worldwide[2] and received positive reviews.

Contents

[edit] Plot

A deadly virus is being released on Mars, and the government has issued a 300 million woolong reward for the man behind it. The Bebop crew take the case hoping to cash in, but the mystery goes deeper than just one man, and the danger behind it might be more than they can handle.

[edit] Creation and conception

Shinichirō Watanabe, creator of the Cowboy Bebop series, said in an interview he aimed to use "more difficult technical effects" available for the film to create a "live-action look" that would permeate throughout the animated film.[3] When asked what the audience should "watch out for" in the film, Watanabe responded by saying that one should not just pay attention to "images," since the creators "pushed [themselves]" on the story, the facial expressions, and "everything". In addition Watanabe said that he "kept the whole "Bebop Flavor" in mind" and that some viewers would not perceive the film as being distinct from the television series.[3]

Watanabe chose to use an "Arabesque" atmosphere, which was described by an interviewer as permeating "everywhere from the images to the music," saying that the Arab world was "alien" to him and that it "wasn't used much" in the television series. He said that he ultimately created the film "using the inspiration I got while I was in Morocco" to gain inspiration, adding that he would not have used the material in his film if he did not like what he saw.[3]

Watanabe used two guest directors, with Hiroyuki Okiura creating the opening and Tensai Okamura created the "Western film-within-the-film." When asked by the interviewer if he asked directors to create segments with "different sensibilities," Watanabe responded by saying that the segments were "very different" from the rest of the film and that the schedule would not have allowed Watanabe to film them, so he had decided that he would rather let "someone I could trust" film the segments.[3]

Watanabe cast Tsutomu Isobe and Ai Kobayashi as guest voice actors; neither of them had very much experience in animation voice acting. Watanabe said that he cast them since he "knew exactly what kind of voice I wanted." He said that he "especially" experienced this feeling regarding Kobayashi since he thought "That's it! She's Electra!" after hearing Kobayashi's demonstration tape. Watanabe said that he also felt that Isobe had "the right voice." Watanabe said, in terms of dramatics, he wanted to use voice actors who could give a "raw, naturalist feel to Bebop."[3]

Watanabe added that he had not originally planned to use Renji Ishibashi for the role of the robber Renji. He said that when he and the other creators planned the convenience store robbery scene, writer Keiko Nobumoto said that she could not not find inspiration. The creators decided to use a real-life actor as a model for the robber and the writers based the robber on Ishibashi. The creators seriously offered the actor a role. Watanabe said that he was "half-joking" and doubted that Ishibashi would accept the role; Watanabe said that he felt "so pleased" when Ishibashi accepted the role.[3]

The interviewer said that he believed the film was "very psychedelic." Watanabe concurred, adding that the film "can get a little psychedelic" and citied the hallucination scenes.[3]

[edit] Characters and voice cast

When asked by an interviewer which character he empathized with "the best" or on which character he could "best project yourself" Watanabe responded by saying "That's a difficult question." He added that he empathized with all of his characters and that he has to simultaneously "keep them all at arm's length" or else he could not "create with them." Watanabe added that there are "bits of me" in every single character.[3]

Original English dub Role
Kōichi Yamadera Steven Blum Spike Spiegel
Megumi Hayashibara Wendee Lee Faye Valentine
Unshō Ishizuka Beau Billingslea Jet Black
Aoi Tada Melissa Fahn Ed
Tsutomu Isobe Daran Norris Vincent Volaju
Ai Kobayashi Jennifer Hale Electra Ovilo
Mickey Curtis Nicholas Guest Rasheed
Yuji Ueda Dave Wittenberg Lee Sampson

[edit] Setting relative to the series

There is some speculation concerning when this movie is set comparative to the series. Some people[who?] have speculated that it is set between episodes 22 and 23 since "Bigshot" is still on the air, the main trio are alive and Ed and Ein aren't on Earth. An alternative is that this is all a dream of Spike's and then the movie is set after episode 26 (suggesting that Spike is still alive).

[edit] Reception

Reception to the film was very positive, earning a high score on Rotten Tomatoes.[4] For example, the BBC gave it 4.5 out of 5 stars, calling it "an example of anime at its very best."[5] A positive review on fansite The Jazz Messengers, which gave it an A-, indicates that fans of the series were not disappointed.[6] It was nominated in 2004 for the Online Film Critics Society Awards in the Best Animated Feature category.[7]

[edit] Blu-ray Disc

The movie was released on Blu-ray disc in Japan on July 25, 2008 featuring remastered 1080p video, and Dolby True HD lossless 5.1 audio.[8] Currently, there are no plans to release the Blu-Ray in the United States.

[edit] Notes

[edit] External links

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