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List of compositions by Franz Liszt

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Franz Liszt, after a painting of 1856, by Wilhelm von Kaulbach.

The Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of Liszt's output is dedicated to solo works for the instrument and is particularly technically demanding. The primary cataloguing system for Liszt's compositions was first developed by Humphrey Searle; it has been thoroughly revamped by Michael Short and Leslie Howard.

Legend

Catalogue of works

S. LW Title Forces Key Date Genre Notes
1–350

Original works

1

Opera

1 O1 Don Sanche (Le château de l'amour) vv ch orch 1824–25 Stage opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished
2–66

Sacred choral works

2 I4 Die Legende von der Heiligen Elisabeth sop alt 3bar 2bass ch org orch 1857–62 Choral, sacred extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a
3 I7 Christus sop alt ten bar bass ch org orch 1866–72 Choral, sacred Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664
4/1 I8a Cantico di San Francesco bar pf org/harm (+ mch) F major 1862 Choral, sacred 1st version of S.4/2; Alleluja arr. for org (+ tbn) as S.677
4/2 I8b Cantico del sol di Francesco d'Assisi bar mch org orch F major 1879–82 Choral, sacred 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665
5/1 I1a Sainte Cécile (Die heilige Cäcilia) mez orch (?) 1845 Choral, sacred 1st version of S.5/2 ; lost
5/2 I1b Sainte Cécile (Die heilige Cäcilia)
(Legende)
mez orch (+ ch) 1874 Choral, sacred 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)  as S.5/2a
5/2a I1b Sainte Cécile (Die heilige Cäcilia)
(Legende)
mez hp/pf/harm (+ ch) 1874 Choral, sacred arr. of S.5/2
6 L15 Die Glocken des Strassburger Münsters 2vv ch org orch 1874–75 Choral, sacred oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]
7 I10 Cantantibus organis (Antiphona in festo Santa Caeciliae) alt ch orch G major–G minor 1879 Choral, sacred
7bis I10 Cantantibus organis (Antiphona in festo Santa Caeciliae) alt ch hp harm/org pf G major–G minor 1879 Choral, sacred
8/1 J5a Missa quattuor vocum ad aequales mch org 1846–47 Choral, sacred 1st version of S.8/2
8/2 J5b Missa quattuor vocum ad aequales (Szekszárd Mass) mch org 1869 Choral, sacred 2nd version of S.8/1; themes used in S.264
9 I2 Missa Solennis (Graner Mass) sop alt ten bass ch orch 1857–58 Choral, sacred extract ('Poco adagio') arr. for pf as S.747 [?]
10 J18 Missa Choral, sacredis ch org 1859–65 Choral, sacred
11 I9 Ungarische Krönungsmesse (Hungarian Coronation Mass) 4vv ch orch 1866–69 Choral, sacred Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362
12 J22 Requiem (Messe des morts) 4vv mch org (+ br perc) 1867–71 Choral, sacred includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45
13/1 I3a Psalm 13 (Herr, wie lange willst du meiner so gar vergessen) 4vv ch orch 1855–56 Choral, sacred 1st version of S.13/2
13/2 I3b Psalm 13 (Herr, wie lange willst du meiner so gar vergessen) ten ch orch 1859–63 Choral, sacred 2nd version of S.13/1; arr. for ten ch org as S.132/2a
13/2a I3b Psalm 13 (Herr, wie lange willst du meiner so gar vergessen) ten ch org 1866 Choral, sacred arr. of S.13/2
14/1 I5a Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) mch orch (+ org) 1860 Choral, sacred 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a
14/1a I5a Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) mch ww br 1860 Choral, sacred arr. of S.14/1; 1st version of S.14/2a
14/2 I5b Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) mch org 1870 Choral, sacred 2nd version of S.14/1; arr. for mch ww br as S.14/2a
14/2a I5b Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) mch ww br 1870 Choral, sacred arr. of S.14/2; 2nd version of S.14/1a
15/1a J10a Psalm 23 (Mein Gott, der ist mein Hirt) sop/ten mch hp/pf org/harm 1859–61? Choral, sacred 1st version of S.15/1b, S.15/2a, S.15/2b, S.15/3
15/1b K1 Psalm 23 (Mein Gott, der ist mein Hirt) sop/ten hp/pf org/harm 1859–62 Choral, sacred 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15/3
15/2a J10b Psalm 23 (Mein Gott, der ist mein Hirt) sop/ten mch hp/pf 1859–62 Choral, sacred 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15/3
15/2b I1b Psalm 23 (Mein Gott, der ist mein Hirt) sop/ten hp/pf 1859–62 Choral, sacred 4th version of S.15/1a, S.15/1b, S.15/2a, S.15/3
15/3 S53 Psalm 23 (Mein Gott, der ist mein Hirt) ch orch 1862 Choral, sacred 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost; renumbered from S.15bis
15a/1 J6 Psalm 116 (Laudate Dominum) mch pf 1869–74 Choral, sacred arr. of S.11/6
15a/2 J6 Psalm 116 (Laudate Dominum) ch pf 1869–74 Choral, sacred arr. of S.11/6
16/1 K6 Psalm 129 (De profundis) bar mch org 1880–81 Choral, sacred originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4
16/2 J45 Psalm 129 (De profundis) alt pf/org 1883 Choral, sacred 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4
17/1 K2 Psalm 137 (An den Wassern zu Babylon) alt vn hp/pf org/harm 1859 Choral, sacred 1st version of S.17/2, S.17/3
17/2 J11 Psalm 137 (An den Wassern zu Babylon) sop fch hp/pf org/harm vn 1859–62 Choral, sacred 2nd version of S.17/1, S.17/3
17/3 S54 Psalm 137 (An den Wassern zu Babylon) ch orch 1862 Choral, sacred 3rd version of S.17/2, S.17/3; lost
18 J4 Choruses with French texts (5): ch 1846? Choral, sacred
18/1 J4/5
Qui m'a donné la naissance
ch 1846? Choral, sacred incomplete
18/2 J4/1
L'Eternel est son nom
ch 1846? Choral, sacred
18/3 J4/2
Chantons, chantons l'auteur de la lumière
ch 1846? Choral, sacred
18/4 J4/3
(Allegretto, moderato con grazia)
ch A major 1846? Choral, sacred possibly same as S.762
18/5 J4/4
Combien j'ai douce souvenance
ch 1846? Choral, sacred based on an Auverge folksong
19/1 J2/1 Hymne de l'enfant á son réveil (O père qu'adore mon père) fch pf/harm (+ hp) 1840–44? Choral, sacred based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost
19/2 J2/2 Hymne de l'enfant á son réveil (O père qu'adore mon père) ch pf/harm 1860–62? Choral, sacred 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian
19/3 J2/3 Hymne de l'enfant á son réveil (O père qu'adore mon père) ch pf/harm 1865 Choral, sacred 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian
19/4 J2/4 Hymne de l'enfant à son réveil (O père qu'adore mon père) fch pf/harm (+ hp) 1874 Choral, sacred 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian
20/1 J1/1 Ave Maria I ch (+ org) B major 1842 Choral, sacred 1st version of S.20/2; arr. for org as S.667b/1
20/2 J1/2 Ave Maria I ch org A major 1852 Choral, sacred 2nd version of S.20/1; arr. for org as S.667b/2
21/1 J3/1 Pater noster I mch 1846 Choral, sacred based on S.172a/6; 1st version of S.21/2
21/2 J3/2 Pater noster I mch 1852 Choral, sacred 2nd version of S.21/1; published as "Pater noster II" and listed as such in some older listings (see also S.29)
22 J52 Pater noster IV ch org C major 1850? Choral, sacred
23 J8 Domine salvum fac regem (Psalm 20) ten mch org 1853 Choral, sacred
24 J7 Te Deum I mch org 1853? Choral, sacred published as "Te Deum II" and listed as such in some older listings (see also S.27)
25 J9 Die Seligkeiten (Les béatitudes) bar ch (+ org) 1859 Choral, sacred rev. as S.3/6
26 M33 Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (Wir bau'n und bestellen das edelste Feld) mch (+ org) 1858 Choral, sacred
27 J12 Te Deum II mch org (+ br perc) 1867 Choral, sacred published as "Te Deum I" and listed as such in some older listings (see also S.24)
28 J13 An den heiligen Franziskus von Paula (Gebet) 2ten 2bass mch org/harm (+3 tbn timp) 1860–74? Choral, sacred based on S.175/2
29 J14 Pater noster II (Das Vater unser) ch org A major 1860 Choral, sacred rev. as S.3/7; published as "Pater noster I" and listed as such in some older listings (see also S.21/2)
30 J20 Responsorien und Antiphonen (Répons et Antiennes) ch (+ org) 1860 Choral, sacred
31/1 J15a/1 Christus ist geboren I (Weihnachtslied I) ch org 1863 Choral, sacred 1st version of S.31/2
31/2 J15a/2 Christus ist geboren I (Weihnachtslied I) mch org 1863 Choral, sacred 2nd version of S.31/1
32/1 J15b/1 Christus ist geboren II (Weihnachtslied II) ch org/harm 1863 Choral, sacred 1st version of S.32/2, S.32/3; arr. for pf as S.502
32/2 J15b/2 Christus ist geboren II (Weihnachtslied II) mch (+ org) 1863 Choral, sacred 2nd version of S.32/1, S.32/3
32/3 J15c Christus ist geboren II (Weihnachtslied II) fch 1863 Choral, sacred 3rd version of S.32/1, S.32/2
33 J16 Slavimo slavno, Slaveni! mch org 1863–66 Choral, sacred arr. for pf as S.503, for org as S.668
34/1 J19/1 Ave maris stella ch org G major 1865–66 Choral, sacred 1st version of S.34/2
34/2 J19/2 Ave maris stella mch org B major 1868 Choral, sacred 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b
35/1 J17a Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) mch 1865 Choral, sacred 1st version of S.35/2
35/2 J17b Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) fch/cch pf 1865 Choral, sacred 2nd version of S.35/1
36 J21 Dall' alma Roma 2vv (+ org) 1867–68 Choral, sacred based on S.261
37 J23 Mihi autem adhaerere (Offertoire de la messe du patriarche séraphique San François) mch org 1868 Choral, sacred
38 J24 Ave Maria II ch org D major 1869 Choral, sacred arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2
39/1 J25a Inno a Maria Vergine ch hp org 1869 Choral, sacred 1st version of S.39/2
39/2 J25b Inno a Maria Vergine ch hp pf4h org/ham 1869 Choral, sacred 2nd version of S.39/1
40 J28 O salutaris hostia I fch org 1869 Choral, sacred
41/1 J26/1 Pater noster III ch pf/org F major 1869 Choral, sacred 1st version of S.41/2
41/2 J26/2 Pater noster III mch pf/org/harm B major 1869 Choral, sacred 2nd version of S.41/1
42/1 J27/1 Tantum ergo fch org 1869 Choral, sacred 1st version of S.42/2
42/2 J27/2 Tantum ergo mch org 1869 Choral, sacred 2nd version of S.42/3
43 J29 O salutaris hostia II ch (+ org) E major 1870 Choral, sacred
44 J31 Ave verum corpus ch (+ org) 1871 Choral, sacred
45 J30 Libera me mch org 1871 Choral, sacred arr. of S.12/6
46/1 J32/1 Anima Christi sanctifica me mch org 1874 Choral, sacred 1st version of S.46/1
46/2 J32/2 Anima Christi sanctifica me mch org 1874 Choral, sacred 2nd version of S.46/2
47 J41 Sankt Christoph (Legend) fch pf harm (+ hp) 1881 Choral, sacred unpublished
48 I6 Der Herr bewahret die Seelen seiner Heiligen ch br timp org 1860–75? Choral, sacred
49 J42 O heilige Nacht (Weihnachtslied) ten fch org/harm 1881 Choral, sacred based on S.186/2
49a Adeste fidelis fch ? Choral, sacred incomplete
50 A286b Alte deutsche geistliche Weisen ch kbd 1878–79 Choral, sacred probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a
50/1 A286b/8
Es segne uns Gott
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/3a, for ch org as S.669a/1
50/2 A286b/4
Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51
50/3 A286b/3
Nun ruhen alle Wälder
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/5, for v org as S.669a/3
50/4 A286b/5
O Haupt voll Blut und Wunden
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/6, for v org as S.669a/4
50/5 A286b/6
O Lamm Gottes!
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/7, for v pf/org as S.669a/5
50/6 A286b/1
Was Gott tut, das ist wohlgetan
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/10, for v org as S.669a/6
50/7 A286b/7
Wer nur den lieben Gott läßt walten
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/11, for v org as S.669a/7
50/8 A286b/9
Vexilla Regis
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/9
50/9 A286b/10
Crux ave benedicta
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/1
50/10 A286b/2
O Traurigkeit
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/8
50/11 A286b/12
Nun danket alle Gott!
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/4
50/12 A286b/11
Jesu Christe (Die fünf Wunden)
ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/2
51 J34 Meine Seel' erhebt den Herrn! (Gott sei uns gnädig und barmherzig) (Der Kirchensegen) ch org 1878 Choral, sacred arr. of S.50/2
52 J35 Septem sacramenta mez bar ch org/harm 1878–84 Choral, sacred
53 J33 Via crucis (Les 14 stations de la croix) vv ch pf/org/harm 1876–79 Choral, sacred arr. for org as S.669b, for pf4h as S.583, for pf as S.504
54 J36 O Roma nobilis ch org 1878–79 Choral, sacred based on a chorus by Giuseppe Baini; Liszt's authorship of Choral, sacred parts doubtful; see also arrs. for org as S.669c, for pf as S.506b
55 J38 Ossa arida ch org4h 1879 Choral, sacred
56 J37 Rosario ch org/harm (+ bar) 1879 Choral, sacred
56/1 J37/1
Mysteria gaudiosa
ch org/harm 1879 Choral, sacred arr. for org/harm as S.670/1
56/2 J37/2
Mysteria dolorosa
ch org/harm 1879 Choral, sacred arr. for org/harm as S.670/2
56/3 J37/3
Mysteria gloriosa
ch org/harm 1879 Choral, sacred arr. for org/harm as S.670/3
56/4 J37/4
Pater noster
bar/mch org/harm 1879 Choral, sacred composed at the same time as Rosario S.56 nos.1–3, and published as no.4 of Rosario (as '"Pater noster" zum Rosario'), but not certain it was intended by Liszt to be included with it; not included in org/harm solo version of Rosario (S.670)
57 J46 In domum Domini ibimus ch br perc org 1884 Choral, sacred arr. for pf as S.505, for org as S.671
58 J40 O sacrum convivium alt fch org/harm 1880–85 Choral, sacred arr. for org/harm as S.674a
59 J39 Pro Papa ch org 1880 Choral, sacred
59/1 J39/1
Tu es Petrus
mch org 1880 Choral, sacred
59/2 J39/2
Dominus conservet eum
ch org 1880 Choral, sacred
60 J44 Ave Maria III (Sposalizio) alt fch org/harm 1883 Choral, sacred based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g
61 J43 Nun danket alle Gott ch/mch 2tpt 3tbn timp org 1883 Choral, sacred arr. for org as S.674c
62 J47 Mariengarten ch org (+ alt ten) 1884? Choral, sacred
63 J48 Qui seminant in lacrimis (Psalm 125) ch org 1883 Choral, sacred
64 J49 Pax vobiscum! mch (+ org) 1885 Choral, sacred
65 J50 Qui Mariam absolvisti bar ch org/harm 1885 Choral, sacred
66 J51 Salve Regina ch 1885 Choral, sacred
67–94

Secular choral works

67 L1 Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn (Was versammelt hier die Menge)
(Beethoven Cantata No.1)
6vv orch 1845 Choral, secular arr. for pf4h as S.584; extracts arr. for pf in S.507
68 L12 Zur Säcularfeier Beethovens
(Beethoven Cantata No.2)
4vv ch orch 1869–70 Choral, secular
69i L8/1 Chöre zu Herders Entfesseltem Prometheus sop alt 2ten 2bass ch orch 1850 Choral, secular 1st version of S.69ii, S.69iii; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99
69ii L8/2 Chöre zu Herders Entfesseltem Prometheus sop alt 2ten 2bass 2ch orch 1855–59 Choral, secular 2nd version of S.69i, S.69iii; No.4 arr. for pf as S.508, for pf4h as S.585
69iii L8/3 Chöre zu Herders Entfesseltem Prometheus sop alt 2ten 2bass 2ch orch 1877? Choral, secular 3rd version of S.69i, S.69ii
70i L9/1 An die Künstler 4vv mch ww br 1853 Choral, secular instrumentation by Joachim Raff; 1st version of S.70ii, S.70iii, S70iv
70ii L9/2 An die Künstler 4vv mch orch 1853–54 Choral, secular 2nd version of S.70i, S.70iii, S70iv
70iii L9/3 An die Künstler 4vv mch org orch 1858 Choral, secular 3rd version of S.70i, S.70ii, S70iv; themes used in S.114
70iv L9/3 An die Künstler 4vv mch org orch 1859 Choral, secular 4th version of S.70i, S.70ii, S.70iii; themes used in S.114
71 L11 Gaudeamus igitur (Humoreske) 1869–70 arr. for pf as S.509; for pf4h as S.586
71bis Gaudeamus igitur (Humoreske) 1869–70 Choral, secular vocal score of S.71; arr. for pf as S.509; for pf4h as S.586
72 Vierstimmige Männergesänge (4): mch pf 1841–42 Choral, secular
72/1 M2/1
Rheinweinlied (Wo solch ein Feuer)
mch pf 1841 Choral, secular
72/1a M2/2
Rheinweinlied (Wo solch ein Feuer)
1884 Choral, secular instrumented by Károly Huber, revised by Liszt
72/2 M3
Studentenlied aus Goethe's Faust (Es lebt' eine Ratt im Kellernest)
mch 1841–42 Choral, secular
72/3 M4
Reiterlied I (Die bange Nacht ist nun herum)
mch B major 1841–42 Choral, secular for alternative setting see S.72/4
72/4 M5
Reiterlied II (Die bange Nacht ist nun herum)
mch C major 1841–42 Choral, secular for alternative setting see S.72/3
73 M19 Es war einmal ein König (Flohlied) bar/bass mch pf 1844–45 Choral, secular
74/1 M1 Das deutsche Vaterland I (Was ist das deutsche Vaterland?) 4vv mch pf D major 1841 Choral, secular 1st version of S.74/2
74/2 M27 Das deutsche Vaterland II (Was ist das deutsche Vaterland?) mch C major 1848 Choral, secular 2nd version of S.74/1
75/1 M12/1 Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) mch 1842 Choral, secular No.3 of Vierstimmige Männergesänge; 1st version of S.75/2, S.75/3
75/2 M12/2 Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) mch 1849 Choral, secular 2nd version of S.75/1, S.75/3
75/3 M12/3 Über allen Gipfeln ist Ruh' (Wanderers Nachtlied) mch 2hn 1856 Choral, secular 3rd version of S.75/1, S.75/2
76 M11 Das düstre Meer umrauscht mich mch pf 1842 Choral, secular No.2 of Vierstimmige Männergesänge
76a M15 Heil! Unsrer Glocke heil mch pf 1843 Choral, secular
77 M26 Die lustige Legion mch (+ pf) 1846? Choral, secular
78 M17 Trinkspruch (Giesst Wein in die Gläser, ihr Zecher!) mch pf 1843–44 Choral, secular No.1 of Sechs Männerchöre
79/1 M14/2 Titan (Auf des Athos blauen Felsenspitzen) bar mch pf 1842–47 Choral, secular 2nd version of S.700j; arr. for bar mch orch as S.79/2
79/2 L4 Titan (Auf des Athos blauen Felsenspitzen) bar mch orch 1848 Choral, secular arr. of S.79/1
80 L2 Les quatre éléments mch pf/pf4h 1844–45 Choral, secular
80/1 L2/1
La terre
mch pf 1844–45 Choral, secular
80/2 L2/2
Les aquilons
mch pf4h 1844 Choral, secular
80/3 L2/3
Les flots
mch pf 1845 Choral, secular
80/4 L2/4
Les astres
mch pf 1845? Choral, secular arr. for mch orch by Liszt and August Conradi as S.80b/4
80bis M20 Les quatre éléments mch, piano vocal score of S.80 1844–48 Choral, secular vocal score of S.80/1
80bis/1 L2/1
La terre
mch orch 1844–48 Choral, secular vocal score of S.80
80bis/2 M20/2
Les aquilons
mch orch 1844–48 Choral, secular vocal score of S.80
80bis/3 M20/3
Les flots
mch orch 1845–48 Choral, secular vocal score of S.80
80bis/4 M20/4
Les astres
mch orch 1845–48 Choral, secular vocal score of S.80
81/1 M21 Le forgeron (Le fer est dur, frappons, frappons) 2vv mch pf 1845 Choral, secular arr. for 2vv mch orch by Liszt and August Conradi as S.81/2
81/2 L3 Le forgeron (Le fer est dur, frappons, frappons) 2vv mch orch 1845–48 Choral, secular arr. of S.81/1 by Liszt and August Conradi
81a M25 A patakhoz (A patakcsa) mch 1846 Choral, secular
82 M16 Arbeiterchor (Herbei, herbei, den Spath' und Schaufel ziert) bar mch pf 1843–48? Choral, secular arr. for pf as S.510; arr. for pf4h as S.587
83a L5 Ungaria-Kantate (Aus Osten aus der Sonne Tor) vv mch pf 1842–48? Choral, secular arr. for vv mch orch by Liszt and August Conradi as S.83b
83b L5 Ungaria-Kantate (Aus Osten aus der Sonne Tor) vv mch orch 1848 Choral, secular arr. of S.83a by Liszt and August Conradi
84/1 M28/1 Licht, mehr Licht mch 3tbn tba 1849 Choral, secular 1st version of S.84/2
84/2 M28/2 Licht, mehr Licht mch 2tpt 3tbn 1856 Choral, secular 2nd version of S.84/1
85/1 M29/1 Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) mch pf 1849 Choral, secular 1st version of S.85/2, S.85/3
85/2 M29/2 Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) fch hp pf/harm 1849 Choral, secular 2nd version of S.85/1, S.85/3
85/3 L7 Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) ch hp/pf 1849 Choral, secular 3rd version of S.85/1, S.85/2
86a M30 Festchor zur Enthüllung des Herder-Denkmals in Weimar mch pf 1850 Choral, secular arr. for mch br as S.86b
86b M30 Festchor zur Enthüllung des Herder-Denkmals in Weimar mch br 1850 Choral, secular arr. of S.86a
87/1a L10a Weimars Volkslied (Von der Wartburg) mch ww br perc E major 1857 Choral, secular arr. of S.313; 1st version of S.87/1c; arr. for mch pf as S.87/1b
87/1b M32a Weimars Volkslied (Von der Wartburg) mch pf E major 1857, rev. 1875? Choral, secular arr. of S.87/1a
87/1c L10a Weimars Volkslied (Von der Wartburg) mch ww br perc E major 1875? Choral, secular 2nd version of S.87/1a; renumbered from S.87/1bis
87/2 M32b Weimars Volkslied (Von der Wartburg) mch (+ pf) F major 1857? Choral, secular arr. of S.313
87/3a M32c/1 Weimars Volkslied (Von der Wartburg) mch E major 1860? Choral, secular arr. of S.313; 1st version of S.87/3b
87/3b M32c/2 Weimars Volkslied (Von der Wartburg) mch E major 1875? Choral, secular 2nd version of S.87/3a; not published
87/4 M32d Weimars Volkslied (Von der Wartburg) mch org E major 1875 Choral, secular arr. of S.313
87/5 M32e Weimars Volkslied (Von der Wartburg) mch (+ pf) E major 1875 Choral, secular arr. of S.313 [by Bernhard Sulze?]
87/6 M32f Weimars Volkslied (Von der Wartburg) uch E major 1875? Choral, secular arr. of S.313
87/7 M32g Weimars Volkslied (Von der Wartburg) cch F major 1875? Choral, secular arr. of S.313
87/8a L10b/1 Weimars Volkslied (Von der Wartburg) uch br C major 1857? Choral, secular arr. of S.313; arr. for uch pf as S.87/8b
87/8b L10b/2 Weimars Volkslied (Von der Wartburg) uch pf C major 1857? Choral, secular arr. of S.87/8a
88 M34b Mit klingendem Spiel I (Morgenlied) fch 1859 Choral, secular alternative text to S.89
89 M34a Mit klingendem Spiel II (Morgenlied) cch 1859 Choral, secular alternative text to S.88
90/1a M31/1 Vereins-Lied (Frisch auf, zu neuem Leben) mch 1855 Choral, secular 1st version of S.90/1b, S.90/1c
90/1b M31/2 Vereins-Lied (Frisch auf, zu neuem Leben) mch 1857 Choral, secular 2nd version of S.90/1a, S.90/1c
90/1c M31/3 Vereins-Lied (Frisch auf, zu neuem Leben) mch 1860 Choral, secular No.1 of Für Männergesang; 3rd version of S.90/1a, S.90/1b
90/2a M7/1 Ständchen (Hüttelein, still und klein) ten mch A major 1841–43? Choral, secular 1st version of S.90/2b, S.90/2c
90/2b M7/2 Ständchen (Hüttelein, still und klein) ten mch A major 1845–49? Choral, secular No.6 of Sechs Männerchöre; 2nd version of S.90/2a, S.90/2c
90/2c M7/3 Ständchen (Hüttelein, still und klein) ten mch G major 1857–60 Choral, secular No.2 of Für Männergesang; 3rd version of S.90/2a, S.90/2b
90/3a M10/1 Wir sind nicht Mumien mch pf 1842 Choral, secular No.1 of Vierstimmige Männergesänge; 1st version of S.90/3b
90/3b M10/2 Wir sind nicht Mumien mch pf 1860–61 Choral, secular No.3 of Für Männergesang; 2nd version of S.90/3a
90/4a M22/1 Vor der Schlacht (Es rufet Gott uns mahnend) mch pf 1845 Choral, secular 1st version of S.90/4b; arr. for pf as S.511/1
90/4b M22/2 Vor der Schlacht (Es rufet Gott uns mahnend) mch 1860 Choral, secular No.4 of Für Männergesang; 2nd version of S.90/4a
90/5a M23/1 Nicht gezagt mch pf A major 1845 Choral, secular 1st version of S.90/5b; arr. for pf as S.511/2
90/5b M23/2 Nicht gezagt mch G major 1860 Choral, secular No.5 of Für Männergesang; 2nd version of S.90/5a
90/6a M24/1 Es rufet Got mch pf 1845 Choral, secular 1st version of S.90/6b; arr. for pf as S.511/3
90/6b M24/2 Es rufet Got mch 1860 Choral, secular No.6 of Für Männergesang; 2nd version of S.90/6a
90/7a M18/1 Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen) mch (+tpt timp) 1844 Choral, secular No.5 of Sechs Männerchöre; 1st version of S.90/7b
90/7b M18/2 Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen) mch (+tpt timp) 1860–61 Choral, secular No.7 of Für Männergesang; 2nd version of S.90/7a
90/8a M9/1 Die alten Sagen kunden mch pf B major 1841–45? Choral, secular No.2 of Sechs Männerchöre; 1st version of S.90/8b
90/8b M9/2 Die alten Sagen kunden 4vv mch A minor 1860–61 Choral, secular No.8 of Für Männergesang; 2nd version of S.90/8a
90/9a M8/1 Saatengrün mch pf/(hp?) 1843? Choral, secular No.3 of Sechs Männerchöre; 1st version of S.90/9b
90/9b M8/2 Saatengrün mch A major 1860–61 Choral, secular No.9 of Für Männergesang; 2nd version of S.90/9a
90/10a M6/1 Der Gang um Mitternacht (Ich schreite mit dem Geist) mch 1841–43? Choral, secular No.4 of Sechs Männerchöre; 1st version of S.90/10b
90/10b M6/2 Der Gang um Mitternacht (Ich schreite mit dem Geist) ten mch 1860 Choral, secular No.10 of Für Männergesang; 2nd version of S.90/10a
90/11a M35/1 Festlied zu Schillers Jubelfeier 10 November 1859 bar mch 1859 Choral, secular 1st version of S.90/11b
90/11b M35/2 Festlied zu Schillers Jubelfeier 10 November 1859 bar mch 1860 Choral, secular No.11 of Für Männergesang; 2nd version of S.90/11a
90/12a M13/1 Gottes ist der Orient mch B major 1842 Choral, secular No.4 of Vierstimmige Männergesänge; 1st version of S.90/12b
90/12b M13/2 Gottes ist der Orient mch A major 1860–61 Choral, secular No.12 of Für Männergesang; 2nd version of S.90/12a
91/1 M36/1 Das Lied der Begeisterung (A lelkesedés dala) mch 1871 Choral, secular 1st version of S.91/2; German and Hungarian text
91/2 M36/2 Das Lied der Begeisterung (Was nützt mir der Erde reichstes Gut) mch org 1874 Choral, secular 2nd version of S.91/1; German text only
92 Carl August weilt mit uns (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar) fch br timp 1875 Choral, secular fanfare arr. for pf as S.542b
93/1 L17a Magyar király-dal (Ungarisches Königslied) mch 1883 Choral, secular arr. of S.340
93/2 L17b Magyar király-dal (Ungarisches Königslied) ch 1883 Choral, secular arr. of S.340
93/3 L17c Magyar király-dal (Ungarisches Königslied) mch pf 1883 Choral, secular arr. of S.340
93/4 L17d Magyar király-dal (Ungarisches Königslied) ch pf 1883 Choral, secular arr. of S.340
93/5 L17e Magyar király-dal (Ungarisches Königslied) mch orch 1883 Choral, secular arr. of S.340
93/6 L17f Magyar király-dal (Ungarisches Königslied) ch orch 1883 Choral, secular arr. of S.340
93/7 L17g Magyar király-dal (Ungarisches Königslied) cch 1883 Choral, secular arr. of S.340
94 M38 Gruss (Glück auf) mch 1885 Choral, secular
95–119

Orchestral works

95–107
Symphonic poems
95 G1 Ce qu'on entend sur la montagne
(Symphonic Poem No.1)
orch 1848–49, rev. 1850, 1854 Orchestral, symphonic poem arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a
96 G2 Tasso: Lamento e Trionfo
(Symphonic Poem No.2)
orch 1849, rev. 1850–51, 1854 Orchestral, symphonic poem arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3
97 G3 Les préludes
(Symphonic Poem No.3)
orch 1850–55 Orchestral, symphonic poem based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a
98 G9 Orpheus
(Symphonic Poem No.4)
orch 1853–54 Orchestral, symphonic poem arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d
99 G6 Prometheus
(Symphonic Poem No.5)
orch 1855 Orchestral, symphonic poem based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639
100 G7 Mazeppa
(Symphonic Poem No.6)
orch 1851–54 Orchestral, symphonic poem partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640
101 G10 Festklänge
(Symphonic Poem No.7)
orch 1853, rev. 1861 Orchestral, symphonic poem arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641
102 G4 Héroïde funèbre
(Symphonic Poem No.8)
orch 1854–56 Orchestral, symphonic poem based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642
103 G13 Hungaria
(Symphonic Poem No.9)
orch 1854 Orchestral, symphonic poem arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643
104 G22 Hamlet
(Symphonic Poem No.10)
orch 1858 Orchestral, symphonic poem arr. for pf4h as S.597, for 2pf as S.644
105 G17 Hunnenschlacht
(Symphonic Poem No.11)
orch 1855–57 Orchestral, symphonic poem arr. for pf4h as S.596b, for 2pf as S.645
106 G15 Die Ideale
(Symphonic Poem No.12)
orch 1856–57 Orchestral, symphonic poem themes used in S.520; arr. for pf4h as S.596c, for 2pf as S.646
107 G38 Von der Wiege bis zum Grabe (From the Cradle to the Grave)
(Symphonic Poem No.13)
orch 1882 Orchestral, arr. arr. of S.512; see also S.133
108–119
Other orchestral works
108 G12 Faust Symphony (Eine Faust-Symphonie) orch (+ ten mch) 1854, 1857–61, 1880 Orchestral arr. for 2pf as S.647; 2nd movement arr. for pf as S.513
109 G14 Dante Symphony (Eine Symphonie zu Dantes Divina Commedia) orch fch 1855–56 Orchestral themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f
109a Grand Overture orch 1842 Orchestra Overture of Don Sanche, S. 1 when performed separately
110 G16 Episoden aus Lenau's Faust (2): orch 1856–61 Orchestral
110/1 G16/1
Der nächtliche Zug
orch 1856–61 Orchestral arr. for pf as S.513a; for pf4h as S.599/1
110/2 G16/2
Der Tanz in der Dorfschenke (Mephisto Waltz)
orch 1856–61 Orchestral 1st version of S.110/2a; arr. for pf as S.514
111 G37 Mephisto Waltz No.2 (Zweiter Mephisto-Walzer) orch 1880–81 Orchestral arr. of S.515
112 G25 Odes funèbres (3): orch 1860–66 Orchestral
112/1 G25/1
Les morts
orch (+ mch) 1860 Orchestral arr. for pf as S.516; for pf4h as S.601; for org as S.268/2
112/2 G25/2
La notte
orch 1860–64 Orchestral arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a
112/3 G25/3
Le triomphe funèbre du Tasse
orch 1866 Orchestral epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)
113/1 G28/1 Boze coś Polskę orch 1863 Orchestral based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1
113/2 G28/2 Salve Polonia (Interludium aus dem Oratorium St. Stanislaus) orch 1884 Orchestral interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2
113a G27 Légendes (2): orch 1863 Orchestral arr. of S.175
113a/1 G27/1
St François d'Assise: la prédication aux oiseaux
orch 1863 Orchestral arr. of S.175/1
113a/2 G27/2
St François de Paule: marchant sur les flots
orch 1863 Orchestral arr. of S.175/2
114 G20 Künstlerfestzug zur Schillerfeier 1859 orch 1857–59 Orchestral uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605
115 G5 Festmarsch zur Goethe-Jubiläumsfeier orch 1857 Orchestral based on S.227; arr. for pf as S.521; arr. for pf4h as S.606
116 G23 Festmarsch nach Motiven von E.H.z.S.-C.-G. orch 1858–59 Orchestral based on themes from the opera Diana von Solang by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607
117 G29 Rákóczi-Marsch orch 1863–67 Orchestral arr. of S.244/15; arr. for pf as S.244a; arr. for pf4h as S.608; arr. for 2pf as S.652a
118 G33 Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 orch 1870 Orchestral arr. for pf as S.523; arr. for pf4h as S.609
119 G35 Ungarischer Sturmmarsch (Hungarian Battle March) orch 1875 Orchestral based on S.232; arr. for pf as S.524, for pf4h as S.610
120–126a

Pianoforte and orchestra

120 H2 Grande fantaisie symphonique (über Themen aus Hector Berlioz' Lélio) pf orch 1834 Orchestral, piano based on themes from Lélio, ou le retour à la vie, H.55 by Hector Berlioz; orchestrated by Liszt
121 H1 Malédiction pf str E minor 1833 Orchestral, piano
121a H3 De Profundis (Psaume instrumentale) pf orch 1834–35 Orchestral, piano formerly S.691; unfinished
122 H9 Fantasie über Motive aus Beethovens Ruinen von Athen pf orch 1852 Orchestral, piano based on S.388b, using themes from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388
123 H12 Fantasie über ungarische Volksmelodien pf orch 1846–52 Orchestral, piano based on S.244/14
124 H4 Piano Concerto No.1 pf orch E major 1835–56 Orchestral, piano arr. for 2pf as S.650
125 H6 Piano Concerto No.2 pf orch A major 1849–61 Orchestral, piano based on S.524a; arr. for 2pf as S.651
125a Q6 Piano Concerto [No.3] pf orch E major 1835–39 Orchestral, piano unfinished; performing version realized by Jay Rosenblatt
126i H8 Totentanz pf orch 1847–53 Orchestral, piano 1st version of S.126ii; published in altered form by Busoni; original score unpublished (in private collection)
126ii H8 Totentanz pf orch 1859–64? Orchestral, piano 2nd version of S.126i; arr. for pf as S.525, for 2pf as S.652
126a# W14 Concerto in the Hungarian Style pf orch Orchestral, piano not by Liszt (see Ungarische Zigeunerweisen [S. 714] by Sophie Menter)
126b–135

Chamber music, etc.

126b D1 Waltzes (2): vn pf 1823–25? Chamber
126b/1 D1/1
Waltz
vn pf A major 1823–25? Chamber
126b/2 D1/2
Waltz aus dem Ballet "Die Amazonen"
vn pf A major 1823–25? Chamber based on a theme from the ballet Die Amazonen by Robert von Gallenberg; arr. for pf as S.208a
126c D2 Trio vn vc pf 1835 Chamber formerly S. 717; ms. in private hands; unobtainable
127 D3 Duo (Sonata) ["sur des thèmes polonais"] vn pf C minor 1835 Chamber based on No.2 of the Mazurkas, Op.6 by Frédéric Chopin
128 D4 Grand Duo Concertant (sur la romance de M. Lafont, "Le marin") vn pf 1849? Chamber
129 D12 Epithalam (zu Eduard Reményis Vermählungsfeier) vn pf 1872 Chamber arr. for pf as S.526; arr. for pf4h as S.611 [?]
130a D13a Elegy No.1 hp vc pf harm 1874 Chamber arr. of S.196; see also S.130b, S.130c, S.612
130b D13b Elegy No.1 vc pf 1874 Chamber arr. of S.196; see also S.130a, S.130c, S.612
130c D13c Elegy No.1 vn pf (+ harm) 1874 Chamber arr. of S.196; see also S.130a, S.130b, S.612
131 D14 Elegy No.2 vc pf 1877–78 Chamber arr. of S.197; see also S.131a
131a D14 Elegy No.2 vn pf 1877–78 Chamber arr. of S.197; see also S.131; renumbered from S.131bis
132a D16a Romance oubliée va pf 1880 Chamber arr. of S.527; see also S.132b, S.132c
132b D16b Romance oubliée vn pf 1880 Chamber arr. of S.527; see also S.132a, S.132c
132c D16c Romance oubliée vc pf 1880 Chamber arr. of S.527; see also S.132a, S.132b
133# S61 Die Wiege (The Cradle) deleted; see S. 107
134 D19/2 La lugubre gondola (Die Trauer-Gondel) vc pf 1882–83 Chamber arr. of S.200/1
134a D19/1 La lugubre gondola (Die Trauer-Gondel) vn pf 1885 Chamber arr. of S.200/2; renumbered from S.134bis
135 D20 Am Grabe Richard Wagners 2vn va vc (+ hp) 1883 Chamber using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267
136–254

Solo Piano

136–146
Studies
136 A8 Étude en douze exercices: pf 1826 Piano, etude published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137
136/1 A8/1
(Allegro con fuoco)
pf C major 1826 Piano, etude rev. as S.137/1
136/2 A8/2
(Allegro non molto)
pf A minor 1826 Piano, etude rev. as S.137/2
136/3 A8/3
(Allegro sempre legato)
pf F major 1826 Piano, etude rev. as S.137/3
136/4 A8/4
(Allegretto)
pf D minor 1826 Piano, etude rev. as S.137/4
136/5 A8/5
(Moderato)
pf B major 1826 Piano, etude rev. as S.137/5
136/6 A8/6
(Molto agitato)
pf G minor 1826 Piano, etude rev. as S.137/6
136/7 A8/7
(Allegretto con molto espressione)
pf E major 1826 Piano, etude rev. as S.137/11
136/8 A8/8
(Allegro con spirito)
pf C minor 1826 Piano, etude rev. as S.137/8
136/9 A8/9
(Allegro grazioso)
pf A major 1826 Piano, etude rev. as S.137/9
136/10 A8/10
(Moderato)
pf F minor 1826 Piano, etude rev. as S.137/10
136/11 A8/11
(Allegro grazioso)
pf D major 1826 Piano, etude
136/12 A8/12
(Allegro non troppo)
pf B minor 1826 Piano, etude rev. as S.137/12
137 A39 Grandes études: pf 1837 Piano, etude based on S.136; rev. as S.139
137/1 A39/1
(Presto)
pf C major 1837 Piano, etude based on S.136/1; rev. as S.139/1
137/2 A39/2
(Molto vivace)
pf A minor 1837 Piano, etude based on S.136/2; rev. as S.139/2
137/3 A39/3
(Poco adagio)
pf F major 1837 Piano, etude based on S.136/3; rev. as S.139/3
137/4 A39/4
(Allegro patetico)
pf D minor 1837 Piano, etude based on S.136/4; rev. as S.138, S.139/4
137/5 A39/5
(Egualmente)
pf B major 1837 Piano, etude based on S.136/5; rev. as S.139/5
137/6 A39/6
(Largo patetico)
pf G minor 1837 Piano, etude based on S.136/6; rev. as S.139/6
137/7 A39/7
(Allegro deciso)
pf E major 1837 Piano, etude rev. as S.139/7
137/8 A39/8
(Presto strepitoso)
pf C minor 1837 Piano, etude based on S.136/8; rev. as S.139/8
137/9 A39/9
(Andantino)
pf A major 1837 Piano, etude based on S.136/9; rev. as S.139/9
137/10 A39/10
(Presto molto agitato)
pf F minor 1837 Piano, etude based on S.136/10; rev. as S.139/10
137/11 A39/11
(Lento assai)
pf D major 1837 Piano, etude based on S.136/7; rev. as S.139/11
137/12 A39/12
(Andantino)
pf B minor 1837 Piano, etude based on S.136/12; rev. as S.139/12
138 A172/4 Mazeppa pf D minor 1840 Piano, etude based on S.137/4; rev. as S.139/4
139 A172 Études d'exécution transcendante (12 Transcendental Etudes): pf 1851 Piano, etude based on S.137
139/1 A172/1
Preludio
pf C major 1851 Piano, etude based on S.137/1
139/2 A172/2
[Fusées] (Molto vivace)
pf A minor 1851 Piano, etude based on S.137/2
139/3 A172/3
Paysage
pf F major 1851 Piano, etude based on S.137/3
139/4 A172/4
Mazeppa
pf D minor 1851 Piano, etude based on S.137/4, S.138
139/5 A172/5
Feux-follets (Irrlichter)
pf B major 1851 Piano, etude based on S.137/5
139/6 A172/6
Vision
pf G minor 1851 Piano, etude based on S.137/6
139/7 A172/7
Eroica
pf E major 1851 Piano, etude based on S.137/7
139/8 A172/8
Wilde Jagd
pf C minor 1851 Piano, etude based on S.137/8
139/9 A172/9
Ricordanza
pf A major 1851 Piano, etude based on S.137/9
139/10 A172/10
[Appassionata] (Allegro agitato molto)
pf F minor 1851 Piano, etude based on S.137/10
139/11 A172/11
Harmonies du soir
pf D major 1851 Piano, etude based on S.137/11; later version of introduction, see S.166o
139/12 A172/12
Chasse-neige
pf B minor 1851 Piano, etude based on S.137/12
140 A52 Études d'exécution transcendante d'après Paganini: pf 1838 Piano, etude based on themes from 24 Caprices for Solo Violin, Op.1 and Violin Concerto No.2, Op.7 by Niccolò Paganini; 1st version of S.141
140/1 A52/1
Tremolo
pf G minor 1838 Piano, etude 1st version of S.141/1; with ossia passage by Schumann
140/2 A52/2
Octave
pf E major 1838 Piano, etude 1st version of S.141/2
140/3 A52/3
Campanella
pf A minor 1838 Piano, etude 1st version of S.141/3
140/4a A52/4a
Arpeggio
pf E major 1838 Piano, etude 1st version S.141/4
140/4b A52/4b
Arpeggio
pf E major 1838 Piano, etude 1st version S.141/4
140/5 A52/5
La chasse
pf E major 1838 Piano, etude 1st version of S.141/5
140/6 A52/6
Tema con Variazioni
pf A minor 1838 Piano, etude 1st version of S.141/6
141 A173 Grandes études de Paganini: pf 1851 Piano, etude based on themes from 24 Caprices for Solo Violin, Op.1 and Violin Concerto No.2, Op.7 by Niccolò Paganini; 2nd version of S.140
141/1 A173/1
Preludio (Andante). Etude (Non troppo lento)
pf G minor 1851 Piano, etude 2nd version of S.140/1
141/2 A173/2
(Andante)
pf E major 1851 Piano, etude 2nd version of S.140/2
141/3 A173/3
La campanella (Allegretto)
pf G minor 1851 Piano, etude 2nd version of S.140/3
141/4 A173/4
(Vivo)
pf E major 1851 Piano, etude 3rd version of S.140/4a, S.140/4b
141/5 A173/5
(Allegretto)
pf E major 1851 Piano, etude 2nd version of S.140/5
141/6 A173/6
(Quasi presto)
pf A minor 1851 Piano, etude 2nd version of S.140/6
141/6a Album Leaf ("Introduction to the Grande Étude de Paganini No 6") pf 1884 Piano, etude renumbered from S.141/6bis
142 A63a Morceau de salon (Étude de perfectionnement) pf E minor 1840 Piano, etude 1st version of S.143
143 A63b Ab irato (Étude de perfectionnement) pf E minor 1852 Piano, etude 2nd version of S.142
144 A118 3 Études de concert (3): pf 1845–49 Piano, etude
144/1 A118/1
Il lamento
pf A major 1845–49 Piano, etude
144/2 A118/2
La leggierezza
pf F minor 1845–49 Piano, etude
144/3 A118/3
Un sospiro
pf D major 1845–49 Piano, etude
144/3a A118/3
Two additional cadenzas to Un Sospiro
pf D major 1848? Piano, etude renumbered from S.144/3bis
145 A218 Konzertetüden (Concert-Studies) (2): pf 1862 Piano, etude
145/1 A218/1
Waldesrauschen (Forest Murmurs)
pf D major 1862 Piano, etude
145/2 A218/2
Gnomenreigen (Gnomes' Round Dance)
pf F minor–F major 1862 Piano, etude
146 A242 Technische Studien (Technical Studies) pf 1868–73 Piano, etude 68 studies in 3 books
147–208
Various original works
147 A1 Variation on a Waltz by Diabelli (Variation über einen Walzer von Diabelli) pf C minor 1822 Piano, original contribution to the album Vaterländischer Künstlerverein
147a# Variationen über Romanze aus Joseph von Méhul pf Piano(not original) spurious (by Franz Xaver Wolfgang Mozart); see S.697
148 A3 Variations (8) pf A major 1824 Piano, original published as Op.1
149 A4 Variations brillantes sur un thème de Rossini (7) pf 1824 Piano, original published as Op.2; based on 'Ah, come nascondere la fiamma' from Ermione by Gioachino Rossini
150 A5 Impromptu brillant sur des thèmes de Rossini et Spontini pf 1824 Piano, original published as Op.3; using themes from Armida and La donna del lago by Gioachino Rossini, and Fernand Cortez and Olimpie by Gaspare Spontini
151 A6 Allegro di bravura pf E minor 1824–25 Piano, original published as Op.4/1
151a Adagio non troppo pf 1824? Piano, original
152 A7 Rondo di bravura pf E minor 1824–25 Piano, original published as Op.4/2
152a Klavierstück pf A major 1824–27? Piano, original
153 A9 Scherzo (Allegro molto quasi presto) pf G minor 1827 Piano, original
153a Q3 Grand solo caractèristique d'apropos une chansonette de Panseron pf 1830–32 Piano, original formerly S.754a; unpublished (in private collection)
154 A18 Harmonies poétiques et religieuses pf 1833–34 Piano, original 1st version of S.172a/8, S.173/4
155 A19 Apparitions pf 1834 Piano, original
155/1 A19/1
(Senza lentezza quasi Allegretto)
pf F major 1834 Piano, original
155/2 A19/2
(Vivamanete)
pf A minor 1834 Piano, original
155/3 A19/3
Fantaisie sur une valse de François Schubert (Molto agitato ed appassionato)
pf 1834 Piano, original based on No.33 of 36 Originaltänze, D.365 by Franz Schubert
155a A27a Airs Suisses (3) pf 1835–36 Piano, original published as Op.10; 1st version of S.156/17–19, S.156a
155a/1 A27a/1
Improvisata sur le Ranz des vaches (Départ pour les Alpes)
pf 1835–36 Piano, original 1st version of S.156/17, S.156a/1
155a/2 A27a/2
Nocturne sur le Chant Montagnard
pf 1835–36 Piano, original 1st version of S.156/18, S.156a/2
155a/3 A27a/3
Rondeau sur le Ranz des chèvres
pf 1835–36 Piano, original 1st version of S.156/19, S.156a/3
156 A40a Album d'un voyageur
I. Impressions et Poésies
pf 1837–38 Piano, original
156/1 A40a/1
Lyon
pf C major 1837–38 Piano, original
156/2 A40a/2a
Le lac de Wallenstadt
pf A major 1837–38 Piano, original 1st version of S.160/2
156/3 A40a/2b
Au bord d'une source
pf A major 1837–38 Piano, original 1st version of S.160/4, S.160/4a
156/4 A40a/3
Les cloches de G[enève]
pf B major 1837–38 Piano, original 1st version of S.160/9
156/5 A40a/4
Vallée d'Obermann
pf E minor 1837–38 Piano, original 1st version of S.160/6
156/6 A40a/5
La chapelle de Guilaume Tell
pf C major 1837–38 Piano, original 1st version of S.160/1
156/7 A40a/6
Psaume (de l'église à Genève)
pf F major 1837–38 Piano, original
A40b Album d'un voyageur
II. Fleurs mélodiques des Alpes
pf C major 1837–38 Piano, original
156/8 A40b/1
(Allegro)
pf C major 1837–38 Piano, original
156/9 A40b/2
(Lento– Allegro vivace)
pf E minor–G major 1837–38 Piano, original
156/10 A40b/3
(Allegro pastorale)
pf G major 1837–38 Piano, original 1st version of S.160/3
156/11 A40b/4
(Andante con sentimento– Allegretto)
pf G major 1837–38 Piano, original
156/12 A40b/5
(Andante molto espressivo)
pf G minor 1837–38 Piano, original
156/13 A40b/6
(Allegro moderato)
pf E major 1837–38 Piano, original
156/14 A40b/7
(Allegretto)
pf A major 1837–38 Piano, original
156/15 A40b/8
(Allegretto)
pf D major 1837–38 Piano, original
156/16 A40b/9
(Andantino con molto sentimento)
pf G major 1837–38 Piano, original
A40c Album d'un voyageur
III. Paraphrases
pf 1837–38 Piano, original 2nd version of S.155a, S.156a
156/17 A40c/1
Ranz de vaches (Montée aux Alpes: Improvisata)
pf G major 1837–38 Piano, original 2nd version of S.155a/1, S.156a/1
156/18 A40c/2
Un soir dans les montagnes (Nocturne pastoral)
pf C major 1837–38 Piano, original 2nd version of S.155a/2, S.156a/2
156/19 A40c/3
Ranz de chèvres de F. Huber (Allegro finale)
pf 1837–38 Piano, original 2nd version of S.155a/3, S.156a/3
156a A27b Morceaux suisses (3): pf 1876–77 Piano, original 3rd version of S.155a, S.156/17–19
156a/1 A27b/1
Ranz de vaches (Mélodie de Ferdinand Huber, avec variations)
pf 1876–77 Piano, original 3rd version of S.155a/1, S.156/17
156a/2 A27b/2
Un soir dans la montagne (Mélodie d'Ernest Knop)
pf 1876–77 Piano, original 3rd version of S.155a/2, S.156/18
156a/3 A27b/3
Ranz de chèvres (Rondeau)
pf 1876–77 Piano, original 3rd version of S.155a/3, S.156/19
157 A21 Fantaisie romantique sur deux mélodies suisses pf 1835–36 Piano, original
157a A55/1 Sposalizio pf E major 1838–39 Piano, original 1st version of S.161/1
157b A55/2 Il penseroso pf 1839 Piano, original 1st version of S.161/2
157c A55/3 Canzonetta del Salvator Rosa pf 1838–39 Piano, original 1st version of S.161/3
157d A101 Quasi Mazurka pf 1843 Piano, original
158 A102 Sonetti di Petrarca (3): pf 1843–46 Piano, original arrs. of S.270a
158/1 A102/2
Sonetto CIV ("Pace non trovo")
pf E major 1843–46 Piano, original arr. of S.270a/1; 1st version of S.161/5
158/2 A102/1
Sonetto XLVII ("Benedetto sia il giorno")
pf D major 1843–46 Piano, original arr. of S.270a/2; 1st version of S.161/4
158/3 A102/3
Sonetto CXXIII ("I' vidi in terra")
pf A major 1843–46 Piano, original arr. of S.270a/3; 1st version of S.161/6
158a A55/7 Paralipomènes à la Divina Commedia (Fantaisie symphonique) pf 1839 Piano, original 1st version of S.158b, S.158c, S.161/7
158b A55/7 Prolégomènes à la Divina Commedia (Fantaisie symphonique) pf 1839 Piano, original 2nd version of S.158a, S.158c, S.161/7
158c A55/7 Après une lecture du Dante (Fantasia quasi Sonata) pf 1839 Piano, original 3rd version of S.158a, S.158b, S.161/7
158d Adagio pf C major 1841 Piano, original fragment from S.158c? may also have been formerly S.998?
159 A53 Venezia e Napoli pf 1840 Piano, original 1st version of S.162
159/1 A53/1
(Lento)
pf C minor 1840 Piano, original
159/2 A53/2
(Allegro)
pf C major 1840 Piano, original
159/3 A53/3
(Andante placido)
pf F major 1840 Piano, original based on the popular song La biondina in gondoletta by Giovanni Battista Peruchini; 1st version of S.162/1
159/4 A53/4
Tarantelles napolitaines
pf G minor 1840 Piano, original based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3
160 A159 Années de pèlerinage I (Première année: Suisse) pf 1848–55 Piano, original
160/1 A159/1
Chapelle de Guilaume Tell
pf C major 1848–55 Piano, original 2nd version of S.156/5
160/2 A159/2
Au lac de Wallenstadt
pf A major 1848–55 Piano, original 2nd version of S.156/2
160/3 A159/3
Pastorale
pf E major 1848–55 Piano, original 2nd version of S.156/10
160/4 A159/4
Au bord d'une source
pf A major 1848–55 Piano, original 2nd version of S.156/3, S.160/4a
160/4a A159/4
Au bord d'une source
pf A major? 1863 Piano, original 3rd version of S.156/3, S.160/4; renumbered from S.160/4bis
160/5 A159/5
Orage
pf C minor 1848–55 Piano, original
160/6 A159/6
Vallée d'Obermann
pf E minor 1848–55 Piano, original 2nd version of S.156/5; arr. for vn vc pf by Eduard Lassen and Liszt as S.378a, S.378b, S.378c
160/7 A159/7
Eglogue
pf A major 1848–55 Piano, original
160/8 A159/8
Le mal du pays (Heimweh)
pf E minor 1848–54 Piano, original
160/9 A159/9
Les cloches de Genève
pf B major 1848–55 Piano, original 2nd version of S.156/4
161 A55 Années de pèlerinage II
(Deuxième année: Italie)
pf 1846–49 Piano, original for supplement see S.162
161/1 A55/1
Sposalizio
pf E major 1849 Piano, original 2nd version of S.157a; rev. for vv org/harm as S.60
161/2 A55/2
Il penseroso
pf C minor 1846–49 Piano, original 2nd version of S.157b
161/3 A55/3
Canzonetta del Salvator Rosa
pf A major 1846 Piano, original 2nd version of S.157c
161/4 A55/4
Sonetto 47 del Petrarca
pf D major 1846 Piano, original 2nd version of S.158/2
161/5 A55/5
Sonetto 104 del Petrarca
pf E major 1846 Piano, original 2nd version of S.158/1
161/6 A55/6
Sonetto 123 del Petrarca
pf A major 1846 Piano, original 2nd version of S.158/3
161/7 A55/7
Après une lecture du Dante (Fantasia quasi Sonata).
pf 1849 Piano, original 4th version of S.158a, S.158b, S.158c
162 A197 Années de pèlerinage II, Supplément
(Supplément: Venezia e Napoli)
pf 1859 Piano, original 2nd version of S.159
162/1 A197/1
Gondoliera. Canzone del Cavaliere Peruchini ("La biondina in gondoletta")
pf 1859 Piano, original 2nd version of S.159/3; based on La biondina in gondoletta by Giovanni Battista Peruchini
162/2 A197/2
Canzone ('Nessun maggior dolore")
pf E minor 1859 Piano, original based on the theme of the Gondolier's song from Act III of Otello by Gioachino Rossini
162/3 A197/3
Tarantella da Guillaume Louis Cottrau
pf G minor 1859 Piano, original 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau
162a/1 A283/1 Den Schutz-Engeln (Angelus! Prière à l'ange gardien) pf 1877 Piano, original 1st version of S.162a/1a, S.162a/2, S.162a/3, S.162a/4, S.163/1
162a/1a A283/1 Aux anges gardiens (Den Schutz-Engeln) pf 1877 Piano, original 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1; renumbered from S.162a/1bis
162a/2 A283/1 Den Schutz-Engeln (Angelus! Prière à l'ange gardien) pf 1880 Piano, original 3rd version of S.162a/1, S.162a/1a, S.162a/3, S.162a/4, S.163/1
162a/3 A283/1 Den Schutz-Engeln (Angelus! Prière à l'ange gardien) pf 1880 Piano, original 4th version of S.162a/1, S.162a/1a, S.162a/2, S.162a/4, S.163/1
162a/4 A283/1 Den Schutz-Engeln (Angelus! Prière à l'ange gardien) pf 1880 Piano, original 5th version of S.162a/1, S.162a/1a, S.162a/2, S.162a/3, S.163/1
162b A283/3 Den Cypressen der Villa d'Este pf 1872 Piano, original 1st version of S.163/3
162c A283/5 Sunt lacrymae rerum pf 1877 Piano, original 1st version of S.163/5, S.162d
162e A283/6 En mémoire de Maximilian I pf 1867 Piano, original 1st version of S.163/6
162d A283/5 Sunt lacrymae rerum (in ungarischer Weise) pf 1877 Piano, original 2nd version of S.162c, S.163/5
162f A283/7 Postludium (Sursum Corda) pf 1877 Piano, original 1st version of S.163/7
163 A283 Années de pèlerinage III
(Troisième année)
pf 1877–82 Piano, original
163/1 A283/1
Angelus! Prière aux anges gardiens
pf E major 1882 Piano, original 6th version of S.162a/1, S.162a/1a, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a
163/2 A283/2
Aux cyprès de la Villa d'Este (Thrénodie I)
pf 1877 Piano, original
163/3 A283/3
Aux cyprès de la Villa d'Este (Thrénodie II)
pf E minor 1877 Piano, original 2nd version of S.162b
163/4 A283/4
Les jeux d'eaux à la Ville d'Este
pf F major 1877 Piano, original
163/5 A283/5
Sunt lacrymae rerum, en mode hongrois
pf 1882 Piano, original 3rd version of S.162c, S.162d
163/6 A283/6
Marche funèbre
pf 1867 Piano, original 2nd version of S.162e
163/7 A283/7
Sursum corda (Erhebet eure Herzen)
pf E major 1877 Piano, original 2nd version of S.162f
163a/1 Album Leaf (Allegro vivace quasi presto) pf F minor 1828 Piano, original
163a/2 Andantino ("pour Emile et Charlotte Loudon") pf E major 1828 Piano, original
163b Album Leaf ("Ah! vous dirai-je, Maman") pf A major 1833 Piano, original
163c Album Leaf ("Pressburg") pf C minor 1839 Piano, original
163d Album Leaf ("Leipzig") pf E major 1840 Piano, original exists in two versions
163e Album Leaf ("Quasi mazurek in C major") pf C major 1843 Piano, original
164 A66 Albumblatt ("Feuille d'album" No.1) pf E major 1840 Piano, original based on S.210
164a Album Leaf ("Vienna") pf E major 1840 Piano, original
164b Album Leaf ("Leipzig") pf E major 1840 Piano, original
164c Album Leaf ("Exeter Preludio") pf 1840 Piano, original
164d Album Leaf ("Detmold) pf E major 1841 Piano, original
164e Three Album Leaves ("Magyar") pf 1840–41 Piano, original
164e/1 Album Leaf ("Magyar") pf B minor 1840 Piano, original 1st version of S.164e/2; themes re-used in S.242/11
164e/2 Album Leaf ("Magyar") pf B minor 1840 Piano, original 2nd version of S.164e/1; themes re-used in S.242/11
164e/3 Album Leaf ("Magyar") pf D major 1841 Piano, original
164f Album Leaf ("Rákóczi-Marsch") pf A minor 1841 Piano, original 2nd version of S.242a (based on)
164g Album Leaf ("Berlin Preludio") pf C major 1842 Piano, original
164h Album Leaf pf D major 1840–45? Piano, original
164j Album Leaf ("Preludio") pf 1842 Piano, original
164k Album Leaf ("Moderato in D major") pf D major 1842 Piano, original
164l Album Leaf ("Adagio — religioso in C major") pf C major 1825 Piano, original
165 A104 Feuilles d'album pf A major 1844 Piano, original
166 A83 Albumblatt in Walzerform pf A major 1842 Piano, original
166a Album Leaf pf E major 1843 Piano, original cataloguing mistake?; maybe 1st version of 166a (below)
166a Album Leaf pf A major 1870 Piano, original cataloguing mistake?; maybe 2nd version of 166a (above)
166b Album Leaf ("Portugal") pf A major 1845 Piano, original
166c Album Leaf pf A major 1845 Piano, original
166d Album Leaf ("Lyon Prélude") pf 1844 Piano, original
166e Album Leaf ("Prélude omnitonique") pf 1844 Piano, original
166f Album Leaf ("Braunschweig Preludio") pf F major? 1844 Piano, original
166g Album Leaf ("Serenade") pf A minor 1840 Piano, original
166h Album Leaf ("Andante religioso in G major") pf G major 1846 Piano, original 1st version of S.166j
166j Album Leaf ("Andante religiosamente in G major") pf G major 1846 Piano, original 2nd version of S.166h
166k Album Leaf ("Friska") pf A major 1845–49? Piano, original
166l/1 R3 Album Leaf pf A major 1840s Piano, original
166l/2 Album Leaf pf G minor 1840s? Piano, original
166m A135 Albumblätter für Prinzessin Marie von Sayn-Wittgenstein (Album-Leaves for Princess Marie von Sayn-Wittgenstein) pf 1847 Piano, original
166m/1 A135/1
Lilie (Andantino)
pf C major 1847 Piano, original
166m/2 A135/2
Hryc
pf 1847 Piano, original
166m/3 A135/3
Mazurek: Gdy w czystem polu (Mazurka: When on the Clean Earth)
pf A major 1847 Piano, original
166m/4 A135/4
Krakowiak
pf F major 1847 Piano, original
166n A134 Album Leaf ("Freudvoll und leidvoll") pf 1847 Piano, original partial arr. of S.280
166o Album Leaf ("Langsam in C minor") pf C minor 1876 Piano, original uses themes from S.139/11
166p Album Leaf ("Andantino in A major") pf A major 1847 Piano, original
166q Album Leaf pf G major 1847 Piano, original
166r Two Album Leaves ("Purgatorio") pf 1857? Piano, original
166r/1 Album Leaf ("Purgatorio") pf B minor 1857 Piano, original
166r/2 Album Leaf ("Aus dem Purgatorio des Dante-Sinfonie") pf B minor 1857? Piano, original
166s Album Leaf pf A major 1870 Piano, original
167# Feuille d'album No.2 Piano, original see S.534/2a
167a# Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice Piano, original see S.571a
167b A75 Miniatur Lieder pf 1840–49 Piano, original unpublished; score inaccessible (in private collection?)
167c Album Leaf (Poco adagio) pf 1860? Piano, original from the Agnus Dei of Beethoven's Missa Solemnis
167d Album Leaf pf 1860 Piano, original from S.98
167e Album Leaf pf 1861 Piano, original from S.106
167f Album Leaf ("Dante Symphony progression") pf G major 1860? Piano, original based on material from S.109
167g Album Leaf ("Vivace ma non troppo in D major") pf D major 1835 Piano, original
167h Album Leaf pf 1860–69? Piano, original
167j Album Leaf ("Fugue chromatique – Allegro in G minor") pf G minor 1844 Piano, original
167k Album Leaf pf E major 1840 Piano, original based on S.219 and S.219a
167l Album Leaf ("Agitato in G major") pf G major 1849 Piano, original based on S.576b, S.577/1, S.577/1a, and S.577/2
167m Album Leaf ("Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke") pf 1859 or later Piano, original possible intended for S.216, S.216b, S.514, or S.515?
167n Album Leaf ("Allegretto in A major") pf A major 1842 Piano, original
167o Album Leaf ("Tempo di marcia in E major") pf E major 1845 Piano, original themes re-used in S.227
167p Album Leaf ("Larghetto in D major") pf D major 1883 Piano, original on a Henselt Concerto
167q Album Leaf ("Schlusschor des entfesselten Prometheus – Andante solenne in D major") pf D major 1883 Piano, original
167r Album Leaf ("Andante in E major") pf E major 1850s Piano, original
167s Album Leaf ("Lyon") pf C major 1839 Piano, original
167t Album Leaf pf E major 1853 Piano, original based on S.173/10
168/1 A94 Élégie sur des motifs du Prince Louis Ferdinand de Prusse pf A major 1842–43 Piano, original 1st version of S.168/2
168/2 A94 Élégie sur des motifs du Prince Louis Ferdinand de Prusse pf A major 1851 Piano, original 2nd version of S.168/1
168a A145 Andante amoroso pf 1847? Piano, original from S.395?
168b Pensées (Nocturne) pf A major 1845 Piano, original
169 A148 Romance "O pourquoi donc" pf E minor 1848 Piano, original based on S.301a; rev. as S.527
170 A117 Ballade No.1 (Le chant du croisé) pf D major 1848–49 Piano, original 2nd version of S.171d/4
170a A181 Ballade No.2 pf B minor 1853 Piano, original 1st version of S.171
171 A181 Ballade No.2 pf B minor 1853 Piano, original 2nd version of S.170a
171a A111a/1 Consolations: pf 1844–48 Piano, original 1st version of S.172
171a/1 A111a/1
(Andante con moto)
pf E major 1844–48 Piano, original 1st version of S.172/1
171a/2 A111a/2
(Un poco più mosso)
pf E major 1844–48 Piano, original 1st version of S.172/2
171a/3 A111a/3
(Lento, quasi recitativo)
pf E major 1844–48 Piano, original 1st version of S.172/3; theme re-used in S.243b
171a/4 A111a/4
(Quasi adagio; cantabile con devozione)
pf D major 1844–48 Piano, original 1st version of S.172/4
171a/5 A111a/5
(Andantino)
pf E major 1844–48 Piano, original 1st version of S.172/5
171a/6 A111a/6
(Allegretto)
pf E major 1844–48 Piano, original 1st version of S.172/6
171b Album Leaf (Consolation No.1) pf 1849–50 Piano, original originally intended for S.172
171c Prière d'un enfant à son réveil pf 1840 Piano, original 1st version of S.172a/7, S.173/6; theme used in S.19/1
171d Préludes et Harmonies poétiques et religieuses (8): pf 1845–47 Piano, original
171d/1
[untitled]
pf E major 1845–47 Piano, original 1st version of S.172a/11 and S.173/3
171d/2
Languer
pf C minor 1845–47 Piano, original
171d/3
[untitled]
pf E major 1845–47 Piano, original
171d/4
Dernière illusion
pf D major 1845–47 Piano, original incomplete; 1st version of S.170
171d/5
[untitled]
pf G major 1845–47 Piano, original
171d/6
Attente
pf A major 1845–47 Piano, original incomplete
171d/7
Alternative
pf E major 1845–47 Piano, original
171d/8
M.K.
pf D major 1845–47 Piano, original incomplete
171e A61/4 Litanies de Marie pf E major 1846–47 Piano, original formerly S.695a; 1st version of S.172a/4
172 A111b Consolations (Pensées poétiques) (6): pf 1849–50 Piano, original 2nd version of S.171a
172/1 A111b/1
(Andante con moto)
pf E major 1849–50 Piano, original 2nd version of S.171a/1; arr. for vc pf by Liszt and Jules Deswert as S.382a/1
172/2 A111b/2
(Un poco più mosso)
pf E major 1849–50 Piano, original 2nd version of S.171a/2
172/3 A111b/3
(Lento placido)
pf D major 1849–50 Piano, original 2nd version of S.171a/3; arr. for org/harm as S.672d/1
172/4 A111b/4
(Quasi Adagio)
pf D major 1849–50 Piano, original 2nd version of S.171a/4; arr. for org/harm by Liszt and Alexander Wilhelm Gottschalg as S.672d/2; ; arr. for vc pf/org/harm by Liszt and Deswert as S.382a/2
172/5 A111b/5
(Andantino)
pf E major 1849–50 Piano, original 2nd version of S.171a/5; arr. for org/harm by Liszt and Gottschalg as S.672d/3
172/6 A111b/6
(Allegretto sempre cantabile)
pf E major 1849–50 Piano, original 2nd version of S.171a/6; arr. for org/harm as S.672d/4
172a A61 Harmonies poétiques et religieuses (12): pf 1840–47 Piano, original 1st version of S.173
172a/1 A61/1
Elevez-vous voix
pf E major 1840–47 Piano, original 1st version of S.172c, S.173/1
172a/2 A61/2
Hymne de la nuit
pf E major 1840–47 Piano, original 1st version of S.173a/1
172a/3 A61/3
Hymne du matin
pf B major 1840–47 Piano, original 1st version of S.173a/2
172a/4 A61/4
Litanies de Marie
pf E major 1840–47 Piano, original 2nd version of S.171e
172a/5 A61/5
Miserere
pf E minor 1840–47 Piano, original 1st version of S.173/8
172a/6 A61/6
Pater noster (d'après la Psalmodie de l'Eglise)
pf C major 1840–47 Piano, original 1st version of S.173/5; adapted for mch as S.21
172a/7 A61/7
Hymne de l'enfant à son réveil
pf A major 1840–47 Piano, original 2nd version of S.171c, S.173/6
172a/8 A61/8
Prose des morts (De profundis)
pf 1840–47 Piano, original 2nd version of S.154, S.173/4
172a/9 A61/9
La lampe du temple
pf G minor 1840–47 Piano, original 1st version of S.173/9
172a/10 A61/10
[Hymn]
pf E major 1840–47 Piano, original
172a/11 A61/11
Benediction (Prelude)
pf E major 1840–47 Piano, original 2nd version of S.171d/1 and S.173/3
172a/12 A61/12
Ave Maria
pf 1840–47 Piano, original 1st version of S.173/2; now lost
172b A142 Stabat Mater pf 1847 Piano, original formerly S.579/3
172c A61/1 Invocation pf E major 1847 Piano, original 2nd version of S.172a/1, S.173/1
173 A158 Harmonies poétiques et religieuses (10): pf 1848–53 Piano, original 2nd version of S.172a
173/1 A158/1
Invocation
pf E major 1848–51 Piano, original 3rd version of S.172a/1, S.172c
173/2 A158/2
Ave Maria
pf B major 1842 Piano, original 2nd version of S.172a/12
173/3 A158/3
Bénédiction de Dieu dans la solitude
pf F major 1851 Piano, original 3rd version of S.171d/1 and S.172a/11
173/4 A158/4
Pensée des morts
pf 1851 Piano, original 3rd version of S.154, S.172a/8
173/5 A158/5
Pater noster
pf C major 1847 Piano, original 2nd version of S.172a/6
173/6 A158/6
Hymne de l'enfant á son réveil
pf A major 1847 Piano, original 2nd version of S.171c, S.172a/7
173/7 A158/7
Funérailles
pf F minor 1849 Piano, original 2nd version of S.226a
173/8 A158/8
Miserere d'après Palestrina
pf E minor 1851 Piano, original 2nd version of S.172a/5
173/9 A158/9
Andante lagrimoso
pf G minor 1851 Piano, original 2nd version of S.172a/9
173/10 A158/10
Cantique d'amour
pf E major 1847 Piano, original
173a 2 Hymnes: pf 1847 Piano, original
173a/1 A61/2
Hymne de la nuit
pf E major 1847 Piano, original 2nd version of S.172a/2
173a/2 A61/3
Hymne du matin
pf B major 1847 Piano, original 2nd version of S.172a/3
174 A186 Berceuse pf D major 1854, 1862 Piano, original 2 versions
175 A219 Légendes (2): pf 1863 Piano, original
175/1 A219/1
St François d'Assise: la prédication aux oiseaux
pf A major 1862–63 Piano, original version for orch as S.113a/1
175/2 A219/2
St François de Paule: marchant sur les flots
pf E major 1862–63 Piano, original simplified version as S.175/2a; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)  as S.28
175/2a A219/2
St François de Paule, marchant sur les flots
pf E major? 1863 Piano, original simplified version of S.175/2; renumbered from S.175/2bis
175a A167 Grand Solo de concert pf E minor? 1849 Piano, original unpublished; rev. as S.176
176 A167 Grosses Konzertsolo pf E minor 1849–50 Piano, original based on S.175a; rev. for 2pf as S.258/1, sketches for pf orch as S.365
176a Wilde Jagd – Scherzo pf D minor/B major 1851 Piano, original 1st version of S.177
177 A174 Scherzo und Marsch pf D minor and B major 1851 Piano, original 2nd version of S.176a
178 A179 Piano Sonata pf B minor 1852–53 Piano, original
179 A198 Weinen, Klagen, Sorgen, Zagen pf F minor 1859 Piano, original prelude based on a theme from the Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; not related to S.180
180 A214 Variationen über das Motiv von Bach pf F minor 1862 Piano, original prelude based on themes from the Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; not related to S.179; arr. for org as S.673
181 A290 Sarabande und Chaconne aus dem Singspiel Almira pf G minor 1879 Piano, original after extracts from the Singspiel Almira by George Frideric Handel
182 A215 Ave Maria (Die Glocken von Rom) pf E major 1862 Piano, original also known as Ave Maria für die große Klavierschule von Lebert und Stark
182a Magnificat pf F major 1862 Piano, original unpublished; 1st version of S.183/1
183/1 A216/1 Alleluja pf F major 1862 Piano, original 2nd version of S.182a
183/2 A216/2 Ave Maria d'Arcadelt pf F major 1862 Piano, original based on Dietsch's adaptation of a madrigal by Arcadelt
184 A229 Urbi et Orbi (Bénédiction papale) pf C minor 1864 Piano, original
185 A226 Vexilla regis prodeunt (Kreuzes Hymne) pf 1864 Piano, original arr. for orch as S.355
185a A267 Weihnachtsbaum pf 1873–74 Piano, original 1st version ("Paris manuscripts") of S.186; arr. for pf4h as S.612a
185a/1 A267/1
Psallite (Altes Weihnachten)
pf F major 1873–74 Piano, original 1st version of S.186/1; arr. for pf4h as S.612a/1
185a/2 A267/2
O heilige Nacht!
pf D minor 1873–74 Piano, original 1st version of S.186/2; arr. for pf4h as S.612a/2
185a/3 A267/3
Die Hirten an der Krippe ("In dulci jubilo")
pf D major 1873–74 Piano, original 1st version of S.186/3; arr. for pf4h as S.612a/3
185a/4 A267/4
Adeste fideles (gleichsam als Marsch der heiligen drei Könige)
pf A major 1873–74 Piano, original 1st version of S.186/4; arr. for pf4h as S.612a/4
185a/5 A267/5
Scherzoso
pf F major 1873–74 Piano, original 1st version of S.186/5; arr. for pf4h as S.612a/5
185a/6 A267/6
Réveille-Matin (Wecker)
pf 1873–74 Piano, original 1st version of S.186/6; arr. for pf4h as S.612a/6
185a/7 A267/7
Schlummerlied
pf F major 1873–74 Piano, original 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7
185a/8 A267/8
(Alt-provenzalisches Noel)
pf B minor 1873–74 Piano, original 1st version of S.186/8; arr. for pf4h as S.612a/8
185a/9 A267/9
(Abendglocken)
pf 1873–74 Piano, original 1st version of S.186/9; arr. for pf4h as S.612a/9
185a/10 A267/10
(Ehemals)
pf F minor 1873–74 Piano, original 1st version of S.186/10; arr. for pf4h as S.612a/10
185a/11 A267/11
Ungarisch
pf F minor 1873–74 Piano, original 1st version of S.186/11; arr. for pf4h as S.612a/11
185a/12 A267/12
Polnisch
pf B minor 1873–74 Piano, original 1st version of S.186/12; arr. for pf4h as S.612a/12
186 A267 Weihnachtsbaum pf 1874–76 Piano, original 2nd version of S.185a; arr. for pf4h as S.613
186/1 A267/1
Altes Weihnachtslied (Psalite)
pf F major 1874–76 Piano, original 2nd version of S.185a/1; arr. for pf4h as S.613/1
186/2 A267/2
O heilige Nacht!
pf D minor 1874–76 Piano, original 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49
186/3 A267/3
Die Hirten an der Krippe ("In dulce jubilo")
pf D major 1874–76 Piano, original 2nd version of S.185a/3; arr. for pf4h as S.613/3
186/4 A267/4
Adeste fideles (Gleichsam als Marsch der heiligen drei Könige)
pf A major 1874–76 Piano, original 2nd version of S.185a/4; arr. for pf4h as S.613/4
186/5 A267/5
Scherzoso (Man zündet die Kerzen des Baumes an)
pf F major 1874–76 Piano, original 2nd version of S.185a/5; arr. for pf4h as S.613/5
186/6 A267/6
Carillon
pf 1874–76 Piano, original 2nd version of S.185a/6; arr. for pf4h as S.613/6
186/7 A267/7
Schlummerlied
pf F major 1874–76 Piano, original 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7
186/7a A267/7
Schlummerlied
pf F major? 1882 Piano, original 3rd version of S.185a/7, S.186/7; version for Lachmund
186/8 A267/8
Altes provenzalisches Weihnachtslied
pf B minor 1874–76 Piano, original 2nd version of S.185a/8; arr. for pf4h as S.613/8
186/9 A267/9
Abendglocken
pf 1874–76 Piano, original 2nd version of S.185a/9; arr. for pf4h as S.613/9
186/10 A267/10
Ehemals
pf F minor 1874–76 Piano, original 2nd version of S.185a/10; arr. for pf4h as S.613/ 10
186/11 A267/11
Ungarisch
pf F minor 1874–76 Piano, original 2nd version of S.185a/11; arr. for pf4h as S.613/11
186/12 A267/12
Polnisch
pf B minor 1874–76 Piano, original 2nd version of S.185a/12; arr. for pf4h as S.613/12
187 A278 Sancta Dorothea pf E major 1877 Piano, original
187a E28 Resignazione pf/org E major 1877 Piano, original 1st version of S.187b
187b E28 Resignazione pf/org E major 1881 Piano, original 2nd version of S.187a
188 A300 In festo transfigurationis Domini nostri Jesu Christi pf C major 1880 Piano, original
189 A234 Klavierstück No.1 pf A major 1866 Piano, original
189a A116 Klavierstück No.2 pf A major 1845 Piano, original 1st version of S.189b
189b A116 Klavierstück No.2 pf D major 1845 or later Piano, original 2nd version of S.189a; themes re-used in S.170 and S.171d/4
190 A241 La marquise de Blocqueville (Un portrait en musique) pf 1869 Piano, original 1st movement is by Henri Herz, the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements.
191 A256 Impromptu pf F major 1872 Piano, original
192 A233 Klavierstücke (5) pf 1865–79 Piano, original
192/1 A233/1
Sehr langsam
pf E major 1865 Piano, original
192/2 A233/2
Lento assai
pf A major 1865 Piano, original
192/3 A233/3
Sehr langsam
pf F major 1873 Piano, original
192/4 A233/4
Andantino
pf F major 1876 Piano, original
192/5 A233/5
Sospiri! (Andante)
pf 1879 Piano, original
193 Klavierstück pf F major 1854 Piano, original
194 A249 Mosonyis Grabgeleit (Mosonyi gyázmenete) pf 1870 Piano, original re-used as S.205/7; arr. for 2pf as S.756(?)
195 A279 Dem Andenken Petöfis pf 1877 Piano, original based on S.349 ; arr. for pf4h as S.614; same as S.205/6
195a A266 Schlummerlied im Grabe pf 1874 Piano, original rev. as S.196
196 A266 Elegy No.1 pf 1874 Piano, original based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c
196a A277 Entwurf der Ramann-Elegie pf 1877 Piano, original 1st version of S.197
197 A277 Elegy No.2 pf 1877 Piano, original 2nd version of S.196a; arr. for vc pf as S.131, and for vn pf as S.131a
197a A295 Toccata pf C major 1879? Piano, original
197b A272 Kaiser Wilhelm! pf 1876 Piano, original
198 A303 Wiegenlied (Chant du berceau) pf 1881 Piano, original
199 A305 Trübe Wolken (Nuages gris) pf 1881 Piano, original
199a A319 Die Trauer-Gondel (La lugubre gondola) pf 1882 Piano, original 1st version of S.200/1, S.200/2; incomplete sketch as S.701k
200/1 A319a La lugubre gondola (Die Trauer-Gondel) pf 1882–83 Piano, original 2nd version of S.199a, S.200/2; arr. for vn pf as S.134a
200/2 A319b La lugubre gondola (Die Trauer-Gondel) pf 1885 Piano, original 3rd version of S.199a, S.200/1; arr. for vc pf as S.134
201 A320 R.W. – Venezia pf 1883 Piano, original
202 A321 Am Grabe Richard Wagners pf 1883 Piano, original arr. of S.135
203 A322 Schlaflos! Frage und Antwort pf 1883 Piano, original
204 A280 Receuillement pf 1877 Piano, original
205 A335 Historische ungarische Bildnisse pf 1885 Piano, original 1st version of S.205a
205/1 A335/1
Stephan Széchenyi
pf 1885 Piano, original same as S.205a/1
205/2 A335/4
Joseph Eötvös
pf 1885 Piano, original same as S.205a/4
205/3 A335/5
Michael Vörösmarty
pf 1885 Piano, original same as S.205a/5
205/4 A335/3
Ladislaus Teleki
pf 1885 Piano, original same as S.205a/3
205/5 A335/2
Franz Deák
pf 1885 Piano, original same as S.205a/2
205/6 A335/6
Alexander Petofi
pf 1885 Piano, original same as S.195, S.205a/6
205/7 A335/7
Michael Mosonyi
pf 1885 Piano, original same as S.194; 1st version of S.205a/7
205a A335 Historische ungarische Bildnisse pf 1885 Piano, original 2nd version of S.205
205a/1 A335/1
Széchenyi István
pf 1885 Piano, original same as S.205/1
205a/2 A335/2
Deák Ferenc
pf 1885 Piano, original same as S.205/5
205a/3 A335/3
Teleki László
pf 1885 Piano, original same as S.205/4
205a/4 A335/4
Eötvös József
pf 1885 Piano, original same as S.205/2
205a/5 A335/5
Vörösmarty Mihály
pf 1885 Piano, original same as S.205/3
205a/6 A335/6
Petofi Sándor
pf 1885 Piano, original same as S.195, S.205/6
205a/7 A335/7
Mosonyi Mihály
pf 1885 Piano, original 2nd version of S.205a/7
206 A334 Trauervorspiel und Trauermarsch pf 1885 Piano, original
206/1 A334/1
Preludio funebre
pf 1885 Piano, original
206/2 A334/2
Marcia funebre
pf 1885 Piano, original based on a theme from Funeral Music for István Széchenyi by Mihály Mosonyi
207 A336 En rêve (Nocturne) pf 1885 Piano, original
207a A296 Prélude à la Polka d'Alexandre Porfiryevitch Borodine (Variation sur le thème favori et obligé) pf 1880 Piano, original formerly listed as S.256; based on the "Chopsticks" polka by Alexander Borodin from the album Paraphrases
208 A312 Unstern (Sinistre) pf 1881 Piano, original
208a–233b
Works in dance form
208a A2/2 Waltz pf A major 1823? Piano, dance form arr. of S.126b/2
209 A32a Grande valse di bravura (Le bal de Berne) pf 1836 Piano, dance form themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615
209a Waltz pf E major 1840 Piano, dance form uses themes from S.209
210 A57a Valse mélancolique pf E major 1839 Piano, dance form 2nd version of S.210a, S.214/2
210a A57a Valse mélancolique pf E major 1840? Piano, dance form 1st version of S.210, S.214/2
210b A28 Waltz pf A major 1835? Piano, dance form
211 A95 Ländler pf A major 1843 Piano, dance form
211a A289/1 Ländler pf D major 1879 Piano, dance form formerly S.734
212i A84 Petite valse favorite (Souvenir de St Pétersbourg) pf 1842 Piano, dance form 1st version of S.212ii
212ii A84a Petite valse favorite (Souvenir de St Pétersbourg) pf 1843 Piano, dance form 2nd version of S.212i
212a A82 Valse pour Marie (Mariotte) pf 1842 Piano, dance form
213 A84c Valse-Impromptu pf 1850–52 Piano, dance form based on S. 212
213a A84c Valse-Impromptu pf 1870s? Piano, dance form S. 213 with latter additions
213b A84c Valse-Impromptu pf 1870s? Piano, dance form version facilitée
214 Caprices-Valses (3): pf 1850–52 Piano, dance form
214/1 A32b
Valse de bravoure
pf B major 1850–52 Piano, dance form 2nd version of S.209
214/2 A57b
Valse mélancolique
pf E major 1850 Piano, dance form 3rd version of S.210, S.210a
214/3 A88b
Valse de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti
pf A major 1850–52 Piano, dance form 2nd version of S.401; using themes from Parisina and Lucia di Lammermoor by Gaetano Donizetti
214a A271 Carrousel de Madame Pelet-Narbonne pf 1879? Piano, dance form
215 A311 Valses oubliées (4): pf 1881–84 Piano, dance form
215/1 A311/1
Valse oubliée No.1
pf F major 1881 Piano, dance form
215/2 A311/2
Valse oubliée No.2
pf A major 1883 Piano, dance form
215/3 A311/3
Valse oubliée No.3
pf 1883 Piano, dance form 1st version of S.215/3a
215/3a A311/3
Valse oubliée No.3
pf 1883? Piano, dance form 2nd version of S.215/3
215/4 A311/4
Valse oubliée No.4
pf 1884 Piano, dance form
215a A325 Mephisto Waltz No.3 pf 1883 Piano, dance form 1st version of S.216
216 A325 Mephisto Waltz No.3 pf 1883 Piano, dance form 2nd version of S.215a; arr. for pf4h as S.615a
216a A338 Bagatelle sans tonalité pf 1885 Piano, dance form manuscript entitled "4th Mephisto Waltz", but no relation to S.216b or S.696
216b A337 Mephisto Waltz No.4 pf 1885 Piano, dance form 1st (complete) version of S.696
217 A317 Mephisto Polka pf 1882–83 Piano, dance form exists in two versions
218 A119 Galop pf A minor 1846 Piano, dance form
219 A43 Grand galop chromatique pf E major 1838 Piano, dance form 1st version of S.219a; arr. for pf4h as S.616
219a A43 Grand galop chromatique pf E major 1840? Piano, dance form 2nd (simplified) version of S.219; Probably the piano reduction of Furioso-Galopp, Op. 114 by Johann Strauss the Elder, published as Liszt's arrangement; renumbered from S.219bis
220 A64 Galop de bal pf 1840 Piano, dance form
221 A168 Mazurka brillante pf 1850 Piano, dance form
221a# A221 Mazurka pf F minor Piano, dance form now believed to be spurious
222# Petite valse favorite pf Piano, dance form renumbered as S.212a
223 A171 Polonaises (2): pf 1850–51 Piano, dance form
223/1 A171/1
Polonaise mélancolique
pf C minor 1850–51 Piano, dance form
223/2 A171/2
Polonaise
pf E major 1850–51 Piano, dance form
224 A313 Csárdás macabre pf 1881–82 Piano, dance form arr. for pf4h as S.617
225 A333 Csárdás (2): pf 1884 Piano, dance form
225/1 A333/1
Csárdás
pf 1884 Piano, dance form
225/2 A333/2
Csárdás obstinée (Hartnäckiger Csardas)
pf 1884 Piano, dance form possibly arr. for pf4h as S.618
226 A188 Festvorspiel (Preludio pomposo) pf 1856 Piano, dance form arr. for orch as S.356
226a A10 Marche funèbre pf G minor 1827 Piano, dance form formerly S.745
227 A164a Festmarsch zur Säcularfeier von Goethes Geburtstag pf E major 1849 Piano, dance form uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521
227a A182 Festmarsch pf C major 1853 Piano, dance form 1st version of S.228; arr. for orch by Liszt and Joachim Raff as S.357/1
228 A182 Huldigungsmarsch pf C major 1857 Piano, dance form 2nd version of S.227a; arr. for orch as S.357/2
229 A184 Vom Fels zum Meer! (Deutscher Siegesmarsch) pf E major 1853–56 Piano, dance form arr. for pf4h as S.618a; for orch as S.368
229a Ungarischer Marsch pf B major 1859 Piano, dance form unpublished
230 A326 Bülow-Marsch pf 1883 Piano, dance form arr. for pf4h as S.619; for 2pf (8 hands) as S.657b
230a A274 Festpolonaise pf 1876 Piano, dance form formerly S.528; arr. for pf4h as S.619a
231 A65 Heroischer Marsch in ungarischem Stil (Marche héroïque dans le genre hongrois) pf A minor 1840 Piano, dance form partly based on S.103
232 A112/1 Seconde marche hongroise (Ungarischer Sturmmarsch) pf 1842 Piano, dance form 1st version of S.119
233 A252 Ungarischer Geschwindmarsch (Magyar Gyors induló) pf 1870–71 Piano, dance form possibly 1st version of S.460
233a A332 Siegesmarsch (Marche triomphale) pf E major 1884 Piano, dance form
233b A105 Marche hongroise pf E minor 1844 Piano, dance form
233c–254
Works on national themes
233c–234
Austrian
233c# Tyrolean Melody pf Piano, national theme deleted; see S.385a
234 A67 Hussitenlied (Aus dem 15. Jahrhundert) pf 1840 Piano, national theme based on the song Těšme se blahou nadějć by Josef Theodor Krov; arr. for pf4h as S.620
235
English
235 A76 God Save the Queen (Paraphrase de concert) pf 1841–49 Piano, national theme based on the British national anthem; rev. as S.694
236–239
French
236/1 A106 Faribolo Pasteur (Chanson tirée du poème de Françonetto de Jacques Jasmin) pf 1844 Piano, national theme
236/2 A107 Chanson du Béarn (Pastorale) pf 1844 Piano, national theme based on a song by René de Galard de Béarn, Marquis de Brassac
237 A236 La Marseillaise (Chant de guerre par Claude-Joseph Rouget de Lisle) pf 1866–72 Piano, national theme after the French national anthem La Marseillaise by Claude Joseph Rouget de Lisle
238 A169 La cloche sonne pf C minor 1850? Piano, national theme based on an old French song
239 A262 Vive Henri IV pf 1879–80 Piano, national theme based on the French anthem Marche de Henri IV
240
German
240 A96 Gaudeamus igitur (Chanson des étudiants) pf 1843 Piano, national theme exists in two versions; based on a traditional student song
241–246
Hungarian
241 A11 Zum Andenken (Ungarische Werbungstänze) (2): pf 1828 Piano, national theme Hungarian recruiting songs
241/1 A11/1
Kinizsi notája
pf 1828 Piano, national theme based on a dance by László Fáy
241/2 A11/2
Lassú magyar
pf 1828 Piano, national theme based on a dance by János Bihari
241a A180 Ungarischer Romanzero (Hungarian Romances) (18): pf 1853 Piano, national theme based on popular Hungarian themes, by Liszt and Eduard Remenyi
241a/1 A180/1
Ungarischer Romanzero No.1
pf F minor 1853 Piano, national theme composed by Eduard Remenyi
241a/2 A180/2
Ungarischer Romanzero No.2
pf A minor 1853 Piano, national theme
241a/3 A180/3
Ungarischer Romanzero No.3
pf A minor 1853 Piano, national theme
241a/4 A180/4
Ungarischer Romanzero No.4
pf A minor 1853 Piano, national theme composed by Eduard Remenyi
241a/5 A180/5
Ungarischer Romanzero No.5
pf D minor 1853 Piano, national theme
241a/6 A180/6
Ungarischer Romanzero No.6
pf A major 1853 Piano, national theme
241a/7 A180/7
Ungarischer Romanzero No.7
pf A major 1853 Piano, national theme
241a/8 A180/8
Ungarischer Romanzero No.8
pf D minor 1853 Piano, national theme
241a/9 A180/9
Ungarischer Romanzero No.9
pf A major 1853 Piano, national theme
241a/10 A180/10
Ungarischer Romanzero No.10
pf G minor 1853 Piano, national theme
241a/11 A180/11
Ungarischer Romanzero No.11
pf F major 1853 Piano, national theme
241a/12 A180/12
Ungarischer Romanzero No.12
pf C major 1853 Piano, national theme composed by Eduard Remenyi
241a/13 A180/13
Ungarischer Romanzero No.13
pf F minor 1853 Piano, national theme composed by Eduard Remenyi
241a/14 A180/14
Ungarischer Romanzero No.14
pf D major 1853 Piano, national theme composed by Eduard Remenyi
241a/15 A180/15
Ungarischer Romanzero No.15
pf D major 1853 Piano, national theme composed by Eduard Remenyi
241a/16 A180/16
Ungarischer Romanzero No.16
pf C major 1853 Piano, national theme composed by Eduard Remenyi
241a/17 A180/17
Ungarischer Romanzero No.17
pf A major 1853 Piano, national theme composed by Eduard Remenyi
241a/18 A180/18
Ungarischer Romanzero No.18
pf A major 1853 Piano, national theme composed by Eduard Remenyi
241b Magyar Tempo pf 1840 Piano, national theme sketches only
242 A60a Magyar dalok (Ungarische Nationalmelodien) pf 1839–40 Piano, national theme originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11)
242/1 A60a/1
(Lento)
pf C minor 1839–40 Piano, national theme
242/2 A60a/2
(Andantino)
pf C major 1839–40 Piano, national theme
242/3 A60a/3
(Sehr langsam)
pf D major 1839–40 Piano, national theme
242/4 A60a/4
(Animato)
pf C major 1839–40 Piano, national theme 1st version of S.243/2, S.243/2a; themes re-used in S.244/6
242/5 A60a/5
(Tempo giusto)
pf D major 1839–40 Piano, national theme 1st version of S.243/1, S.243/1a; themes re-used in S.244/6
242/6 A60a/6
(Lento)
pf G minor 1839–40 Piano, national theme themes re-used in S.242/12, S.244/5
242/7 A60a/7
(Andante cantabile, quasi Adagio)
pf E major 1839–40 Piano, national theme 1st version of S.244/4
242/8 A60a/8
(Lento. Tempo marcato)
pf F minor 1839–40 Piano, national theme
242/9 A60a/9
(Lento. Quasi Presto)
pf A minor 1839–40 Piano, national theme
242/10 A60a/10
(Adagio sostenuto a capriccio. Allegro vivace)
pf D major 1839–40 Piano, national theme
242/11 A60a/11
(Andante sostenuto. Allegretto)
pf B major 1839–40 Piano, national theme 1st version of S.243/3, S.243/3a; uses themes from S.164e; themes re-used in S.244/3, S.244/6
A60b Magyar rapszódiák pf 1846–47 Piano, national theme originally published as Book V (No. 12), Book VI (No. 13), Book VII (No. 14), Book VIII (No. 15), Book IX (No. 16), Book X (No. 17)
242/12 A60b/12
Mesto ["Héroïde élégiaque"]
pf E minor 1846–47 Piano, national theme partly based on S.242/6. themes re-used in S.244/5
242/13 A60b/13
(Tempo di Marcia) ["Rákóczi-Marsch"]
pf A minor 1846–47 Piano, national theme 3rd version of S.242a (based on); simplified version as S.242/13a; see also 4th & 5th versions S.244/15 & S.244c
242/13a A60b
Ungarische National-Melodie ["Rákóczi-Marsch"]
pf A minor 1846? Piano, national theme simplified version of S.242/13; renumbered from S.242/13bis
242/14 A60b/14
(Lento a capriccio)
pf A minor 1846–47 Piano, national theme themes re-used in S.244/11
242/15 A60b/15
(Lento. Tempo e stilo zingarese)
pf D minor 1846–47 Piano, national theme themes re-used in S.244/7
242/16 A60b/16
(Preludio. Andante deciso)
pf E major 1846–47 Piano, national theme themes re-used in S.244/10, S.244/10a
242/17 A60b/17
(Andante sostenuto)
pf A minor 1846–47 Piano, national theme themes re-used in S.244/13
242/18 A60c/18
(Adagio)
pf C minor 1846–47 Piano, national theme themes re-used in S.244/12
242/19 A60c/19
(Lento patetico)
pf F minor 1846–47 Piano, national theme themes re-used in of S.244/8
242/20 A60c/20
(Allegro vivace. Andante) ["Romanian Rhapsody"]
pf G minor 1846–47 Piano, national theme themes re-used in S.244/6, S.244/12
242/21 A60c/21
(Lento, tempo di marcia funèbre)
pf E minor 1846–47 Piano, national theme themes re-used in S.244/14
242/22 A60e
Pester Karneval
pf E major 1846–48 Piano, national theme themes re-used in S.244/9, S.244/14
242/23 T5
Rêves et fantaisies
pf C minor 1844–46? Piano, national theme partly based on S.171a; 1st version of S.244/1; formerly S. 695d
242a A59 Rákóczi-Marsch pf A minor 1839–40 Piano, national theme the first of Liszt's many arrangements of the Hungarian national anthem of the time, the Rákóczi March; simplified version as S.692d; 2nd version as 164f; 3rd version as S.242/13 (& simplified S.242/13a); 4th version as S.244/15 (& simplified S.244/15a); 5th version as S.244c; 4th version arr. for orch as S.117; orch version arr. for pf as S.244a (& simplified S.244b), arr. for pf4h as S.608, and arr. for 2pf as S.652a
243 A60d Ungarische Nationalmelodien (3): pf 1840–43 Piano, national theme
243/1 A60d/1
(Tempo giusto)
pf D major 1843 Piano, national theme 2nd version of S.242/5, S.243/1a
243/1a A60d/1
(Tempo giusto) (Im leichten Stile bearbeitet)
pf D major 1846 Piano, national theme 3rd (lighter) version of S.242/5, S.243/1; renumbered from S.243bis/1
243/2 A60d/2
(Animato)
pf C major 1843 Piano, national theme 2nd version of S.242/4, S.243/2a
243/2a A60d/2
(Animato) (Im leichten Stile bearbeitet)
pf C major 1846 Piano, national theme 3rd (lighter) version of S.242/4, S.243/2; renumbered from S.243bis/2
243/3 A60d/3
Prélude (Allegretto)
pf B major 1843 Piano, national theme 2nd version of S.242/11, S.243/3a
243/3a A60d/3
Prélude (Allegretto) (Im leichten Stile bearbeitet)
pf B major 1846 Piano, national theme 3rd (lighter) version of S.242/11, S.243/3; renumbered from S.243bis/3
243a Célèbre mélodie hongroise pf 1866 or later Piano, national theme
244 A132 Hungarian Rhapsodies (Ungarische Rhapsodien) pf 1846–85 Piano, national theme
244/1 A132/1
Hungarian Rhapsody No. 1 (Lento quasi recitativo)
pf C minor 1846 Piano, national theme 2nd version of S.243b
244/2 A132/2
Hungarian Rhapsody No. 2 (Lento a capriccio)
pf C minor 1847 Piano, national theme arr. for orch by Liszt and Franz Doppler as S.359/4, and for pf4h as S.621/4; see also S.244/2a
244/2a A132/2
Hungarian Rhapsody No. 2 (Lento a capriccio)
pf C minor 1885 Piano, national theme Cadenzas for S.244/2; renumbered from S.244/2bis
244/3 A132/3
Hungarian Rhapsody No. 3 (Andante)
pf B major 1847 Piano, national theme uses themes from S.164e/1 and 2; partly based on S.242/11
244/4 A132/4
Hungarian Rhapsody No. 4 (Quasi adagio, altiermamente)
pf E major 1847 Piano, national theme uses themes from S.242/7
244/5 A132/5
Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
pf E minor 1847 Piano, national theme uses themes from S.242/6, S.242/12; arr. for orch by Liszt and Franz Doppler as S.359/5, and for pf4h as S.621/5
244/6 A132/6
Hungarian Rhapsody No. 6 (Tempo giusto)
pf D major 1847 Piano, national theme uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and Franz Doppler as S.359/3, and for pf4h as S.621/3
244/7 A132/7
Hungarian Rhapsody No. 7 (Lento)
pf D minor 1847 Piano, national theme uses themes from S.242/15
244/8 A132/8
Hungarian Rhapsody No. 8 (Lento a capriccio)
pf F minor 1846 Piano, national theme uses themes from S.242/19
244/9 A132/9
Hungarian Rhapsody No. 9 ("Pesther Carneval")
pf E major 1847 Piano, national theme uses themes from S.242/22; arr. for orch by Liszt and Franz Doppler as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379
244/10 A132/10
Hungarian Rhapsody No. 10 (Preludio)
pf E major 1847 Piano, national theme 1st version of S.244/10a; uses themes from S.242/16
244/10a A132/10
Hungarian Rhapsody No. 10 (Preludio)
pf E major 1847 Piano, national theme 2nd (easier) version of S.244/10; uses themes from S.242/16; renumbered from S.244/10bis
244/11 A132/11
Hungarian Rhapsody No. 11 (Lento a capriccio)
pf A minor 1847 Piano, national theme uses themes from S.242/14
244/12 A132/12
Hungarian Rhapsody No. 12 (Introduzione. Mesto)
pf C minor 1847 Piano, national theme uses themes from S.242/18, S.242/20; arr. for orch by Liszt and Franz Doppler as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a
244/13 A132/13
Hungarian Rhapsody No. 13 (Andante sostenuto)
pf A minor 1847 Piano, national theme uses themes from S.242/17
244/14 A132/14
Hungarian Rhapsody No. 14 (Lento, quasi marcia funebre)
pf F minor 1847 Piano, national theme uses themes from S.242/21, S.242/22; arr. for orch by Liszt and Franz Doppler as S.359/1; themes used in S.123
244/15 A132/15
Hungarian Rhapsody No. 15 (Rákóczi-Marsch)
pf A minor 1847 Piano, national theme 4th version of S.242a (based on S.242/13); simplified (easier) version as S.244/15a; arr. for orch as S.117
244/15a A132/15
Hungarian Rhapsody No. 15 (Rákóczi-Marsch)
pf A minor 1847 Piano, national theme simplified (easier) version of S.244/15; renumbered from S.244/15bis
244/16 A132/16
Hungarian Rhapsody No. 16 (Allegro)
pf A minor 1882 Piano, national theme exists in two versions; arr. for pf4h as S.622
244/17 A132/17
Hungarian Rhapsody No. 17 (Lento)
pf D minor 1883 Piano, national theme
244/18 A132/18
Hungarian Rhapsody No. 18 (Lento)
pf F minor 1885 Piano, national theme exists in two versions; arr. for pf4h as S.623 [?]
244/19 A132/19
Hungarian Rhapsody No. 19 (Lento)
pf D minor 1885 Piano, national theme based on the Csárdás nobles by Kornél Ábrányi; arr. for pf4h as S.623a [?]
244a A224 Rákóczi-Marsch pf A minor 1863 Piano, national theme arr. of S.117; 6th pf version of S.242a; simplified version as S.244b
244b A224 Rákóczi-Marsch pf A minor 1871 Piano, national theme simplified version of S.244a
244c A132/15a Marche de Rákóczy (Édition populaire) pf A minor 1851 Piano, national theme 5th version of S.242a (based on S.242/13)
245 A263 Ungarische Volkslieder (Magyar népdal) (5) pf 1873 Piano, national theme
245/1 A263/1
Csak titokban
pf D major 1873 Piano, national theme
245/2 A263/2
Jaj, beh szennyes
pf G major 1873 Piano, national theme
245/3 A263/3
Beh szomoru ez az élet
pf G major 1873 Piano, national theme
245/4 A263/4
Beh! Sok falut
pf C minor 1873 Piano, national theme
245/5 A263/5
Erdt, erdt, sfrf erdt
pf F minor 1873 Piano, national theme
246 A255 Puszta-Wehmut (A puszta keserve) pf 1871 Piano, national theme based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b
247–248a
Italian
247# La romanesca pf Piano, national theme deleted; see S.252a
248i A85 Canzone Napolitana (Notturno) pf 1842 Piano, national theme 1st version of S. 248ii
248ii A85 Canzone Napolitana (Notturno) pf 1848? Piano, national theme, Italian 2nd version of S. 248i
249–249b
Polish
249 A143 Glanes de Woronince (3): pf 1847 Piano, national theme
249/1 A143/1
Ballade d'Ukraïne (Dumka)
pf 1847 Piano, national theme
249/2 A143/2
Mélodies polonaises
pf 1847 Piano, national theme based on No.1 of 19 Polish songs, Op.74 by Frédéric Chopin
249/3 A143/3
Complainte (Dumka)
pf 1847 Piano, national theme
249a Mélodie polonaise pf 1843 Piano, national theme
249b Dumka pf 1871 Piano, national theme
249c–251
Russian
249c A289/2 Air cosaque pf 1879 Piano, national theme formerly S.735
249d A86/1 Le rossignol (Air russe d'Alexander Alabieff) pf 1842 Piano, national theme based on a romance by Alexander Alyabyev; 1st version of S.250/1
250 A86 Mélodies russes (Arabesques) (2): pf 1842 Piano, national theme
250/1 A86/1
Le rossignol (Romance de Alexandr Alexandrovitch Alabieff)
pf 1842 Piano, national theme 2nd version of S.249d
250/2 A86/2
Chanson bohémienne (de Piotr Petrovitch Boulakhov)
pf 1842 Piano, national theme based on a song by Pyotr Bulakhov
251 A324 Abschied (Russisches Volkslied) pf 1885 Piano, national theme
252–254
Spanish
252 A33 Rondeau fantastique sur un thème espagnol (El contrabandista) pf B major 1836 Piano, national theme based on an aria from Manuel Garcia's opera El poeta calculista
252a A14/1 La romanesca (Mélodie du 16ième siècle) pf 1832–33 Piano, national theme formerly S.247; 1st version of S.252b
252b A14/2 La romanesca (Mélodie du 16ième siècle) pf 1852? Piano, national theme 2nd version of S.252a
253 A114 Grosse Konzertfantasie über spanische Weisen pf 1845 Piano, national theme 2nd version of S.738; themes used in S.254
254 A195 Rhapsodie espagnole (Folies d'espagne et Jota aragonesa) pf 1858 Piano, national theme based on S.253
255–256a

Piano Duet (four hands)

255# Festpolonaise pf4h Piano, 4 hands renumbered as S.619a
256# Variation über das Thema von Borodin pf4h Piano, 4 hands renumbered as S.207a
256a# Nocturne pf4h E minor Piano, 4 hands arr. of S.161/5; spurious (not by Liszt)
257–258

Piano Duo (2 pianos)

257 C1 Grosses Konzertstück über Themen aus Mendelssohns Lieder ohne Worte 2pf 1834 Piano, 2 pianos based on themes from Songs Without Words, Op.19b by Felix Mendelssohn
258i C18 Concerto pathétique 2pf 1855 Piano, 2 pianos based on S.176; 1st version of S.258ii
258ii C18 Concerto pathétique 2pf 1866 Piano, 2 pianos 2nd version of S.258i; arr. for pf orch by Edward Reuss with corrections by Liszt as S.365a
259–268a

Organ

259 E1 Fantasie und Fuge über den Choral Ad nos, ad salutarem undam org 1850 Organ based on a theme from the opera Le prophète by Giacomo Meyerbeer; 1st version of S.259a; Fugue published 1852 as No.4 of S.414; arr. for pf4h as S.624; arr. for pf as S.747a
260i E3/1 Präludium und Fuge über den Namen BACH org 1855–56 Organ 1st version of S.260ii; arr. for pf as S.529i
260ii E3/2 Präludium und Fuge über den Namen BACH org 1869–70 Organ 2nd version of S.260i (arr. of S.529ii)
261 E19a Pio IX (Der Papsthymnus) org 1863–65 Organ arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8
261a E12 Andante religioso org 1861 Organ arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV
262 E20 Ora pro nobis org 1864 Organ
263# Resignazione org 1877–81 Organ see S.187a
264 E33 Missa pro organo lectarum celebrationi missarum adjumento inserviens org 1879 Organ based on S.8, S.265, S.504
265 E32 Gebet (Preghiera) org 1879 Organ rev. as movt. III of S.264
266 E39 Requiem für die Orgel org 1883 Organ based on S.12
267 E38 Am Grabe Richard Wagners org 1883 Organ arr. of S.135
268 Vortragsstücke (2): org 1884 Organ
268/1 E41
Introitus
org 1884 Organ
268/2 E7
Trauerode (Die Todten)
org 1884? Organ arr. of S.112/1
268a E25 Preludio org 1885? Organ version of S.666 without vv
269–340a

Songs

269/1 N1 Angiolin dal biondo crin (Englein hold im Lockengold) v pf 1839 Vocal, song 1st version of S.269/2, S.269/3; arr. for pf as S.531/6
269/2 N1 Angiolin dal biondo crin (Englein hold im Lockengold) v pf 1849? Vocal, song 2nd version of S.269/1, S.269/3
269/3 N1 Angiolin dal biondo crin (Englein hold im Lockengold) v pf 1859? Vocal, song 3rd version of S.269/1, S.269/2
270a N14 Sonetti di Petrarca (Petrarca-Sonette) (3): v pf 1843–46 Vocal, song 1st version of S.270b (for tenor voice)
270a/1 N14/1
Pace non trovo (Fried' ist versagt mir)
v pf 1843–46 Vocal, song 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1
270a/2 N14/2
Benedetto sia'l giorno (Sei gesegnet immerdar)
v pf 1843–46 Vocal, song 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2
270a/3 N14/3
I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)
v pf 1843–46 Vocal, song 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3
270b N14 Sonetti di Petrarca (Petrarca-Sonette) (3): v pf 1864–82 Vocal, song 2nd version of S.270a (for low voice)
270b/1 N14/2
Benedetto sia'l giorno (Sei gesegnet immerdar)
v pf 1864–82 Vocal, song 2nd version of S.270a (for low voice)
270b/2 N14/1
Pace non trovo (Fried' ist versagt mir)
v pf 1864–82 Vocal, song 2nd version of S.270a (for low voice)
270b/3 N14/3
I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)
v pf 1864–82 Vocal, song 2nd version of S.270a (for low voice)
271 N4 Il m'aimait tant v pf 1840–42 Vocal, song arr. for pf as S.533
272/1 N3 Im Rhein, im schönen Strome v pf 1840 Vocal, song 1st version of S.272/2; arr. for pf as S.531/2
272/2 N3 Im Rhein, im schönen Strome v pf 1855 Vocal, song 2nd version of S.272/1
273/1 N5 Die Loreley v pf 1841 Vocal, song 1st version of S.273/2; arr. for pf as S.531/1
273/2 N5 Die Loreley v pf 1854–56 Vocal, song 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369
274/1 N6 Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle) v pf 1841 Vocal, song 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1
274/2 N6 Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle) v pf 1858–60 Vocal, song 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382
275/1 N8/1 Mignons Lied (Kennst du das Land) v pf 1842 Vocal, song 1st version of S.275/2, S.275/3; arr. for pf as S.531/3
275/2 N8/2 Mignons Lied (Kennst du das Land) v pf 1854 Vocal, song 2nd version of S.275/1, S.275/3
275/3 N8/3 Mignons Lied (Kennst du das Land) v pf 1860 Vocal, song 3rd version of S.275/1, S.275/2; arr. for v orch as S.370
276/1 N12/1 Comment disaient-ils (Was tun?) v pf 1842 Vocal, song 1st version of S.276/2; arr. for pf as S.534
276/2 N12/2 Comment disaient-ils v pf 1849–59 Vocal, song 2nd version of S.276/1
277/1 N21/1 Bist du (Mild wie ein Lufthauch) v pf 1844 Vocal, song 1st version of S.277/2
277/2 N21/2 Bist du (Mild wie ein Lufthauch) v pf 1878 Vocal, song 2nd version of S.277/1
278/1 N9/1 Es war ein König in Thule v pf 1842 Vocal, song 1st version of S.278/2; arr. for pf as S.531/4
278/2 N9/2 Es war ein König in Thule v pf 1856 Vocal, song 2nd version of S.278/1
279/1 N10/1 Der du von dem Himmel bist v pf 1842 Vocal, song 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5
279/2 N10/2 Der du von dem Himmel bist v pf 1849 Vocal, song 2nd version of S.279/1, S.279/3, S.279/4
279/3 N10/3 Der du von dem Himmel bist v pf 1860 Vocal, song 3rd version of S.279/1, S.279/2, S.279/4
279/4 N10/4 Der du von dem Himmel bist v pf 1870 Vocal, song 4th version of S.279/1, S.279/2, S.279/3
280/1 N23/1 Freudvoll und leidvoll I v pf 1844 Vocal, song 1st version of S.280/2; arr. for pf as S.167a; 1st setting, for 2nd setting see S.280a
280/2 N23/2 Freudvoll und leidvoll I v pf 1849 Vocal, song 2nd version of S.280/1; 1st setting, for 2nd setting see S.280a
280a N23/3 Freudvoll und leidvoll II v pf 1848? Vocal, song 2nd setting, for 1st setting see S.280; renumbered from S.280bis
281 N22a Die Vätergruft v pf 1844 Vocal, song arr. for v orch as S.371
282/1 N11/1 Oh! quand je dors v pf 1842 Vocal, song 1st version of S.282/2; arr. for pf as S.536
282/2 N11/2 Oh! quand je dors v pf 1849 Vocal, song 2nd version of S.282/1
283/1 N24/1 Enfant, si j'étais roi v pf 1844 Vocal, song 1st version of S.283/2; arr. for pf as S.537
283/2 N24/2 Enfant, si j'étais roi v pf 1849 Vocal, song 2nd version of S.283/1
284/1 N25/1 S'il est un charmant gazon v pf 1844 Vocal, song 1st version of S.284/2; arr. for pf as S.538
284/2 N25/2 S'il est un charmant gazon v pf 1849–59 Vocal, song 2nd version of S.284/1
285 N26 La tombe et la rose v pf 1844 Vocal, song arr. for pf as S.539
286 N27 Gastibelza (Bolero) v pf 1844 Vocal, song arr. for pf as S.540
287/1 N19/1 Du bist wie eine Blume v pf 1843 Vocal, song 1st version of S.287/2
287/2 N19/2 Du bist wie eine Blume v pf 1849 Vocal, song 2nd version of S.287/1
288/1 N7/1 Was Liebe sei v pf 1842 Vocal, song 1st setting, for 2nd and 3rd settings see S.288/2, S.288/3
288/2 N7/2 Was Liebe sei v pf 1854–55 Vocal, song 2nd setting, for 1st and 3rd setting see S.288/1, S.288/3
288/3 N7/3 Was Liebe sei v pf 1878–79 Vocal, song 3rd setting, for 1st and 2nd setting see S.288/1, S.288/2
289/1 N29/1 Vergiftet sind meine Lieder v pf 1843 Vocal, song 1st version of S.289/2
289/2 N29/2 Vergiftet sind meine Lieder v pf 1859 Vocal, song 2nd version of S.289/1
290/1 N16/1 Morgens steh ich auf und frage v pf 1843 Vocal, song 1st version of S.290/2
290/2 N16/2 Morgens steh ich auf und frage v pf 1849–59 Vocal, song 2nd version of S.290/1
291/1 N17/1 Die tote Nachtigall v pf 1843 Vocal, song 1st version of S.291/2
291/2 N17/2 Die tote Nachtigall v pf 1870–79 Vocal, song 2nd version of S.291/1
292a N32/1 Lieder aus Schiller's Wilhelm Tell (3) v pf 1845 Vocal, song 1st version of S.292b
292a/1 N32/1/1
Der Fischerknabe (Es lächelt der See)
v pf 1845 Vocal, song 1st version of S.292b/1
292a/2 N32/1/2
Der Hirt (Ihr Matten lebt wohl)
v pf 1845 Vocal, song 1st version of S.292b/2
292a/2 N32/1/3
Der Alpenjäger (Es donnern die Höh'n)
v pf 1845 Vocal, song 1st version of S.292b/3
292b N32/2 Lieder aus Schiller's Wilhelm Tell (3) v pf 1855? Vocal, song 2nd version of S.292a; arr. for v orch as S.372
292b/1 N32/2/1
Der Fischerknabe (Es lächelt der See)
v pf 1855? Vocal, song 2nd version of S.292a/1; arr. for v orch as S.372/1
292b/2 N32/2/2
Der Hirt (Ihr Matten lebt wohl)
v pf 1855? Vocal, song 2nd version of S.292a/2; arr. for v orch as S.372/2
292b/2 N32/2/3
Der Alpenjäger (Es donnern die Höh'n)
v pf 1855? Vocal, song 2nd version of S.292a/3; arr. for v orch as S.372/3
293/1 N37/1 Jeanne d'Arc au bûcher v pf 1845 Vocal, song 1st version of S.293/2; arr. for v orch as S.373/1
293/2 N37/2 Jeanne d'Arc au bûcher v pf 1874–75 Vocal, song 2nd version of S.293/1; arr. for v orch as S.373/2
294/1 N33/1 Es rauschen die Winde v pf 1845 Vocal, song 1st version of S.294/2
294/2 N33/2 Es rauschen die Winde v pf 1849? Vocal, song 2nd version of S.294/1
295 N28 Wo weilt er? v pf 1844 Vocal, song
296 N31 Ich möchte hingehn v pf 1844–56? Vocal, song
297/1 N34/1 Wer nie sein Brot mit Tränen aß v pf 1845 Vocal, song 1st version of S.297/2
297/2 N34/2 Wer nie sein Brot mit Tränen aß v pf 1849 Vocal, song 2nd version of S.297/1
298/1 N18/3/1 O lieb so lang du lieben kannst v pf 1843 Vocal, song 1st version of S.298/2
298/2 N18/3/2 O lieb so lang du lieben kannst
(Liebestraum No.3)
v pf 1843 Vocal, song 2nd version of S.298/1; arr. for pf as S.541/3
298a N38 Über die Aeolsharfe v pf 1846 Vocal, song
299/1 N39/1 Isten veled v pf 1847 Vocal, song 1st version of S.299/2
299/2 N39/2 Isten veled v pf 1879 Vocal, song 2nd version of S.299/1
300 N40 Le Juif errant v pf 1847 Vocal, song unpublished
301/1 N42/1 Kling leise, mein Lied v pf 1848 Vocal, song 1st version of S.301/2
301/2 N42/2 Kling leise, mein Lied v pf 1849–60 Vocal, song 2nd version of S.301/1
301a N30 Oh pourquoi donc v pf 1844? Vocal, song rev. for pf as S.169
301b/1 N6/2/1 En ces lieux tout me parle d'elle (Élégie) v pf 1844 Vocal, song 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2
301b/2 N6/2/2 Elégie (En ces lieux) v pf 1845 Vocal, song 3rd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2a
302 N45 Die Macht der Musik v pf 1848 Vocal, song
303 N43 Weimars Toten v pf 1848 Vocal, song
304 N44 Le vieux vagabond (Der alte Vagabund) v pf 1848 Vocal, song
305/1 N35/1 Schwebe, schwebe, blaues Auge v pf 1845 Vocal, song 1st version of S.305/2
305/2 N35/2 Schwebe, schwebe, blaues Auge v pf 1849–60 Vocal, song 2nd version of S.305/1
306/1 N46/1 Über allen Gipfeln ist Ruh v pf 1848 Vocal, song 1st version of S.306/2
306/2 N46/2 Über allen Gipfeln ist Ruh v pf 1859 Vocal, song 2nd version of S.306/1
306a N13 Quand tu chantes bercée v pf 1842 Vocal, song
306b N41 Göttliche Gedanken, selige Gefühle v pf 1848 Vocal, song
307 N18/1 Hohe Liebe (In Liebesarmen ruht ihr trunken)
(Liebestraum No. 1)
v pf 1850 Vocal, song arr. for pf as S.541/1
308 N18/2 Gestorben war ich (Seliger tod)
(Liebestraum No. 2)
v pf 1845–46 Vocal, song arr. for pf as S.541/2
309 N36/1 Ein Fichtenbaum steht einsam I v pf 1845 Vocal, song 1st setting of S.309a
309a N36/2 Ein Fichtenbaum steht einsam II v pf 1860 Vocal, song 2nd setting of S.309; renumbered from S.309bis
310 N20 Nimm einen Strahl der Sonne (Ihr Auge) v pf 1843–49 Vocal, song
311/1 N48/1 Anfangs wollt' ich fast verzagen v pf 1849 Vocal, song 1st version of S.311/2
311/2 N48/2 Anfangs wollt' ich fast verzagen v pf 1860? Vocal, song 2nd version of S.311/1
312 N51 Wie singt die Lerche schön v pf 1855 Vocal, song
313 N53 Weimars Volkslied v pf 1857 Vocal, song arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1c.; for orch by Liszt and Franz Doppler as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7
314 N49 Es muss ein Wunderbares sein v pf 1852 Vocal, song
315 N52 Ich liebe dich v pf 1857 Vocal, song arr. for pf as S.542a
316 N54 Muttergottes-Sträusslein zum Mai-Monate v pf 1857 Vocal, song see also S.765
316/1 N54/1
Das Veilchen
v pf 1857 Vocal, song
316/2 N54/2
Das Schlüsselblumen
v pf 1857 Vocal, song
317 N55 Lasst mich ruhen v pf 1858 Vocal, song
318 N56 In Liebeslust v pf 1858 Vocal, song
319 N58 Ich scheide v pf 1860 Vocal, song
320 N62/1 Die drei Zigeuner v pf 1860 Vocal, song arr. for vn pf as S.383, for v orch as S.374
321 N59 Die stille Wasserrose v pf 1860 Vocal, song
322 N60 Wieder möcht ich dir begegnen v pf 1860 Vocal, song
323 N61 Jugendglück v pf 1860 Vocal, song
324 N50 Blume und Duft v pf 1854 Vocal, song
324a N64 Не брани меня, мой друг (Do Not Reproach Me) v pf 1866 Vocal, song formerly S. 340a
325 N65 Die Fischerstochter v pf 1871 Vocal, song
326 N67 La perla (Die Perle) v pf 1872 Vocal, song
327 N68 J'ai perdu ma force et ma vie (Ich verlor die Kraft und das Leben) v pf 1872 Vocal, song
328 N69 Ihr Glocken von Marling v pf 1874 Vocal, song
329 N70 Und sprich v pf 1875–79 Vocal, song
330 N71 Sei still v pf 1877–79? Vocal, song
331 N72 Gebet v pf 1878 Vocal, song
332 N73 Einst v pf 1878 Vocal, song
333 N74 An Edlitam (Zur silbernen Hochzeit) v pf 1878 Vocal, song
334 N75 Der Glückliche (Wie glänzt nun die welt) v pf 1878 Vocal, song
335 N76 Go Not, Happy Day (Weil noch, Sonnenstrahl) v pf 1879 Vocal, song
336 N77 Verlassen (Mir ist die Welt so freudenleer) v pf 1880 Vocal, song
337 N78 Des Tages laute Stimmen schweigen v pf 1880 Vocal, song
338 N66 Und wir dachten der Toten v pf 1871? Vocal, song
339 M37 A magyarok Istene (Ungarns Gott) v pf (+ mch) 1881 Vocal, song arr. for pf as S.543, for pflh as S.543a, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a
340 N81 Magyar király-dal (Ungarisches Königslied) v pf 1883 Vocal, song arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7
340a# N64 Не брани меня, мой друг (Do Not Reproach Me) v pf 1866 Vocal, song deleted; renumbered as S. 324a
341–345a

Other vocal works

341 K8 Ave Maria IV v org/harm G major 1881 Vocal arr. for pf as S.545; for org as S.674b
342/1 K9/1 Le Crucifix v pf/harm 1879 Vocal 1st version of S.342/2, S.342/3
342/2 K9/2 Le Crucifix v pf/harm 1879 Vocal 2nd version of S.342/1, S.342/3
342/3 K9/3 Le Crucifix v pf/harm 1881–83 Vocal 3rd version of S.342/1, S.342/2
343 K7 Sancta Caecilia v org/harm 1880–85 Vocal
344 N79 O Meer im Abendstrahl 2vv pf/harm 1881? Vocal
345 L14 Wartburg-Lieder (7): 3vv ch orch/pf 1872–73 Choral
345/0 L14/0
An Frau Minne (Die Erde ist erschlossen)
ch orch/pf 1872–73 Choral
345/1 L14/1
Wolfram von Eschenbach (Als wir mit deutschen Klingen)
v ch orch/pf 1872–73 Choral
345/2 L14/2
Heinrich von Ofterdingen (Hab' ich geträumt?)
v orch/pf 1872–73 Vocal
345/3 L14/3
Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)
v orch/pf 1872–73 Vocal arr. for v vn pf as S.345/3a
345/3a L14/3a
Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)
v vn pf 1872–73 Vocal arr. of S.345/3
345/4 L14/4
Der tugendhafte Schreiber (Ich schrieb allzeit nur wenig)
2vv orch/pf 1872–73 Vocal
345/5 L14/5
Biterolf und der Schmied von Ruhla (Thüringens Wälder senden den Waidmann und den Schmied)
v orch/pf 1872–73 Vocal
345/6 L14/6
Reimar der Alte (Wo liebende Herzen sich innig vermählt)
v orch/pf 1872–73 Vocal
345a L16 A magyarok Istene (Ungarns Gott) v mch ww br perc 1882 Choral arr. of S.339
346–350

Recitations

346 P1 Lenore (Der Bräutigam) nar pf 1857–58 Vocal, recitation
347 P2 Vor hundert Jahren nar orch 1859 Vocal, recitation unpublished
348 P3 Der traurige Mönch (In Schweden steht ein grauer Turm) nar pf 1860 Vocal, recitation
349 P5 Des toten Dichters Liebe (A holt költó szerelme) nar pf 1874 Vocal, recitation rev. for pf as S.195
350 P6 Der blinde Sänger (Слепой) nar pf 1875–77 Vocal, recitation arr. for pf as S.546
351–686

Arrangements, transcriptions, fantasies, etc.

351–364

Orchestral works

351 G32 Mazurka-Fantaisie [H. von Bülow] orch B minor 1865 Orchestral, arr. arr. of the Mazurka-fantaisie for piano, Op.13 by Hans von Bülow
352 G36 Zweite Ouvertüre zum Barbier von Bagdad [P. Cornelius] orch 1877–80 Orchestral, arr. second overture to the opera Der Barbier von Bagdad by Peter Cornelius, completed and orchestrated by Liszt
353 G34 Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) orch 1872 Orchestral, arr. arrs. of the Hungarian patriotic songs Szózat by Béni Egressy and Himnusz by Ferenc Erkel; also arr. for pf as S.486, for pf4h as S.628c
353a# Angelus! Prière aux anges gardiens str Orchestral, arr. renumbered as S.362a
354# Légendes (2) orch 1863 Orchestral, arr. renumbered as S.113a
355 G30 Vexilla regis prodeunt (Kreuzeshymne) orch 1864 Orchestral, arr. arr. of S.185
356 G18 Festvorspiel orch 1857 Orchestral, arr. arr. of S.226
357/1 G8/1 Festmarsch ww br perc 1853 Orchestral, arr. arr. of S.227a by Liszt and Joachim Raff
357/2 G8/2 Huldigungsmarsch orch 1857 Orchestral, arr. arr. of S.228
358 G11 Vom Fels zum Meer! (Deutscher Siegesmarsch) orch 1853–56? Orchestral, arr. arr. of S.229
359 G21 Hungarian Rhapsodies (6) orch 1857–60 Orchestral, arr. arr. from S.244; arr. for pf4h as S.621
359/1 G21/1
Hungarian Rhapsody No. 1
orch F minor 1857–60 Orchestral, arr. arr. by Liszt and Franz Doppler of S.244/14; arr. for pf4h by Liszt as S.621/1
359/2 G21/2
Hungarian Rhapsody No. 2
orch D minor 1857–60 Orchestral, arr. arr. by Liszt and Franz Doppler of S.244/12; arr. for pf4h by Liszt as S.621/2
359/3 G21/3
Hungarian Rhapsody No. 3
orch D major 1857–60 Orchestral, arr. arr. by Liszt and Franz Doppler of S.244/6; arr. for pf4h by Liszt as S.621/3
359/4 G21/4
Hungarian Rhapsody No. 4
orch D minor 1857–60 Orchestral, arr. arr. by Liszt and Franz Doppler of S.244/2; arr. for pf4h by Liszt as S.621/4
359/5 G21/5
Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
orch E minor 1857–60 Orchestral, arr. arr. by Liszt and Franz Doppler of S.244/5; arr. for pf4h by Liszt as S.621/5
359/6 G21/6
Hungarian Rhapsody No. 6 (Pesther Carneval)
orch D major 1857–60 Orchestral, arr. arr. by Liszt and Franz Doppler of S.244/9; arr. for pf4h by Liszt as S.621/6
359a G19 Weimars Volkslied orch C major 1857 Orchestral, arr. arr. of S.313
360 G26 À la Chapelle Sixtine orch 1862 Orchestral, arr. arr. of S.461/1
361 G31 Der Papsthymnus orch 1864 Orchestral, arr. arr. of S.261
362 H14 Benedictus aus der Ungarischen Krönungsmesse vn orch 1875–77 Orchestral, arr. arr. of S.11/7
362a D15 Angelus! Priere aux anges gardiens str/(2vn va vc) 1882 Orchestral, arr. arr. of S.162/1
363 G24 Märsche von Franz Schubert (4) orch 1859–70 Orchestral, arr. arr. for pf4h as S.632
363/1 G24/1
(Vivace)
orch B minor 1859–70 Orchestral, arr. orchestration of No.3 of 6 Grandes Marches, D.819 by Franz Schubert; arr. for pf4h as S.632/1
363/2 G24/2
Trauermarsch
orch E minor 1859–70 Orchestral, arr. orchestration of No.5 of 6 Grandes Marches, D.819 by Franz Schubert; arr. for pf as S.426/1, for pf4h as S.632/2
363/3 G24/3
Reitermarsch
orch C major 1859–70 Orchestral, arr. orchestration of No.1 of 2 Marches caractéristiques, D.968b by Franz Schubert; arr. for pf4h as S.633/3
363/4 G24/4
Ungarischer Marsch
orch D minor 1859–70 Orchestral, arr. orchestration of Divertissement à la hongroise, D.818 by Franz Schubert; arr. for pf4h as S.632/4
364 G39 Danses galiciennes de Zarembski orch 1881–82 Orchestral, arr. orchestration of 3 Danses galiciennes by Juliusz Zarębski
365–367

For pianoforte and orchestra

365 H11/1 Grand solo de concert pf orch 1849–50 Orchestral, piano, arr. sketches only; based on S.176
365a H11/2 Concerto pathétique pf orch E minor 1885–86 Orchestral, piano, arr. arr. of S.258/2 by Edward Reuss with corrections by Liszt
365b H5 Hexaméron (Morceau de concert) pf orch 1837–39 Orchestral, piano, arr. arr. of S.392; completed by Leslie Howard
366 H13 Franz Schuberts Grosse Fantasie pf orch C major 1851 Orchestral, piano, arr. arr. of the Fantasie in C major, D.760 by Franz Schubert; arr. for 2pf as S.653
367 H10 Polonaise brillante [Weber] pf orch E major 1848 Orchestral, piano, arr. arr. of the Polacca brillante, Op.72 by Carl Maria von Weber; arr. for pf as S.455
368–377

Songs with orchestra

368 N80 Lieder von Francis Korbay (2): v orch 1883 Vocal, orchestral, arr. arrs. of songs by Francis Korbay
368/1 N80/1
Le matin
v orch 1883 Vocal, orchestral, arr. arr. of the song by Francis Korbay
368/2 N80/2
Gebet
v orch 1883 Vocal, orchestral, arr. arr. of the song by Francis Korbay; also arr. for v org as S.683a
369 N5/3 Die Loreley v orch 1860 Vocal, orchestral, arr. arr. of S.273/2
370 N8/4 Mignons Lied (Kennst du das Land) v orch 1860 Vocal, orchestral, arr. arr. of S.275/3
371 N22/2 Die Vätergruft v orch 1886 Vocal, orchestral, arr. arr. of S.281
372 N32/3 Lieder aus Schiller's Wilhelm Tell (3) v orch 1855 Vocal, orchestral, arr. arr. of S.292b
372/1 N32/3/1
Der Fischerknabe (Es lächelt der See)
v orch 1855 Vocal, orchestral, arr. arr. of S.292b/1
372/2 N32/3/2
Der Hirt (Ihr Matten lebt wohl)
v orch 1855 Vocal, orchestral, arr. arr. of S.292b/2
372/3 N32/3/3
Der Alpenjäger (Es donnern die Höh'n)
v orch 1855 Vocal, orchestral, arr. arr. of S.292b/3
373/1 N37/5/1 Jeanne d'Arc au bûcher v orch 1858 Vocal, orchestral, arr. arr. of S.293/1; 1st version of S.373/2
373/2 N37/5/2 Jeanne d'Arc au bûcher v orch 1875 Vocal, orchestral, arr. arr. of S.293/2; 1st version of S.373/1
374 N62/2 Die drei Zigeuner v orch 1871 Vocal, orchestral, arr. arr. of S.320
375 N63 Lieder von Schubert (6) v orch 1860 Vocal, orchestral, arr. arrs. of songs by Franz Schubert
375/1 N63/1
Die junge Nonne
v orch 1860 Vocal, orchestral, arr. arr. of Die junge Nonne, D.828 by Franz Schubert
375/2 N63/2
Gretchen am Spinnrade
v orch 1860 Vocal, orchestral, arr. arr. of Gretchen am Spinnrade, D.118 by Franz Schubert
375/3 N63/3
Mignons Lied (Kennst du das Land)
v orch 1860 Vocal, orchestral, arr. arr. of Mignon, D.321 by Franz Schubert
375/4 N63/4
Erlkönig
v orch 1860 Vocal, orchestral, arr. arr. of Erlkönig, D.328 by Franz Schubert
375/5 N63/5
Der Doppelgänger (Still ist die Nacht)
v orch 1860 Vocal, orchestral, arr. arr. of No.13 from Schwanengesang, D.957 by Franz Schubert
375/6 N63/6
Abschied
v orch 1860 Vocal, orchestral, arr. arr. of No.7 from Schwanengesang, D.957 by Franz Schubert
376 L13 Die Allmacht von Franz Schubert (Gross ist Jehova, der Herr) mch org/harm orch 1871 Vocal, orchestral, arr. arr. of Die Allmacht, D.852 by Franz Schubert
377 N82 Der Zaubersee (Bűvös tó) ten orch 1884 Vocal, orchestral, arr. arr. of a ballad (now lost) by Géza Zichy
377a–383

Chamber music, etc.

377a D9 La notte vn pf 1864–66? Chamber, arr. arr. of S.112/2; formerly S.722
378 D15 Angelus! Priere aux anges gardiens 2vn va vc 1883 Chamber, arr. arr. of S.163/1
378a D18/1 Vallée d'Obermann vn vc pf 1880 Chamber, arr. arr. by Eduard Lassen and Liszt of S.160/6; 1st version of S.378b, S.378c
378b D18/2 Vallée d'Obermann vn vc pf 1880 Chamber, arr. 2nd version of S.378a, S.378c
378c D18/3 Tristia (Vallée d'Obermann) vn vc pf 1880 Chamber, arr. 3rd version of S.378a, S.378b
379 D6 Hungarian Rhapsody No.9 vn vc pf E major 1848 Chamber, arr. arr. of S.244/9
379a Hungarian Rhapsody No. 12 vn pf C minor 1850–59 Chamber, arr. arr. of S.244/12
379b D17 Puszta-Wehmut vn pf 1880 Chamber, arr. arr. of S.246
380 D7 O du mein holder Abendstern vc pf 1852 Chamber, arr. arr. of S.444 (with Bernhard Cossmann)
381 D10 Aus der Ungarischen Krönungsmesse vn pf 1869 Chamber, arr. arr. from S.11
381/1 D10/1
Benedictus
vn pf 1869 Chamber, arr. arr. of S.11/7
381/2 D10/2
Offertorium
vn pf 1869 Chamber, arr. arr. of S.11/5
381a A magyarok Istene (Ungarns Gott) vn pf 1882 Chamber, arr. arr. of S.339
382 D21 Die Zelle im Nonnenwerth (Elegie) vn/vc pf 1883? Chamber, arr. arr. of S.274/2
382a D11 Consolations (2): vc pf/org 1870 Chamber, arr. arr. of extracts from S.172 by Liszt and Deswert
382a/1 D11/1
(Andante con moto)
vc pf 1870 Chamber, arr. arr. of S.172/1 by Liszt and Deswert
382a/2 D11/2
(Quasi Adagio)
vc pf/org/harm 1870 Chamber, arr. arr. of S.172/4 by Liszt and Deswert
383 D8 Die drei Zigeuner vn pf 1864 Chamber, arr. arr. of S.320
383a–577ter

For pianoforte solo

383a–460
Paraphrases, operatic transcriptions, etc.
383a V12 Virag Dál (Chant des Fleurs) [Ábrányi] pf 1880 Piano, arr. additions and corrections by Liszt to the pf piece by Kornél Ábrányi
384 A93 Mazurka pour Piano, arr. composée par un amateur de St. Pétersbourg pf 1868? Piano, arr. arr. of a pf piece by Mikhail Vielgorsky [attributed in some sources to Alexander Alyabyev]
384a Variations on "Tiszantuli szép leany" pf 1846 Piano, arr. variations on the Hungarian folk song "Tiszantuli szép leany"
385i A12a/1 Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber pf A major 1829 Piano, arr. based on a theme from the opera La fiancéeby Auber (also used in S.385a); 1st version of S.385/2, S.385/3
385ii A12a/2 Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber pf A major 1843? Piano, arr. 2nd version of S.385/1, S.385/3
385iii Souvenir de La fiancée (Grande fantaisie sur la tyrolienne de l'opéra La Fiancée d'Auber) pf A major 1842 Piano, arr. 3rd version of S.385/1, S.385/2
385a A12b Tyrolean Melody pf G major 1829 Piano, arr. formerly S.233c; based on the same theme as S.385
386i A125 Tarantelle di bravura d'après la tarantelle de La muette de Portici pf 1846 Piano, arr. based on a theme from the opera La muette de Portici by Auber; 1st version of S. 386ii and S. 386iii
386ii Tarantelle di bravura d'après la tarantelle de La muette de Portici pf 1846 Piano, arr. based on a theme from the opera La muette de Portici by Auber; 2nd version of S. 386i and S. 386iii
386iii Tarantelle di bravura d'après la tarantelle de La muette de Portici pf 1869 Piano, arr. 3rd version of S. 386i and S. 386ii
387 A144/1 Stücke aus der Oper La muette de Portici von Auber (3): pf 1847–48 Piano, arr.
387/1 A144/1
Introduction e Cavatine
pf 1847–48 Piano, arr. based on themes from the opera La muette de Portici by Auber
387/2 A144/2
Klavierstück über ein fremdes Thema
pf 1847–48 Piano, arr. based on an unidentified theme
388 A124 Capriccio alla turca sur des motifs de Beethoven pf 1846 Piano, arr. based on themes from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; themes also used in S.388b, S.122
388a A124 Marche des Ruines d'Athenes de Beethoven pf 1846 Piano, arr. extracted from S.388
388b A177 Fantasie über Themen aus Beethovens Ruinen von Athen pf 1839 Piano, arr. based on themes from Die Ruinen von Athen, Op.113 by Beethoven; rev. as S.122; themes also used in S.388
389 A177 Fantasie über Motive aus Beethovens Ruinen von Athen pf 1852 Piano, arr. arr. of S.122
389a C27 Cadenza to the first movement of Piano Concerto No.3 by Beethoven pf 1878–79 Piano, arr. extracted from S.657a/1
390/1 A34/1 Réminiscences des Puritains de Bellini pf 1836 Piano, arr. based on themes from the opera I puritani by Vincenzo Bellini; 1st version of S.390/2
390/2 A34/2 Réminiscences des Puritains de Bellini pf 1837 Piano, arr. 2nd version of S.390/1; ending used in S.391
391 A74 Introduction et Polonaise de l'opéra I puritani pf 1840–41 Piano, arr. based on the conclusion of S.390/2
392 A41 Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) pf 1837–38 Piano, arr. collaborative work with Sigismond Thalberg, Johann Peter Pixis, Henri Herz, Carl Czerny and Frédéric Chopin; arr. for pf orch as S.365b, for 2pf as S.654
393/1 A56/1 Fantaisie sur des motifs favoris de l'opera Somnambula de Bellini pf 1841 Piano, arr. based on themes from the opera La sonnambula by Vincenzo Bellini; 1st version of S.393/2, S.393/3,
393/2 A56/2 Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula pf 1852 Piano, arr. 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627
393/3 A56/3 Grosse Concert-Fantasie aus der Oper Sonnambula pf 1874 Piano, arr. 3rd version of S.393/1, S.393/2
394 A77 Réminiscences de Norma pf 1841 Piano, arr. based on themes from the opera Norma by Vincenzo Bellini; arr. for 2pf as S.655
395 L'idée fixe pf 1833 Piano, arr. renumbered as S.470a/1
396 A178 Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz) pf 1852–53 Piano, arr. based on themes from the opera Benvenuto Cellini by Hector Berlioz; arr. for pf4h as S.628
397 A22 Réminiscences de Lucia di Lammermoor pf 1835–36 Piano, arr. based on themes from the opera Lucia di Lammermoor by Gaetano Donizetti; arr. for pf4h as S.628a
398 A23 Marche et Cavatine de Lucia di Lammermoor pf 1835–36 Piano, arr. based on themes from the opera Lucia di Lammermoor by Gaetano Donizetti; arr. for pf4h as S.628b
399 A44 Nuits d'été à Pausilippe (Amusements sur des motifs de l'album de Donizetti) (3): pf 1838 Piano, arr. based on themes from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/1 A44/1
Barcarola (Il barcajuolo)
pf 1838 Piano, arr. based on No.1 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/2 A44/2
Notturno (L'alito di Bice)
pf 1838 Piano, arr. based on No.9 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/3 A44/3
Canzone Napoletana (La torre di Biasone)
pf 1838 Piano, arr. based on No.4 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399a A71a Fantaisie sur des motifs favoris de l'opéra Lucrezia Borgia pf 1840 Piano, arr. based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 1st version of S.400/2
400 A71b Réminiscences de Lucrezia Borgia (Grande fantaisie sur des motifs de l'opéra de Gaetano Donizetti) pf 1848 Piano, arr. based on themes from the opera Lucrezia Borgia by Gaetano Donizetti
400/1 A71b/1
Trio du seconde Acte
pf 1848 Piano, arr. based on the trio from Act II of the opera Lucrezia Borgia by Gaetano Donizetti
400/2 A71b/2
Chanson á boire (Orgie). Duo. Finale
pf 1848 Piano, arr. based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 2nd version of S.399a
400a A136 Spirto gentil (Kavatine aus der Oper La favorite) pf 1847 Piano, arr. based on a theme from Act IV of La favorite by Gaetano Donizetti
401 A88a Valse a capriccio (sur deux motifs de Lucia et Parisina) pf 1842 Piano, arr. based on themes from the operas Parisina and Lucia di Lammermoor by Gaetano Donizetti; 1st version of S.214/3
402 A108 Marche funèbre de Dom Sébastien de Donizetti pf 1844 Piano, arr. based on the funeral march from the opera Dom Sébastien by Gaetano Donizetti
403 A137 Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan pf 1847 Piano, arr. based on the Grande marche militaire by Gaetano Donizetti; 1st version of S.403a
403a A137 Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan pf 1848 Piano, arr. 2nd version of S.403 ("version facilitée"); renumbered from S.403bis
404 A160 Halloh! (Jagdchor und Steirer aus der Oper Tony von E. H. z. S. C. G.) pf 1849 Piano, arr. based on themes from the opera Tony, oder die Vergeltung by Ernest II, Duke of Saxe-Coburg and Gotha
405 A140 Schwanengesang und Marsch aus Hunyadi László pf 1847 Piano, arr. based on themes from the opera Hunyadi László by Ferenc Erkel
405a V4 Pásztor Lakodalmus (Magyar nóták) pf 1858 Piano, arr. corrections and alterations to Les noces du Pâtre by Leo Festetics
406/1 Marcia Circassa tratta dall'opera Russlan e Ludmilla di Glinka (Marche des Tcherkesses de l'opera Rouslan et Loudmila) pf 1843 Piano, arr. based on Chernomor's March (Act IV, No. 19) from the opera Ruslan and Lyudmila by Mikhail Glinka; 1st version of S.406/2
406/2 Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla pf 1843, 1875 Piano, arr. 2nd version of S.406/2; arr. for pf4h as S.629
407 A208 Valse de l'opéra Faust pf 1861 Piano, arr. based on the waltz and duet from Act II of the opera Faust by Charles Gounod
408 A231 Les Sabéennes (Berceuse de l'opéra La reine de Saba) pf 1865 Piano, arr. based on the berceuse from the opera La reine de Saba by Charles Gounod
409 A237 Les adieux (Rêverie sur un motif de l'opéra Roméo et Juliette) pf 1867 Piano, arr. based on a theme from the opera Roméo et Juliette by Charles Gounod
409a A20 Réminiscences de La juive (Fantaisie brillante sur des motifs de l'opéra de Halévy) pf 1835 Piano, arr. based on themes from the opera La Juive by Fromental Halévy
410 A166 Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum pf 1849–50 Piano, arr. based on themes from the incidental music to A Midsummer Night's Dream, Op.61 by Felix Mendelssohn
411 A47 Soirées italiennes (Amusements sur des motifs de Mercadante) (6): pf 1838–39 Piano, arr. based on 6 of the 12 Soirées italiennes by Saverio Mercadante
411/1 A47/1
La primavera (Canzonetta)
pf 1838–39 Piano, arr. based on No.2 of the Soirées italiennes by Saverio Mercadante
411/2 A47/2
Il galop
pf 1838–39 Piano, arr. based on No.10 of the Soirées italiennes by Saverio Mercadante
411/3 A47/3
Il pastore svizzero (Tirolese)
pf 1838–39 Piano, arr. based on No.4 of the Soirées italiennes by Saverio Mercadante
411/4 A47/4
La serenata del marinaro
pf 1838–39 Piano, arr. based on No.5 of the Soirées italiennes by Saverio Mercadante
411/5 A47/5
Il Brindisi (Rondoletto)
pf 1838–39 Piano, arr. based on No.11 of the Soirées italiennes by Saverio Mercadante
411/6 A47/6
La zingarella spagnuola (Bolero)
pf 1838–39 Piano, arr. based on No.8 of the Soirées italiennes by Saverio Mercadante
412/1 A35 Réminiscences des Huguenots (Grande fantaisie dramatique) pf 1836 Piano, arr. based on themes from the opera Les Huguenots by Giacomo Meyerbeer; 1st version of S.412/2, S.412/3
412/2 A35 Réminiscences des Huguenots (Grande fantaisie dramatique) pf 1838 Piano, arr. 2nd version of S.412/1, S.412/3
412/3 A35 Grande fantaisie dramatique sur des thèmes de l'opéra Les Huguenots pf 1842 Piano, arr. 3rd version of S.412/2, S.412/3
412a A120 Cavatine de Robert le diable pf 1841–46? Piano, arr. based on Isabella's cavatina from the opera Robert le diable by Giacomo Meyerbeer
413 A78 Réminiscences de Robert le diable pf 1841 Piano, arr. based on the Valse infernale and Air de ballet from the opera Robert le diable by Giacomo Meyerbeer; arr. for pf4h as S.630 [?]
414 A165 Illustrations du Prophète pf 1849–50 Piano, arr. based on themes from the opera Le prophète by Giacomo Meyerbeer
414/1 A165/1
Prière. Hymne triomphal. Marche du sacre
pf 1849–50 Piano, arr. based on themes from the opera Le prophète by Giacomo Meyerbeer
414/2 A165/2
Les patineurs. Scherzo
pf 1849–50 Piano, arr. based on themes from the opera Le prophète by Giacomo Meyerbeer
414/3 A165/3
Pastorale. Appel aux armes
pf 1849–50 Piano, arr. based on themes from the opera Le prophète by Giacomo Meyerbeer
415 A230 Illustrations de l'opéra L'Africaine pf 1865 Piano, arr. based on themes from the opera L'Africaine by Giacomo Meyerbeer
415/1 A230/1
Prière des matelots
pf 1865 Piano, arr. based on the sailors' prayer from Act III of the opera L'Africaine by Meyerbeer
415/2 A230/2
Marche indienne
pf 1865 Piano, arr. based on the Indian March from Act IV of the opera L'Africaine by Meyerbeer
416 A79 Le moine [Meyerbeer] pf 1841 Piano, arr. arr. of the song by Meyerbeer
417 A232 Fantaisie sur l'opéra hongroise Szép Ilonka pf 1865–67 Piano, arr. based on themes from the opera Szép Ilonka by Mihály Mosonyi
418 A80 Réminiscences de Don Juan (Grande fantaisie) pf 1841 Piano, arr. based on themes from the opera Don Giovanni, K.527 by Wolfgang Amadeus Mozart; arr. for 2pf as S.656
419 A24 Grande fantaisie sur des motifs de Niobe (Divertissement sur la cavatine "I tuoi frequenti palpiti") pf 1835–36 Piano, arr. based on themes from the opera Niobe by Giovanni Pacini
420 A15 Grande fantaisie de bravoure sur La clochette pf 1832–34 Piano, arr. based on the main theme of the last movement of the Violin Concerto No.2, Op.7 by Niccolò Paganini
421 A183 Andante Finale und Marsch aus der Oper König Alfred pf 1853 Piano, arr. based on extracts from the opera König Alfred, WoO.14, by Joachim Raff; arr. for pf4h as S.631
421/1 A183/1
Andante
pf 1853 Piano, arr. arr. for pf4h as S.631/1
421/2 A183/2
Marsch
pf 1853 Piano, arr. arr. for pf4h as S.631/2
421a A13 Introduction et Variations sur une marche du Siège de Corinthe pf 1830 Piano, arr. only the Introduction survives (discovered in 1976 by Nancy B. Reich at Manhattanville College); there is no trace of either the March theme nor the Variations; based on themes from the opera Le siège de Corinthe by Gioachino Rossini; formerly S.750[1][2]
422/1 A25 Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales pf 1835–36 Piano, arr. based on Nos.4 and 11 of the song cycle Les soirées musicales by Gioachino Rossini; 1st version of S.422/2
422/2 A25 Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales pf 1840 Piano, arr. 2nd version of S.422/1
423 A26 Fantaisie sur des motifs de La pastorella dell'Alpi e Li marinari des Soirées musicales pf 1835–36 Piano, arr. based on Nos.12 and 6 of the song cycle Les soirées musicales by Gioachino Rossini
424 A36 Soirées musicales de Rossini pf 1837 Piano, arr. based on the song cycle Les soirées musicales by Gioachino Rossini
424/1 A36/1
La promessa (Canzonetta)
pf 1837 Piano, arr. based on No.1 of the Les soirées musicales by Gioachino Rossini
424/2 A36/2
La regata veneziana (Notturno)
pf 1837 Piano, arr. based on No.9 of the Les soirées musicales by Gioachino Rossini
424/3 A36/3
L'invito (Bolero)
pf 1837 Piano, arr. based on No.5 of the Les soirées musicales by Gioachino Rossini
424/4 A36/4
La gita in gondola (Barcarola)
pf 1837 Piano, arr. based on No.7 of the Les soirées musicales by Gioachino Rossini
424/5 A36/5
Il rimprovero (Canzonetta)
pf 1837 Piano, arr. based on No.2 of the Les soirées musicales by Gioachino Rossini
424/6 A36/6
La pastorella dell'Alpi (Tirolese)
pf 1837 Piano, arr. based on No.6 of the Les soirées musicales by Gioachino Rossini
424/7 A36/7
La partenza (Canzonetta)
pf 1837 Piano, arr. based on No.3 of the Les soirées musicales by Gioachino Rossini
424/8 A36/8
La pesca (Notturno)
pf 1837 Piano, arr. based on No.10 of the Les soirées musicales by Gioachino Rossini
424/9 A36/9
La danza (Tarantella Napoletana)
pf 1837 Piano, arr. based on No.8 of the Les soirées musicales by Gioachino Rossini
424/10 A36/10
La serenata (Notturno)
pf 1837 Piano, arr. based on No.11 of the Les soirées musicales by Gioachino Rossini
424/11 A36/11
L'orgia (Arietta)
pf 1837 Piano, arr. based on No.4 of the Les soirées musicales by Gioachino Rossini
424/12 A36/12
Li marinari (Duetto)
pf 1837 Piano, arr. based on No.12 of the Les soirées musicales by Gioachino Rossini
425 A48 Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien) pf 1838–39 Piano, arr. based on Divertissement à la hongroise, D.818 by Franz Schubert;
1st version of S.425a
425/1 A48/1
Andante
pf 1838–39 Piano, arr. based on No.1 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/1
425/2a A48/2
Marche hongroise
pf 1838–39 Piano, arr. based on No.2 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 (" 1st Diabelli edition")
425/2b A48/2
Marche hongroise
pf 1840 Piano, arr. 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 ("Richault edition")
425/2c A48/2
Marche hongroise
pf 1840 Piano, arr. 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 ("Lucca edition")
425/2d A48/2
Marche hongroise
pf 1879 Piano, arr. 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 ("Menter transcription")
425/2e A48/2
Marche hongroise
pf 1883 Piano, arr. 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 (" 3rd edition")
425/3 A48/3
Allegretto
pf 1838–39 Piano, arr. based on No.3 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/3
425a A48 Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien) pf 1846 Piano, arr. 2nd (simplified) version of S.425
425a/1 A48/1
Andante
pf 1846 Piano, arr. 2nd (simplified) version of S.425a/1
425a/2 A48/2
Marcia
pf 1846 Piano, arr. 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e (" 2nd Diabelli edition")
425a/3 A48/3
Allegretto
pf 1846 Piano, arr. 2nd (simplified) version of S.425/3
426 A123 Märsche von Franz Schubert (3): pf 1846 Piano, arr.
426/1 A123/1
Trauermarsch (Grande marche funèbre)
pf 1846 Piano, arr. based on No.5 of 6 Grandes marches, D.819 by Franz Schubert; arr. for orch as S.363/2, for pf4h as S.632/2
426/2 A123/2
Grande marche
pf 1846 Piano, arr. using themes from No.3 of 6 Grandes marches, D.819, and Grande marche funèbre, D.859 by Franz Schubert
426/3 A123/3
Grande marche caractéristique
pf 1846 Piano, arr. using themes from Nos.1 and 2 of 2 Marches caractéristiques, D.968b, and Nos.1 and 2 of 6 Grandes marches, D.819 by Franz Schubert
426a Marche militaire (Grande paraphrase de concert) pf 1870? Piano, arr. based on No.1 of 3 Marches militaires, D.733 by Franz Schubert
427 A131 Soirées de Vienne (Valses-caprices d'après François Schubert) pf 1846–52 Piano, arr. based on pf pieces by Franz Schubert
427/1 A131/1
(Allegretto malinconico)
pf A major 1846–52 Piano, arr. based on themes from 36 Originaltänze, D.365; Wiener Damen-Ländler und Ecossaisen, D.734; and 18 German Dances and Ecossaises, D.783 by Franz Schubert
427/2 A131/2
(Poco Allegro)
pf A major 1846–52 Piano, arr. based on themes from 36 Originaltänze, D.365 and 38 Waltzes, Ländler and Ecossaises, D.145 by Franz Schubert
427/3 A131/3
(Allegro vivace)
pf E major 1846–52 Piano, arr. based on themes from 18 Deutsche und Ecossaisen, D.783; 36 Originaltänze, D.365 and 38 Waltzes, Ländler and Ecossaises, D.145 by Franz Schubert
427/4 A131/4
(Andantino a capriccio)
pf D major 1846–52 Piano, arr. based on themes from 36 Originaltänze, D.365 by Franz Schubert
427/5 A131/5
(Moderato cantabile con affetto)
pf G major 1846–52 Piano, arr. based on themes from 36 Originaltänze, D.365 and 12 Valses nobles, D.969 by Franz Schubert
427/6 A131/6
(Allegro con strepito)
pf A minor 1846–52 Piano, arr. based on themes from 12 Valses nobles, D.969; and Valses sentimentales, D.779 by Franz Schubert; 1st version of S.427/6a, S.427/6b
427/6ii A131/6
(Allegro con spirito)
pf A minor 1879 Piano, arr. 2nd version of S.427/6, S.427/6iii with variants for Sophie Menter
427/6b A131/6
(Allegro con spirito)
pf A minor 1883? Piano, arr. 3rd version of S.427/6, S.427/6ii
427/7 A131/7
(Allegro spiritoso)
pf A major 1846–52 Piano, arr. based on themes from 18 German Dances and Ecossaises, D.783 by Franz Schubert
427/8 A131/8
(Allegro con brio)
pf D major 1846–52 Piano, arr. based on themes from 18 German Dances and Ecossaises, D.783 and 12 Valses nobles, D.969 by Franz Schubert
427/9 A131/9
(Preludio a capriccio)
pf A major 1846–52 Piano, arr. based on themes from 36 Originaltänze, D.365 by Franz Schubert
428 A115 Feuille morte (Élégie d'après Soriano) pf 1845 Piano, arr. based on an unidentified composition by Mariano Soriano Fuertes
429 A293 Polonaise aus der Oper Jewgeny Onegin pf 1879 Piano, arr. based on the Polonaise from the opera Eugene Onegin, Op.24 by Pyotr Ilyich Tchaikovsky
430 A318 Valse de concert pf 1882–83 Piano, arr. based on part of the Suite en forme de valse by János Végh
431/1 A149/1 Salve Maria de Jérusalem pf 1848 Piano, arr. arr. of Giselda's prayer from the opera I Lombardi alla prima crociata by Giuseppe Verdi; 1st version of S.431/2
431/2 A149/2 Salve Maria de Jérusalem pf 1882 Piano, arr. 2nd version of S.431/1
431a A138 Paraphrase de concert sur Ernani I pf 1847 Piano, arr. based on different themes from the opera Ernani by Giuseppe Verdi than S.432
432 A203 Paraphrase de concert sur Ernani II pf 1859 Piano, arr. based on different themes from the opera Ernani by Giuseppe Verdi than S.431a
433 A199 Miserere du Trovatore (Paraphrase de concert) pf 1859 Piano, arr. based on the Miserere from Act IV of the opera Il trovatore by Giuseppe Verdi
434 A187 Paraphrase de concert sur Rigoletto pf 1855–59? Piano, arr. based on the quartet from Act III of the opera Rigoletto by Giuseppe Verdi
435 A240 Finale de Don Carlos (Coro di festa e Marcia funebre) pf 1867–68 Piano, arr. arr. of the finale ("Ce jour est plein d'allégresse") from the opera Don Carlos by Giuseppe Verdi
436 A276 Danza sacra e duetto finale d'Aida pf 1876? Piano, arr. arrs. of extracts from
437/1 A284 Agnus Dei della Messa da Requiem di Giuseppe Verdi pf 1877 Piano, arr. based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.437/1; arr. for org/harm as S.675c/1
437/2 A284 Agnus Dei della Messa da Requiem di Giuseppe Verdi pf 1882 Piano, arr. 2nd version of S.437/2; arr. for org/harm as S.675c/2
438 A314 Réminiscences de Boccanegra pf 1882 Piano, arr. based on themes from the rev. version of the opera Simon Boccanegra by Giuseppe Verdi
439 A200 Phantasiestück über Motive aus Rienzi pf 1859 Piano, arr. based on the battle-hymn "Santo spitiro cavaliere" (Act III, No. 10) from the opera Rienzi, WWV.49 by Richard Wagner
440 A204 Spinnerlied aus dem Fliegenden Holländer pf 1860 Piano, arr. based on the Chœur des fileuses from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner
441 A259 Ballade aus dem Fliegenden Holländer pf 1872 Piano, arr. based on Senta's ballad from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner
442 A146 Ouvertüre zu Tannhäuser pf 1848 Piano, arr. based on the Overture to the opera Tannhäuser, WWV.70 by Richard Wagner
443/1 A210a Pilgerchor aus Tannhäuser pf 1861 Piano, arr. based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.443/2; arr. for org/harm as S.676/1
443/2 A210b Pilgerchor aus Tannhäuser pf 1885? Piano, arr. 2nd version of S.443/1; arr. for org/harm as S.676/2
444 A163 O du mein holder Abendstern (Rezitativ und Romanze aus der Oper Tannhäuser) pf 1849 Piano, arr. based on Wolfram's aria from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; arr. for vc pf (with Bernhard Cossmann) as S.380
445 A176 Stücke aus Tannhäuser und Lohengrin (2): pf 1852 Piano, arr. arr. for pf4h as S.634b
445/1a A176/1
Einzug der Gäste auf der Wartburg
pf 1852 Piano, arr. based on the March from Act II of the opera Tannhäuser, WWV.70 by Richard Wagner;
1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1
445/1b A176/1
Einzug der Gäste auf der Wartburg
pf 1874 Piano, arr. 2nd version of S.445/1a, S.445/1c
445/1c A176/1
Einzug der Gäste auf der Wartburg
pf 1876 Piano, arr. 3rd version ("Neue vermehtre Ausgabe") of S.445/1a, S.445/1b
445/2 A176/2
Elsas Brautzug zum Münster
pf 1852 Piano, arr. based on Elsa's bridal procession from Act II of the opera Lohengrin, WWV.75 by Richard Wagner; arr. for pf4h as S.634b/2
446 A185 Aus Lohengrin pf 1854 Piano, arr. based on themes from the opera Lohengrin, WWV 75 by Richard Wagner
446/1 A185/1
Festspiel und Brautlied
pf 1854 Piano, arr. based on the Prelude and Bridal Chorus from Act III of the opera Lohengrin, WWV.75 by Richard Wagner
446/2 A185/2
Elsas Traum
pf 1854 Piano, arr. based on Elsa's Dream from Act I of the opera Lohengrin, WWV.75 by Richard Wagner
446/3 A185/3
Lohengrins Verweis an Elsa
pf 1854 Piano, arr. based on Lohengrin's Rebuke to Elsa from Act III of the opera Lohengrin, WWV.75 by Richard Wagner
447 A239 Isoldens Liebestod (Schlußszene) pf 1867 Piano, arr. arr. of the transfiguration scene from the opera Tristan und Isolde, WWV.90 by Richard Wagner
448 A254 Am stillen Herd pf 1871 Piano, arr. based on the song from Act I of Die Meistersinger von Nürnberg, WWV 96 by Richard Wagner
449 A269 Walhall aus Der Ring des Nibelungen pf 1875 Piano, arr. based on themes from the final scene of the opera Das Rheingold, WWV.86A by Richard Wagner
450 A315 Feierlicher Marsch zum heiligen Gral aus Parsifal pf 1882 Piano, arr. based on the theme of the march from Act I of the opera Parsifal, WWV.111 by Richard Wagner
451 A68 Freischütz Fantasie pf 1840 Piano, arr. based on "Und ob die Wolke sie verhülle" (Act III) and Waltz (Act I) from the opera Der Freischütz, Op.77 by Carl Maria von Weber
452 A151 Leyer und Schwerdt (Heroide nach Carl Maria von Weber) pf 1848 Piano, arr. based on the themes of Nos.6, 3 and 2 from the choral song collection Leyer und Schwerdt by Carl Maria von Weber
453 A152 Einsam bin ich, nicht allein (Volkslied aus dem Schauspiel Preziosa) pf 1848 Piano, arr. based on Preciosa's song (Act II, No.7) from the incidental music to Preciosa, Op.78 by Carl Maria von Weber
454 A150 Schlummerlied mit Arabesken pf 1848 Piano, arr. based on the chorus Schlummerlied, Op.68 No.4, by Carl Maria von Weber
455 A175 Polonaise brillante [Weber] pf 1851 Piano, arr. arr. of the Polacca brillante, Op.72 by Carl Maria von Weber; arr. for pf orch as S.367
456 A281 Valse d'Adèle (Transcription brillante) pf 1877 Piano, arr. arr. of No.3 of 6 Etudes pour la main gauche seule by Géza Zichy
457# number not allocated
458 A51 Reminiscences de La Scala (Fantasie über italienische Opernmelodien) pf 1838–39 Piano, arr. using themes from the opera Il giuramento by Saverio Mercadante and another unidentified source
459# Three Pieces deleted; renumbered as S. 387 and S. 387a
460 A330 Kavallerie-Geschwindmarsch pf 1870 Piano, arr.
461–577ter
Partitions de piano, transcriptions, etc.
461i A217 À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) pf 1862 Piano, transcr. based on the Miserere by Gregorio Allegri and Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; 1st version of S.461/2; arr. for orch as S.360
461ii A217 À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) pf 1862 Piano, transcr. 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658
461a Ave verum corpus de Mozart pf 1867 Piano, transcr. arr. of the Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; arr. for org/harm as S.674d
462 A92 Preludes and Fugues by J. S. Bach (6): pf 1842–50 Piano, transcr.
462/1 A92/1
Präludium und Fuge
pf A minor 1842–50 Piano, transcr. arr. of Prelude and Fugue, BWV 543 by Johann Sebastian Bach
462/2 A92/2
Präludium und Fuge
pf C major 1842–50 Piano, transcr. arr. of Prelude and Fugue, BWV 545 by Johann Sebastian Bach
462/3 A92/3
Präludium und Fuge
pf C minor 1842–50 Piano, transcr. arr. of Prelude and Fugue, BWV 546 by Johann Sebastian Bach
462/4 A92/4
Präludium und Fuge
pf C major 1842–50 Piano, transcr. arr. of Prelude and Fugue, BWV 547 by Johann Sebastian Bach
462/5 A92/5
Präludium und Fuge
pf E minor 1842–50 Piano, transcr. arr. of Prelude and Fugue, BWV 548 by Johann Sebastian Bach
462/6 A92/6
Präludium und Fuge
pf B minor 1842–50 Piano, transcr. arr. of Prelude and Fugue, BWV 544 by Johann Sebastian Bach
463/1 A244 Orgel Fantasie und Fuge pf G minor 1861? Piano, transcr. arr. of Fantasia and Fugue, BWV 542, by Johann Sebastian Bach
463/2 A244 Orgel Fantasie und Fuge pf G minor 1868 Piano, transcr. 2nd version of S.463/1
463a A37b/1 Symphonie No. 5 de Beethoven pf C minor 1837 Piano, transcr. arr. of the Symphony No.5, Op.67 by Ludwig van Beethoven; 1st version of S.464/5
463b A37b/2 Symphonie No. 6 de Beethoven pf F major 1837 Piano, transcr. arr. of the Symphony No.6, Op.68 by Ludwig van Beethoven; 1st version of S.463c, S.464/6
463c A37b/2 Symphonie No. 6 de Beethoven pf F major 1837 Piano, transcr. arr. of the Symphony No.6, Op.68 by Ludwig van Beethoven; 2nd version of S.463b, S.464/6
463d A37b/3 Symphonie No. 7 de Beethoven pf A major 1837 Piano, transcr. arr. of the Symphony No.7, Op.92 by Ludwig van Beethoven; 1st version of S.464/7
463e A37a Marche funèbre de la Symphonie héroïque de Beethoven pf 1837 Piano, transcr. arr. of movt. III from Symphony No.3, Op.55 by Ludwig van Beethoven; rev. in S.464/3
464 A37 Symphonies de Beethoven (9): pf 1863–64 Piano, transcr.
464/1 A37c/1
Symphonie No. 1 de Beethoven
pf C major 1863–64 Piano, transcr. arr. of the Symphony No. 1, Op.21 by Ludwig van Beethoven
464/2 A37c/2
Symphonie No. 2 de Beethoven
pf D major 1863–64 Piano, transcr. arr. of the Symphony No.2, Op.36 by Ludwig van Beethoven;
464/3 A37c/3
Symphonie No. 3 de Beethoven
pf E major 1863–64 Piano, transcr. arr. of the Symphony No.3, Op.55 by Ludwig van Beethoven; movt.II based on S.463e
464/4 A37c/4
Symphonie No. 4 de Beethoven
pf B major 1863–64 Piano, transcr. arr. of the Symphony No.4, Op.60 by Ludwig van Beethoven;
464/5 A37c/5
Symphonie No. 5 de Beethoven
pf C minor 1863–64 Piano, transcr. arr. of the Symphony No.5, Op.67 by Ludwig van Beethoven; 2nd version of S.463a
464/6 A37c/6
Symphonie No. 6 de Beethoven
pf F major 1863–64 Piano, transcr. arr. of the Symphony No.6, Op.68 by Ludwig van Beethoven; 3rd version of S.463b, S.463c
464/7 A37c/7
Symphonie No. 7 de Beethoven
pf A major 1863–64 Piano, transcr. arr. of the Symphony No.7, Op.92 by Ludwig van Beethoven; 2nd version of S.463c
464/8 A37c/8
Symphonie No. 8 de Beethoven
pf F major 1863–64 Piano, transcr. arr. of the Symphony No.8, Op.93 by Ludwig van Beethoven
464/9 A37c/9
Symphonie No. 9 de Beethoven
pf D minor 1863–64 Piano, transcr. arr. of the Symphony No.9, Op.125 by Ludwig van Beethoven; arr. for pf as S.657
465 A69 Grand septuor de Beethoven pf 1840 Piano, transcr. arr. of the Septet, Op.20 by Ludwig van Beethoven; also arr. for pf4h as S.634
466a A58 Adelaide von Beethoven pf 1839 Piano, transcr. arr. of the song Adelaide, Op.46 by Ludwig van Beethoven; 1st version of S.466, S.466b
466b A58 Adelaide von Beethoven pf 1841 Piano, transcr. arr. of the song Adelaide, Op.46 by Ludwig van Beethoven; 2nd version of S.466, S.466a
466 A58 Adelaide von Beethoven pf 1847 Piano, transcr. arr. of the song Adelaide, Op.46 by Ludwig van Beethoven; 3rd version of S.466a, S.466b
467 A70 Beethovens geistliche Lieder von Gellert (6): pf 1840 Piano, transcr. arr. of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven; published as vol.1 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert
467/1 A70/1
Gottes Macht und Vorsehung
pf 1840 Piano, transcr. arr. of No.5 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/2 A70/2
Bitten
pf 1840 Piano, transcr. arr. of No.1 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/3 A70/3
Bußlied
pf 1840 Piano, transcr. arr. of No.6 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/4 A70/4
Vom Tode
pf 1840 Piano, transcr. arr. of No.3 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/5 A70/5
Die Liebe des Nächsten
pf 1840 Piano, transcr. arr. of No.2 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/6 A70/6
Die Ehre Gottes aus der Natur
pf 1840 Piano, transcr. arr. of No.4 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
468 A161 Beethovens Lieder von Goethe (6) pf 1849 Piano, transcr.
468/1 A161/1
Mignon
pf 1849 Piano, transcr. arr. of No.1 of 6 songs, Op.75 by Ludwig van Beethoven
468/2 A161/2
Mit einem gemalten Bande
pf 1849 Piano, transcr. arr. of No.3 of 3 Songs, Op.83 by Ludwig van Beethoven
468/3 A161/3
Freudvoll und leidvoll
pf 1849 Piano, transcr. arr. of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven
468/4 A161/4
Es war einmal ein König
pf 1849 Piano, transcr. arr. of No.3 of 6 songs, Op.75 by Ludwig van Beethoven
468/5 A161/5
Wonne der Wehmut
pf 1849 Piano, transcr. arr. of No.1 of 3 Songs, Op.83 by Ludwig van Beethoven
468/6 A161/6
Die Trommel gerühret
pf 1849 Piano, transcr. arr. of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven
469 A162 An die ferne Geliebte (Liederkreis von Ludwig van Beethoven): pf 1849 Piano, transcr. arr. of the song cycle An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/1 A162/1
Auf dem Hügel
pf 1849 Piano, transcr. arr. of No.1 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/2 A162/2
Wo die Bergen
pf 1849 Piano, transcr. arr. of No.2 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/3 A162/3
Leichte Segler
pf 1849 Piano, transcr. arr. of No.3 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/4 A162/4
Diese Wolken
pf 1849 Piano, transcr. arr. of No.4 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/5 A162/5
Es kehret der Maien
pf 1849 Piano, transcr. arr. of No.5 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/6 A162/6
Nimm sie hin denn
pf 1849 Piano, transcr. arr. of No.6 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
470 A16a Episode de la vie d'un artiste (Grande symphonie fantastique par Hector Berlioz) pf 1833 Piano, transcr. arr. of the Symphonie fantastique, H.48 by Hector Berlioz; 4th movement rev. as S.470a/2
470a/1 A16b L'idée fixe (Andante amoroso d'après une mélodie de Berlioz) pf 1833 Piano, transcr. formerly S.395; based on the main theme from the Symphonie fantastique, H.48 by Hector Berlioz
470a/2 A16c Marche au supplice de la Symphonie fantastique (Episode de la vie d'un artiste de Hector Berlioz) pf 1865 Piano, transcr. 2nd version of 4th movement from S.470
471 A31 Ouverture des Francs-juges de Hector Berlioz pf 1833 Piano, transcr. arr. of the concert overture to the opera Les francs-juges, H.23 by Hector Berlioz
472 D5a Harold en Italie (Symphonie de Berlioz) pf (+ va) 1836 Piano, transcr. arr. of the symphony Harold en Italie, H.68 by Hector Berlioz
473i A29a Marche des pèlerins chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz) pf 1836–37 Piano, transcr. 1st version of S.473ii
473ii A29b Marche des pèlerins (de la symphonie Harold en Italie de Hector Berliioz) pf 1862 Piano, transcr. 2nd version of S.473i
474 A30 Ouverture du Roi Lear de Hector Berlioz pf 1836–37 Piano, transcr. arr. of the overture to Roi Lear, H.53 by Hector Berlioz
475 A205 Danse des Sylphes de La damnation de Faust de Hector Berlioz pf 1860 Piano, transcr. arr. of the Ballet des Sylphes from part II of La damnation de Faust, H.111 by Hector Berlioz
476 A38a Esmeralda (Opéra en 4 actes de L. Bertin) vv ch pf 1837 Stage vocal score arr. of the opera La Esmeralda by Louise-Angelique Bertin; see also S.477 and S.477a
477 A38b Air chanté par Massol de Esmerelda de L. Bertin pf 1837 Piano, transcr. arr. of Quasimodo's aria "Mon Dieu! j'aime" (No.13) from the opera La Esmeralda by Louise-Angelique Bertin; extracted from S.476; re-used in S.478/2
477a A38c Morceaux detachés d'Esmeralda de L. Bertin (3): pf 1837 Piano, transcr. arrs. of extracts from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476
477a/1 A38c/1
Entracte, Recitatif et Romance
pf 1837 Piano, transcr. arr. of "Quoi! lui" (No.11) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476
477a/2 A38c/2
Air
pf 1837 Piano, transcr. see S.476
477a/3 A38c/3
Scène et Trio
pf 1837 Piano, transcr. arr. of "D'ici vous pourrez voir, sans être vu" (No.10) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476
478 A99 Russischer Galop pf 1843 Piano, transcr. arr. of the song You Will Not Believe by Pyotr Bulakhov
479 A265 Tanto gentile e tanto onesta (Dante's Sonett von Hans von Bülow) pf 1874 Piano, transcr. arr. of the song Wenn sie euch grüsst mit freundlicher Gebärde, Op.22, by Hans von Bülow
480 A193 6 Polish Songs (after Chopin) pf 1857–60 Piano, transcr. arr. of 6 of 19 Polish songs, Op.74 by Frédéric Chopin
480/1 A193/1
Mädchens Wunsch (Zyczenie)
pf 1857–60 Piano, transcr. arr. of No.1 of 19 Polish songs, Op.74 by Frédéric Chopin
480/2 A193/2
Frühling (Wiosna)
pf 1857–60 Piano, transcr. arr. of No.2 of 19 Polish songs, Op.74 by Frédéric Chopin
480/3 A193/3
Das Ringlein (Pierścień)
pf 1857–60 Piano, transcr. arr. of No.14 of 19 Polish songs, Op.74 by Frédéric Chopin
480/4 A193/4
Bacchanal (Hulanka)
pf 1857–60 Piano, transcr. arr. of No.4 of 19 Polish songs, Op.74 by Frédéric Chopin
480/5, A193/5
Meine Freuden (Moja pieszczotka)
pf 1857–60 Piano, transcr. arr. of No.12 of 19 Polish songs, Op.74 by Frédéric Chopin; 1st version of S.480/5a
480/5a A193/5
Mes Joies
pf 1860 or later Piano, transcr. 2nd version of S.480/5; renumbered from S.480/5bis
480/6 A193/6
Die Heimkehr (Narzeczony)
pf 1857–60 Piano, transcr. arr. of No.15 of 19 Polish songs, Op.74 by Frédéric Chopin
481 A147 Zigeuner-Polka (La célèbre Zigeunerpolka d'August Conradi) pf 1848 Piano, transcr. arr. of No.2 of 2 Zigeuner-Polkas, Op.5 by August Conradi
482 A327 Tarentelle de César Cui pf 1885 Piano, transcr. arr. of the Tarantella, Op.12 by César Cui
483 A291 Tarantella de Dargomijski pf 1879 Piano, transcr. arr. of the Tarantella slave by Alexander Dargomyzhsky
484 A170 Bunte Reihe (24 Stücke von Ferdinand David) pf 1850 Piano, transcr. arr. of the collection Bunte Reihe by Ferdinand David
484/1 A170/1
Scherzo
pf C major 1850 Piano, transcr. arr. of No.1 from Bunte Reihe by Ferdinand David
484/2 A170/2
Erinnerung
pf C minor 1850 Piano, transcr. arr. of No.2 from Bunte Reihe by Ferdinand David
484/3 A170/3
Mazurka
pf D major 1850 Piano, transcr. arr. of No.3 from Bunte Reihe by Ferdinand David
484/4 A170/4
Tanz
pf C mino 1850 Piano, transcr. arr. of No.4 from Bunte Reihe by Ferdinand David
484/5 A170/5
Kinderlied
pf D major 1850 Piano, transcr. arr. of No.5 from Bunte Reihe by Ferdinand David
484/6 A170/6
Capriccio
pf D minor 1850 Piano, transcr. arr. of No.6 from Bunte Reihe by Ferdinand David
484/7 A170/7
Bolero
pf E major 1850 Piano, transcr. arr. of No.7 from Bunte Reihe by Ferdinand David
484/8 A170/8
Elegie
pf E minor 1850 Piano, transcr. arr. of No.8 from Bunte Reihe by Ferdinand David
484/9 A170/9
Marsch
pf E major 1850 Piano, transcr. arr. of No.9 from Bunte Reihe by Ferdinand David
484/10 A170/10
Toccata
pf E minor 1850 Piano, transcr. arr. of No.10 from Bunte Reihe by Ferdinand David
484/11 A170/11
Gondellied
pf F major 1850 Piano, transcr. arr. of No.11 from Bunte Reihe by Ferdinand David
484/12 A170/12
Im Sturm
pf F minor 1850 Piano, transcr. arr. of No.12 from Bunte Reihe by Ferdinand David
484/13 A170/13
Romanze
pf F major 1850 Piano, transcr. arr. of No.13 from Bunte Reihe by Ferdinand David
484/14 A170/14
Allegro agitato
pf F minor 1850 Piano, transcr. arr. of No.14 from Bunte Reihe by Ferdinand David
484/15 A170/15
Menuetto
pf G major 1850 Piano, transcr. arr. of No.15 from Bunte Reihe by Ferdinand David
484/16 A170/16
Etüde
pf G minor 1850 Piano, transcr. arr. of No.16 from Bunte Reihe by Ferdinand David
484/17 A170/17
Intermezzo
pf A major 1850 Piano, transcr. arr. of No.17 from Bunte Reihe by Ferdinand David
484/18 A170/18
Serenade
pf G minor 1850 Piano, transcr. arr. of No.18 from Bunte Reihe by Ferdinand David
484/19 A170/19
Ungarisch
pf A major 1850 Piano, transcr. arr. of No.19 from Bunte Reihe by Ferdinand David; 1st version of S.484/19a
484/19a A170/19b
Ungarisch
pf A major 1850 Piano, transcr. 2nd version of S.484/19; renumbered from S.484/19bis
484/20 A170/20
Tarantella
pf A minor 1850 Piano, transcr. arr. of No.20 from Bunte Reihe by Ferdinand David
484/21 A170/21
Impromptu
pf B major 1850 Piano, transcr. arr. of No.21 from Bunte Reihe by Ferdinand David
484/22 A170/22; A/91
Im russischer Weise
pf B minor 1850 Piano, transcr. Souvenir de Russie
484/23 A170/23
Lied
pf B major 1850 Piano, transcr. arr. of No.23 from Bunte Reihe by Ferdinand David
484/24 A170/24
Capriccio
pf B mnor 1850 Piano, transcr. arr. of No.24 from Bunte Reihe by Ferdinand David
485 A130 Dessauers Lieder (3): pf 1846–47 Piano, transcr.
485/1 A130/1
Lockung
pf 1846–47 Piano, transcr. arr. of the song by Josef Dessauer
485/2 A130/2
Zwei Wege
pf 1846–47 Piano, transcr. arr. of the song by Josef Dessauer
485/3 A130/3
Spanisches Lied (Bolero)
pf 1846–47 Piano, transcr. arr. of the song by Josef Dessauer
485a A251 Der Schwur am Rütli (von F. Draeseke) pf 1870 Piano, transcr. arr. of the cantata by Felix Draeseke
485b A89 Die Gräberinsel (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha) pf 1842 Piano, transcr. arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha
486 A261 Szózat und Ungarischer Hymnus (Szózat és Magyar Himnusz) pf 1872 Piano, transcr. arr. of S.353
487 A110 Spanisches Ständchen (Melodie von Graf Leó Festetics) pf 1844 Piano, transcr. arr. of the song by Leo Festetics
488 A154 Er ist gekommen in Sturm und Regen (Lied von Robert Franz) pf 1848 Piano, transcr. arr. of No.7 of 12 Gesänge, Op.4 by Robert Franz
489 A157 Lieder von Robert Franz (12):
Heft I: Schilflieder
pf 1848 Piano, transcr.
489/1 A157/1
Auf geheimen Waldespfadeie
pf 1848 Piano, transcr. arr. of No.1 of Schilflieder, Op.2, by Robert Franz
489/2 A157/2
Drüben geht die Sonne scheiden
pf 1848 Piano, transcr. arr. of No.2 of Schilflieder, Op.2, by Robert Franz
489/3 A157/3
Trübe wird's
pf 1848 Piano, transcr. arr. of No.3 of Schilflieder, Op.2, by Robert Franz
489/4 A157/4
Sonnenuntergang
pf 1848 Piano, transcr. arr. of No.4 of Schilflieder, Op.2, by Robert Franz
489/5 A157/5
Auf dem Teich
pf 1848 Piano, transcr. arr. of No.5 of Schilflieder, Op.2, by Robert Franz
Lieder von Robert Franz (12):
Heft II: Drei Lieder
pf 1848 Piano, transcr.
489/6 A157/6
Der Schalk
pf 1848 Piano, transcr. arr. of No.1 of 6 Gesänge, Op.3, by Robert Franz
489/7 A157/7
Der Bote
pf 1848 Piano, transcr. arr. of No.1 of 6 Gesänge, Op.8, by Robert Franz
489/8 A157/8
Meeresstille
pf 1848 Piano, transcr. arr. of No.2 of 6 Gesänge, Op.8, by Robert Franz
Lieder von Robert Franz (12):
Heft III: Vier Lieder
pf 1848 Piano, transcr.
489/9 A157/9
Treibt der Sommer seinen Rosen
pf 1848 Piano, transcr. arr. of No.5 of 6 Gesänge, Op.8, by Robert Franz
489/10 A157/10
Gewitternacht
pf 1848 Piano, transcr. arr. of No.6 of 6 Gesänge, Op.8, by Robert Franz
489/11 A157/11
Das ist ein Brausen und Heulen
pf 1848 Piano, transcr. arr. of No.4 of 6 Gesänge, Op.8, by Robert Franz
489/12 A157/12
Frühling und Liebe
pf 1848 Piano, transcr. arr. of No.3 of 6 Gesänge, Op.3, by Robert Franz
490 A298 Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden (Fantasiestück nach Adalbert von Goldschmidt) pf 1880 Piano, transcr. arr. of extracts from the oratorio Die sieben Todsünden by Adalbert von Goldschmidt
491 A235 Hymne á Sainte Cécile de Charles Gounod pf 1866 Piano, transcr. arr. of Hymne à Sainte Cécile, by Charles Gounod
492 A245 Tanzmomente von Johann Herbeck pf 1869 Piano, transcr. arr. of the Tanzmomente, Op.14 by Johann von Herbeck
492/1 A245/1
Tanzmomente No.1
pf G major 1869 Piano, transcr. arr. of No.1 of the Tanzmomente, Op.14 by Johann von Herbeck
492/2 A245/2
Tanzmomente No.2
pf A minor 1869 Piano, transcr. arr. of No.2 of the Tanzmomente, Op.14 by Johann von Herbeck
492/3 A245/3
Tanzmomente No.3
pf F major 1869 Piano, transcr. arr. of No.3 of the Tanzmomente, Op.14 by Johann von Herbeck
492/4 A245/4
Tanzmomente No.4
pf A major 1869 Piano, transcr. arr. of No.4 of the Tanzmomente, Op.14 by Johann von Herbeck; 1st version of S.492/4a
492/4a A245/4
Tanzmomente No.4
pf A major 1869 Piano, transcr. 2nd version of S.492/4; renumbered from S.492/4bis
492/5 A245/5
Tanzmomente No.5
pf F major 1869 Piano, transcr. arr. of No.5 of the Tanzmomente, Op.14 by Johann von Herbeck
492/6 A245/6
Tanzmomente No.6
pf D major 1869 Piano, transcr. arr. of No.6 of the Tanzmomente, Op.14 by Johann von Herbeck
492/7 A245/7
Tanzmomente No.7
pf G major 1869 Piano, transcr. arr. of No.7 of the Tanzmomente, Op.14 by Johann von Herbeck
492/8 A245/8
Tanzmomente No.8
pf D major 1869 Piano, transcr. arr. of No.8 of the Tanzmomente, Op.14 by Johann von Herbeck
493 A155 Großes Septett von Johann Nepomuk Hummel pf D minor 1848 Piano, transcr. arr. of Septet No.1, Op.74 by Johann Nepomuk Hummel; 1st version of S.493/2
494/1 A211/1 Löse, Himmel, meine Seele (Lied von Eduard Lassen) pf 1861 Piano, transcr. arr. of No.5 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen; 1st version of S.494/2
494/2 A211/1 Löse, Himmel, meine Seele (Lied von Eduard Lassen) pf 1872 Piano, transcr. 2nd version of S.494/1
495 A211/2 Ich weil' in tiefer Einsamkeit (Lied von Eduard Lassen) pf 1872 Piano, transcr. arr. of No.4 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen
496 A285/I Aus der Musik zu Hebbels Nibelungen und Goethes Faust pf 1878–79 Piano, transcr.
496/1 A285/I/1
Hagen und Kreimhild
pf 1878–79 Piano, transcr. arr. from the incidental music to Nibelungen, Op.47, by Eduard Lassen
496/2 A285/I/2
Bechlarn
pf 1878–79 Piano, transcr. arr. from the incidental music to Nibelungen, Op.47, by Eduard Lassen
496/3 A285/II/1
Osterhymne
pf 1878–79 Piano, transcr. arr. from No.2 of part I of the incidental music to Faust, Op.57, by Eduard Lassen
496/4 A285/II/2
Hoffestliche Marsch und Polonaise
pf 1878–79 Piano, transcr. arr. from Nos.2 and 3 of part II of the incidental music to Faust, Op.57, by Eduard Lassen
497 A323 Symphonisches Zwischenspiel zu Über allen Zauber Liebe (Intermezzo von Eduard Lassen) pf 1883 Piano, transcr. arr. from the orchestral intermezzo to Über allen Zauber Liebe, Op.77, by Eduard Lassen
498 A316 Lieder zu Tannhäuser (Komponiert von Otto Lessmann) (3): pf 1882 Piano, transcr. arr. of 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498/1 A316/1
Der Lenz ist gekommen
pf 1882 Piano, transcr. arr. of No.1 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498/2 A316/2
Trinklied ("Itzt hört ein neues Liedlein an")
pf 1882 Piano, transcr. arr. of No.2 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498/3 A316/3
Du schaust mich an mit stummen Fragen
pf 1882 Piano, transcr. arr. of No.3 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498a A192 Die Legende von der Heiligen Elisabeth: pf 1857–62 Piano, transcr. arrs. of extracts from S.2
498a/1 A192/1
Orchester Einleitung (Orchestral Introduction)
pf 1857–62 Piano, transcr. arr. of the introduction to S.2
498a/2 A192/2
Marsch der Kreuzritter (Crusaders' March)
pf 1857–62 Piano, transcr. arr. of S.2/3e
498a/3 A192/3
Interludium
pf 1857–62 Piano, transcr. arr. of S.2/6a
498b A222 Christus (2 Orchestersätze aus dem Oratorium) pf 1871 Piano, transcr. arrs. of extracts from S.3
498b/1 A222/1
Hirtengesang an der Krippe
pf 1871 Piano, transcr. arr. of S.3/4
498b/2 A222/2
Die heiligen drei Könige
pf 1871 Piano, transcr. arr. of S.3/5
498c A301 San Francesco (Preludio per il Cantico del sol di San Francesco d'Assisi) pf 1880? Piano, transcr. arr. of prelude from S.4/2
499 A307 Cantico di San Francesco pf 1881–82 Piano, transcr. arr. of S.4/2
500 Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) pf 1874 Piano, transcr. arr. of prelude from S.6
501 A238 Aus der Ungarischen Krönungsmesse pf 1867 Piano, transcr. arr. of extracts from S.11
501/1 A238/1
Benedictus
pf 1867 Piano, transcr. arr. of S.11/4
501/2 A238/2
Offertorium
pf 1867 Piano, transcr. arr. of S.11/5
502 A227 Weinachtslied (Christus ist geboren) pf 1864 Piano, transcr. arr. of S.32
503 A223 Slavimo slavno, Slaveni! pf 1863 Piano, transcr. arr. of S.33
504/1 A247/1 Ave Maria II pf D major 1869–70 Piano, transcr. arr. of S.38; 1st version of S.504/2
504/2 A247/2 Ave Maria II pf D major 1872 Piano, transcr. arr. of S.38; 2nd version of S.504/1
504a A287 Via Crucis (Les 14 stations de la croix) pf 1878–79 Piano, transcr. arr. of S.53
504b A286a Alte deutsche geistliche Weisen (12): pf 1878–79 Piano, transcr. arr. of S.50
504b/1 A286a/1
Crux ave benedicta
pf 1878–79 Piano, transcr. arr. of S.50/9
504b/2 A286a/2
Jesu Christe (Die fünf Wunden)
pf 1878–79 Piano, transcr. arr. of S.50/12
504b/3 A286a/3
Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)
pf 1878–79 Piano, transcr. arr. of S.50/2
504b/3a A286a/3a
Es segne uns Gott
pf 1878–79 Piano, transcr. arr. of S.50/1
504b/4 A286a/4
Nun danket alle Gott!
pf 1878–79 Piano, transcr. arr. of S.50/11
504b/5 A286a/5
Nun ruhen alle Wälder
pf 1878–79 Piano, transcr. arr. of S.50/3
504b/6 A286a/6
O Haupt voll Blut und Wunden
pf 1878–79 Piano, transcr. arr. of S.50/4
504b/7 A286a/7
O Lamm Gottes!
pf 1878–79 Piano, transcr. arr. of S.50/5; arr. for pf4h as S.582
504b/8 A286a/8
O Traurigkeit
pf 1878–79 Piano, transcr. arr. of S.50/10
504b/9 A286a/9
Vexilla Regis
pf 1878–79 Piano, transcr. arr. of S.50/8
504b/10 A286a/10
Was Gott tut, das ist wohlgetan
pf 1878–79 Piano, transcr. arr. of S.50/6
504b/11 A286a/11
Wer nur den lieben Gott läßt walten
pf 1878–79 Piano, transcr. arr. of S.50/7
505 A331 In domum Domini ibimus (Zum Haus des Herrn ziehen wir) pf 1884 Piano, transcr. arr. of S.57
506 A243 Ave maris stella pf 1868 Piano, transcr. arr. of 2nd version of S.34
506b A294 O Roma nobilis pf 1879 Piano, transcr. arr. of S.54
507 A126 Klavierstück aus der Bonner Beethoven-Kantate pf 1846 Piano, transcr. based on themes from the 1st movement of S.507
507a A213 Schnitterchor aus den entfesselten Prometheus pf 1850 Piano, transcr. arr. of No.4 from S.69/1 (incomplete); 1st version of S.508
508 A213 Pastorale (Schnitterchor aus den Entfesselten Prometheus) pf 1861 Piano, transcr. arr. of No.4 from S.69/2; 2nd version of S.507a
509 A246 Gaudeamus igitur (Humoreske) pf 1869–70 Piano, transcr. arr. of S.71a
510 A153 Marche héroïque pf 1847–48? Piano, transcr. based on S.82; arr. for pf4h as S.587
510a Chansons (3) pf 1852? Piano, transcr. 1st version of S.511
510a/1
La consolation
pf 1852? Piano, transcr. 1st version of S.511/1; arr. of S.90/4a
510a/2
Avant la bataille
pf 1852? Piano, transcr. 1st version of S.511/2; arr. of S.90/5a
510a/3
L'espérance
pf 1852? Piano, transcr. 1st version of S.511/3; arr. of S.90/6a
511 A207 Geharnischte Lieder (3): pf 1860 Piano, transcr. 2nd version of S.510a
511/1 A207/1
Vor der Schlacht
pf 1860 Piano, transcr. 2nd version of S.510a/1
511/2 A207/2
Nicht gezagt
pf 1860 Piano, transcr. 2nd version of S.510a/2
511/3 A207/3
Es rufet Gott uns mahnend
pf 1860 Piano, transcr. 2nd version of S.510a/3
511a Les préludes (Poème symphonique No 3) pf 1863 Piano, transcr. arr. of S.97 by Karl Klauser, with revisions by Liszt
511b Orpheus (Poème symphonique No.4) pf 1878 Piano, transcr. arr. of S.98 by Friedrich Spiro, with revisions by Liszt
511c Mazeppa (Poème symphonique No.6) pf 1870–79? Piano, transcr. arr. of S.100 by Theophil Forchhammer, with revisions by Liszt
511d Festklänge (Poème symphonique No.7) pf 1870–79? Piano, transcr. arr. of S.101 by Ludwig Stark, with revisions by Liszt
511e Hungaria (Poème symphonique No.9) pf 1872 Piano, transcr. arr. of S.103 by Friedrich Spiro, with revisions by Liszt
512 A310 Von der Wiege bis zum Grabe (Poème symphonique No.13) pf 1881 Piano, original arr. for pf4h as S.598
513 A190 Faust Symphony (Andante soave aus der Faust-Symphonie) pf 1867 Piano, transcr. arr. of movt. II from S.108 by Tausig, with revisions by Liszt
513a A189/1 Der nächtliche Zug (Episode aus Lenaus Faust) pf 1872 Piano, transcr. arr. of S.110/1 by Robert Freund, with revisions by Liszt
514 A189/1 Mephisto Waltz No. 1 pf 1856–61 Piano, transcr. arr. of S.110/2
515 A288 Mephisto Waltz No.2 pf 1878–81? Piano, transcr. arr. for orch as S.111; arr. for pf4h as S.600
516 A202/1 Les morts pf 1860? Piano, transcr. arr. of S.112/1
516a A202/2 La notte pf 1864–66 Piano, transcr. arr. of S.112/2 (formerly S.699)
517 A202/3 Le triomphe funèbre du Tasse pf 1866–69 Piano, transcr. arr. of S.112/3
518 A225 Salve Polonia (Interludium aus dem Oratorium Stanislaus) pf 1863 Piano, transcr. arr. of S.113/2
519 A302 Polonaises de l'oratorio St. Stanislaus pf 1875 Piano, transcr. arr. of extracts from S.688
519/1 A302/1
Polonaise No. 1
pf 1875 Piano, transcr. arr. of extract from S.688
519/2 A302/2
Polonaise No. 2
pf 1875 Piano, transcr. arr. of extract from S.688
520i A201 Künstlerfestzug zur Schillerfeier 1859 pf 1859–60 Piano, transcr. 1st version of S.520a; arr. of S.114; also uses themes from S.106
520ii Künstlerfestzug zur Schillerfeier 1859 pf 1883 Piano, transcr. 2nd version of S.520
521 A164b Goethe-Festmarsch pf 1859 Piano, transcr. arr. of S.115
522 A196 Festmarsch nach Motiven von E.H. z. S.-C.-G pf 1858–59 Piano, transcr. arr. of S.116
523 A248 Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 pf 1870 Piano, transcr. arr. of S.118
524 A112/2 Ungarischer Sturmmarsch (Hungarian Battle March) pf 1875–76 Piano, transcr. arr. of S.119
524a H6 Concerto sans orchestre pf A major 1839? Piano, transcr. unfinished; rev. as S.125
525 A62 Totentanz pf 1865 Piano, transcr. arr. of S.126ii
526 A260 Epithalam (zu Eduard Reményis Vermählungsfeier) pf 1872 Piano, transcr. arr. of S.129
527 A299 Romance oubliée pf 1880 Piano, transcr. based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]
528# Festpolonaise pf Piano, transcr. renumbered as S.230a
529i A250/1 Präludium und Fuge über das Motiv B.A.C.H. pf 1855 Piano, transcr. arr. of S.260i; 1st version of S.529ii
529ii A250/2 Fantasie und Fuge über das Thema B–A–C–H pf 1870 Piano, transcr. 2nd version of S.529i; arr. for org as S. 260ii
530 A228 Hymne du Pape pf 1864 Piano, transcr. arr. of S.261
531 A97 Buch der Lieder I (6) pf 1843 Piano, transcr. arrs. of various solo songs
531/1 A97/1
Die Loreley
pf 1843 Piano, transcr. arr. of S.273/1
531/2 A97/2
Am Rhein in schönen Strome
pf 1843 Piano, transcr. arr. of S.272/1
531/3 A97/3
Kennst du das Land
pf 1843 Piano, transcr. arr. of S.275/1
531/4 A97/4
Es war ein König in Thule
pf 1843 Piano, transcr. arr. of S.278/1
531/5 A97/5
Der du von dem Himmel bist
pf 1843 Piano, transcr. arr. of S.279/1
531/6 A97/6
Angiolin
pf 1843 Piano, transcr. arr. of S.269/1
532 A209 Die Loreley pf 1861 Piano, transcr. arr. of S.273/2
533 A98 Il m'aimait tant! pf 1843 Piano, transcr. arr. of S.271
534/1 A81a Die Zelle im Nonnenwerth pf 1840 Piano, transcr. arr. of S.274/1 (1st version of Die Zelle/Élégie)
534/2 A81b Elégie pf 1841 Piano, transcr. arr. of S.301b/1 (2nd version of Die Zelle/Élégie)
534/2a A81c Feuille d'album No.2 pf 1849 Piano, transcr. arr. of S.301b/2 (3rd version of Die Zelle/Élégie); renumbered from S.534/2bis
534/3 A81d Die Zelle im Nonnenwerth (Elegie) pf 1881 Piano, transcr. arr. of S.274/2 (4th version of Die Zelle/Élégie)
535–540 A139 Buch der Lieder II pf 1847 Piano, transcr.
535 A139/2
Comment, disaient-ils
pf 1847 Piano, transcr. arr. of S.276/1
536 A139/1
Oh, quand je dors
pf 1847 Piano, transcr. arr. of S.282/1
537 A139/3
Enfant, si j'étais roi
pf 1847 Piano, transcr. arr. of S.283/1
538 A139/4
S'il est un charmant gazon
pf 1847 Piano, transcr. arr. of S.284/1
539 A139/5
La tombe et la rose
pf 1847 Piano, transcr. arr. of S.285
540 A139/6
Gastibelza
pf 1847 Piano, transcr. arr. of S.286
540a O lieb, so lang du lieben kannst! pf 1843? Piano, transcr. arr. of S.298/1; reconstructed by Leslie Howard
541 A103 Liebesträume (3): pf 1850 Piano, transcr.
541/1 A103/1
Liebestraum No. 1 (Hohe Liebe)
pf A major 1850 Piano, transcr. arr. of S.307
541/2 A103/2
Liebestraum No. 2 (Seliger Tod)
pf E major 1850 Piano, transcr. arr. of S.308; an album leaf on themes from this work exist, entitled "Nocturne No.2"
541/3 A103/3
Liebestraum No. 3 (Oh Lieb, so lang du lieben kannst)
pf A major 1850 Piano, transcr. arr. of S.298/2
542/1 A191a Weimars Volkslied pf C major 1857 Piano, transcr. arr. of S.313; 1st version of S.542/2
542/2 A191b Weimars Volkslied pf F major 1873 Piano, transcr. 2nd version of S.542/1
542a A194 Ich liebe dich pf 1857–60? Piano, transcr. arr. of S.315
542b A268b Fanfare zur Enthüllung des Carl-Augusts Monument pf 1875 Piano, transcr. arr. of Fanfare from S.92
543 A309/1 A magyarok Istene (Ungarns Gott) pf 1881 Piano, transcr. arr. of S.339
543a A309/2 A magyarok Istene (Ungarns Gott) pflh 1881 Piano, transcr. arr. of S.339; renumbered from S.543bis
544 A328 Magyar király-dal (Ungarisches Königslied) pf 1883 Piano, transcr. arr. of S.340
545 A308 Ave Maria IV pf 1881 Piano, transcr. arr. of S.341
546 A282 Der blinde Sänger (Слепой) pf 1878 Piano, transcr. arr. of S.350
546a O Roma nobilis pf 1879 Piano, transcr. renumbered as S.506b
547 A72 Mendelssohns Lieder
(Lieders de Mendelssohn)
pf 1840 Piano, transcr.
547/1 A72/1
Auf Flügeln des Gesanges (Les ailes du chant)
pf 1840 Piano, transcr. arr. of No.2 of 6 songs, Op.34 by Felix Mendelssohn
547/2 A72/2
Sonntagslied (Chant du dimanche)
pf 1840 Piano, transcr. arr. of No.5 of 6 songs, Op.34 by Felix Mendelssohn
547/3 A72/3
Reiselied (Chant du voyage)
pf 1840 Piano, transcr. arr. of No.6 of 6 songs, Op.34 by Felix Mendelssohn
547/4 A72/4
Neue Liebe (Amour nouveau)
pf 1840 Piano, transcr. arr. of No.4 of 6 songs, Op.19a by Felix Mendelssohn
547/5 A72/5
Frühlingslied (Chant du printemps)
pf 1840 Piano, transcr. arr. of No.3 of 6 songs, Op.47 by Felix Mendelssohn
547/6 A72/6
Winterlied (Chant d'hiver)
pf 1840 Piano, transcr. arr. of No.3 of 6 songs, Op.19 by Felix Mendelssohn
547/7 A72/7
Suleika
pf 1840 Piano, transcr. arr. of No.4 of 6 songs, Op.34 by Felix Mendelssohn
548 A156 Mendelssohns Wasserfahrt und Jäger-Abschied pf 1848 Piano, transcr.
548/1 A156/1
Wasserfahrt
pf 1848 Piano, transcr. arr. of No.4 of 6 Lieder, Op.50 by Felix Mendelssohn
548/2 A156/2
Der Jäger Abschied
pf 1848 Piano, transcr. arr. of No.2 of 6 Lieder, Op.50 by Felix Mendelssohn
549 A206 Festmarsch zu Schillers 100 jähriger Geburtstagsfeier (von Giacomo Meyerbeer) pf 1860 Piano, transcr. arr. of the Festmarsch zu Schillers 100 jähriger Geburtstagsfeier by Meyerbeer
550 A220 Transcriptionen aus Mozarts Requiem (2): pf 1865 Piano, transcr. arr. of extracts from the Requiem, K.626 by Wolfgang Amadeus Mozart
550/1 A220/1
Confutatis maledictis
pf 1865 Piano, transcr. arr. of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart
550/2 A220/2
Lacrymosa
pf 1865 Piano, transcr. arr. of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart
551 A270 Una stella amica (Polka mazurka de F. Pezzini) pf 1874–75? Piano, transcr. arr. of an unidentified waltz attributed to "F. Pezzini"
551a V3 Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer) pf D major 1854 Piano, transcr. additional introduction and coda to No.1 of the Tanz-Capricen, Op.54, by Joachim Raff
552 A54 Ouverture de l'opéra Guillaume Tell de Gioachino Rossini pf 1838 Piano, transcr. arr. of the overture from the opera Guillaume Tell, Rossini
552a Caritas (nach Rossini) pf 1847 Piano, transcr. arr. of No.3 of 3 Chœurs religieux by Gioachino Rossini; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a
552b La caritá (d'après Rossini) pf 1847 Piano, transcr. 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a
553 A141 Transcriptions d'après Rossini (2): pf 1847 Piano, transcr.
553/1 A141/1
Air du Stabat Mater
pf 1847 Piano, transcr. arr. of "Cujus animam" from Stabat Mater by Gioachino Rossini; arr. for bn org as S.679; for ten org as S.682
553/2 A141/2
La charité
pf 1847 Piano, transcr. arr. of No.3 of 3 Chœurs religieux by Gioachino Rossini; 3rd version of S.552a, S.552b
554/1 A304 O! Wenn es doch immer so bliebe! (Lied von Anton Rubinstein) pf 1881 Piano, transcr. arr. of No.9 of 12 Lieder des Mirza-Schaffy, Op.34 by Anton Rubinstein
554/2 A329 Der Asra (Lied von Anton Rubinstein) pf 1880 Piano, transcr. arr. of No.6 of 6 Lieder von Heine, Op.32 by Anton Rubinstein
554a V5 Étude sur des notes fausses (Einleitung und Coda zu Anton Rubinsteins Etude) pf C major 1880? Piano, transcr. revisions and additions to Etude on False Notes by Anton Rubinstein
555 A273 Danse macabre (Poème symphonique de Camille Saint-Saëns) pf 1876 Piano, transcr. arr. of the symphonic poem Danse macabre, Op.40 by Camille Saint-Saëns
556/1 A17 Die Rose (Lied von Franz Schubert) pf 1833 Piano, transcr. arr. of the song Die Rose, D.745 by Franz Schubert; 1st version of S.556/2, S.556/3
556/2 A17 Die Rose (Lied von Franz Schubert) pf 1838 Piano, transcr. 2nd version of S.556/1, S.556/3
556/3 A17 Die Rose (Lied von Franz Schubert) pf 1837 Piano, transcr. 3rd version of S.556/1, S.556/2
557 A45 Lob der Tränen (Lied von Franz Schubert) pf 1838 Piano, transcr. arr. of the song Lob der Tränen, D.711 by Franz Schubert
557a A42/4 Erlkönig (Lied von Franz Schubert) pf 1837 Piano, transcr. arr. of the song Erlkönig, D.328 by Franz Schubert; 1st version of S.558/4, S.558/4a
557b A42/5 Meeresstille (Lied von Franz Schubert) pf 1837 Piano, transcr. arr. of the song Meeres Stille, D.216 by Franz Schubert; 1st version of S.558/5
557c A42/7 Frühlingsglaube (Lied von Franz Schubert) pf 1837 Piano, transcr. arr. of the song Frühlingsglaube, D.686 by Franz Schubert; 1st version of S.558/7, S.558/7a
557d A42/12 Ave Maria (Lied von Franz Schubert) pf 1837 Piano, transcr. arr. of the song Ave maria, D.839 by Franz Schubert; 1st version of S.558/12
558 A42 Lieder von Franz Schubert (12): pf 1837–38 Piano, transcr.
558/1 A42/1
Sei mir gegrüßt (Sois toujours mes seuls amours)
pf 1837–38 Piano, transcr. arr. of the song Sei mir gegrüsst, D.741 by Franz Schubert
558/2 A42/2
Auf dem Wasser zu singen (Barcarolle)
pf 1837–38 Piano, transcr. arr. of the song Auf dem Wasser zu singen, D.774 by Franz Schubert
558/3 A42/3
Du bist die Ruh' (L'attente)
pf 1837–38 Piano, transcr. arr. of the song Du bist die Ruh, D.776 by Franz Schubert; 1st version of S.558/3a
558/3a A42/3
Du bist die Ruh' (L'attente)
pf 1876 Piano, transcr. 2nd version of S.558/3; renumbered from S.558/3bis
558/4 A42/4
Erlkönig (Le roi des Aulnes)
pf 1837–38 Piano, transcr. arr. of the song Erlkönig, D.328 by Franz Schubert; 2nd version of S.557a, S.558/4a
558/4a A42/4
Erlkönig (Le roi des Aulnes)
pf 1876 Piano, transcr. 3rd version of S.557a, S.558/4; renumbered from S.558/4bis
558/5 A42/5
Meeresstille (La mer calme)
pf 1837–38 Piano, transcr. arr. of the song Meeres Stille, D.216 by Franz Schubert; 2nd version of S.557b
558/6 A42/6
Die junge Nonne (La jeune religieuse)
pf 1837–38 Piano, transcr. arr. of the song Die junge Nonne, D.828 by Franz Schubert
558/7 A42/7
Frühlingsglaube (Espoir dans le printemps)
pf 1837–38 Piano, transcr. arr. of the song Frühlingsglaube, D.686 by Franz Schubert; 2nd version of S.557c, S.558/7a
558/7a A42/7
Frühlingsglaube (Espoir dans le printemps)
pf 1876 Piano, transcr. 3rd version of S.557c, S.558/7; renumbered from S.558/7bis
558/8 A42/8
Gretchen am Spinnrade (Marguerite)
pf 1837–38 Piano, transcr. arr. of the song Gretchen am Spinnrade, D.118 by Franz Schubert; 1st version of S.558/8a
558/8a A42/8
Gretchen am Spinnrade (Marguerite)
pf 1876 Piano, transcr. 2nd version of S.558/8; renumbered from S.558/8bis
558/9 A42/9
Ständchen von Shakespeare (La sérénade de Shakspeare)
pf 1837–38 Piano, transcr. arr. of the song Ständchen, D.889 by Franz Schubert; 1st version of S.558/9a
558/9a A42/9
Ständchen von Shakespeare (La sérénade de Shakspeare)
pf 1876 Piano, transcr. 2nd version of S.558/9; renumbered from S.558/9bis
558/10 A42/10
Rastlose Liebe
pf 1837–38 Piano, transcr. arr. of the song Rastlose Liebe, D.138 by Franz Schubert
558/11 A42/11
Der Wanderer (Le pèlerin)
pf 1837–38 Piano, transcr. arr. of the song Der Wanderer, D.493 by Franz Schubert; 1st version of S.558/11a
558/11a A42/11
Der Wanderer (Le pèlerin)
pf 1876 Piano, transcr. 2nd version of S.558/11; renumbered from S.558/11bis
558/12 A42/12
Ave Maria
pf 1837–38 Piano, transcr. arr. of the song Ave Maria, D.839 by Franz Schubert; 2nd version of S.557d
559 A46 Gondelfahrer (Männerquartett von Franz Schubert) pf 1838 Piano, transcr. arr. of the chorus Gondelfahrer, D.809 by Franz Schubert
559a A49/7 La sérénade de Franz Schubert pf 1837 Piano, transcr. arr. of No.4 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/7, S.560/7a
560 A49 Schwanengesang (Lieder von Franz Schubert) pf 1838–39 Piano, transcr. arr. of the song cycle Schwanengesang, D.957 by Franz Schubert
560/1 A49/1
Die Stadt
pf 1838–39 Piano, transcr. arr. of No.11 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/2 A49/2
Das Fischermädchen
pf 1838–39 Piano, transcr. arr. of No.10 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/3 A49/3
Aufenthalt
pf 1838 Piano, transcr. arr. of No.5 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/4 A49/4
Am Meer
pf 1838–39 Piano, transcr. arr. of No.12 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/5 A49/5
Abschied
pf 1838–39 Piano, transcr. arr. of No.7 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/6 A49/6
In der Ferne
pf 1838–39 Piano, transcr. arr. of No.6 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/7 A49/7
Ständchen
pf 1838 Piano, transcr. arr. of No.4 of the song cycle Schwanengesang, D.957 by Franz Schubert; 2nd version of S.559a, S.560/7a
560/7a A49/7
Ständchen
pf 1880 Piano, transcr. 3rd version of S.559a, S.560/7
560/8 A49/8
Ihr Bild
pf 1838–39 Piano, transcr. arr. of No.9 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/9 A49/9
Frühlingssehnsucht
pf 1838–39 Piano, transcr. arr. of No.3 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/10 A49/10
Liebesbotschaft
pf 1838–39 Piano, transcr. arr. of No.1 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/11 A49/11
Der Atlas
pf 1838–39 Piano, transcr. arr. of No.8 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/12 A49/12
Der Doppelgänger
pf 1838–39 Piano, transcr. arr. of No.13 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/13 A49/13
Die Taubenpost
pf 1838–39 Piano, transcr. arr. of No.14 of the song cycle Schwanengesang, D.957 by Franz Schubert
560/14 A49/14
Kriegers Ahnung
pf 1838–39 Piano, transcr. arr. of No.2 of the song cycle Schwanengesang, D.957 by Franz Schubert
561 A50 Winterreise (12 Lieder von Franz Schubert) pf 1839 Piano, transcr. arr. of 12 songs from the cycle Winterreise, D.911 by Franz Schubert
561/1 A50/1
Gute Nacht
pf 1839 Piano, transcr. arr. of No.1 from the cycle Winterreise, D.911 by Franz Schubert
561/2 A50/2
Die Nebensonnen
pf 1839 Piano, transcr. arr. of No.23 from the cycle Winterreise, D.911 by Franz Schubert
561/3 A50/3
Mut!
pf 1839 Piano, transcr. arr. of No.22 from the cycle Winterreise, D.911 by Franz Schubert
561/4 A50/4
Die Post
pf 1839 Piano, transcr. arr. of No.13 from the cycle Winterreise, D.911 by Franz Schubert
561/5 A50/5
Erstarrung
pf 1839 Piano, transcr. arr. of No.4 from the cycle Winterreise, D.911 by Franz Schubert
561/6 A50/6
Wasserflut
pf 1839 Piano, transcr. arr. of No.6 from the cycle Winterreise, D.911 by Franz Schubert
561/7 A50/7
Der Lindenbaum
pf 1839 Piano, transcr. arr. of No.5 from the cycle Winterreise, D.911 by Franz Schubert
561/8 A50/8
Der Leiermann
pf 1839 Piano, transcr. arr. of No.24 from the cycle Winterreise, D.911 by Franz Schubert
561/9 A50/9
Täuschung
pf 1839 Piano, transcr. arr. of No.19 from the cycle Winterreise, D.911 by Franz Schubert
561/10 A50/10
Das Wirtshaus
pf 1839 Piano, transcr. arr. of No.21 from the cycle Winterreise, D.911 by Franz Schubert
561/11 A50/11
Der stürmische Morgen
pf 1839 Piano, transcr. arr. of No.18 from the cycle Winterreise, D.911 by Franz Schubert
561/12 A50/12
Im Dorfe
pf 1839 Piano, transcr. arr. of No.17 from the cycle Winterreise, D.911 by Franz Schubert
562 A73 Franz Schuberts geistliche Lieder pf 1840 Piano, transcr. vol. 2 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert
562/1 A73/1
Litaney
pf 1840 Piano, transcr. arr. of the song Am Tage Aller Seelen, D.343 by Franz Schubert
562/2 A73/2
Himmelsfunken
pf 1840 Piano, transcr. arr. of the song Himmelsfunken, D.651 by Franz Schubert
562/3 A73/3
Die Gestirne
pf 1840 Piano, transcr. arr. of the song Die Gestirne, D.444 by Franz Schubert
562/4 A73/4
Hymne
pf 1840 Piano, transcr. arr. of No.4 from the incidental music to Rosamunde, D.797 by Franz Schubert
563 A109 Melodien von Franz Schubert (6): pf 1844 Piano, transcr.
563/1 A109/1
Lebe wohl!
pf 1844 Piano, transcr.
563/2 A109/2
Mädchens Klage
pf 1844 Piano, transcr. arr. of the song Des Mädchens Klage, D.191 by Franz Schubert
563/3 A109/3
Das Sterbeglöcklein
pf 1844 Piano, transcr. arr. of the song Das Zügenglöcklein, D.871 by Franz Schubert
563/4 A109/4
Trockne Blumen
pf 1844 Piano, transcr. arr. of No.18 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert
563/5 A109/5
Ungeduld
pf 1844 Piano, transcr. arr. of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/6, S.565/6a
563/6 A109/6
Die Forelle
pf 1844 Piano, transcr. arr. of the song Die Forelle, D.550 by Franz Schubert; 1st version of S.564
564 A127 Die Forelle (Lied von Franz Schubert) pf 1846 Piano, transcr. arr. of the song Die Forelle, D.550 by Franz Schubert; 2nd version of S.563/6
565 A128 Müllerlieder von Franz Schubert pf 1846 Piano, transcr.
565/1 A128/1
Das Wandern
pf 1846 Piano, transcr. arr. of No.1 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/1a
565/1a A128/1
Das Wandern
pf 1879 Piano, transcr. arr. of No.1 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/1; renumbered from S.565bis/1
565/2 A128/2
Der Müller und der Bach
pf 1846 Piano, transcr. arr. of No.19 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/2a
565/2a A128/2
Der Müller und der Bach
pf 1879 Piano, transcr. arr. of No.19 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/2; renumbered from S.565bis/2
565/3 A128/3
Der Jäger
pf 1846 Piano, transcr. arr. of No.14 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/3a
565/3a A128/3
Der Jäger
pf 1879 Piano, transcr. arr. of No.14 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/3; renumbered from S.565bis/3
565/4 A128/4
Die böse Farbe
pf 1846 Piano, transcr. arr. of No.17 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/4a
565/4a A128/4
Die böse Farbe
pf 1879 Piano, transcr. arr. of No.17 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/4; renumbered from S.565bis/4
565/5 A128/5
Wohin?
pf 1846 Piano, transcr. arr. of No.2 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/5a
565/5a A128/5
Wohin?
pf 1879 Piano, transcr. arr. of No.2 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd (simplified) version of S.565/5; renumbered from S.565bis/5
565/6 A128/6
Ungeduld
pf 1846 Piano, transcr. arr. of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd version of S.563/5, S.565/6a
565/6a A128/6
Ungeduld
pf 1879 Piano, transcr. arr. of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 3rd (simplified) version of S.563/5, S.565/6; renumbered from S.565bis/6
565a U14/1 Grosse Fantasie von Franz Schubert pf C major 1868 Piano, transcr. edited with additions to the Fantasie in C major, D.760 by Franz Schubert
565b U14/2 Impromptus von F. Schubert (4) pf 1868 Piano, transcr. edited, with additions to Nos.2 and 3 of Impromptus, D.899 by Franz Schubert
566 A133 Liebeslied (Widmung von Robert Schumann) pf 1848 Piano, transcr. arr. of No.1 of Myrthen, Op.25 by Robert Schumann
566a A133 Liebeslied (Widmung von Robert Schumann) pf 1850–59? Piano, transcr. short draft of S.566
567 A212 Lieder von Robert Schumann pf 1861 Piano, transcr.
567/1 A212/1
An den Sonnenschein
pf 1861 Piano, transcr. arr. of No.4 of 6 Gedichte, Op.36 by Robert Schumann
567/2 A212/2
Rotes Röslein
pf 1861 Piano, transcr. arr. of No.2 of Lieder und Gesänge, Vol.I, Op.27 by Robert Schumann
568 A257 Frühlingsnacht (Lied von Robert Schumann) pf 1872 Piano, transcr. arr. of No.12 of Liederkreis by Robert Schumann
569 A264a Lieder von Robert und Clara Schumann (10): pf 1874 Piano, transcr.
569/1 A264a/1
Weihnachtslied
pf 1874 Piano, transcr. arr. of No.16 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/2 A264a/2
Die wandelnde Glocke
pf 1874 Piano, transcr. arr. of No.17 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/3 A264a/3
Frühlings Ankunft
pf 1874 Piano, transcr. arr. of No.19 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/4 A264a/4
Des Sennen Abschied
pf 1874 Piano, transcr. arr. of No.22 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/5 A264a/5
Er ist's
pf 1874 Piano, transcr. arr. of No.23 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/6 A264a/6
Nur wer die Sehnsucht kennt
pf 1874 Piano, transcr. arr. of No.3 of Lieder und Gesänge aus Wilhelm Meister, Op.98a by Schumann
569/7 A264a/7
An die Türen will ich schleichen
pf 1874 Piano, transcr. arr. of No.5 of Lieder und Gesänge aus Wilhelm Meister, Op.98a by Schumann
569/8 A264b/1
Warum willst du and're fragen
pf 1874 Piano, transcr. arr. of No.9 of Gedichte aus Rückerts Liebesfrühling, Op.12, by Clara Schumann
569/9 A264b/2
Ich hab' in deinem Auge
pf 1874 Piano, transcr. arr. of No.5 of 6 Lieder, Op.13, by Clara Schumann
569/10 A264b/3
Geheimes Flüstern hier und dort
pf 1874 Piano, transcr. arr. of No.3 of 6 Lieder aus Jucunde von Rollet, Op.23, by Clara Schumann
570 A306 Provenzalisches Minnelied (von Robert Schumann) pf 1881 Piano, transcr. arr. of No.4 of Des Sängers Fluch, Op.139 by Robert Schumann
570a V16 Polka de salon (Einleitung und Coda zu Smetanas Polka) pf F major 1885 Piano, transcr. additions and revisions to No.1 of 3 Polkas de salon, Op.7 by Bedřich Smetana
571 A275 Die Rose (Romanze von Louis Spohr) pf 1876 Piano, transcr. arr. of Zemire's romance from the opera Zemire und Azor, by Louis Spohr
571a V15 Valse-Caprice No.3 (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice) pf 1880 Piano, transcr. additions and revisions to Valse-Caprice No.3 by Carl Tausig; formerly S.167a
572 A292 Marche hongroise de Szabadi (Revive Szegedin!) pf 1879 Piano, transcr. arr. of the Marche héroïque de Szabadi by Jules Massenet.
573 A258 Einleitung und Ungarischer Marsch von Graf Imre Széchényi (Bevezetés és magyar induló Gróf Széchényi Imrétõl ) pf 1872 Piano, transcr. based on the Ungarischer Marsch by Imre Széchényi
573a A297 Seconda Mazurka di Tirindelli pf 1880 Piano, transcr. additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli
574 A122 Ouvertüre zur Webers Oper Oberon pf 1846 Piano, transcr. arr. of the overture from the opera Oberon, J.306 by Carl Maria von Weber
575 A129 Ouvertüre aus Webers Oper Der Freischütz pf 1846 Piano, transcr. arr. of the overture from the opera Der Freischütz, Op.77 by Carl Maria von Weber
576 A121 Webers Jubelovertüre pf 1846 Piano, transcr. arr. of the Jubel-Ouvertüre, Op.59 by Carl Maria von Weber
576a Konzertstück (von Weber) pf 1868–70 Piano, transcr. arr. of the Konzertstück. Op.79 by Carl Maria von Weber
577/1 A87 I Love (Romanze von Wielhorski) pf 1842 Piano, transcr. arr. of the romance I Love by Michał Wielhorski; 2nd version of S.577/2, S.577bis, and S.577ter
577/2 Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky) pf 1843 Piano, transcr. 4th version of S.577/1, S.577bis, and S.577ter
577bis A87 Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky) pf 1842? Piano, transcr. 1st version of S.577ter, S.577/1, and S.577/2
577a–634b
577ter A87 Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky) pf 1843? Piano, transcr. 3rd version of S.577bis, S.577/1, and S.577/2
577a–634b

Pianoforte duet

577a T33 12 Nocturnes (John Field) pf4h 1877 Piano, 4 hands, arr.
577a/1 T33/1
Nocturne No. 1
pf4h 1877 Piano, 4 hands, arr. arr. of Nocturne No.1 in E major, H.24, by John Field
577a/2 T33/2
Nocturne No.2
pf4h 1877 Piano, 4 hands, arr. arr. of Nocturne No.2 in C minor, H.25, by John Field
577a/3 T33/3
Nocturne No.3
pf4h 1877 Piano, 4 hands, arr. arr. of Nocturne No.3 in A major, H.26, by John Field
577a/4 T33/4
Nocturne No.4
pf4h 1877 Piano, 4 hands, arr. arr. of Nocturne No.4 in A major, H.36, by John Field
577a/5 T33/5
Nocturne No.5
pf4h 1877 Piano, 4 hands, arr. arr. of Nocturne No.5 in B major, H.37, by John Field
577a/6 T33/6
Nocturne No.6
pf4h 1877 Piano, 4 hands, arr. arr. of Nocturne No.6 in F major, H.40, by John Field
577a/7 T33/7
Nocturne No.7
pf4h 1877 Piano, 4 hands, arr. arr. of Pastorale in A major, H.14, by John Field
577a/8 T33/8
Nocturne No.8
pf4h 1877 Piano, 4 hands, arr. arr. of Romance in E major, H.30, by John Field
577a/9 T33/9
Nocturne No.9
pf4h 1877 Piano, 4 hands, arr. arr. of Nocturne No.8 in E minor, H.46, by John Field
577a/10 T33/10
Nocturne No. 10
pf4h 1877 Piano, 4 hands, arr. arr. of Nocturne No.17 in E major, H.65, by John Field
577a/11 T33/11
Nocturne No. 11
pf4h 1877 Piano, 4 hands, arr. arr. of Nocturne No.11 in E major, H.56, by John Field
577a/12 T33/12
Nocturne No. 12
pf4h 1877 Piano, 4 hands, arr. arr. of Nocturne No.18 in E major ("Midi"), H.13, by John Field
578 B27 Die Legende von der Heiligen Elisabeth: pf4h 1862–66? Piano, 4 hands, arr. arr. from S.2
578/1 B27/1
Orchester Einleitung
pf4h 1862–66? Piano, 4 hands, arr. arr. of Introduction from S.2
578/2 B27/2
Marsch der Kreuzritter
pf4h 1862–66? Piano, 4 hands, arr. arr. of No.3e from S.2
578/3 B27/3
Der Sturm
pf4h 1862–66? Piano, 4 hands, arr. arr. of No.4d from S.2
578/4 B27/4
Interludium
pf4h 1862–66? Piano, 4 hands, arr. arr. of No.6a from S.2
579 B30 Orchestersätze aus dem Oratorium Christus (2): pf4h 1866–73? Piano, 4 hands, arr. arr. from S.3
579/1 B30/1
Hirtengespiel an der Krippe
pf4h 1866–73? Piano, 4 hands, arr. arr. of No.4 from S.3
579/2 B30/2
Die heiligen drei Könige
pf4h 1866–73? Piano, 4 hands, arr. arr. of No.5 from S.3
580 B42 Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) pf4h 1874 Piano, 4 hands, arr. arr. of prelude from S.6
581 B31 Aus der Ungarischen Krönungsmesse pf4h 1869 Piano, 4 hands, arr. arr. from S.11
581/1 B31/1
Benedictus
pf4h 1869 Piano, 4 hands, arr. arr. of No.5 from S.11
581/2 B31/2
Offertorium
pf4h 1869 Piano, 4 hands, arr. arr. of No.7 from S.11
582 B53 O Lamm Gottes! pf4h 1878–79 Piano, 4 hands, arr. arr. of S.504b/7
583 B52 Via Crucis (Les 14 stations de la croix) pf4h 1878–79 Piano, 4 hands, arr. arr. of S.53
584 B6 Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn pf4h 1845 Piano, 4 hands, arr. arr. of S.67
585 B24 Pastorale (Schnitterchor aus dem Entfesselten Prometheus) pf4h 1861 Piano, 4 hands, arr. arr. of No.4 from S.69/2
586 B34 Gaudeamus igitur (Humoreske) pf4h 1870? Piano, 4 hands, arr. arr. of S.71a
587 B7 Marche héroique pf4h 1848? Piano, 4 hands, arr. arr. of S.510
588 B16 Weimars Volkslied pf4h 1857 Piano, 4 hands, arr. arr. of S.313
589 B37 Ce qu'on entend sur la montagne (Symphonic Poem No. 1) pf4h 1874 Piano, 4 hands, arr. arr. of S.95 (3rd version)
590 B20 Tasso: Lamento e Trionfo
(Symphonic Poem No. 2)
pf4h 1858 Piano, 4 hands, arr. arr. of S.96
591 B12 Les préludes
(Symphonic Poem No. 3)
pf4h 1853–58 Piano, 4 hands, arr. arr. of S.97
592 B17 Orpheus
(Symphonic Poem No. 4)
pf4h 1858 Piano, 4 hands, arr. arr. of S.98
593 B18 Prometheus
(Symphonic Poem No. 5)
pf4h 1858? Piano, 4 hands, arr. arr. of S.99
594 B38 Mazeppa
(Symphonic Poem No. 6)
pf4h 1874 Piano, 4 hands, arr. arr. of S.100
595 B13 Festklänge
(Symphonic Poem No. 7)
pf4h 1854–61 Piano, 4 hands, arr. arr. of S.101
596 B39 Hungaria
(Symphonic Poem No. 9)
pf4h 1874 Piano, 4 hands, arr. arr. of S.103
596a B49 Héroïde funèbre
(Symphonic Poem No. 8)
pf4h 1877 Piano, 4 hands, arr. arr. of S.102
596b B51 Hunnenschlacht
(Symphonic Poem No. 11)
pf4h 1877 Piano, 4 hands, arr. arr. of S.105
596c B44 Die Ideale
(Symphonic Poem No. 12)
pf4h 1874–77 Piano, 4 hands, arr. arr. of S.106 by Liszt and Giovanni Sgambati
597 B40 Hamlet
(Symphonic Poem No. 10)
pf4h 1874 Piano, 4 hands, arr. arr. of S.104
598 B55 Von der Wiege bis zum Grabe (From the Cradle to the Grave)
(Symphonic Poem No. 13)
pf4h 1881 Piano, 4 hands, arr. arr. of S.512
599 B15 Episoden aus Lenau's Faust (2) pf4h 1856–61? Piano, 4 hands, arr. arr. of S.110
599/1 B15/1
Der nächtliche Zug
pf4h 1856–61 Piano, 4 hands, arr. arr. of S.110/1
599/2 B15/2
Der Tanz in der Dorfschenke (Mephisto Waltz)
pf4h 1856–61 Piano, 4 hands, arr. arr. of S.110/2a
600 B54 Mephisto Waltz No.2 pf4h 1880–81 Piano, 4 hands, arr. arr. of S.515
601–603 B23 Odes funèbres (3): pf4h 1860–69 Piano, 4 hands, arr. arr. from S.112
601 B23/1
Les morts
pf4h 1860 Piano, 4 hands, arr. arr. of S.112/1
602 B23/2
La notte
pf4h 1866 Piano, 4 hands, arr. arr. of S.112/2
603 B23/3
Le triomphe funèbre du Tasse
pf4h 1866–69 Piano, 4 hands, arr. arr. of S.112/3
604/1 B28/1 Boze coś Polskę pf4h 1863 Piano, 4 hands, arr. arr. of S.113/1
604/2 B28/2 Salve Polonia (Interludium aus dem Oratorium St. Stanislaus) pf4h 1884 Piano, 4 hands, arr. arr. of S.113/2
605 B22 Künstlerfestzug zur Schillerfeier 1859 pf4h 1859 Piano, 4 hands, arr. arr. of S.114
606 B19 Festmarsch zur Goethe-Jubiläumfeier pf4h 1858? Piano, 4 hands, arr. arr. of S.115
607 B21 Festmarsch nach Motiven von E.H.z.S.-C.-G. pf4h 1858–59 Piano, 4 hands, arr. arr. of S.116
608 B33 Rákóczi-Marsch pf4h 1870 Piano, 4 hands, arr. arr. of S.117
609 B32 Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 pf4h 1870 Piano, 4 hands, arr. arr. of S.118
610 B46 Ungarischer Sturmmarsch (Hungarian Battle March) pf4h 1875 Piano, 4 hands, arr. arr. of S.119
611 W7 Epithalam (zu Eduard Reményi's Vermählungsfeier) pf4h 1872 Piano, 4 hands, arr. arr. of S.129; Liszt's authorship doubtful
612 B36 Elegy No. 1 pf4h 1874 Piano, 4 hands, arr. arr. of S.196
612a B43 Weihnachtsbaum pf4h 1875? Piano, 4 hands, arr. arr. of S.185a; 1st version of S.613
612a/1 B43/1
Psallite (Altes Weihnachten)
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/1; 1st version of S.613/1
612a/2 B43/2
O heilige Nacht!
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/2; 1st version of S.613/2
612a/3 B43/3
Die Hirten an der Krippe ("In dulci jubilo")
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/3; 1st version of S.613/3
612a/4 B43/4
Adeste fideles (gleichsam als Marsch der heiligen drei Könige)
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/4; 1st version of S.613/4
612a/5 B43/5
Scherzoso
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/5; 1st version of S.613/5
612a/6 B43/6
Reveille-Matin (Wecker)
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/6; 1st version of S.613/6
612a/7 B43/7
Schlummerlied
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/7; 1st version of S.613/7
612a/8 B43/8
(Alt-provenzalisches Noel)
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/8; 1st version of S.613/8
612a/9 B43/9
(Abendglocken)
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/9; 1st version of S.613/9
612a/10 B43/10
(Ehemals)
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/10; 1st version of S.613/10
612a/11 B43/11
Ungarisch
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/11; 1st version of S.613/11
612a/12 B43/12
Polnisch
pf4h 1875? Piano, 4 hands, arr. arr. of S.185a/12; 1st version of S.613/12
613 B43 Weihnachtsbaum pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186; 2nd version of S.612a
613/1 B43/1
Altes Weihnachten (Psalite)
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/1; 2nd version of S.612a/1
613/2 B43/2
O heilige Nacht!
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/2; 2nd version of S.612a/2
613/3 B43/3
Die Hirten an der Krippe ("In dulci jubilo")
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/3; 2nd version of S.612a/3
613/4 B43/4
Adeste fideles (Gleichsam als Marsch der heiligen drei Könige)
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/4; 2nd version of S.612a/4
613/5 B43/5
Scherzoso (Man zündet die Kerzen des Baumes an)
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/5; 2nd version of S.612a/5
613/6 B43/6
Carillon
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/6; 2nd version of S.612a/6
613/7 B43/7
Schlummerlied
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/7; 2nd version of S.612a/7
613/8 B43/8
Altes provenzalisches Weihnachtslied
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/8; 2nd version of S.612a/8
613/9 B43/9
Abendglocken
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/9; 2nd version of S.612a/9
613/10 B43/10
Ehemals
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/10; 2nd version of S.612a/10
613/11 B43/11
Ungarisch
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/11; 2nd version of S.612a/11
613/12 B43/12
Polnisch
pf4h 1876–81 Piano, 4 hands, arr. arr. of S.186/12; 2nd version of S.612a/12
614 B50 Dem Andenken Petöfis pf4h 1877 Piano, 4 hands, arr. arr. of S.349
615 B1 Grande valse di bravura (La bal de Berne) pf4h 1836 Piano, 4 hands, arr. arr. of S.209
615a Mephisto Waltz No.3 pf4h 1883 Piano, 4 hands, arr. arr. of S.216
616 B2 Grand galop chromatique pf4h 1838 Piano, 4 hands, arr. arr. of S.219
617 B56 Csárdás macabre pf4h 1881–82 Piano, 4 hands, arr. arr. of S.224 [by Liszt and János Végh?]
618 W11 Csárdás obstiné pf4h 1884? Piano, 4 hands, arr. arr. of S.225/2 [Liszt's authorship uncertain]
618a B14 Vom Fels zum Meer! (Deutscher Siegesmarsch) pf4h 1853–56? Piano, 4 hands, arr. arr. of S.229
619 B59 Bülow-Marsch pf4h 1883 Piano, 4 hands, arr. arr. of S.230
619a B48 Festpolonaise pf4h 1876 Piano, 4 hands, arr. arr. of S.230a
620 B3 Hussitenlied (Aus dem 15. Jahrhundert) pf4h 1840–41 Piano, 4 hands, arr. arr. of S.234
621 B41 Hungarian Rhapsodies (6): pf4h 1857–60 Piano, 4 hands, arr. arr. of S.359
621/1 B41/1
Hungarian Rhapsody No. 1
pf4h F minor 1860 Piano, 4 hands, arr. arr. of S.359/1 (based on S.244/14)
621/2 B41/2
Hungarian Rhapsody No. 2
pf4h C minor 1860 Piano, 4 hands, arr. arr. of S.359/2 (based on S.244/12)
621/3 B41/3
Hungarian Rhapsody No. 3
pf4h D major 1860 Piano, 4 hands, arr. arr. of S.359/3 (based on S.244/6)
621/4 B41/4
Hungarian Rhapsody No. 4
pf4h D minor 1860 Piano, 4 hands, arr. arr. of S.359/4 (based on S.244/2)
621/5 B41/5
Hungarian Rhapsody No. 5 (Héroïde-élégiaque)
pf4h E minor 1860 Piano, 4 hands, arr. arr. of S.359/5 (based on S.244/5)
621/6 B41/6
Hungarian Rhapsody No. 6 (Pesther Carneval)
pf4h E major 1860 Piano, 4 hands, arr. arr. of S.359/6 (based on S.244/9)
622 B57 Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten pf4h 1882 Piano, 4 hands, arr. arr. of S.244/16
623 W12 Hungarian Rhapsody No. 18 pf4h 1885 Piano, 4 hands, arr. arr. of S.244/18 (Liszt's authorshop doubtful)
623a W13 Hungarian Rhapsody No. 19 pf4h 1885? Piano, 4 hands, arr. arr. of S.244/19 (Liszt's authorshop doubtful)
624 B8 Fantasie und Fuge über den Choral Ad nos, ad salutarem undam pf4h 1850 Piano, 4 hands, arr. arr. of S.259; see also S.747a
625 B29 Der Papsthymnus pf4h 1865 Piano, 4 hands, arr. arr. of S.261
626 B60 Magyar király-dal (Ungarisches Königslied) pf4h 1883 Piano, 4 hands, arr. arr. of S.340
627 B9 Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula pf4h 1852 Piano, 4 hands, arr. arr. of S.393
628 B10 Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz) pf4h 1852–53 Piano, 4 hands, arr. arr. of S.396
628a Réminiscences de Lucia di Lammermoor pf4h 1836–40 Piano, 4 hands, arr. arr. of S.397; Liszt performed this arrangement with Frank Mori during his 1840–41 tour of the British Isles
628b B5 Marche et Cavatine de Lucia di Lammermoor pf4h 1844? Piano, 4 hands, arr. arr. of S.398; renumbered from S.628a
628c Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) pf4h 1873 Piano, 4 hands, arr. arr. of S.353 (Liszt's authorship doubtful); renumbered from S.628b
629 B45 Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla pf4h 1875 Piano, 4 hands, arr. arr. of S.406/2
630 W2 Réminiscences de Robert le diable (Valse infernale) pf4h 1841–43 Piano, 4 hands, arr. arr. of S.413 (Liszt's authorship doubtful)
631 B11 Andante Finale und Marsch aus der Oper König Alfred pf4h 1853? Piano, 4 hands, arr. arr. of S.421
631/1 B11/1
Andante
pf4h 1853? Piano, 4 hands, arr. arr. of S.421/1
631/2 B11/2
Marsch
pf4h 1853? Piano, 4 hands, arr. arr. of S.421/2
632 B35 Franz Schuberts Märsche (4) pf4h 1859–70 Piano, 4 hands, arr. arr. from S.363
632/1 B35/1
(Vivace)
pf4h B minor 1859–70 Piano, 4 hands, arr. arr. of S.363/1
632/2 B35/2
Trauermarsch
pf4h E minor 1859–70 Piano, 4 hands, arr. arr. of S.363/2
632/3 B35/3
Reitermarsch
pf4h C major 1859–70 Piano, 4 hands, arr. arr. of S.363/3
632/4 B35/4
Ungarischer Marsch
pf4h C minor 1859–70 Piano, 4 hands, arr. arr. of S.363/4
633 B26 À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) pf4h 1865 Piano, 4 hands, arr. arr. of S.461/2
634 B4 Grand septuor de Beethoven pf4h 1840–42 Piano, 4 hands, arr. arr. of S.465
634a B47 Adagio von Die Zauberflöte (Der welcher wandelt diese Strasse) pf4h 1875–81? Piano, 4 hands, arr. arr. of "Der, welcher wandelt diese Straße voll Beschwerden" from Act II of the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart
634b B25 Stücke aus Tannhäuser und Lohengrin (2): pf4h 1862? Piano, 4 hands, arr. arr. of S.445
634b/1 B25/1
Einzug der Gäste auf der Wartburg
pf4h 1862? Piano, 4 hands, arr. arr. of S.445/1a
634b/2 B25/2
Elsas Brautzug zum Münster
pf4h 1862? Piano, 4 hands, arr. arr. of S.445/2
635–657b

Two pianofortes

635 C9 Ce qu'on entend sur la montagne (Symphonic Poem No. 1) 2pf 1854–56 Piano, 2 pianos, arr. arr. of S.95
636 C10 Tasso: Lamento e Trionfo
(Symphonic Poem No.2)
2pf 1854–56 Piano, 2 pianos, arr. arr. of S.96
637 C11 Les préludes
(Symphonic Poem No.3)
2pf 1855? Piano, 2 pianos, arr. arr. of S.97
638 C12 Orpheus
(Symphonic Poem No.4)
2pf 1855–56 Piano, 2 pianos, arr. arr. of S.98
639 C14 Prometheus
(Symphonic Poem No.5)
2pf 1855–56 Piano, 2 pianos, arr. arr. of S.99
640 C13 Mazeppa
(Symphonic Poem No.6)
2pf 1855 Piano, 2 pianos, arr. arr. of S.100
641 C7 Festklänge
(Symphonic Poem No.7)
2pf 1853 Piano, 2 pianos, arr. arr. of S.101
642 C15 Héroïde funèbre
(Symphonic Poem No.8)
2pf 1854–56 Piano, 2 pianos, arr. arr. of S.102
643 C16 Hungaria
(Symphonic Poem No.9)
2pf 1855–56 Piano, 2 pianos, arr. arr. of S.103
644 C22 Hamlet
(Symphonic Poem No. 10)
2pf 1858–60 Piano, 2 pianos, arr. arr. of S.104
645 C21 Hunnenschlacht
(Symphonic Poem No. 11)
2pf 1857–60 Piano, 2 pianos, arr. arr. of S.105
646 C17 Die Ideale
(Symphonic Poem No. 12)
2pf 1857–58 Piano, 2 pianos, arr. arr. of S.106
647 C19 Faust Symphony (Eine Faust-Symphonie) 2pf 1856 Piano, 2 pianos, arr. arr. of S.108
648 C20 Dante Symphony (Eine Symphonie zu Dantes Divina Commedia) 2pf 1856–57 Piano, 2 pianos, arr. arr. of S.109
649 C6 Fantasie über Motiven aus Beethovens Ruinen von Athen 2pf 1852 Piano, 2 pianos, arr. arr. of S.122
650 C8 Piano Concerto No. 1 2pf E major 1853–56? Piano, 2 pianos, arr. arr. of S.124
651 C23 Piano Concerto No. 2 2pf A major 1859 Piano, 2 pianos, arr. arr. of S.125
652 C24 Totentanz 2pf 1859–65? Piano, 2 pianos, arr. arr. of S.126ii
652a C25 Rákóczi-Marsch 2pf 1870 Piano, 2 pianos, arr. arr. of S.117
653 C5 Franz Schuberts Grosse Fantasie 2pf C major 1851–62? Piano, 2 pianos, arr. arr. of S.366
654/1 C2 Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) 2pf 1840 Piano, 2 pianos, arr. arr. of S.392; 1st version
654/2 C2 Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) 2pf 1870? Piano, 2 pianos, arr. arr. of S.392; 2nd version
655 C3 Réminiscences de Norma 2pf 1845–74? Piano, 2 pianos, arr. arr. of S.394
656 C26 Réminiscences de Don Juan (Grande fantaisie) 2pf 1876–77 Piano, 2 pianos, arr. arr. of S.418
657 C4 Symphony No. 9 de Beethoven [Beethoven] 2pf D minor 1851 Piano, 2 pianos, arr. arr. of the Symphony No.9, Op.125 by Ludwig van Beethoven; arr. for pf as S.464/9
657a/1 C27 Piano Concerto No. 3 [Beethoven] 2pf C minor 1878–79 Piano, 2 pianos, arr. arr. of the Piano Concerto No.3, Op.37 by Ludwig van Beethoven; includes new cadenza for 1st movement, S.389a
657a/2 C28 Piano Concerto No. 4 [Beethoven] 2pf G major 1878–79 Piano, 2 pianos, arr. arr. of the Piano Concerto No.4, Op.58 by Ludwig van Beethoven
657a/3 C29 Piano Concerto No. 5 [Beethoven] 2pf E major 1878–79 Piano, 2 pianos, arr. arr. of the Piano Concerto No.5, Op.73 by Ludwig van Beethoven
657b C30 Bülow-Marsch 2pf8h 1884 Piano, 2 pianos, arr. arr. of S.230
658–676

Organ

658 E15 Evocation á la Chapelle Sixtine org/harm 1862–65? Organ, arr. arr. of S.461
659 E14 Ave Maria d'Arcadelt org/harm 1862–63 Organ, arr. arr. of S.183/2
660/1 E9 Einleitung und Fuge (aus der Motette Ich hatte viel Bekümmernis) org/harm 1860–66 Organ, arr. arr. of the introduction and fugue from the cantata Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
660/2 E5 Andante (Aus tiefer Not) org/harm 1856–60? Organ, arr. arr. of part of the cantata Aus tiefer Noth schrei ich zu dir, BWV 38 by Johann Sebastian Bach
661 E13 Adagio vom Bach org/harm 1861–63 Organ, arr. arr. of the 3rd movement of Violin Sonata No. 4, BWV 1017 by Johann Sebastian Bach
662/1 E16/1 Prelude org E minor 1862–63? Organ, arr. arr. of No.4 of the Preludes, Op.28 by Frédéric Chopin
662/2 E16/2 Prelude org E major 1862–63? Organ, arr. arr. of No.9 of the Preludes, Op.28 by Frédéric Chopin
663 E21 Regina coeli laetare org/harm 1865 Organ, arr. arr. of the motet Regina coeli laetare by Orlande de Lassus
663a E25 Einleitung zur Legende von der heiligen Elisabeth org/harm 1872 Organ, arr. arr. by Liszt and Carl Müller-Hartung of the introduction from S.2
664/1 E19b/1 Tu es Petrus aus dem Oratorio Christus org/harm 1867 Organ, arr. arr. of No.8 from S.3; 1st version of S.664/2
664/2 E19b/2 Tu es Petrus aus dem Oratorio Christus org 1867 Organ, arr. arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1
665 E35 San Francesco org 1880 Organ, arr. arr. of the prelude from S.4/2
666 E26 Preludio (Excelsior!) org (+ ch) 1874–75 Choral arr. of prelude from S.6; see also version for org without ch S.268a
667 E23 Offertorium aus der Ungarischen Krönungsmesse org/harm 1868? Organ, arr. arr. of No.5 from S.11
667a Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) org 1860 Organ, arr. arr. of S.14/1
667b/1 Gebet (Ave Maria I) org 1842? Organ, arr. arr. of S.20/1
667b/2 E4 Ave Maria I org 1856–59? Organ, arr. arr. of S.20/2; incomplete sketch as S.701n
667c E24 Ave Maria II harm D major 1869 Organ, arr. arr. of S.38
668 E18 Slavimo slavno, Slaveni! org 1863 Organ, arr. arr. of S.33
668a E27/2a Ave maris stella harm 1871 Organ, arr. arr. of S.34; 1st version of S.669/2
669 E27 Kirchenhymnen (2) org/harm 1877 Organ, arr.
669/1 E27/1
Salve Regina
org/harm 1877 Organ, arr.
669/2 E27/2b
Ave maris stella
org/harm 1877 Organ, arr. arr. of S.34; 2nd version of S.668a
669a Deutsche Kirchenlieder (7): v ch pf/org 1878–1879 Choral arr. from S.50
669a/1
Es segne uns Gott
ch org 1878–79 Choral arr. of S.50/1
669a/2
Gott sei gnädig (Der Kirchensegen)
v/ch org 1878–79 Choral arr. of S.50/2
669a/3
Nun ruhen alle Wälder
v org 1878–79 Vocal arr. of S.50/3
669a/4
O Haupt voll Blut und Wunden
v org 1878–79 Vocal arr. of S.50/4
669a/5
O Lamm Gottes!
v pf/org 1878–79 Vocal arr. of S.50/5
669a/6
Was Gott tut, das ist wohlgetan
v org 1878–79 Vocal arr. of S.50/6
669a/7
Wer nur den lieben Gott läßt walten
v org 1878–79 Vocal arr. of S.50/7
669b E31 Via Crucis (Les 14 stations de la croix) org 1876–79 Organ, arr. arr. of S.53
669c O Roma nobilis org 1878–79 Organ, arr. arr. of S.54
670 E34 Rosario org/harm 1879 Organ, arr. arr. from S.56
670/1 E34/1
Mysteria gaudiosa
org/harm 1879 Organ, arr. arr. of S.56/1
670/2 E34/2
Mysteria dolorosa
org/harm 1879 Organ, arr. arr. of S.56/2
670/3 E34/3
Mysteria gloriosa
org/harm 1879 Organ, arr. arr. of S.56/3
671 E40 In domum Domini ibimus (Zum Haus des Herrn ziehen wir) org 1884 Organ, arr. arr. of S.57
671a J44 Zur Trauung org 1883? Organ, arr. arr. of S.60
672/1 E6/1 Weimars Volkslied org 1857–63? Organ, arr. arr. of S.313; 1st version of S.672/2
672/2 E6/2 Weimars Volkslied org/harm 1872–73? Organ, arr. arr. of S.313; 2nd version of S.672/1
672a E11 Orpheus
(Symphonic Poem No.4)
org/harm 1860–72 Organ, arr. arr. of S.98
672b E8 Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia org/harm 1860 Organ, arr. arr. by Liszt [and Gottschalg?] of S.109
672c E30 Angelus! Prière aux anges gardiens harm 1877–82 Organ, arr. arr. of S.163/1
672d E22 Consolations (4): org/harm 1866–79 Organ, arr. arr. from S.172
672d/1 E22/1
(Lento placido)
org/harm A major 1879? Organ, arr. arr. of S.172/3
672d/2 E22/2
(Adagio)
org/harm D major 1866–67? Organ, arr. arr. of S.172/4 by Liszt and Gottschalg
672d/3 E22/3
(Andantino)
org/harm E major 1872–73? Organ, arr. arr. of S.172/5 by Liszt and Gottschalg
672d/4 E22/4
(Trôstung)
org/harm E major 1879? Organ, arr. arr. of S.172/6
673 E17 Variationen über das Motiv von Bach org 1862–63 Organ, arr. arr. of S.180
674 E37 A magyarok Istene (Ungarns Gott) org/harm 1881 Organ, arr. arr. of S.339
674a E36 O sacrum convivium org/harm 1881–85? Organ, arr. arr. of S.58
674b Ave Maria IV org/harm 1881 Organ, arr. arr. of S.341
674c Nun danket alle Gott org 1884 Organ, arr. arr. of S.61
674d E42 Ave verum corpus de Mozart org 1886 Organ, arr. arr. of the Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; arr. for pf as S.461a
675 E2 Kirchliche Fest-Ouvertüre org/pfped 1852 Organ, arr. arr. of the Kirchliche Fest-Ouvertüre über den Choral Ein feste Burg ist unser Gott by Otto Nicolai
675a V10 In der Christmette vn org 1873? Organ, arr. corrections to No.1 of 5 Charakterstücke, Op.3, by Alexander Ritter
675b V18 Davidsbündlertänze org 1870? Organ, arr. arr. by Gottschalg and Liszt of No.14 of the Davidsbündlertänze, Op.6 by Robert Schumann
675c/1 E29 Agnus Dei della Messa da Requiem di Giuseppe Verdi org/harm 1877–78 Organ, arr. based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.675c/2; arr. of S.437/1
675c/2 E29 Agnus Dei della Messa da Requiem di Giuseppe Verdi org/harm 1883 Organ, arr. 2nd version of S.675c/1; arr. of S.437/2
676/1 E10a Chor der jüngeren Pilger (Der Gnade Heil) org/harm 1860 Organ, arr. based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.676/2; arr. of S.443/1
676/2 E10b Chor der jüngeren Pilger (Der Gnade Heil) org/harm 1862 Organ, arr. 2nd version of S.676/1; arr. of S.443/2
677–679

Organ with other instruments

677 F2 Hosannah (Alleluja del Cantico del sol) org (+ tbn) 1862–63 Organ, chamber, arr. arr. of 'Alleluja' from S.4/1
678 F3 Aus der Ungarischen Krönungsmesse vn org/harm 1871 Organ, chamber, arr. arr. of extracts from S.11
678/1 F3/1
Benedictus
vn org/harm 1871 Organ, chamber, arr. arr. of S.11/5
678/2 F3/2
Offertorium
vn org/harm 1871 Organ, chamber, arr. arr. of S.11/7
679 F1 Cujus animam aus Rossinis Stabat Mater tbn org 1860–70? Organ, chamber, arr. arr. of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arr. for ten org as S.682; for pf as S.553/1
680–685

Vocal arrangements

680 K3 Ave maris stella v org/harm D major 1868 Organ, vocal, arr. arr. of S.34/2
681 K4 Ave Maria II v org/harm 1869 Organ, vocal, arr. arr. of S.38
682 K5 Cujus animam aus Rossinis Stabat Mater ten org 1874? Organ, vocal, arr. arr. of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arr. for tbn org as S.682; for pf as S.553/1
683 N57 Serbisches Lied (Ein Mädchen sitzt am Meeresstrand) v pf 1858? Piano, vocal, arr.
683a K10 Gebet v org 1883? Organ, vocal, arr. arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2
684 N2 Barcarole vénitienne de Pantaleoni v pf 1840 Piano, vocal, arr. arr. of the song by Luigi Pantaleoni
685 N47 Es hat geflammt die ganze Nacht (Lied der Grossherzogin Marie Pavlovna) v pf 1849–54 Piano, vocal, arr. arr. of the song by Maria Pavlovna, Grand Duchess of Russia
686

Recitations

686 P4 Helges Treue nar pf 1860 Vocal, recitation, arr. arr. of the ballad Helges Treue, Op.1 by Felix Draeseke
687–768

Appendix

687–701

Unfinished works

687 Q13 Sardanapalo vv ch orch   1846–55? Opera, unfinished unfinished sketches for an opera, based on Byron's Sardanapalus; completed by David Trippett
688 Q17 Die Legende vom heiligen Stanislaus vv ch orch   1869–85 Choral, unfinished unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a
688a Q17 Die Legende vom heiligen Stanislaus pf 1868? Piano, unfinished arr. from S.688; incomplete sketches
689 Q14 Singe wem Gesang gegeben mch orch 1848? Choral, unfinished orchestrated by Liszt and August Conradi; incomplete
689a Q9 Manfred ch orch 1842–44 Choral, unfinished incomplete
690 Q1 Symphonie révolutionnaire orch 1830–53 Orchestral, unfinished incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703
690f/2 Q13 Drei Ungarische Rhapsodien symphonisch bearbeiter No.2 pf   ? Piano, unfinished The Hugo-Songs Sketchbook (N 7 folder in the Goethe und Schiller archive) consists of the Zigeuner-Epos S.695b set, and on No.6's MS, Liszt wrote a couple of passages in red crayon which was later taken for some orchestral arrangements called 3 Ungarische Rhapsodien. (No.3 is now lost so is the last page of No.2). Like Zigeuner-Epos No.6, Liszt reused the themes from S.242/6 and S.242/12 for No.2 and additionally he reused the friska theme (which wasn't in Zigeuner-Epos No.6).
691# De Profundis pf orch 1834 Orchestral, unfinished renumbered as S.121a
692 S49 Violin Concerto vn orch 1860 Orchestral, unfinished lost
692a Q18 Die vier Jahreszeiten 2vn va vc 1880? Chamber, unfinished incomplete sketches; formerly S.719
692b S22 Piano Sonata pf F minor 1880 Piano, unfinished the first page of S.725/1 (now lost), copied by Liszt in 1880
692c Allegro maestoso (Etude No. 13) pf F major 1826 Piano, unfinished incomplete sketches
692d Rákóczi-Marsch pf 1839–40 Piano, unfinished simplified arr. of S.242a; incomplete sketches
692e Winzerchor aus den entfesselten Prometheus pf 1850? Piano, unfinished arr. of No.5 from S.69; incomplete sketches
692n Klavierstück in Es-moll pf 1849 Piano, unfinished arr. of No.3 from S.172/3; incomplete sketches
693 Q12 Marches dans le genre hongrois (2): pf 1840? Piano, unfinished incomplete sketches
693/1 Q12/1
March No. 1
pf D minor 1840? Piano, unfinished incomplete sketches
693/2 Q12/2
March No.2
pf B minor 1840? Piano, unfinished incomplete sketches
693a Die Legende von der Heiligen Elisabeth: pf 1862 Piano, unfinished arr. from S.2
693a/1
Das Rosenmirakel
pf 1862 Piano, unfinished arr. of S.2/2c
693a/2
Der Sturm
pf 1862 Piano, unfinished arr. of S.2/4d
694 Q8 Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais) pf orch 1841 Orchestral, unfinished partly based on S.235, using the themes of the British national anthem and Rule Britannia by Thomas Arne; fragment only survives (completed by Leslie Howard as Fantasy on English Themes); arr. for pf4h as S.755b, and for vn va vc pf as S.718e
695 A100 Klavierstück pf F major 1843 Piano, unfinished
695a# Litanies de Marie pf 1846–47 Piano, unfinished renumbered as S.171e
695b Zigeuner-Epos (11): pf 1848? Piano, unfinished sketches
695b/1
(Lento)
pf C minor 1848? Piano, unfinished sketches
695b/2
(Andantino)
pf C major 1848? Piano, unfinished sketches
695b/3
(Sehr langsam)
pf D major 1848? Piano, unfinished sketches
695b/4
(Animato)
pf C major 1848? Piano, unfinished sketches
695b/5
(Tempo giusto)
pf D major 1848? Piano, unfinished sketches
695b/6
(Lento)
pf G minor 1848? Piano, unfinished sketches
695b/7
Tempo di marca
pf A minor 1848? Piano, unfinished sketches
695b/8
(Adagio sostenuto a capriccio)
pf D major 1848? Piano, unfinished sketches
695b/9
(Andante cantabile quasi adagio)
pf E major 1848? Piano, unfinished sketches
695b/10
(Lento)
pf F minor 1848? Piano, unfinished sketches
695b/11
(Lento)
pf A minor 1848? Piano, unfinished incomplete sketches
695c Q11b Romancero espagnol pf 1845 Piano, unfinished formerly S. 738.
695d T5 Rêves et fantaisies pf 1850-1 Piano, unfinished deleted; renumbered as S. 242/23
695e Q21 Petite valse ("Nachspiel zu den drei vergessenen Walzer") pf 1884? Piano, unfinished incomplete sketches; possibly intended for S.215
695f Cadenza pf 1883–85? Piano, unfinished for S.514
696 A337 Mephisto Waltz No.4 pf 1885 Piano, unfinished 2nd version of S.216b; unfinished draft of new Andantino section added before final bars of S.216b
697 A90 Fantasie über Themen aus Mozarts Figaro und Don Giovanni pf 1842 Piano, unfinished based on themes from the operas Le nozze di Figaro, K.492 and Don Giovanni, K.527 by Mozart; unfinished; completions by Ferruccio Busoni and Leslie Howard
698 Q19 La mandragore (Ballade de l'opera Jean de Nivelle) pf 1881 Piano, unfinished arr. of "Tant que le jour dure" from the opera Jean de Nivelle by Léo Delibes; incomplete
699# La notte pf 1864–66 Piano, unfinished renumbered as S.516a
700 Q7 Variations sur le Carnaval de Venise pf 1843 Piano, unfinished based on the Il carnevale di Venezia, Op.10 by Niccolò Paganini; incomplete
700a/i A113 Grande Fantaisie sur des thèmes de Paganini pf 1845 Piano, unfinished using themes from the Violin Concerto No.2, Op.7 by Niccolò Paganini and Il carnevale di Venezia, Op.10 by Niccolò Paganini; unfinished; completed by Imre Mezö; 1st version of S.700a/ii
700a/ii A113 Variations de bravoure sur des thèmes de Paganini pf 1845 Piano, unfinished 2nd version of S.700a/i
700f Q4 La belle en robe des Dimanches v pf 1830–39? Vocal, unfinished incomplete
700g J44 Zur Trauung v 2pf 1883–87? Vocal, unfinished arr. of S.60
700j M14/1 Titan (Auf des Athos blauen Felsenspitzen) v pf 1842 Vocal, unfinished 1st version of S.79/1; pf part incomplete
701 N15 Den Felsengipfel stieg ich einst hinan v pf 1843? Vocal, unfinished
701a Q2 Allegro di bravura orch 1830 Orchestral, unfinished arr. of S.151 [by Liszt?]; incomplete sketch
701b Q5 Marie-Poème pf/(str?) 1837 Piano, unfinished incomplete sketch
701c Andante sensibilissimo pf 1880–86 Piano, unfinished incomplete sketch
701d Q16 Melodie in Dorische Tonart (Prose des Morts) pf 1861 Piano, unfinished incomplete sketch; based on the Dies irae
701e Album Leaf ("Dante fragment") pf 1837 Piano, unfinished incomplete sketch
701f Album Leaf ("Glasgow fragment") pf 1841? Piano, unfinished incomplete sketch
701g A253 Polnisch pf 1876? Piano, unfinished sketch
701h/1 Valse infernale pf 1841? Piano, unfinished arr. of theme of the Valse infernale (Act III, No.10) from the opera Robert le diable by Giacomo Meyerbeer; incomplete sketch
701h/2 Album Leaf pf 1841 Piano, unfinished arr. of an unidentified operatic aria and one sketched variation; incomplete sketch
701j La Charité pf 1847 Piano, unfinished incomplete sketch for S.552a; originally intended for S.172a
701k Korrekturblatt pf 1882 Piano, unfinished incomplete sketch for S.199a
701l Album Leaf ("Weimar fragment") pf 1886? Piano, unfinished incomplete sketch
701m Trio vn vc pf G minor 1886? Chamber, unfinished incomplete sketch for 2 Harmonies poétiques et religieuses
701n Korrekturblatt org 1853? Piano, unfinished incomplete sketch for S.667b/2
701o R1 Scherzo pf 1830 Piano, unfinished incomplete
701v Marche de Prozinsky pf C minor 1846 Piano, unfinished incomplete sketch for S.171d
701w Tasso, Lamento e Trionfo pf 1856 Piano, unfinished abandoned arr. of S.96
702–768

Doubtful or lost

702–707
Sacred choral works
702 S1 Tantum ergo ch 1822 Choral, sacred lost
703 Q15 Psalm 2 (Quare fremuerunt gentes et populi) ten ch orch 1851 Choral, sacred incomplete sketches; originally intended as 5th movement of S.690
704 Requiem (on the death of Emperor Maximilian of Mexico) vv ch ?orch 1867? Choral, sacred lost
705 The Creation vv ch ?orch 1867? Choral, sacred lost
706 T45 Benedictus ch ? Choral, sacred unrealized project
707 Excelsior ch? ? Choral, sacred unrealized project
708a–708b
Secular choral works
708a L6 Rinaldo ten mch orch 1848 Choral, secular cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and August Conradi as S.708b
708b L6 Rinaldo ten mch pf 1848 Choral, secular arr. of S.708a by Liszt and August Conradi
709–712
For orchestra
709# Salve Polonia orch 1863 Orchestral renumbered as S.113
710 S41 Funeral March orch 1850 Orchestral lost; possibly the same as S.102 or S.761
711 S62 Csárdás macabre orch 1882? Orchestral lost; reconstruction by G. Darvos not based on authentic material
712 W9 Romance oubliée orch 1881 Orchestral arr. of S.527; Liszt's authorship doubtful
713–716
For piano and orchestra
713/1 S8 Piano Concerto pf orch A minor 1825? Orchestral, piano lost; not the same as S.713/2
713/2 S9 Piano Concerto pf orch 1825? Orchestral, piano lost; not the same as S.713/1
714 Q20 Ungarische Zigeunerweisen [Konzert im ungarischen Styl] pf orch 1885 Orchestral, piano formerly S. 126a; by Sophie Menter, orch. by Tchaikovsky
715 S19 Piano Concerto (in the Italian style) pf orch 1830–39? Orchestral, piano lost
716 Grande fantaisie symphonique pf orch (?) ? Orchestral, piano Deleted; see S. 120
717–723a
Other instrumental works
717# D2 Trio vn vc pf D major 1825 Chamber deleted; renumbered as S. 126c
718 S11 Quintet 2vn va vc db? 1825 Chamber lost
718a Duo on Rossini's Semiramide vn pf 1827 Chamber based on themes from the opera Semiramide by Gioachino Rossini; lost
718b The Fall of Paris – a Military Air with Variations fl pf 1827 Chamber lost
718c Fantasia vn pf 1827 Chamber lost
718d Un petit morceau vn pf 1829 Chamber lost
718e Sextetto 2vn 2va 2vc 1835 or earlier Chamber lost
718f Grand Fantasie on God Save the Queen and Rule Britannia vn va vc pf 1841 Chamber arr. of S.694; doubtful
719# Die vier Jahreszeiten 2vn va vc 1880? Chamber renumbered as S.692a
720 S18 Allegro moderato vn pf E major 1829 Chamber lost
721 S63 Prelude vn (+ pf?) 1882 Chamber lost
722# La notte vn pf 1864–66 Chamber renumbered as S.377a
723# Tristia vn vc pf 1880? Chamber renumbered as S.378a, S.378b, S.378c
723a# W6 Postlude (on a theme from Orpheus) ? 1871 Chamber based on S.98; now attributed to Leopold Alexander Zellner
724–754
For piano solo
724/1 S3 Rondo pf 1824 Piano lost; possibly S.152?
724/2 S4 Fantasia pf 1824 Piano lost
725/1 S5 Piano Sonata pf F minor 1825 Piano lost; only several bars were copied down from memory later by Liszt
725/2 S6 Piano Sonata pf C minor 1825 Piano lost; only three bars were copied down from memory in a letter from Liszt to his mother
725/3 S7 Piano Sonata pf 1825 Piano lost
726 Etude pf ? Piano lost
726a S23 Valse pf E major 1835 Piano lost
727# Prélude omnitonique pf 1844 Piano renumbered as S.166e
728# Sospiri! pf 1879 Piano renumbered as S.192/5
729 Tantum ergo pf 1869 Piano lost; possibly arr. of S.42 or S.702
730 Dem Andenken Petöfis pf 1877 Piano renumbered as S.195
731# Valse élégiaque pf 1839 Piano renumbered as S.210
732# Valse oubliée No.4 pf 1884 Piano renumbered as S.215/4
733# Marche hongroise pf E minor 1844 Piano renumbered as S.233b
734# Ländler pf 1879 Piano renumbered as S.211a
735# Air cosaque pf 1879 Piano renumbered as S.249c
736 W16 Kerepsi csárdás pf ? Piano lost; Liszt's authorship doubtful
737 W15 Morceaux en style de danse ancien hongrois (3) pf 1850 Piano manuscript lost; Liszt's authorshop doubtful
738# A114 Grosse Konzertfantasie über spanische Weisen pf 1844 Piano renamed and renumbered as S. 695c.
739 S38 Corolian Overture pf 1846–47 Piano, arr. arr. of Coriolan, Op.62 by Ludwig van Beethoven; lost
740 S39 Egmont Overture pf 1846–47 Piano, arr. arr. of the overture from the incidental music to Egmont, Op.84 by Ludwig van Beethoven; lost
741 S37 Le carnaval romain pf 1844–49? Piano, arr. arr. of the overture Le carnaval romain, H.95 by Hector Berlioz; lost
742# Duettino de La favorite pf 1847 Piano, arr. renumbered as S.400a
743 S55 Chœur des soldats de Faust pf 1864 Piano, arr. arr. of the soldiers' chorus from Act IV of the opera Faust by Charles Gounod; lost
743a S31 Fantaisie sur des thèmes de l'opéra Guitarero pf 1841 Piano, arr. based on themes from the opera Guitarrero by Fromental Halévy; lost
744 S36 Dom Sebastien (Paraphrase de concert) pf 1843–44? Piano, arr. based on themes from Act IV of the opera Dom Sebastien by Theodor Kullak; lost
745# Marche funèbre pf 1827 Piano, arr. renumbered as S.226a
746 Andante maestoso pf ? Piano, arr. lost
747 W3 Poco adagio pf 1847? Piano, arr. arr. from S.9; lost; Liszt's authorship uncertain
747a Fantasie und Fuge über den Choral Ad nos, ad salutarem undam pf 1862? Piano, arr. based on a theme from the opera Le prophète by Giacomo Meyerbeer; arr. from S.259 or 259a; lost; apparently never notated but performed by Liszt
748 S35 Die Zauberflöte pf 1843? Piano, arr. arr. of the overture to the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart; lost
749 S56 Preussischer Armeemarsch pf 1866? Piano, arr. arr. of an unidentified composition, attributed to "Radovsky"; lost
750# Introduction et variations sur une marche du Siège de Corinthe pf 1830? Piano, arr. renumbered as S.421a
751 Fantaisie sur des thèmes de Maometto et Mose (Maometto-Fantasie) pf 1839–41 Piano, arr. lost, but recently rediscovered; based on themes from the operas Maometto Secondo and Mosè in Egitto by Gioachino Rossini
752# S43 Gelb rollt pf 1881 Piano, arr. renumbered as S.554/1
753 S42 Alfonso und Estrella pf 1850–51 Piano, arr. arr. of Act I of the opera Alfonso und Estrella, D.732 by Franz Schubert; lost
754# Seconda mazurka variata pf 1880 Piano, arr. renumbered as S.573a
755–755b
For piano, four hands
755 S10 Sonata pf4h 1825 Piano, 4 hands lost
755a W10 A magyarok Istene (Ungarns Gott) pf4h 1881 Piano, 4 hands arr. of S.339; Liszt's authorship doubtful
755b S30 Grosse Fantasie über God Save the Queen und Rule Britannia (Fantasie uber englische Themen) pf4h 1841 Piano, 4 hands arr. of S.694; lost
756–757
For two pianos
756 W5 Mosonyis Grabgeleit 2pf 1870 Piano, 2 pianos arr. of S.194; Liszt's authorship uncertain
757 S57 Le triomphe funèbre du Tasse 2pf 1866–69 Piano, 2 pianos arr. of S.112/3; lost
758–761
For organ
758 S40 Die Orgel org 1850–59? Organ symphonic poem after Johann Gottfried Herder; lost
759# E22/2 Adagio org D major 1866–67? Organ renumbered as S.672d/2
759a Fantasie und Fuge über den Choral Ad nos, ad salutarem undam org 1874-75 Organ based on a theme from the opera Le prophète by Giacomo Meyerbeer; 2nd version of S.259; doubtful
760 S59 Cantico del sol di Francesco d'Assisi org 1881 Organ, arr. arr. of S.4/2; lost
761 S51 Marche funèbre vc pf org 1860–69? Organ, arr. arr. of the 3rd movement from the Piano Sonata No.2, Op.35 by Frédéric Chopin
762–766
Songs with piano
762 S46 Air de Chateaubriand v (pf?) 1858 Vocal, song lost; possibly the same as S.18/4
763 S47 Strophes de Herlossohn v pf 1858 Vocal, song lost
764 S48 Kränze pour chant v pf 1858 Vocal, song lost
765 S45 Die Glöckchen v pf 1857 Vocal, song intended as S.316/3; lost
765a S32 L'aube naît v pf 1842 Vocal, song lost
766 W4 Der Papsthymnus v pf 1865? Vocal, song Liszt's authorship doubtful
767
Other vocal works
767 W8 Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) v org 1874 Vocal arr. of prelude from S.6; Liszt's authorship doubtful
768
Recitations with pianoforte
768 S60 Der ewige Jude nar pf orch 1881 Vocal, recitation melodrama to words by Christian Friedrich Daniel Schubart; lost

References

  1. ^ Benton, Rita; Reich, Nancy B.; Köhler, Karl-Heinz (1979). "Communiqués/Mitteilungen/Communications". Fontes Artis Musicae. 26 (3): 235–238. ISSN 0015-6191. JSTOR 23505431.
  2. ^ REICH, NANCY B. (1976). "Liszt's Variations on the March from Rossini's Siège de Corinthe". Fontes Artis Musicae. 23 (3): 102–106. ISSN 0015-6191. JSTOR 23506355.
  1. List of works by Franz Liszt: Work list at the International Music Score Library Project