Extremely Loud and Incredibly Close (film)
|Extremely Loud and Incredibly Close|
Theatrical release poster
|Directed by||Stephen Daldry|
|Produced by||Scott Rudin|
|Screenplay by||Eric Roth|
|Based on||Extremely Loud and Incredibly Close
by Jonathan Safran Foer
Max von Sydow
|Music by||Alexandre Desplat|
|Editing by||Claire Simpson|
|Studio||Scott Rudin Productions|
|Distributed by||Warner Bros. Pictures|
|Running time||129 minutes|
Extremely Loud and Incredibly Close is a 2011 American drama film adaptation of the novel of the same name by Jonathan Safran Foer, directed by Stephen Daldry and written by Eric Roth. It stars Thomas Horn, Tom Hanks, Sandra Bullock, Max von Sydow, Viola Davis, John Goodman, Jeffrey Wright, and Zoe Caldwell.
Production took place in New York City. The film had a limited release in the United States on December 25, 2011, and a wide release on January 20, 2012. Despite mixed reviews from critics, the film was nominated for two Academy Awards, Best Picture and Best Supporting Actor for Max von Sydow.
The film begins with a body that seems to be falling from the sky, alluding to jumpers from the World Trade Center on September 11, 2001. Oskar Schell (Thomas Horn) is introduced as the son of German American Thomas Schell (Tom Hanks) who died during the attack.
Oskar is incredibly smart, and his father knew that. He would often send him on a mission to do something involving one of his riddles. The last riddle his father ever gives him is proof that the Sixth Borough was there. In a flashback, Thomas and Oskar play a scavenger hunt to find objects throughout New York City. The game requires communication with other people and is not easy: "if things were easy to find, they wouldn't be worth finding".
On September 11, Oskar is let out of school early while his mother Linda (Sandra Bullock) is at work. When Oskar gets home, he finds five messages from his father on the answering machine saying he is in the World Trade Center. When Thomas calls for the sixth time, Oskar hears the phone ringing but is too scared to answer. The machine records a sixth message, which stops when the building collapses, and Oskar knows his father has been killed and he falls to the floor. He replaces the answering machine so his mother will never find out.
A few weeks after what Oskar calls "the worst day", he confides in his German grandmother and they become closer. Oskar's relationship with his mother worsens since she cannot explain why the World Trade Center was attacked and why his father died. Oskar tells his mother he wishes it had been her in the building, not his father, and she responds, "So do I". After, Oskar says he did not mean it, but his mother doesn't believe him.
A year later, Oskar finds a vase in his father's closet with a key in an envelope with the word "Black" on it. He vows to find what the key fits. He finds 472 Blacks in the New York phone book and plans to meet each of them to see if they knew his father. He first meets Abby Black (Viola Davis), who has recently divorced her husband. She tells Oskar she did not know his father.
One day, Oskar realizes that a strange man (Max Von Sydow) moved in with his grandmother. Oskar stumbles upon the stranger who does not talk because of his childhood trauma of his parents' death in World War II. He communicates with written notes and his hands with "yes" and "no" written on them. As they become friends and go together on the hunt to find what the key fits, Oskar learns to face his fears, such as those of public transport and bridges. Oskar concludes that the stranger is his grandfather. Oskar plays the answering machine messages for the stranger. Before playing the last message, the stranger cannot bear listening any longer, and stops Oskar. Later on, the stranger moves out and tells Oskar not to search anymore.
When Oskar looks at a newspaper clipping his father gave him, he finds a circled phone number. He dials the number and reaches Abby, who wants to take Oskar to her ex-husband, William, who may know about the key. William (Jeffrey Wright) tells Oskar he has been looking for the key. William had sold the vase to Oskar's father who never knew the key was in the vase. The key fits a safe deposit box where William's father left something for him. Disappointed that the key does not belong to him, Oskar goes home.
Oskar's mother tells Oskar she knew he was contacting the Blacks. She then informs him that she visited each Black in advance and informed them that Oskar was going to visit and why. Oskar makes a scrapbook of his scavenger hunt and all the people he met and titles it "Extremely Loud and Incredibly Close." At the end of the scrapbook there is an animation where Thomas's body is falling up instead of down.
Oskar's grandfather returns to live with Oskar's grandmother.
- Thomas Horn as Oskar Schell
- Max von Sydow as The Renter
- Sandra Bullock as Linda Schell
- Viola Davis as Abby Black
- Tom Hanks as Thomas Schell
- John Goodman as Stan the Doorman
- Jeffrey Wright as William Black
- Zoe Caldwell as Oskar's grandmother
- Hazelle Goodman as Hazelle Black
In August 2010, it was reported that director Stephen Daldry and producer Scott Rudin had been working on a film adaptation of the novel for five years. Eric Roth was hired to write the script. Extremely Loud and Incredibly Close is a co-production with Paramount Pictures and Warner Bros., with Warner being the "lead studio". Chris Menges served as director of photography, K. K. Barrett as production designer and Ann Roth as costume designer.
Tom Hanks and Sandra Bullock were the first to be cast in the film. A nationwide search for child actors between the ages of 9 and 13 began in late October 2010 for the role of Oskar Schell. Thomas Horn, who had won over $30,000 at age 12 on the 2010 Jeopardy! Kids Week, was chosen for the role in December 2010. Horn had had no prior acting interest but was approached by the producers based on his quiz-show appearance. On January 3, 2011 The Hollywood Reporter announced that John Goodman joined the cast. That same month Viola Davis and Jeffrey Wright were cast. Nico Muhly was credited in the film poster as the composer, but on October 21, 2011 it was reported that Alexandre Desplat was chosen to compose the score. German actress Senta Berger was offered a role in the film, but refused.
Daldry stated in an interview that the film is about "a special child who is somewhere on the autistic spectrum, trying to find his own logic – trying to make sense of something that literally doesn’t make sense to him." When asked how much research was necessary to realistically portray a character with such a condition, he answered "we did a lot of research," and that he "spent a lot of time with different experts of Asperger’s and talked to them." In the film, Oskar reveals that he was tested for Asperger syndrome, but the results were inconclusive. As Daldry explained: "Every child is different on the autistic spectrum, so we created our own version of a child that was in some way – not heavily, but somewhere on that spectrum in terms of the fears and the phobias."
There are no references to autism in the novel. Author Jonathan Safran Foer stated in an interview that he had never thought of Oskar as autistic, but added, "Which is not to say he isn't - it's really up for readers to decide. It's not to say that plenty of descriptions of him wouldn't be fitting, only that I didn't have them in mind at the time."
Principal photography was expected to begin in January, but started in March 2011 in New York City. Filming went on hiatus in June. On May 16, 2011, scenes were shot on the streets of the Lower East Side and Chinatown. Cranes were used to shoot scenes on the corner of Orchard Street and Grand Street. Extremely Loud and Incredibly Close was filmed with an Arri Alexa and was the first feature film to use Arri's ArriRaw format to store the data for post-production. Several scenes for the film were shot in Central Park, an location that is integral to the storyline, near The Lake and Wollman Rink.  The Seaport Jewelry Exchange on Fulton St. was used for a pivotal scene in the film when the son is searching through a jewelry store and its back room.
Daldry had hoped to have the film released around the tenth anniversary of the terrorist attacks of September 11, 2001. A test screening took place in New York on September 25, 2011 to a positive reaction. Extremely Loud and Incredibly Close had a limited release in the United States on December 25, 2011, and a wide release on January 20, 2012. It was released in the United Kingdom on February 17, 2012.
Home media release 
Critical reception 
Review aggregator Rotten Tomatoes reports that 47% of 167 critics have given the film a positive review, with a rating average of 5.6 out of 10. The film's consensus states: "Extremely Loud & Incredibly Close has a story worth telling, but it deserves better than the treacly and pretentious treatment director Stephen Daldry gives it." Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 46 based on 40 reviews.
Critics were sharply divided about the subject matter of the film. Betsy Sharkey of the Los Angeles Times wrote that the film was a "handsomely polished, thoughtfully wrapped Hollywood production about the national tragedy of 9/11 that seems to have forever redefined words like unthinkable, unforgivable, catastrophic". Andrea Peyser of the New York Post called it "Extremely, incredibly exploitive" and a "quest for emotional blackmail, cheap thrills and a naked ploy for an Oscar." Peter Howell of the Toronto Star gave the film one out of four stars saying that "[the] film feels all wrong on every level, mistaking precociousness for perceptiveness and catastrophe for a cuddling session. It's calculated as Oscar bait, but the bait is poisoned by opportunism and feigned sensitivity".
|84th Academy Awards||Best Picture||Scott Rudin||Nominated|
|Best Supporting Actor||Max von Sydow||Nominated|
|Boston Film Critics||Boston Society of Film Critics Award for Best Supporting Actor||Nominated|
|Art Directors Guild||Best Art Direction in a Contemporary Film||K.K. Barrett||Nominated|
|Broadcast Film Critics Association Awards||Best Picture||Nominated|
|Best Director||Stephen Daldry||Nominated|
|Best Young Actor/Actress||Thomas Horn||Won|
|Best Adapted Screenplay||Eric Roth||Nominated|
|Dallas-Fort Worth Film Critics Association||Best Picture||Nominated|
|Best Supporting Actor||Max von Sydow||Nominated|
|Georgia Film Critics Association||Best Supporting Actor||Nominated|
|Best Supporting Actress||Sandra Bullock||Nominated|
|Houston Film Critics Society||Best Picture||Nominated|
|Phoenix Film Critics Society||Best Original Score||Alexandre Desplat||Nominated|
|Best Performance by a Youth in a Lead or Supporting Role - Male||Thomas Horn||Won|
|Breakthrough Performance on Camera||Won|
|San Diego Film Critics Society Awards||Best Supporting Actor||Max von Sydow||Nominated|
|Best Score||Alexandre Desplat||Nominated|
|Teen Choice Awards||Teen Choice Award for Best Actress Drama||Sandra Bullock||Nominated|
Best Picture nomination 
Extremely Loud and Incredibly Close was expected to be a major contender and the 84th Academy Awards (Stephen Daldry's previous two films had garnered Best Picture nominations). However, due to the film's polarizing reception and its being ignored by most of the Critics Groups Awards, the Golden Globes, the British Academy of Film and Television Arts Awards, and the Screen Actors Guild Awards, it was no longer deemed as a major contender. However, the film was nominated for Best Picture and Best Supporting Actor. Critics and audiences criticized the film's nomination for Best Picture, with some calling the film one of the worst Best Picture nominees ever. Chris Krapek of The Huffington Post wrote very negatively about the film's nomination, calling the film "not only the worst reviewed Best Picture nominee of the last 10 years, [but] easily the worst film of 2011". Paste Magazine's Adam Vitcavage called the film "certainly the worst for at least 28 years", and David Gritten of The Telegraph calls the nomination "mysterious".
Many critics have blamed the new Best Picture rules for the nomination. John Young at Entertainment Weekly says that when it comes to the new rules, "it's better to be loved by a small and passionate group instead of liked by a much larger group", and Jen Chaney at The Washington Post, believes that, "the Academy should've just stuck to the 10 rule so that films like Dragon Tattoo or Harry Potter could've joined the other worthy contenders, because if you’re going to create a bunch of drama around the number of nominees and then come up one shy of what has become the typical total, that just feels like a letdown." The Week writes that the new rules are a failure, as it lets "smaller, divisive movies that the Academy had hoped to weed out, like Tree of Life and Extremely Loud and Incredibly Close in, but prevents critically-praised crowd pleasers like Bridesmaids and The Girl With the Dragon Tattoo from being nominated."
Not all critics were negative about the nomination. Tom O'Neil, a former L.A. Times critic, analyzed the film's few nominations in other awards and its polarizing reaction from critics stating: "This is a movie that we unwisely wrote off, but we did it because we believed the critics. This movie delivers. It is a superb motion picture. It is moving, it is relevant to our time, it is extremely well made."
See also 
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- Siegel, Robert, "Stephen Daldry Discusses New Movie", interview with Daltry, All Things Considered, NPR, December 20, 2011. Audio only. Retrieved 2011-12-20.
- Fleming, Mike (December 15, 2010). "'Jeopardy!' Wiz Kid Lands Lead in WB Movie". Deadline.com (PMC). Archived from the original on October 22, 2011. Retrieved May 26, 2011.
- Kit, Borys (January 3, 2011). "EXCLUSIVE: John Goodman Joining Sandra Bullock, Tom Hanks in 'Extremely Loud and Incredibly Close'". The Hollywood Reporter (Prometheus Global Media). Archived from the original on June 6, 2011. Retrieved May 26, 2011.
- Bamigboye, Baz (January 21, 2011). "Hold the Botox! I'd rather grow old gracefully, says English eccentric Helena Bonham Carter". Daily Mail (London: Associated Newspapers Ltd). Archived from the original on October 22, 2011. Retrieved May 26, 2011.
- Tapley, Kristopher (October 21, 2011). "Alexandre Desplat tapped for 'Extremely Loud and Incredibly Close'". HitFix. Archived from the original on October 22, 2011. Retrieved October 22, 2011.
- "Na gut, reden wir übers Küssen". Tagesspiegel (in German). 2012-03-27. Retrieved 2012-12-10.
- Gilchrist, Todd (December 20, 2011). "Stephen Daldry Talks Asperger's, Depicting 9/11 In 'Extremely Loud and Incredibly Close,' And The Oscars". Indiewire. Retrieved March 20, 2012.
- Kahn, Joseph P. (January 25, 2012). "Autism gaining greater visibility in films, TV". The Boston Globe. Retrieved March 20, 2012.
- "New York Production Listings". Back Stage. Prometheus Global Media. June 23, 2011. Archived from the original on October 22, 2011. Retrieved June 25, 2011.
- Hedlund, Patrick (May 16, 2011). "LES is Backdrop for Post-9/11 Film 'Extremely Loud and Incredibly Close'". DNAinfo.com. Archived from the original on May 30, 2011. Retrieved May 30, 2011.
- Giardina, Carolyn (April 14, 2011). "Cinematographer Roger Deakins Switching From Film to Digital Camera". The Hollywood Reporter (Prometheus Global Media). Archived from the original on October 22, 2011. Retrieved October 22, 2011.
- "Extremely Loud and Incredibly Close Park Locations". Central Park Sunset Tours. Retrieved March 12, 2013.
- Tapley, Kristopher (September 28, 2011). "In 'Extremely Loud and Incredibly Close,' could Max Von Sydow finally win an Oscar...for a silent performance?". HitFix. Archived from the original on October 22, 2011. Retrieved October 22, 2011.
- Fleming, Mike (August 3, 2011). "Warner Bros Sets Its Oscar Season Dance Card". Deadline.com (PMC). Archived from the original on October 22, 2011. Retrieved August 3, 2011.
- Gritten, David (October 18, 2011). "War Horse is a weepie". The Daily Telegraph (London). Archived from the original on October 22, 2011. Retrieved October 22, 2011.
- Whitman, Howard. "lu-ray Review: Extremely Loud and Incredibly Close (Warner Bros.)". Technology Tell. www.technologytell.com. Retrieved 4/12/2012.
- Srisavasdi, Greg (February 22, 2012). "'Extremely Loud & Incredibly Close' Finds Its Way on Blu-Ray & DVD March 27th". Hollywood Outbreak. Retrieved March 20, 2012.
- "Extremely Loud and Incredibly Close (2011)". Rotten Tomatoes. Flixster. Retrieved July 7, 2012.
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- Sharkey, Betsy (December 23, 2011). "'Extremely Loud & Incredibly Close' review: Eloquence in loss". Los Angeles Times (Tribune Company). Archived from the original on December 25, 2011. Retrieved December 25, 2011.
- Peyser, Andrea (January 19, 2012). "Extremely, incredibly exploitive". New York Post.
- Howell, Peter (December 22, 2011). "Review: Extremely Loud & Incredibly Close exploits a tragedy". Toronto Star. Star Media Group. Archived from the original on December 25, 2011. Retrieved December 25, 2011.
- "Phoenix Film Critics Society 2011 Awards". Phoenix Film Critics Society. Retrieved January 22, 2012.
- "Oscar Nomination Reactions and Analysis". Retrieved March 13, 2012.
- Brooks, Xan (February 23, 2012). "Oscars 2012: Is Extremely Loud and Incredibly Close the worst best picture nominee ever? | Film". The Guardian (London). Retrieved 2012-07-07.
- "Chris Krapek: Extremely Loud Oscar Angst". Huffingtonpost.com. February 22, 2012. Retrieved 2012-07-07.
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- Bierly, Mandi. "Academy Award nominations: Why 9 Best Pic nominees? | Inside Movies | EW.com". Insidemovies.ew.com. Retrieved 2012-07-07.
- Chaney, Jen (2012-01-24). "Oscar nominations 2012: Did the best picture change make a difference? - Celebritology 2.0". The Washington Post. Retrieved 2012-07-07.
- "Oscars 2012: Are the new Best Picture rules a failure?". The Week. Retrieved 2012-07-07.
- "Oscar Nomination Reactions and Analysis Question 6". Retrieved March 13, 2012.
- Official website
- Extremely Loud and Incredibly Close at the Internet Movie Database
- Extremely Loud and Incredibly Close at AllRovi
- Extremely Loud and Incredibly Close at Box Office Mojo
- Extremely Loud and Incredibly Close at Rotten Tomatoes
- Extremely Loud and Incredibly Close at Metacritic