Morten Lauridsen
From Wikipedia, the free encyclopedia
Morten Johannes Lauridsen is an American composer. He was composer-in-residence of the Los Angeles Master Chorale (1994–2001) and has been a professor of composition at the University of Southern California Thornton School of Music for more than 30 years.
Lauridsen's vocal compositions, including seven vocal cycles and a series of sacred a cappella motets, are featured regularly in concerts worldwide. In particular, O Magnum Mysterium, Dirait-on (from Les Chansons des Roses) and O Nata Lux (from Lux Aeterna) have become popular items in the choral repertoire.
The musicologist and conductor Nick Strimple, in discussing Lauridsen's sacred music, described him as "the only American composer in history who can be called a mystic, (whose) probing, serene work contains an elusive and indefinable ingredient which leaves the impression that all the questions have been answered ... From 1993 Lauridsen's music rapidly increased in international popularity, and by century's end he had eclipsed Randall Thompson as the most frequently performed American choral composer."
Lauridsen's works have been recorded on over 100 CDs, three of which have received Grammy nominations. His principal publishers are Peermusic (New York/Hamburg) and Peer's affiliate, Faber Music (London).
A recipient of numerous grants, prizes and commissions, Lauridsen chaired the Composition department at the USC Thornton School of Music from 1990-2002, founded the School's Advanced Studies Program in Film Scoring, and is currently Distinguished Professor of Composition.
In 2006, Morten Lauridsen was named an "American Choral Master" by the National Endowment for the Arts. In 2007, he received the National Medal of Arts from the President of the United States in a White House ceremony, "for his composition of radiant choral works combining musical beauty, power and spiritual depth that have thrilled audiences worldwide."
Contents |
[edit] Vocal works
- Ave Dulcissima Maria (2004, written for the Harvard Glee Club)
- Ave Maria (1997)[1]
- A Winter Come (on poems by Howard Moss)
- I. When Frost Moves Fast
- II. As Birds Come Nearer
- III. The Racing Waterfall
- IV. A Child Lay Down
- V. Who Reads By Starlight
- VI. And What Of Love
- Les Chansons des Roses (1993)[1] (settings of poems by Rainer Maria Rilke)
- I. En Une Seule Fleur
- II. Contre Qui, Rose
- III. De Ton Rêve Trop Plein
- IV. La Rose Complète
- V. Dirait-on
- Chanson Eloignee (Rilke)
- Lux Aeterna (1997)[1]
- I. Introitus
- II. In Te, Domine, Speravi
- III. O Nata Lux
- IV. Veni, Sancte Spiritus
- V. Agnus Dei
- Dirait-on (Rilke)
- I Will Lift Up Mine Eyes
- Madrigali: Six "Firesongs" on Italian Renaissance Poems
- I. Ov'è, Lass', Il Bel Viso?
- II. Quando Son Piu Lontan
- III. Amor, Io Sento L'alma
- IV. Io Piango
- V. Luci Serene e Chiare
- VI. Se Per Havervi, Oime
- Mid-Winter Songs (1980)[1] (on poems by Robert Graves)
- I. Lament for Pasiphae
- II. Like Snow
- III. She Tells Her Love While Half Asleep
- IV. Mid-Winter Waking
- V. Intercession in Late October
- Nocturnes (2005)
- I. Sa Nuit d'Été
- II. Soneto de la Noche
- III. Sure on this Shining Night
- IV. Epilogue: Voici le soir (added in 2008)
- O Come, Let Us Sing Unto the Lord
- O Magnum Mysterium (1994)[1]
- O Nata Lux
- Ubi Caritas et Amor
- Where Have the Actors Gone
- Cuatro Canciones Sobre Poesias de Federico Garcia Lorca[2]
[edit] External links
[edit] Interviews
- Morten Lauridsen interview by Bruce Duffie
