This is an old revision of this page, as edited by FrickFrack(talk | contribs) at 15:09, 31 May 2016(Reverting to previous vers., as this is a very controversial move. Ross, Wilson, and Birdsong all appeared on every "Diana Ross & the Supremes" effort, though not on all but a few singles after "Reflections." Billboard and Nielsen count "D&theS" as "Sup."). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.
Revision as of 15:09, 31 May 2016 by FrickFrack(talk | contribs)(Reverting to previous vers., as this is a very controversial move. Ross, Wilson, and Birdsong all appeared on every "Diana Ross & the Supremes" effort, though not on all but a few singles after "Reflections." Billboard and Nielsen count "D&theS" as "Sup.")
The album includes the final songs the Supremes recorded with their main creative team of Holland–Dozier–Holland before the three writers/producers departed Motown over royalty and title disputes. Although Florence Ballard recorded some of this album before being fired from the group in July 1967, her replacement Cindy Birdsong along with Mary Wilson recorded several songs and appears on the album cover. One of the album's singles, "Forever Came Today", was later covered by The Jackson 5 on their 1975 album Moving Violation.
"In and Out of Love" was chosen to be the key song for the American Bandstand dance contest that year. Because of that exposure, the single remained #1 on American Bandstand's chart for an impressive four weeks. It outperformed "Reflections" with Dick Clark's audience affording the album two top three singles on that pivotal show.[citation needed]
Chronology(The band's name history: The Primettes 1959–1961 / The Supremes 1961–1967 / Diana Ross & The Supremes 1967–1970 / The Supremes 1970 / Diana Ross & The Supremes 1970 / The Supremes 1970–)