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Bye Bye (Mariah Carey song)

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"Bye Bye"
Single by Mariah Carey
from the album E=MC²
Released April 15, 2008
Format CD single, digital download
Recorded 2007
Length 4:26
Label Island
Writer(s) Mariah Carey, Mikkel S. Eriksen, Tor Erik Hermansen, Johntá Austin
Producer(s) Mariah Carey, Stargate
Mariah Carey singles chronology
"Touch My Body"
"Bye Bye"
"I'll Be Lovin' U Long Time"

"Bye Bye" is a song by American singer-songwriter Mariah Carey, taken from her eleventh studio album, E=MC² (2008). It was written by Carey, Mikkel S. Eriksen, Tor Erik Hermansen and Johntá Austin, and produced by the former three. It was released as the album's second single on April 15, 2008, in the United States, Australasia and select European countries. The song draws influence from pop and R&B music genres, and features a piano and keyboard-driven melody. Lyrically, the song features a dialogue in between Carey and her deceased father throughout the verses, and a universal salute to departed loved ones on the chorus, where she sings "This is for everybody, just lift your hands to the sky, cause we won't ever say bye bye".

The song received generally positive reviews from music critics, with many considering it a highlight from the album. Many reviewers complimented its simple production, as well as its very personal and inspirational lyrics, while some criticized it for being too simple for an artist of Carey's caliber. Though expected by critics to have surely become Carey's nineteenth chart-topping single in the United States, following the success of "Touch My Body", the track only managed to reach a peak position of number nineteen on the Billboard Hot 100. Throughout other countries where it found release, the song achieved relatively weak charting, peaking within the top ten in New Zealand, and in the top-fifty in Canada, Ireland, Slovakia, and the United Kingdom.

"Bye Bye" was performed on few live televised appearances, in comparison to the large promotional boost given to "Touch My Body". Carey first performed the song on T4, followed by Good Morning America and The Oprah Winfrey Show. Carey performed "Bye Bye" for the final time on the seventh season of American Idol, where she was featured as a mentor for the top-seven week. Titled "Mariah Carey Week" and airing live on April 14, 2008, the contestants were to perform a song from Carey's catalog. The song's accompanying music video was directed by Justin Francis on the island of Antigua in the Caribbean. Notably, Carey and Cannon began dating during their trip to the island, and later wed on April 30, 2008. The video features behind-the-scenes footage of the couple, Carey promoting the album in the United Kingdom, as well as photos of several of Carey's close friends, family and past collaborators.


Cquote1.png 'Bye Bye', appears to be about her late father, Alfred Roy, who died of cancer in 2002. Mariah reminisces about the too-little time she shared with her mostly absent father and regrets how as a child, she didn't understand why he failed to show up sometimes to see her after he and her mother divorced when she was 3. But mostly Mariah regrets that he 'never got a chance to see how good I've done / And you never got to see me back at #1'. This confessional moment doesn't last long, since she extends this song about death to be for anybody "who just lost somebody."
—Jennifer Vineyard, MTV News.[1]

In 2001, Carey suffered a physical and emotional breakdown, causing her to abandon promotion of her then-released studio album Glitter (2001), and its film of the same name.[2] As she was hospitalized for exhaustion, the film project received strong negative critical feedback, with the album faring only slightly better.[3] Following Carey's absence from the public eye, as well as her abandonment of promotional appearances for the film and soundtrack, her unprecedented $100 million five-album record deal with Virgin Records (EMI Records) was bought out for $50 million.[4][5] After recovering from her breakdown, and completing her contractual agreement with Virgin Records, Carey began recording her intended "comeback" and follow-up album, Charmbracelet (2002).[6] Though the album focused on incorporating several inspirational and adult contemporary ballads, and re-capturing Carey's audience from throughout the 1990s, critics took notice of Carey's different vocals.[7]

During the album's conception in 2002, Carey's estranged father, Alred Roy, was diagnosed with cancer.[8] After divorcing from Patricia, Carey's mother, when the singer was only three, he kept only limited contact with her throughout the years, as Patricia continuously moved due to their poverty.[8] During this period of Carey's life, when she was just recovering from a breakdown and career slouch, she began reconnecting with her father during his short time in hospital care.[1][9] In a song titled "Sunflowers for Alfred Roy", present on Charmbracelet, Carey refers to a moment she shared with him on his death-bed.[10] Critics described the song as "the album's most lyrically personal song" and appreciated its simple piano accompaniment, while Carey retells of a visit she shared with her father in his hospital room, "Strange to feel that proud, strong man / Grip tightly to my hand."[8][9] In later interviews, Carey explained how during those heartfelt and emotional moments they experienced during his sickness, they were able to maintain closure for all those years of separation.[1][11] She also said how she felt at ease, after being able to see her father again, in his most vulnerable state.[1]

After the album's release, and its succeeding tour, Carey began conceptualizing and working on a new project, eventually titled The Emancipation of Mimi, her tenth studio effort.[12][13] The album became the best-selling album in the United States of 2005,[14] and the second best-seller around the world,[15][16] with over 12 million units sold.[17] It earned a myriad of music industry awards, and brought Carey back to the top of pop music following her decline in 2001."[18] After completing The Adventures of Mimi Tour, Carey began working on material for her eleventh studio effort, the yet untitled E=MC² (2008).[18] E=MC² was hailed as one of the most anticipated albums of 2008, with many critics weighing their opinions on whether Carey would be able to deliver significant success, following her achievements with The Emancipation of Mimi.[19] "Bye Bye" was released as the album's second single, following "Touch My Body", and premiered on radio on April 7, 2008, and became available to download at iTunes on April 15, 2008.[20] The single officially went for adds on April 22, 2008 on Mainstream and Rhythm/Crossover stations.[20]


A 28-second sample of "Bye Bye", featuring the piano and keyboard-driven melody, as well as the final chorus' double voice. Lyrically, the song was described by critics as a "larger than life anthem",[21] and an "inspirational lighter-in-the-air ballad",[22] and finds Carey remembering both her father, as well as any lost loved ones.[23]

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"Bye Bye" is a slow-tempo "inspirational power ballad",[24] which draws influence from R&B and pop music genres.[25] The song is built on an understated and simple piano-driven melody, that is decorated with a soft bass-line.[25] Written by Carey, Mikkel S. Eriksen, and Tor Erik Hermansen and Johntá Austin, and produced by the former three, the song drew comparisons to several of Carey's previous musical arrangements featured throughout both "We Belong Together" and "Don't Forget About Us".[21] According to the sheet music published at by Sony/ATV Music Publishing, "Bye Bye" is set in common time with a tempo of 68 beats per minute.[26] It is composed in the key of B-flat major, with Carey's vocal range spanning from the low-note of F3 to the high-note of F6 in whistle register, and F5 in chest voice.[26] The song follows in the chord progression of Bm7–Am7–Gmaj7.[26] Lyrically, the song was described by critics as a "larger than life anthem",[21] and an "inspirational lighter-in-the-air ballad",[22] and finds Carey remembering both her father, as well as any lost loved ones.[23] During the verses, Carey pays tribute to her father, Alfred Roy, who died in 2002. "Bye Bye" begins with an understated chorus, then working into the first verse, in which Carey retells of her childhood, and her relationship with her father years ago: "As a child there were them times / I didn't get it, but you kept me alive / I didn't know why you didn't show up sometimes / And its more than saying 'I miss you' / But I'm glad we talked through / All them grown full things separation brings / You never let me know it, you never let it show".[22] Then, the pre-chorus continues describing Carey's emotions in the present, "And everyday life goes on / I wish I could talk to you for a while", and how the loss of her father still affects her day-to-day life.[27]

While the verses are dedicated to him, the chorus was written in a third-person point of view, for her fans: "This is for my peoples who just lost somebody / Your best friend, your baby, your man or your lady / Put your hand way up high / We will never say bye / Mamas, daddies, sisters, brothers, friends and cousins / This is for my peoples who lost their grandmothers / Lift your hands to the sky / Because we won't ever say bye bye".[28] While listing several forms of loss, Carey encourages to never let go, and always live with their memory, and put their hands if they ever lost someone, 'cause we won't ever say bye bye'.[28] As the Carey sings the second chorus, she reverts to he singular conversation with her deceased father, however now revisiting 2005, "And you never got a chance to see how good I've done / And you never got to see me back at No. 1", referencing her return to the top of music with The Emancipation of Mimi.[29] The song does not feature a bridge, instead repeating the chorus twice, once in the same key as the rest of the song, while the other in a raised octave.[26] During the last chorus, Carey's voice is doubled, with her regular tone voice singing softly over the piano chords, while her more prominent and higher pitched vocals are laid over it.[27] Critic Joseph Dayrit, writing in for the Philippine Entertainment Portal, described how the song served as both a personal memoirs for Carey, in addition to an anthem for her fans and their families: "[It's] a more sentimental take on letting go and saying goodbye in a more general tone. It's directed not only to unreciprocated hopeful lovers but to family and friends as well."[30] Jennifer Vineyard from MTV News recalled an interview with Carey about the song, and posted it with her commentary in detail:

"Sometimes when I'm writing a song, it does come from such a raw place that I'm actually crying while writing it," Mariah admitted. Her second single, a tribute to her late father, is also meant to reach anyone else who has suffered a loss of a loved one. "Sometimes I hear it and feel that this is going to touch a lot of people, and that's why it's important that no matter what's ever happened to me over my career, that I stay the course and continue to write and try and reach people who need." Anyone who manages to do the reverse, and touch Mariah with one of their songs, "I'm indebted to them forever."[31]

Critical reception[edit]

"Bye Bye" received mostly positive reviews from music critics, and was heavily speculated to have become Carey's 19th number-one single on the Billboard Hot 100. Many reviewers complimented its simple and understated musical arrangement and personalized lyrics, while some felt the song was too simple for an artist of Carey's stature. Jeffrey Mitchell from The Hollywood Reporter described it as a "high point" on the album, and wrote "Mariah softly and sweetly lamenting the loss of any kind of loved one on the truly touching 'Bye Bye'.[28] Mitchell concluded his review put stock in the song's success, and ended with "Thankfully, it looks like we won’t be saying “bye” to Mariah for a long time."[28] An anonymous journalist writing in for MTV UK called "Bye Bye" a "tear jerking ode to people who have passed away", and assumed it would "have reality pop contestants singing away for decades to come!"[32] The Houston Chronicle '​s Goey Guerra highlighted the song as "truly trademark Mimi", and described it as "a lighters-and-hands-in-the-air tribute to deceased loved ones".[29] Dan Hinkley of Daily News branded it "the album's most potentially personal song", and assured it would become Carey's 19th chart-topping single in the United States.[33] The song received positive response from both Rolling Stone '​s Christian Hoard and Yahoo! Music writer Dann Gennoe, who describes the track as a "piano-based big-voiced"[25] and "lighter-friendly" ballad.[34] In his review of E=MC², a writer from the Los Angeles Times described the song's lyrics and production in detail:

When Carey tries to open up a bit more, her sentiments are the equivalent of a Hallmark Precious Moments figurine. In a ballad 'Bye Bye', Carey isn't taking chances, designing the lyrics for mass appeal by dedicating them to anyone who ever lost somebody, be it 'your best friend, your baby, your man or your lady'. But Carey gracefully pulls off the universality of the lyrics, and the tune will likely be a massive hit.[21]

A columnist from the British newspaper New! described "Bye Bye" as their "favorite track", and wrote "the delicious 'Bye Bye' is a classic slushy Mariah ballad, with a swoonsome chorus."[35] Jonathan Reyes from Rap-Up felt the track would get listeners "teary eyed", and due to it being a "song everyone can relate too", assure it would become Carey's next number-one single.[36] While ABC News writer, Steve Jones, described how "Bye Bye" packed the bum with "an emotional wallop",[37] The Washington Post '​s Freedom De Luc compared it heavily to "Don't Forget About Us", Carey's 2005 single.[38] De Luc wrote how both shared similar piano instrumentation, however different lyrical settings; "Don't Forget About Us" finds Carey playing a "broken-hearted lover", while "Bye Bye" an "inspirational song that comes with its own set of suggested demographics and instructions."[38] Bill Lamb from lauded the song, assuring its chart success with "Nothing is ever a sure bet to be a #1 hit, but it seems like Mariah Carey's new single 'Bye Bye', is about as close as it gets.[39] He described it as a track that "has a universal lyrical appeal and the instant feel of a Mariah Carey classic."[39] Some reviewers felt the song was a sub-par effort from an artist of Carey's stature, with many describing it as unoriginal and not a good follow-up single to "Touch My Body". Entertainment Weekly '​s Margeaux Watsman felt "Bye Bye" was an "odd choice" for a second single, and called it "somber edgy".[40] Nick Levine from Digital Spy described the track as a "shmaltzy ballad",[41] while an anonymous VH1 critic wrote "with the “We Belong Together” sonic template and lyrics tailored appeal to everyone on such a basic level seems like too easy of a combination for someone as established as Mimi. This one’s like insurance – in case nothing else is a hit, here’s a sure-shot. But ultimately, it turns out that the album is too good for that."[42]

Chart performance[edit]

"Bye Bye" served as the second single from E=MC². Though released in the United States, the United Kingdom, Australasia and other select parts of Europe, the song was not sent to radio stations in countries like the Netherlands, France, Norway and Switzerland, where "I'll Be Lovin' U Long Time", the album's third official single, was released instead. "Bye Bye" debuted at number twenty-three on the Billboard Hot 100 as the "Hot Shot Debut", selling 60,000 downloads.[43] Following her performance of the song on American Idol and The Oprah Winfrey Show, it eventually peaked at number nineteen on the Hot 100,[44] and at number thirty-three on the Billboard Hot R&B/Hip-Hop Songs.[44] The track eventually peaked at number thirty-four on the Canadian Hot 100, and stayed within the chart for a total of twelve weeks.[45]

On the main chart in Europe, "Bye Bye" peaked at number eighty-four on the European Hot 100.[44] It debuted and peaked at number seventy in Germany, and debuted at number eighty-eight on the UK Singles Chart.[46][47] Six weeks later, on July 5, 2008, the song peaked at number thirty, due to the release of the song's music video.[48] In Asia, "Bye Bye" charted on the Japan Hot 100, peaking at number seventy-three.[44] In New Zealand, the song achieved its highest peak, reaching number seven in its third week.[49] After a total of eight weeks, the song dropped out of the top 40.[49] The song achieved relatively low peaks throughout each country it charted, including number forty-three in Australia, forty in Ireland and number fifty in Slovakia.[50][51]


The main official remix, the "So So Def Remix", produced by Carey and Jermaine Dupri, features a verse by Jay-Z (Carey provided new background vocals on his verse) and Jermaine Dupri on background vocals.[52] In an interview with MTV News, Dupri described the remix as "crazy", and said "Young Hov and Mariah crank it up, and myself, JD — a.k.a. Barry Bonds — cleans up."[52] When asked if it would sound awkward due to the song's melancholy nature, he answered "we'll forget about the sad sentiments".[52] A writer from Rap-Up gave the remix a positive review, calling it "FIRE!".[53] An additional remix was released, titled the "R&B Remix", and features vocals from Akon, and an under-stated rap from Lil Wayne.[54]

Music video[edit]


The music video was directed by Justin Francis, and co-directed by Nick Cannon on the island of Eleuthera in the Bahamas.[55] The video became notable for the pair, due to the fact that it was during its conception and recording that they began dating, and eventually wed two months later.[56] The video was shot in early April 2008, but was delayed until May, with several critics suggesting it because of the couples engagement.[57] In an interview with Fox News, Cannon spoke of his feelings when first speaking with Carey regarding the video:

From the first time we sat down to discuss the video at the Beverly Hills Hotel, we connected. We had so much in common spiritually, and we laugh at the same things. I didn't have to put on my Mac Daddy suave mode. I was able to be myself with her. We are both eternally 12 years old.

The pair eloped in the Bahamas, at Carey's private estate in Eleuthera, and wed on April 30, 2008.[58] The couple stayed on the island for over two weeks after the nuptials for their honeymoon, which is why the video was delayed until mid-May, so Carey would be able to promote it in time.[17][59]


Carey's inclusion of the photographs with Luciano Pavarotti and Luther Vandross (both pictured) garnered praise from critics, who felt it was the singer's way of honoring her past collaborators memories.

The video consists of multiple scenes with Carey and (now husband) Cannon, who plays her love interest. This is shown along with various behind-the-scenes footage of Carey at various promotional events in the United Kingdom. The video begins with grainy footage of a plane landing in the Bahamas, with Carey and Cannon exiting the aircraft with her dog. Throughout the video, scenes of Carey laying on a sofa, writing lyrics and tearing, as well as the singer in a darkened stage are shown. Several behind-the-scenes clips of Carey promoting the album in the United Kingdom are shown, as she arrives at a CD signing, and connects with fans. Following the signing, Carey is shown at a fashion show, as well as modelling in several outfits. Other scenes that intermingle are of Carey looking out of her hotel suite window in London, as well as candles being put out. During the second verse, the couple is seen spending time together on the island, spending time with friends at a small gathering at the pool, as well as moments of Carey modeling for her bikini photo shoot for the June issue of Vibe. The video's final segment is of Carey performing the song at a concert in a large theatre, while several photos are sporadically shown. Photographs of several of Carey's deceased friends and family members are shown, including her dog, Jack, her father Alfred Roy, her grandmother, David Cole, Luciano Pavarotti, Ol' Dirty Bastard, and Luther Vandross, all of whom Carey had collaborated with during her career. Critics complimented the inclusion of the photos with both Pavarotti and Vandross, and considered it Carey's way of honoring them.[56][57]

Chart performance[edit]

The music video peaked at #4 on Billboard's Hot Videoclip Tracks chart.[60]

Live performances[edit]

On the seventh season of the popular talent competition American Idol, Carey was featured as a mentor for the top-seven week. Titled "Mariah Carey Week" and airing live on April 14, 2008, the contestants were to perform a song from Carey's catalog.[61] After all seven contestants sang their individual songs, they all came together for a live rendition of Carey's 1996 collaboration with Boyz II Men, "One Sweet Day".[62] Overall, critics noted how a Carey themed week would be extremely difficult for the performers, due to their vocally strenuous nature.[61][62] Following their joint performance, Carey emerged onto the stage in a black mini-dress, and performed "Bye Bye" live, while backed by a trio of supporting vocalists. Tamara Jones of The Washington Post jokingly commented on Carey's flailing hand movements during the performance, writing how she was "waving like a malevolent homecoming queen".[23] Gil Kaufman fro MTV News complimented Carey's performance, commenting on her "barely there micro-dress" and writing how she "serenaded the audience with her homage to lost ones."[63] The Calgary Sun '​s Lindsey Ward described it as a "less-than-fab performance", although complimenting on Carey's leaner figure, "Oh, who am I kidding? She would look hot in a paper bag."[64]

On April 25, 2008, Carey opened the Good Morning America "Summer Concert Series" with a live performance in Times Square.[65] Carey, wearing a pink mini-skirt, began the set with "Touch My Body" in front of thousands of fans.[65] During the song, Carey's backing vocals began to malfunction, causing it to repeat phrases and play during her main vocal moments.[66] In order to let the sound engineer know of the problem, she substituted part of the lyrics for "stop singing my part now baby", and completed the final chorus.[66] She continued on with "I'm That Chick", and completed the three-song set-list with her follow-up single, "Bye Bye".[65] After marking the album's stateside launch with her appearance on Good Morning America, Carey took to Europe to perform on several programs, one of which included a live rendition of "Bye Bye". She began with an interview on the British radio station, BBC Radio 1, and continued onto a live performance of the song on T4.[67] On April 12, 2008, Carey made an appearance on The Oprah Winfrey Show.[68] Winfrey interviewed the singer on her weight loss, E=MC², and even showed footage of Carey in her New York apartment, showing off her lingerie closet.[68] Following the interview, Carey, dressed in a purple and black ensemble, performed a live rendition of "Bye Bye" for the audience, with three background vocalists assisting her.[69] Kevin Johnson from St. Louis Post-Dispatch described the performance as "touching", and complimented the song's appeal.[69]

Track listings and formats[edit]

European CD single[70]

  1. "Bye Bye" (Album Version) – 4:26
  2. "Bye Bye" (So So Def Remix feat. Jay-Z) – 3:57

UK CD single[71]

  1. "Bye Bye" (Album Version) – 4:26
  2. "Bye Bye" (So So Def Remix feat. Jay-Z) – 3:57

US CD maxi-single[72]

  1. "Bye Bye" (Album Version feat. Akon & Lil Wayne) – 4:35
  2. "Bye Bye" (R&B Remix) – 4:26
  3. "Bye Bye" (Video)

Credits and personnel[edit]

Credits for E=MC² adapted from the album's liner notes.[73]


Release history[edit]

Region Date Label Format
United States[91] April 15, 2008 Island Records Radio airplay
April 14, 2008 Digital download
United Kingdom[92] June 23, 2008 CD single, digital download
Europe[93] July 18, 2008


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External links[edit]