List of compositions by Franz Schubert (D 501–D 998)

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Portrait of Franz Schubert after Carl Jäger (1870–1900)

Franz Schubert (31 January 1797 – 19 November 1828) was an Austrian composer.

Despite dying at age thirty-one, Schubert was an extremely prolific composer. His output consists of over six hundred secular vocal works (mainly Lieder), seven complete symphonies, sacred music, operas, incidental music and a large body of chamber and piano music.
Otto Erich Deutsch (5 September 1883 – 23 November 1967) was an Austrian musicologist. He is known for compiling the first comprehensive catalogue of Schubert's works: Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Franz Schubert: Thematic Catalogue of all his Works in Chronological Order). This was first published in English in 1951, and subsequently revised for a new edition in German, in 1978.
In addition to the Deutsch catalogue, recent Schubert scholarship has greatly benefited from the publication of the Neue Schubert-Ausgabe (NSA), or New Schubert Edition. Plans for this edition began as early as 1963, with the foundation of the International Schubert Society, headquartered at the University of Tübingen, Germany. The edition, printed by Bärenreiter (Kassel), consists of eighty-three proposed volumes, out of which sixty-six have so far been issued. Publication of all volumes has been tentatively scheduled to conclude in 2016.
The following constitutes a complete listing of Schubert’s known works. It is ordered ascendingly according to Deutsch numbers, and attempts to reflect the most current information with regards to Schubert’s catalogue. For reasons of space, this list is divided into two articles. The first article lists Schubert’s compositions from Deutsch entries D 1 – D 500 (all are dated works). The second article lists Schubert’s compositions from Deutsch entries D 501 – D 965B (also dated works), as well as D 966 – D 998 (undated works). The second article also includes the Appendix (Anhang) to the Deutsch catalogue (works listed as "D Anh.") and a list of works that have yet to receive a Deutsch number (listed as "D deest"). For the first article, see List of compositions by Franz Schubert (D 1–D 500).

The list below includes the following information:

  • D – the catalogue number assigned by Otto Erich Deutsch or NSA authorities
  • Genre – the musical genre to which the piece belongs. This has been omitted when the genre is self-explanatory or unnecessary, i.e. piano dances
  • Title – the title of the work
  • Incipit – the first line(s) of text, as pertaining to vocal works
  • Scoring – the instrumentation and/or vocal forces required for the work
  • Informal Title – any additional names by which the work is known, when applicable
  • Former Deutsch Number – information on Deutsch numbers that have been re-assigned, when applicable
  • Date – the known or assumed date of composition, when available; or date of publication
  • Opus Number – the opus number of the original publication of the work, when applicable
  • Setting – the order of setting as it pertains to vocal works that have numerous settings of the same text
  • Version – the number of version as it pertains to works or vocal settings that have more than one existing version
  • Notes – any additional information concerning the work: alternate titles, completeness, relation to other works, authorship, etc.

D 501 to D 550[edit]

  • D 501, Song "Zufriedenheit" ['Ich bin vergnügt'] for voice and piano (1816, 2nd setting; 2 versions)
  • D 502, Song "Herbstlied" ['Bunt sind schon die Wälder'] for voice and piano (1816)
  • D 503, Song "Mailied" ['Grüner wird die Au'] for voice and piano (1816, 3rd setting)
  • D 504, Song "Am Grabe Anselmos" ['Daß ich dich verloren habe'] for voice and piano (1816, 2 versions; 1st version first published as Op. 6 No. 3)
  • D 505, Adagio in D-flat major for piano (1818?, probably the second movement of the unfinished Piano Sonata in F minor, D 625; first published in E major in an abridged form as Op. posth. 145 No. 1)
  • D 506, Rondo in E major for piano (1817?, probably the fourth movement of the unfinished? Piano Sonata in E minor, D 566; first published as Op. posth. 145 No. 2)
  • D 507, Song "Skolie" ['Mädchen entsiegelten, Brüder, die Flaschen'] for voice and piano (1816)
  • D 508, Song "Lebenslied" ['Kommen und Scheiden'] for voice and piano (1816)
  • D 509, Song "Leiden der Trennung" ['Vom Meere trennt sich die Welle'] for voice and piano (1816, 2 versions; 1st version is a fragment)
  • D 510, Aria "Vedi quanto adoro" ['Vedi quanto adoro'] for soprano and piano (1816, 4 versions; also appears as "Vedi quanto t'adoro")
  • D 511, Écossaise in E-flat major for piano (ca. 1817)
  • D 512, see D Anh. I/28
  • D 513, Quartet "La pastorella al prato" ['La pastorella al prato'] for two tenors, two basses and piano, La Pastorella (1817?, 1st setting)
  • D 513A, Song "Nur wer die Liebe kennt" ['Nur wer die Liebe kennt'] for voice and piano (1817?, sketch)
  • D 514, Song "Die abgeblühte Linde" ['Wirst du halten, was du schwurst'] for voice and piano (1817?, first published as Op. 7 No. 1)
  • D 515, Song "Der Flug der Zeit" ['Es floh die Zeit im Wirbelfluge'] for voice and piano (1817?, first published as Op. 7 No. 2)
  • D 516, Song "Sehnsucht" ['Der Lerche wolkennahe Lieder'] for voice and piano (1816?, first published as Op. 8 No. 2)
  • D 517, Song "Der Schäfer und der Reiter" ['Ein Schäfer saß im Grünen'] for voice and piano (1817, 2 versions; 2nd version first published as Op. 13 No. 1)
  • D 518, Song "An den Tod" ['Tod, du Schrecken der Natur'] for bass and piano (1816 or 1817)
  • D 519, Song "Die Blumensprache" ['Es deuten die Blumen des Herzens Gefühle'] for voice and piano (1817?, first published as Op. posth. 173 No. 5)
  • D 520, Song "Frohsinn" ['Ich bin von lockerem Schlage'] for voice and piano (1817, 2 versions)
  • D 521, Song or Chorus "Jagdlied" ['Trarah! Trarah! Wir kehren daheim'] for voice and piano or unison choir and piano (1817)
  • D 522, Song "Die Liebe" ['Wo weht der Liebe hoher Geist?'] for voice and piano (1817)
  • D 523, Song "Trost" ['Nimmer lange weil’ ich hier'] for voice and piano (1817)
  • D 524, Song "Der Alpenjäger" ['Auf hohen Bergesrücken'] for voice and piano (1817, 3 versions; 2nd version for bass and piano; 3rd version first published as Op. 13 No. 3)
  • D 525, Song "Wie Ulfru fischt" ['Der Angel zuckt, die Rute bebt'] for bass and piano (1817, 2 versions; 2nd version first published as Op. 21 No. 3)
  • D 526, Song "Fahrt zum Hades" ['Der Nachen dröhnt'] for bass and piano (1817)
  • D 527, Song "Schlaflied" ['Es mahnt der Wald'] for voice and piano, Abendlied or Schlummerlied (1817, 2 versions; 2nd version first published as Op. 24 No. 2)
  • D 528, Arietta "La pastorella al prato" ['La pastorella al prato'] for soprano and piano, La Pastorella (1817, 2nd setting)
  • D 529, Eight Écossaises for piano (1817)
  • D 530, Song "An eine Quelle" ['Du kleine grünumwachs’ne Quelle'] for voice and piano (1817, first published as Op. posth. 109 No. 3)
  • D 531, Song "Der Tod und das Mädchen" ['Vorüber, ach vorüber'] for voice and piano (1817, first published as Op. 7 No. 3)
  • D 532, Song "Das Lied vom Reifen" ['Seht meine lieben Bäume an'] for voice and piano (1817, fragment)
  • D 533, Song "Täglich zu singen" ['Ich danke Gott und freue mich'] for voice and piano (1817)
  • D 534, Song "Die Nacht" ['Die Nacht ist dumpfig und finster'] for voice and piano (1817)
  • D 535, Song "Lied (Brüder, schrecklich brennt die Träne)" ['Brüder, schrecklich brennt die Träne'] for soprano and small orchestra (1817)
  • D 536, Song "Der Schiffer" ['Im winde, im Sturme'] for bass and piano (1817?, 2 versions; 2nd version first published as Op. 21 No. 2)
  • D 537, Piano Sonata in A minor (1817, first published as Op. posth. 164)
  • D 538, Quartet "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for two tenors and two basses (1817, 2nd setting)
  • D 539, Song "Am Strome" ['Ist mir’s doch, als sei mein Leben'] for voice and piano (1817, first published as Op. 8 No. 4)
  • D 540, Song "Philoktet" ['Da sitz’ ich ohne Bogen'] for voice and piano (1817)
  • D 541, Song "Memnon" ['Den Tag hindurch nur einmal mag ich sprechen'] for voice and piano (1817, first published as Op. 6 No. 1)
  • D 542, Duet "Antigone und Oedip" ['Ihr hohen Himmlischen'] for two voices and piano (1817, first published as Op. 6 No. 2; NSA also appends a modified version with changes by Johann Michael Vogl)
  • D 543, Song "Auf dem See" ['Und frische Nahrung'] for voice and piano (1817, 2 versions; 2nd version first published as Op. 92 No. 2)
  • D 544, Song "Ganymed" ['Wie im Morgenglanze'] for voice and piano (1817, first published as Op. 19 No. 3)
  • D 545, Duet or Song "Der Jüngling und der Tod" ['Die Sonne sinkt, o könnt ich'] for voice and piano or two voices and piano (1817, 2 versions; 1st version is a Duet for two voices and piano; 2nd version is a Song for voice and piano)
  • D 546, Song "Trost im Liede" ['Braust des Unglücks Sturm empor'] for voice and piano (1817, 2 versions; 2nd version first published as Op. posth. 101 No. 3)
  • D 547, Song "An die Musik" ['Du holde Kunst'] for voice and piano (1817, 2 versions; 2nd version first published as Op. 88 No. 4)
  • D 548, Song "Orest" ['Ist dies Tauris'] for voice and piano (1817, also appears as "Orest auf Tauris")
  • D 549, Song "Mahomets Gesang" ['Seht den Felsenquell'] for voice and piano (1817, 1st setting; fragment)
  • D 550, Song "Die Forelle" ['In einem Bächlein helle'] for voice and piano (1816–1821, 5 versions; 4th version first published as Op. 32)

D 551 to D 600[edit]

  • D 551, Song "Pax vobiscum" ['Der Friede sei mit euch!'] for voice and piano (1817)
  • D 552, Song "Hänflings Liebeswerbung" ['Ahidi! ich liebe'] for voice and piano (1817, 2 versions; 2nd version first published as Op. 20 No. 3)
  • D 553, Song "Auf der Donau" ['Auf der Wellen Spiegel'] for bass and piano (1817, first published as Op. 21 No. 1)
  • D 554, Song "Uraniens Flucht" ['Laßt uns, ihr Himmlischen, ein Fest begehen!'] for voice and piano (1817)
  • D 555, Song ["?"] ['?'] for voice and piano "Liedentwurf in a" (1817?, sketch without text)
  • D 556, Overture in D major for orchestra (1817)
  • D 557, Piano Sonata in A-flat major (1817)
  • D 558, Song "Liebhaber in allen Gestalten" ['Ich wollt’, ich wär’ ein Fisch'] for voice and piano (1817)
  • D 559, Song "Schweizerlied" ['Uf’m Bergli bin i g’sässe'] for voice and piano (1817)
  • D 560, Song "Der Goldschmiedsgesell" ['Es ist doch meine Nachbarin'] for voice and piano (1817)
  • D 561, Song "Nach einem Gewitter" ['Auf den Blumen'] for voice and piano (1817)
  • D 562, Song "Fischerlied" ['Das Fischergewerbe gibt rüstigen Mut'] for voice and piano (1817, 3rd setting)
  • D 563, Song "Die Einsiedelei" ['Es rieselt klar und wehend ein Quell'] for voice and piano (1817, 3rd setting)
  • D 564, Song "Gretchen im Zwinger" ['Ach neige, du Schmerzensreiche'] for voice and piano, Gretchens Bitte (1817, fragment)
  • D 565, Song "Der Strom" ['Mein Leben wälzt sich murrend fort'] for bass and piano (1817?)
  • D 566, Piano Sonata in E minor (1817, unfinished? – first three movements are extant; the Rondo in E major, D 506 is probably the fourth movement)
  • D 567, see D 568
  • D 568, Piano Sonata in D-flat major/E-flat major (1817, 2 versions; 2nd version first published as Op. posth. 122; 1st version [formerly D 567] in D-flat major; for the 1st version, the Scherzo in D-Flat major, D 593 No. 2 is possibly the third movement; the last movement is a fragment; NSA also appends an amended first movement from the 1st version)
  • D 569, Chorus "Das Grab" ['Das Grab ist tief und stille'] for unison men’s choir and piano (1817, 4th setting)
  • D 570, Scherzo in D major and Allegro in F-sharp minor for piano (1817?, the "Allegro" is a fragment; these were probably intended as the third and fourth movements, respectively, of the unfinished Piano Sonata in F-sharp minor, D 571)
  • D 571, Piano Sonata in F-sharp minor (1817, unfinished – fragment of an "Allegro moderato" first movement is extant. The Piano piece in A major, D 604, an Andante, as well as the Scherzo in D major and Allegro in F-sharp minor fragment from D 570 probably constitute the remaining movements)
  • D 572, Quartet "Lied im Freien" ['Wie schön ist’s im Freien'] for two tenors and two basses (1817)
  • D 573, Song "Iphigenia" ['Blüht denn hier an Tauris Strande'] for voice and piano (1817, 3 versions; 3rd version first published as Op. 98 No. 3)
  • D 574, Sonata in A major for violin and piano, Duo (1817, first published as Op. posth. 162)
  • D 575, Piano Sonata in B major (1817, first published as Op. posth. 147)
  • D 576, Thirteen Variations on a theme by Anselm Hüttenbrenner in A minor for piano (1817)
  • D 577, Song "Entzückung an Laura" ['Laura, Laura, über diese Welt'] for voice and piano (1817, 2nd setting; 2 fragments of a sketch)
  • D 578, Song "Abschied" ['Lebe wohl! Du lieber Freund!'] for voice and piano (1817)
  • D 579, Song "Der Knabe in der Wiege" ['Er schläft so süß'] for voice and piano (1817, 2 versions; 2nd version is a fragment)
  • D 579A, Song "Vollendung" ['Wenn ich einst das Ziel errungen habe'] for voice and piano [formerly D 989] (1817)
  • D 579 B, Song "Die Erde" ['Wenn sanft entzückt mein Auge sieht'] for voice and piano [formerly D 989A] (1817)
  • D 580, Polonaise in B-flat major for violin and orchestra (1817)
  • D 581, String Trio in B-flat major (1817, 2 versions)
  • D 582, see D 990B
  • D 583, Song "Gruppe aus dem Tartarus" ['Horch, wie Murmeln des empörten Meeres'] for voice and piano (1817, 2nd setting; first published as Op. 24 No. 1)
  • D 584, Song "Elysium" ['Vorüber die stöhnende Klage!'] for voice and piano (1817)
  • D 585, Song "Atys" ['Der Knabe seufzt übers grüne Meer'] for voice and piano (1817)
  • D 586, Song "Erlafsee" ['Mir ist so wohl, so weh’ '] for voice and piano (1817, first published as Op. 8 No. 3)
  • D 587, Song "An den Frühling" ['Willkommen, schöner Jüngling!'] for voice and piano (1817, 3rd setting; 2 versions; 2nd version was formerly D 245)
  • D 588, Song "Der Alpenjäger" ['Willst du nicht das Lämmlein hüten?'] for voice and piano (1817, 2 versions; 2nd version first published as Op. 37 No. 2)
  • D 589, Symphony No. 6 in C major, Little C major (1817–1818)
  • D 590, Overture in D major for orchestra, in the Italian Style (1817)
  • D 591, Overture in C major for orchestra, in the Italian Style (1817, first published as Op. posth. 170)
  • D 592, Overture in D major for piano duet, in the Italian Style (1817, version for piano duet of D 590)
  • D 593, Two Scherzi for piano (1817)
  • D 594, Song "Der Kampf" ['Nein, länger werd’ ich diesen Kampf nicht kämpfen'] for bass and piano (1817, first published as Op. posth. 110)
  • D 595, Song "Thekla (eine Geisterstimme)" ['Wo ich sei und wo mich hingewendet'] for voice and piano (1817, 2nd setting; 2 versions; 2nd version first published as Op. 88 No. 2)
  • D 596, Song "Lied eines Kindes" ['Lauter Freude fühl’ ich'] for voice and piano (1817, fragment)
  • D 597, Overture in C major for piano duet, in the Italian Style (1817, version for piano duet of D 591)
  • D 597A,Variations in A major for violin (1817, sketch; lost)
  • D 598, Quartet "Das Dörfchen" ['Ich rühme mir mein Dörfchen hier'] for two tenors and two basses (1817, 2 versions; 1st version is a sketch without a piano part; 2nd version [formerly D 641] for two tenors, two basses and piano; 2nd version first published as Op. 11 No. 1)
  • D 598A, see D Anh. I/32
  • D 599, Four Polonaises for piano duet (1818, first published as Op. 75)
  • D 600, Minuet in C-sharp minor for piano (1814?; the Trio in E major, D 610 was probably intended for this Minuet; in turn the Minuet with Trio D 600/610 tandem possibly constitute the third movement of the unfinished Piano Sonata in C major, D 613)

D 601 to D 650[edit]

  • D 601, see D 470
  • D 602, Trois Marches Héroiques for piano duet (1818 or 1824, first published as Op. 27)
  • D 603, see D 968A
  • D 604, Piano piece in A major (1816 or 1817; an Andante, probably the second movement of the unfinished Piano Sonata in F-sharp minor, D 571)
  • D 605, Fantasy in C major for piano (1821–1823, fragment)
  • D 605A, Fantasy in C major for piano, Grazer Fantasy (1818?)
  • D 606, March in E major for piano (1818?)
  • D 607, Song "Evangelium Johannis 6, Vers 55–58" ['In der Zeit sprach der Herr Jesus'] for voice and figured bass (1818, fragment; figured bass usually realized for piano)
  • D 608, Rondo in D major for piano duet, Notre amitié est invariable (1818, 2 versions; 2nd version first published as Op. posth. 138)
  • D 609, Quartet "Die Geselligkeit" ['Wer Lebenslust fühlet'] for soprano, alto, tenor, bass and piano, Lebenslust (1818; 2nd part of the 1st verse, "im traulichen Kreise" was formerly D 665)
  • D 610, Trio in E major for piano, to be regarded as the lost son of a minuet (1818, this Trio was probably intended for the Minuet in C-sharp minor, D 600; in turn the Minuet with Trio D 600/610 tandem possibly constitute the third movement of the unfinished Piano Sonata in C major, D 613)
  • D 611, Song "Auf der Riesenkoppe" ['Hoch auf dem Gipfel deiner Gebirge'] for voice and piano (1818)
  • D 612, Adagio in E major for piano (1818, probably the second movement of the unfinished Piano Sonata in C major, D 613)
  • D 613, Piano Sonata in C major (1818, unfinished – fragments of two movements are extant; the Adagio in E major, D 612 as well as the Minuet with Trio D 600/610 possibly constitute the remaining movements)
  • D 614, Song "An den Mond in einer Herbstnacht" ['Freundlich ist dein Antlitz'] for voice and piano (1818)
  • D 615, Sketch of a Symphony in D major (1818, piano sketches of two movements are extant)
  • D 616, Song "Grablied für die Mutter" ['Hauche milder, Abendluft'] for voice and piano (1818)
  • D 617, Sonata in B-flat major for piano duet (1818, first published as Op. 30)
  • D 618, German Dance in G major with Two Trios and Two Ländler in E major for piano duet (1818)
  • D 618A, Polonaise in B-flat major for piano duet (1818, sketch)
  • D 619, Vocal exercises for two voices and figured bass "Singübungen" (1818, figured bass usually realized for piano)
  • D 620, Song "Einsamkeit" ['Gib mir die Fülle der Einsamkeit!'] for voice and piano (1818)
  • D 621, German Requiem in G minor for soprano, alto, tenor, bass, mixed choir and organ, Deutsche Trauermesse (1818, 4 versions; only the 1st version is complete; NSA appends a synopsis of the 2nd, 3rd and 4th versions)
  • D 622, Song "Der Blumenbrief" ['Euch Blümlein will ich senden'] for voice and piano (1818)
  • D 623, Song "Das Marienbild" ['Sei gegrüßt, du Frau der Huld'] for voice and piano (1818)
  • D 624, Eight Variations on a French Song in E minor for piano duet (1818, first published as Op. 10; 2 versions of the "Theme" are extant)
  • D 625, Piano Sonata in F minor (1818, unfinished – a completed Scherzo with Trio, and fragments of two "Allegro" movements are extant; the Adagio in D-flat major D 505 is probably the second movement)
  • D 626, Song "Blondel zu Marien" ['In düstrer Nacht'] for voice and piano (1818)
  • D 627, Song "Das Abendrot" ['Du heilig, glühend Abendrot!'] for bass and piano (1818, first published as Op. posth. 173 No. 6)
  • D 628, Song "Sonett" ['Apollo, lebet noch dein hold Verlangen'] for voice and piano, Sonett I (1818)
  • D 629, Song "Sonett" ['Allein, nachdenklich, wie gelähmt vom Krampfe'] for voice and piano, Sonett II (1818)
  • D 630, Song "Sonett" ['Nunmehr, da Himmel, Erde schweigt'] for voice and piano, Sonett III (1818)
  • D 631, Song "Blanka" ['Wenn mich einsam Lüfte fächeln'] for voice and piano, Das Mädchen (1818)
  • D 632, Song "Vom Mitleiden Mariä" ['Als bei dem Kreuz Maria stand'] for voice and piano (1818)
  • D 633, Song "Der Schmetterling" ['Wie soll ich nicht tanzen'] for voice and piano (1819 and 1823?, first published as Op. 57 No. 1)
  • D 634, Song "Die Berge" ['Sieht uns der Blick gehoben'] for voice and piano (1819 and 1823?, first published as Op. 57 No. 2)
  • D 635, Quartet "Leise, leise laßt uns singen" ['Leise, leise laßt uns singen'] for two tenors and two basses, Ruhe (1819)
  • D 636, Song "Sehnsucht" ['Ach, aus dieses Tales Gründen'] for voice and piano (1821?, 2nd setting; 3 versions; 3rd version first published as Op. 39)
  • D 637, Song "Hoffnung" ['Es reden und träumen die Menschen viel'] for voice and piano (ca. 1819, 2nd setting; first published as Op. 87 No. 2)
  • D 638, Song "Der Jüngling am Bache" ['An der Quelle saß der Knabe'] for voice and piano (1819, 3rd setting; 2 versions; 2nd version first published as Op. 87 No. 3)
  • D 639, Song "Widerschein" ['Fischer harrt am Brückenbogen'] for voice and piano (1820, 2 versions; 2nd version ['Harrt ein Fischer auf der Brücke'] was formerly D 949)
  • D 640, see D 980A
  • D 641, see D 598
  • D 642, Quartet "Viel tausend Sterne prangen" ['Viel tausend Sterne prangen'] for soprano, alto, tenor, bass and piano (1812?)
  • D 643, German Dance in C-sharp minor and Écossaise in D-flat major for piano (1819)
  • D 643A, Quartet "Das Grab" ['Das Grab ist tief und stille'] for soprano, alto, tenor and bass (1819, 5th setting)
  • D 644, Music for Zauberspiel "Die Zauberharfe" for tenor, six spoken roles, mixed choir and orchestra (1820, in three acts: Overtures to the first and third acts, and thirteen numbers; Overture to the first act known as the "Rosamunde" Overture, also used in D 797)
Akt I
Ouvertüre
1. Chor der Troubadours: Harfentöne laßt erklingen
2. Chor der Troubadours und Ritter: Zum Saal, der goldne Becher blinkt
3. Melodram
4. Finale I: Ida gib ein Zeichen
Akt II
5. Chor der Troubadours und Ritter: Leben laßt den goldnen Wein
6. Melodram: Furie bebe!
7. Chor der Ritter: Sie Zauberin laßt uns betrügen (2 versions, 1st version is a sketch)
8. Melodram: Da zieh’n sie hin in heller Mondennacht
9. Finale II. Romanze des Palmerin: Was belebt die schöne Welt? (2 versions, 1st version is a sketch; NSA also appends an alternative, concert version); Chor der Genien: Schlafe, Liebliche
Akt III
Ouverture zum dritten Akt
10. Melodram: Geschlossen ist der Bund
11. Melodram hinter den Kulißen
12. Melodram: Wohlan! Euer Verlangen werde erfüllt!
13. Finale III. Schlußgesang: Durch der Töne Zaubermacht
  • D 645, Song "Abend" ['Wie ist es denn, daß trüb und schwer'] for voice and piano (1819, fragment of a sketch)
  • D 646, Song "Die Gebüsche" ['Es wehet kühl und leise'] for voice and piano (1819)
  • D 647, Singspiel "Die Zwillingsbrüder" for soprano, tenor, three basses, mixed choir and orchestra (1819, in one act: Overture and ten numbers)
Ouvertüre
1. Introduktion: Verglühet sind die Sterne
2. Duett: Vor dem Busen möge blühen
3. Arie: Der Vater mag wohl immer
4. Arie: Mag es stürmen, donnern
5. Quartett: Zu rechter Zeit bin ich gekommen
6. Arie: Liebe, theure Muttererde
7. Duett: Nur dir will ich gehören
8. Terzett: Wagen Sie Ihr Wort zu brechen
9. Quintett und Chor: Packt ihn, führt ihn vor Gericht
10. Schlußchor: Die Brüder haben sich gefunden
  • D 648, Overture in E minor for orchestra (1819)
  • D 649, Song "Der Wanderer" ['Wie deutlich des Mondes Licht zu mir spricht'] for voice and piano (1819, 2 versions; 2nd version first published as Op. 65 No. 2)
  • D 650, Song "Abendbilder" ['Still beginnt’s im Hain zu tauen'] for voice and piano (1819)

D 651 to D 700[edit]

  • D 651, Song "Himmelsfunken" ['Der Odem Gottes weht'] for voice and piano (1819)
  • D 652, Song "Das Mädchen" ['Wie so innig, möcht ich sagen'] for voice and piano (1819, 2 versions)
  • D 653, Song "Bertas Lied in der Nacht" ['Nacht umhüllt mit wehendem Flügel'] for voice and piano (1819)
  • D 654, Song "An die Freunde" ['Im Wald, im Wald, da grabt mich ein'] for voice and piano (1819)
  • D 655, Piano Sonata in C-sharp minor (1819; fragment of an "Allegro" is extant)
  • D 656, Quintet "Sehnsucht" ['Nur wer die Sehnsucht kennt'] for two tenors and three basses (1819, 4th setting)
  • D 657, Quartet "Ruhe, schönstes Glück der Erde" for two tenors and two basses (1819)
  • D 658, Song "Geistliches Lied" ['Ich sehe dich in tausend Bildern'] for voice and piano [formerly "Marie"] (1819?)
  • D 659, Song "Hymne" ['Wenige wissen das Geheimnis der Liebe'] for voice and piano (1819; also appears as "Hymne I")
  • D 660, Song "Geistliches Lied" ['Wenn ich ihn nur habe'] for voice and piano (1819; also appears as "Hymne II")
  • D 661, Song "Geistliches Lied" ['Wenn alle untreu werden'] for voice and piano (1819; also appears as "Hymne III")
  • D 662, Song "Geistliches Lied" ['Ich sag’ es jedem, daß er lebt'] for voice and piano (1819; also appears as "Hymne IV")
  • D 663, Hymn "Der 13. Psalm" ['Ach Herr, wie lange willst du mein so ganz vergessen?'] for voice and piano (1819, fragment)
  • D 664, Piano Sonata in A major (1819 or 1825, first published as Op. posth. 120)
  • D 665, see D 609
  • D 666, Cantata "Kantate zum Geburtstag des Sängers Johann Michael Vogl" for soprano, tenor, bass and piano, Der Frühlingsmorgen (1819, first published as Op. posth. 158)
I. Sänger, der von Herzen singet
II. Diese Berge sah’n dich blühen
III. Da saht ihr Orestes scheiden
IV. Gott bewahr’ dein teures Leben
  • D 667, Quintet in A major for violin, viola, violoncello, double bass and piano, Trout Quintet (1819?, first published as Op. posth. 114)
  • D 668, Overture in G minor for piano duet (1819)
  • D 669, Song "Beim Winde" ['Es traümen die Wolken'] for voice and piano (1819)
  • D 670, Song "Die Sternennächte" ['In monderhellten Nächten'] for voice and piano (1819, 2 versions; 2nd version first published as Op. posth. 165 No. 2)
  • D 671, Song "Trost" ['Hörnerklänge rufen klangend'] for voice and piano (1819)
  • D 672, Song "Nachtstück" ['Wenn über Berge sich der Nebel breitet'] for voice and piano (1819, 2 versions; 2nd version first published as Op. 36 No. 2)
  • D 673, Song "Die Liebende schreibt" ['Ein Blick von deinen Augen'] for voice and piano (1819, 2 versions; 2nd version first published as Op. posth. 165 No. 1)
  • D 674, Song "Prometheus" ['Bedecke deinen Himmel, Zeus'] for bass and piano (1819)
  • D 675, Overture in F major for piano duet (1819?, first published as Op. 34)
  • D 676, Offertory "Salve Regina" ['Salve Regina'] in A major for soprano and orchestra, Drittes Offertorium (1819, first published as Op. posth. 153)
  • D 677, Song "Strophe aus ‘Die Götter Griechenlands’ " ['Schöne Welt, wo bist du?'] for voice and piano (1819, 2 versions)
  • D 678, Mass No. 5 in A-flat major for soprano, alto, tenor, bass, mixed choir, orchestra and organ (1819 and 1822; 2 versions)
  • D 679, see D 980B
  • D 680, see D 980C
  • D 681, Twelve Ländler for piano (ca. 1815, Nos. 5–12 are extant)
  • D 682, Song "Über allen Zauber Liebe" ['Sie hüpfte mit mir auf grünem Plan'] for voice and piano (1820 and 1824, fragment)
  • D 683, see D 732 No. 11
  • D 684, Song "Die Sterne" ['Du staunest, o Mensch'] for voice and piano (1820)
  • D 685, Song "Morgenlied" ['Eh’ die Sonne früh aufersteht'] for voice and piano (1820, first published as Op. 4 No. 2)
  • D 686, Song "Frühlingsglaube" ['Die linden Lüfte sind erwacht'] for voice and piano (1820, 3 versions; 3rd version first published as Op. 20 No. 2)
  • D 687, Song "Nachthymne" ['Hinüber wall’ ich'] for voice and piano (1820)
  • D 688, Song cycle Vier Canzonen for voice and piano (1820)
1. "Non t'accostar all'urna"
2. "Guarda, che bianca luna"
3. "Da quel sembiante appresi"
4. "Mio ben, ricordati"
  • D 689, Oratorio "Lazarus, oder: Die Feier der Auferstehung" for three sopranos, two tenors, bass, mixed choir and orchestra (1820, in three acts; unfinished – Act I: twenty-one numbers, and eight numbers from Act II are extant)
Akt I
1. Introduktion
2. Hier laßt mich ruhn die letzte Stunde
3. Noch einen Augenblick?
4. Trübe nicht mit Klagen seine Seele
5. Steh’ im letzten Kampf dem Müden
6. Voll Friede, ja, voll Fried’ ist die Seele
7. Kalter Schweiß rinnt von der Stirn
8. Willkommen, mein Nathanael
9. Wenn ich ihm nachgerungen habe
10. Nathanael, bewundern kann ich dich
11. O Martha, o Martha, bliebst du stiller
12. Der Trost begleite dich hinüber
13. Wenn nun mit tausendfachen Qualen
14. Gottes Liebe, du bist deine Zuversicht
15. In der Leiden bängster Nacht
16. Ach, so find’ ich ihn noch
17. Jemina, Tochter der Auferstehung
18. So schlummert auf Rosen
19. Nun entflog auf schnellen Schwingen
20. So war mir, Lazarus
21. O Barmherziger, o verlass ihn nicht
Akt II
22. Introduktion
23. Wo bin ich?
24. Schon bereitet ihr Gräber
25. Wess ist der Klage Stimme
26. So weile hier, mein Freund
27. Sanft und still
28. So legt ihn in die Blumen
29. Wecke sie nicht
  • D 690, Song "Abendröte" ['Tiefer sinket schon die Sonne'] for voice and piano (1823)
  • D 691, Song "Die Vögel" ['Wie lieblich und fröhlich'] for voice and piano (1820, first published as Op. posth. 172 No. 6)
  • D 692, Song "Der Knabe" ['Wenn ich nur ein Vöglein wäre'] for voice and piano (1820)
  • D 693, Song "Der Fluß" ['Wie rein Gesang sich windet'] for voice and piano (1820)
  • D 694, Song "Der Schiffer" ['Friedlich lieg’ ich hingegossen'] for voice and piano (1820)
  • D 695, Song "Namenstagslied" ['Vater, schenk’ mir diese Stunde'] for voice and piano (1820?)
  • D 696, Six Antiphons "Sechs Antiphonen zum Palmsonntag" for mixed choir (1820, first published as Op. posth. 113)
1. "Hosanna filio David"
2. "In monte Oliveti"
3. "Sanctus"
4. "Pueri Hebraeorum"
5. "Cum angelis et pueris"
6. "Ingrediente Domino"
  • D 697, Six Écossaises in A-flat major for piano (1820, Nos. 1–4 and 6 are extant)
  • D 698, Song "Des Fräuleins Liebeslauschen" ['Hier unten steht ein Ritter'] for voice and piano (1820)
  • D 699, Song "Der entsühnte Orest" ['Zu meinen Füßen brichst du dich'] for voice and piano (1820)
  • D 700, Song "Freiwilliges Versinken" ['Wohin? o Helios!'] for voice and piano (1820)

D 701 to D 750[edit]

  • D 701, Opera "Sacontala" for fourteen sopranos, three altos, five tenors, nine basses, mixed choir and orchestra (1820, also appears as "Sakontala" or "Sakuntala"; in three acts; unfinished – sketches of eleven numbers from Acts I and II are extant)
Akt I
1. Introduktion: Das holde Licht des Tages (sketch)
2. Arie: Du hoffest im Arme des Gatten (sketch)
3. Quintett: Hier liegen wir im Staub gebeuget (sketch)
4. Arie: Wie fühl’ ich, ihr Götter (sketch)
5. Chor der Waldnymphen: Wo du wandelst (sketch)
6. Arie: Noch schläft die goldne Sonne (sketch)
7. Finale I: Sieg deinen Fahnen, König (sketch)
Akt II
8a. Terzett: Komm nur Dieb (sketch)
8b. Terzett: So liebes Brüderchen (sketch)
9. Quartett: Rosenzeit der Freuden (sketch)
10. Septett: Mit liebendem Verlangen (sketch)
11. Arie: Trauet auf Götter (sketch)
  • D 702, Song "Der Jüngling auf dem Hügel" ['Ein Jüngling auf dem Hügel'] for voice and piano (1820, first published as Op. 8 No. 1)
  • D 703, String Quartet in C minor, Quartettsatz (1820; unfinished – a complete first movement, known as Quartettsatz, and a fragment of the second movement are extant)
  • D 704, see D 714
  • D 705, Quartet "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for two tenors, two basses and piano (1820, 3rd setting; sketch)
  • D 706, Hymn "Der 23. Psalm" ['Gott ist mein Hirt, mir wird nichts mangeln'] for two sopranos, two altos and piano (1820, first published as Op. posth. 132)
  • D 707, Song "Der zürnenden Diana" ['Ja, spanne nur den Bogen'] for voice and piano (1820, 2 versions; 2nd version first published as Op. 36 No. 1)
  • D 708, Song "Im Walde" ['Windes Rauschen, Gottes Flügel'] for voice and piano, Waldesnacht (1820)
  • D 708A, Sketch of a Symphony in D major (after 1820, piano sketches of all four movements are extant)
  • D 709, Quartet "Frühlingsgesang" ['Schmücket die Locken mit duftigen Kränzen'] for two tenors and two basses (before 1822, 1st setting)
  • D 710, Quartet "Im Gegenwärtigen Vergangenes" ['Ros und Lilie morgentaulich'] for two tenors, two basses and piano (1821?)
  • D 711, Song "Lob der Tränen" ['Laue Lüfte, Blumendüfte'] for voice and piano (1818?, 2 versions; 2nd version first published as Op. 13 No. 2)
  • D 712, Song "Die gefangenen Sänger" ['Hörst du von den Nachtigallen'] for voice and piano (1821)
  • D 713, Song "Der Unglückliche" ['Die Nacht bricht an'] for voice and piano (1821, 2 versions; 2nd version first published as Op. 87 No. 1)
  • D 714, Octet "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for four tenors, four basses, two violas, two violoncellos and double bass (1820–1821, 4th setting; 2 versions; 1st version [formerly D 704] is a sketch; 2nd version first published as Op. posth. 167)
  • D 715, Song "Versunken" ['Voll Locken kraus ein Haupt so rund'] for voice and piano (1821, 2 versions)
  • D 716, Song "Grenzen der Menschheit" ['Wenn der uralte heilige Vater'] for bass and piano (1821)
  • D 717, Song "Suleika II" ['Ach um deine feuchten Schwingen'] for voice and piano (1821, first published as Op. 31)
  • D 718, Variation in C minor on a Waltz by Anton Diabelli for piano (1821, written for "Vaterländischer Künstlerverein")
  • D 719, Song "Geheimes" ['Über meines Liebchens Äugeln'] for voice and piano (1821, first published as Op. 14 No. 2)
  • D 720, Song "Suleika I" ['Was bedeutet die Bewegung?'] for voice and piano (1821, 2 versions; 2nd version first published as Op. 14 No. 1)
  • D 721, Song "Mahomets Gesang" ['Seht den Felsenquell'] for bass and piano (1821, 2nd setting; fragment)
  • D 722, German Dance in G-flat major for piano (1821)
  • D 723, Duet and Aria for Hérold's Das Zauberglöckchen ['Nein, nein, nein, nein, das ist zu viel'; 'Der Tag entflieht, der Abend glüht'] for two tenors, bass and orchestra (1821)
  • D 724, Quartet "Die Nachtigall" ['Bescheiden verborgen im buschigten Gang'] for two tenors, two basses and piano (1821 or earlier, first published as Op. 11 No. 2)
  • D 725, Duet "Linde Weste wehen" for mezzo-soprano, tenor and piano (1821, fragment)
  • D 726, Song "Mignon I" ['Heiß mich nicht reden'] for voice and piano (1821, 1st setting)
  • D 727, Song "Mignon II" ['So laßt mich scheinen, bis ich werde'] for voice and piano (1821, 2nd setting)
  • D 728, Song "Johanna Sebus" ['Der Damm zerreißt'] for voice and piano (1821, fragment)
  • D 729, Symphony (No. 7) in E major (1821, sketches of all four movements are extant)
  • D 730, Hymn "Tantum ergo" ['Tantum ergo'] in B-flat major for soprano, alto, tenor, bass, mixed choir and orchestra (1821)
  • D 731, Song "Der Blumen Schmerz" ['Wie tönt es mir so schaurig'] for voice and piano (1821, first published as Op. posth. 173 No. 4)
  • D 732, Opera "Alfonso und Estrella" for two sopranos, two tenors, bass, two baritones, mixed choir and orchestra (1821–1822, in three acts: Overture and thirty-four numbers)
Akt I
Ouvertüre
1. Introduktion: Still, noch decket und sie Nacht
2. Arie: Sei mir gergrüßt, o Sonne
3. Chor und Ensemble: Versammelt euch, Bruder
4. Duett: Geschmückt von Glanz und Siegen
5. Rezitativ und Arie: Es ist dein streng Gebot
6. Rezitativ und Duett: Du rührst mich Theurer
7. Chor und Arie: Zur Jagd, zur Jagd!
8. Rezitativ und Arie: Verweile, o Prinzeßin (a version for voice and piano is also extant)
9. Duett: Ja gib, vernimm mein Flehen
10. Finale I: Glänzende Waffe den Krieger erfreut
Akt II
11. Rezitativ und arie: O sing’ mir Vater [formerly D 683]
12. Rezitativ und Duett: Wie rühret mich dein herrlicher Gesang
13. Rezitativ und Arie: Wer bist du, holdes Wesen (a version for voice and piano is also extant)
14. Duett: Freundlich bist du mir erschienen
15. Arie: Könnt’ ich ewig hier verweilen
16. Duett: Laß dir als Erinnerungszeichen
17. Chor und Ensemble: Stille, Freunde, seht euch vor
18. Chor und Arie: Wo ist sie, was kommt ihr zu künden?
19. Ensemble: Die Prinzeßin ist erschienen
20. Duett und Chor: Darf Dich dein Kind umarmen?
21. Arie: Herrlich auf des Berges Höhen
22. Finale II: Sag’, wo ist er hingekommen
Akt III
23. Introduktion
24. Duett: Hörst du rufen?
25. Duett: Du wirst mir nicht entrinnen
26. Terzett und Chor: Welche Stimme
27. Duett: Doch nun werde deinem Retter
28. Rezitativ und Duett: Ja ich, ich bin gerettet
29. Duett mit Chor: Wehe, wehe! Meines Vaters Schaaren seh’ich
30. Ensemble: Sie haben das Rufen vernommen
31. Rezitativ und Ensemble: Was geht hier vor
32. Arie: Wo find ich nur den Ort
33. Duett: Kein Geist, ich bin am Leben
34. Terzett: Empfange nun aus meiner Hand; Finale III: Was hör’ ich, welche Klänge
  • D 733, Trois Marches Militaires for piano duet (1818?, first published as Op. 51)
  • D 734, Sixteen Ländler and Two Écossaises for piano, Wiener Damen-Ländler (pub. 1826, first published as Op. 67)
  • D 735, Galop and Eight Écossaises for piano (pub. 1825, first published as Op. 49)
  • D 736, Song "Ihr Grab" ['Dort ist ihr Grab'] for voice and piano (1822?)
  • D 737, Song "An die Leier" ['Ich will von Atreus Söhnen'] for voice and piano (1822 or 1823?, first published as Op. 56 No. 2)
  • D 738, Song "Im Haine" ['Sonnenstrahlen durch die Tannen'] for voice and piano (1822 or 1823?, first published as Op. 56 No. 3)
  • D 739, Hymn "Tantum ergo" ['Tantum ergo'] in C major for mixed choir, orchestra and organ (1814, first published as Op. 45)
  • D 740, Quartet "Frühlingsgesang" ['Schmücket die Locken'] for two tenors, two basses and piano (1822, 2nd setting; first published as Op. 16 No. 1)
  • D 741, Song "Sei mir gegrüßt" ['O du Entriß’ne mir'] for voice and piano (1821–1822, first published as Op. 20 No. 1)
  • D 742, Song "Der Wachtelschlag" ['Ach! mir schallt’s dorten so lieblich hervor'] for voice and piano (pub. 1822, first published as Op. 68)
  • D 743, Song "Selige Welt" ['Ich treibe auf des Lebens Meer'] for bass and piano (1822?, first published as Op. 23 No. 2)
  • D 744, Song "Schwanengesang" ['Wie klag’ ich’s aus das Sterbegefühl'] for voice and piano (1822?, first published as Op. 23 No. 3)
  • D 745, Song "Die Rose" ['Es lockte schöne Wärme'] for voice and piano (1822, 2 versions; 1st version first published as Op. 73)
  • D 746, Song "Am See" ['In des Sees Wogenspiele'] for voice and piano (1822 or 1823?)
  • D 747, Quartet "Geist der Liebe" ['Der Abend schleiert Flur und Hain'] for two tenors, two basses and piano (1822, 2nd setting; first published as Op. 11 No. 3)
  • D 748, Cantata "Am Geburtstage des Kaisers" ['Steig empor, umblüht von Segen'] for soprano, alto, tenor, bass, mixed choir and orchestra (1822, first published as Op. posth. 157)
  • D 749, Song "Herrn Josef Spaun, Assessor in Linz" ['Und nimmer schreibst du?'] for voice and piano (1822)
  • D 750, Hymn "Tantum ergo" ['Tantum ergo'] in D major for mixed choir, orchestra and organ (1822)

D 751 to D 800[edit]

  • D 751, Song "Die Liebe hat gelogen" ['Die Liebe hat gelogen, die Sorge lastet schwer'] for voice and piano (1822, first published as Op. 23 No. 1)
  • D 752, Song "Nachtviolen" ['Nachtviolen, Nachtviolen'] for voice and piano (1822)
  • D 753, Song "Heliopolis I" ['Im kalten, rauhen Norden ist Kunde mir geworden'] for voice and piano, Aus Heliopolis I or Im Hochgebirge (1822, first published as Op. 65 No. 3)
  • D 754, Song "Heliopolis II" ['Fels auf Felsen hingewälzet'] for bass and piano, Aus Heliopolis II (1822)
  • D 755, Kyrie ['Kyrie eleison'] to a Mass in A minor for soprano, alto, tenor, bass, mixed choir, string orchestra and organ (1822, sketch)
  • D 756, Song "Du liebst mich nicht" ['Mein Herz ist zerrissen, du liebst mich nicht!'] for voice and piano (1822, 2 versions; 2nd version first published as Op. 59 No. 1)
  • D 757, Quartet "Gott in der Natur" ['Groß ist der Herr!'] for two sopranos, two altos and piano (1822, first published as Op. posth. 133)
  • D 757A, March in B minor for piano (1822)
  • D 758, Song "Todesmusik" ['In des Todes Feierstunde'] for voice and piano (1822, 2 versions; 2nd version first published as Op. 108 No. 2)
  • D 759, Symphony (No. 8) in B minor, Unfinished (1822, unfinished – two complete movements and a fragment of a "Scherzo" third movement are extant; the "Entre-Acte nach dem I. Aufzug", D 797 No. 1 is possibly the fourth movement)
  • D 759A, Overture to the opera Alfonso und Estrella for piano (1822, version for piano of the Overture from D 732; first published as Op. 69)
  • D 760, Fantasy in C major for piano, Wanderer Fantasy (1822, first published as Op. 15)
  • D 761, Song "Schatzgräbers Begehr" ['In tiefster Erde ruht ein alt Gesetz'] for voice and piano (1822, 2 versions; 2nd version first published as Op. 23 No. 4)
  • D 762, Song "Schwestergruß" ['Im Mondenschein’ wall’ ich auf und ab'] for voice and piano (1822)
  • D 763, Quartet "Schicksalslenker, blicke nieder" ['Schicksalslenker, blicke nieder'] for soprano, alto, tenor, bass and piano, Des Tages Weihe (1822, first published as Op. posth. 146)
  • D 764, Song "Der Musensohn" ['Durch Feld und Wald zu schweifen'] for voice and piano (1822, 2 versions; 2nd version first published as Op. 92 No. 1)
  • D 765, Song "An die Entfernte" ['So hab’ ich wirklich dich verloren?'] for voice and piano (1822)
  • D 766, Song "Am Flusse" ['Verfließest, vielgeliebte Lieder'] for voice and piano (1822, 2nd setting)
  • D 767, Song "Willkommen und Abschied" ['Es schlug mein Herz'] for voice and piano (1822, 2 versions; 2nd version first published as Op. 56 No. 1)
  • D 768, Song "Wandrers Nachtlied" ['Über allen Gipfeln ist Ruh'] for voice and piano (1824, first published as Op. 96 No. 3)
  • D 769, Two German Dances for piano (1823–1824)
  • D 769A, Piano Sonata in E minor [formerly D 994] (ca. 1823, fragment of an "Allegro" first movement is extant)
  • D 770, Song "Drang in die Ferne" ['Vater, du glaubst es nicht'] for voice and piano (1823, first published as Op. 71)
  • D 771, Song "Der Zwerg" ['Im trüben Licht verschwinden schon die Berge'] for voice and piano (1822?, first published as Op. 22 No. 1)
  • D 772, Song "Wehmut" ['Wenn ich durch Wald und Fluren geh’ '] for voice and piano (1822 or 1823?, first published as Op. 22 No. 2)
  • D 773, Overture to the opera Alfonso und Estrella for piano duet (1823, version for piano duet of the Overture from D 732; first published as Op. 69)
  • D 774, Song "Auf dem Wasser zu singen" ['Mitten im Schimmer der spiegelnden Wellen'] for voice and piano (1823, first published as Op. 72)
  • D 775, Song "Daß sie hier gewesen" ['Daß der Ostwind Düfte hauchet'] for voice and piano (1823?, first published as Op. 59 No. 2)
  • D 776, Song "Du bist die Ruh" ['Du bist die Ruh, der Friede mild'] for voice and piano (1823, first published as Op. 59 No. 3)
  • D 777, Song "Lachen und Weinen" ['Lachen und Weinen zu jeglicher Stunde'] for voice and piano (1823?, first published as Op. 59 No. 4)
  • D 778, Song "Greisengesang" ['Der Frost hat mir bereifet'] for bass and piano (1823, 3 versions; 3rd version first published as Op. 60 No. 1)
  • D 778A, Song "Die Wallfahrt" ['Meine Tränen im Bußgewand'] for bass and piano (1823?)
  • D 778B, Quartet "Ich hab’ in mich gesogen" ['Ich hab’ in mich gesogen den Frühling treu und lieb'] for two tenors and two basses (1827?, sketch)
  • D 779, Thirty-four Valses Sentimentales for piano (pub. 1825, first published as Op. 50)
  • D 780, Six Moments musicaux for piano (pub. 1828, first published as Op. 94)
  • D 781, Twelve Écossaises for piano (1823, Nos. 2–12 are extant)
  • D 782, Écossaise in D major for piano (pub. 1824)
  • D 783, Sixteen German Dances and Two Écossaises for piano (1823–1824; German Dances Nos. 8 and 9 also used in D 366, D 814; first published as Op. 33)
  • D 784, Piano Sonata in A minor (1823, first published as Op. posth. 143)
  • D 785, Song "Der zürnende Barde" ['Wer wagt’s, wer wagt’s'] for bass and piano (1823)
  • D 786, Song "Viola" ['Schneeglöcklein, o Schneeglöcklein'] for voice and piano (1823, first published as Op. posth. 123)
  • D 787, Singspiel "Die Verschworenen" for four or five sopranos, two altos, two or three tenors, two basses, mixed choir and orchestra, Der haüsliche Krieg (1823, in one act: eleven numbers)
Ouvertüre (fragment)
1. Duett: Sie ist’s! Er ist’s! (2 versions; 1st version for soprano, tenor and orchestra; 2nd version for two sopranos and orchestra)
2. Romanze: Ich schleiche bang’ und still herurn
3. Ensemble: Ihr habt auf Eure Burg entboten
4. Verschwörungschor: Ja, wir schwören
5. Marsch und Chor: Vorüber ist die Zeit
6. Ensemble: Verrätherei hab’ ich entdeckt
7. Chor der Ritter und Frauen: Willkommen, schön willkommen
8. Duett: Ich muß sie finden
9. Ariette: Ich habe gewagt und habe gestritten
10. Ariette: Gesetzt, ihr habt wirklich gewagt
11. Finale: Wie? Darf ich meinen Augen traun?; Ensemble: Ich bin beschämt
  • D 788, Song "Lied (Des Lebens Tag ist schwer und schwül)" ['Des Lebens Tag ist schwer und schwül'] for voice and piano, Die Mutter Erde (1823)
  • D 789, Song "Pilgerweise" ['Ich bin ein Waller auf der Erde'] for voice and piano (1823)
  • D 790, Twelve German Dances for piano (1823, also appear as "Twelve Ländler"; first published as Op. posth. 171)
  • D 791, Opera "Rüdiger" for two tenors, men’s choir and orchestra (1823, sketches of two numbers are extant)
1. Introduktion: Durch der Ostsee wilde Wogen (sketch)
2. Duett: Ja, sie war’s, der Frauen Krone (sketch)
  • D 792, Song "Vergißmeinnicht" ['Als der Frühling'] for voice and piano (1823)
  • D 793, Song "Das Geheimnis" ['Sie konnte mir kein Wörtchen sagen'] for voice and piano (1823, 2nd setting; first published as Op. posth. 173 No. 2)
  • D 794, Song "Der Pilgrim" ['Noch in meines Lebens Lenze'] for voice and piano (1823, 2 versions; 2nd version first published as Op. 37 No. 1)
  • D 795, Song cycle Die schöne Müllerin for voice and piano (1823, first published as Op. 25)
1. "Das Wandern" ['Das Wandern ist des Müllers Lust']
2. "Wohin?" ['Ich hört’ ein Bächlein rauschen']
3. "Halt!" ['Eine Mühle seh’ ich blinken']
4. "Danksagung an den Bach" ['War es also gemeint']
5. "Am Feierabend" ['Hätt’ ich tausend Arme zu rühren']
6. "Der Neugierige" ['Ich frage keine Blume']
7. "Ungeduld" ['Ich schnitt’ es gern in alle Rinden ein']
8. "Morgengruß" ['Guten Morgen, schöne Müllerin']
9. "Des Müllers Blumen" ['Am Bach viel kleine Blumen stehn’ ']
10. "Tränenregen" ['Wir saßen so traulich beisammen']
11. "Mein!" ['Bächlein, laß dein Rauschen sein'] (NSA also appends a modified version)
12. "Pause" ['Meine Laute hab’ ich gehängt an die Wand']
13. "Mit dem grünen Lautenbande" ['Schad’ um das schöne grüne Band'] (NSA also appends a modified version)
14. "Der Jäger" ['Was sucht denn der Jäger']
15. "Eifersucht und Stolz" ['Wohin so schnell']
16. "Die liebe Farbe" ['In Grün will ich mich kleiden']
17. "Die böse Farbe" ['Ich möchte zieh’n in die Welt hinaus']
18. "Trockne Blumen" ['Ihr Blümlein alle'] (NSA also appends a modified version)
19. "Der Müller und der Bach" ['Wo ein treues Herze'] (NSA also appends a modified version)
20. "Des Baches Wiegenlied" ['Gute Ruh’, gute Ruh’ ']
  • D 796, Opera "Fierabras" for three sopranos, three tenors, three basses, baritone, one spoken role, mixed choir and orchestra (1823, also appears as "Fierrabras"; in three acts: Overture and twenty-three numbers)
Akt I
Ouvertüre
1. Introduktion: Der Runde Silberfaden
2. Duett: O Mög’ auf froher Hoffnung Schwingen
3. Marsch und Chor: Zu hohen Ruhmespforten
4. Ensemble
a. Rezitativ und Chor: Die Beute laß, o Herr
b. Ensemble: Des Krieges Loos hat Euch
c. Erzählung: Am Rand der Eb’ne
d. Ensemble: Der Landestöcher fromme Pflichteu
e. Quartett mit Chor: Dem Erfolg vertrauen
5. Duett: Laß uns mutvoll hoffen
6. Finale I
a. Romanze: Der Abend sinkt auf stiller Flur
b. Rezitativ und Arie: Was quälst du mich, o Mißgeschick
c. Ensemble: Doch horch, was regt sich
d. Terzett: Ha, hier waltet ein Verrath
e. Rezitativ: Nun faßet Muth
f. Rezitativ und Terzett: Wie? Emma hier?
g. Quartett mit Chor: Fort zum Siegesreigen
Akt II
7. Lied mit Chor: Im jungen Morgenstrahle
8. Rezitativ, March und Ensemble: Beschloßen ist’s, ich löse seine Ketten!; Duett mit Chor: Was ist ihm geschehen?
9. Duett: Weit über Glanz und Erdenschimmer
10. Quintett: Verderben denn und Fluch
11. Chor: Laßt Friede in die Hallen
12. Terzett mit Chor: Im Tode sollt ihr büßen
13. Arie: Die Brust, gebeugt von Sorgen
14. Chor a capella: O theures Vaterland!
15. Melodram
a. Melodram. Rezitativ und Ensemble: Ha, was ist das?
b. Duett mit Chor: Selbst an des Grabes Rande
16. Chor und Melodram: Der Hoffnung Strahl, den du gegeben
17. Finale II
a. Terzett und Chor: Uns führt der Vorsicht weise Hand
b. Melodram: Schützt ihn, ihr ew’gen Mächte
Akt III
18. Chor: Bald tönet der Reigen
19. Quartett: Bald wird es klar
20. Terzett: Wenn hoch im Wolkensitze
21. Arie mit Chor: Der Jammers herbe Qualen; Marcia funebre und Ensemble (the latter part of this number, "Laß dein Vertrauen nicht schwinden" was formerly D 333)
22. Chor und Ensemble: Der Rache Opfer fallen
23. Finale III
a. Rezitativ: Er ist mein Vater
b. Ensemble: Der Sieg begleitet meine tapfern Heere
c. Nun laßt des langersehnten Glücks uns freuen
  • D 797, Music for Schauspiel "Rosamunde, Fürstin von Zypern" for alto, mixed choir and orchestra (1823, Overture and nine numbers; first published as Op. 26)
Ouvertüre (from D 644)
1. Entre-Acte nach dem I. Aufzug (possibly the fourth movement of the Symphony (No. 8) in B minor, D 759)
2. Ballett
3a. Entre-Acte nach dem II. Aufzug
3b. Romanze: Der Vollmond strahlt auf Bergeshöh’n
4. Gesiterchor: In der Tiefe wohnt das Licht
5. Entre-Acte nach dem III. Aufzug
6. Hirtenmelodien
7. Hirtenchor: Hier auf den Fluren
8. Jagerchor: Wie lebt sich’s so fröhlich im Grünen
9. Ballett
  • D 798, Overture to the opera Fierabras for piano duet (1823, version for piano duet of the Overture from D 796; NSA also appends a version by Carl Czerny)
  • D 799, Song "Im Abendrot" ['Oh, wie schön ist deine Welt'] for voice and piano (1824 or 1825, 2 versions)
  • D 800, Song "Der Einsame" ['Wann meine Grillen schwirren'] for voice and piano (1825; publishers print 2 versions, but NSA states that the differences between both do not justify a 2nd version; first published as Op. 41)

D 801 to D 850[edit]

  • D 801, Song "Dithyrambe" ['Nimmer, das glaub mir, erscheinen die Götter'] for bass and piano (pub. 1826, 2nd setting; 2 versions; 2nd version first published as Op. 60 No. 2)
  • D 802, Variations in E minor for flute and piano, Trockne Blumen (1824, 2 versions of "Variation V"; first published as Op. posth. 160)
  • D 803, Octet in F major for two violins, viola, violoncello, double bass, clarinet, horn and bassoon (1824, first published as Op. posth. 166)
  • D 804, String Quartet in A minor, Rosamunde (1824, first published as Op. 29)
  • D 805, Song "Der Sieg" ['O unbewölktes Leben'] for bass and piano (1824)
  • D 806, Song "Abendstern" ['Was weilst du einsam an dem Himmel'] for voice and piano (1824)
  • D 807, Song "Auflösung" ['Verbirg dich, Sonne'] for voice and piano (1824)
  • D 808, Song "Gondelfahrer" ['Es tanzen Mond und Sterne'] for voice and piano (1824, 1st setting)
  • D 809, Quartet "Gondelfahrer" ['Es tanzen Mond und Sterne'] for two tenors, two basses and piano (1824, 2nd setting; first published as Op. 28)
  • D 810, String Quartet in D minor, Death and the Maiden (1824)
  • D 811, Antiphon "Salve Regina" ['Salve Regina'] in C major for two tenors and two basses (1824, first published as Op. posth. 149)
  • D 812, Sonata in C major for piano duet, Grand Duo (1824, first published as Op. posth. 140)
  • D 813, Eight Variations on an original theme in A-flat major for piano duet (1824, first published as Op. 35)
  • D 814, Four Ländler for piano duet (1824)
  • D 815, Quartet "Gebet" ['Du Urquell aller Güte'] for soprano, alto, tenor, bass and piano (1824, first published as Op. posth. 139)
  • D 816, Three Écossaises for piano (1824)
  • D 817, Ungarische Melodie in B minor for piano (1824)
  • D 818, Divertissement à la hongroise in G minor for piano duet (1824, first published as Op. 54)
  • D 819, Six Grandes Marches for piano duet (1818 or 1824, first published as Op. 40)
  • D 820, Six German Dances for piano (1824)
  • D 821, Sonata in A minor for arpeggione and piano (1824)
  • D 822, Cantata "Lied eines Kriegers" ['Des stolzen Männerlebens schönste Zeichen'] for bass, unison men’s choir and piano (1824)
  • D 823, Divertissement sur des motifs originaux français in E minor for piano duet (pub. 1826–1827, first movement originally published as Marche Brillante, Op. 63; second and third movements first published as Andantino varié and Rondeau brillant, Op. 84 Nos. 1–2)
  • D 824, Six Polonaises for piano duet (1826, first published as Op. 61)
  • D 825, Quartet "Wehmut" ['Die Abendglocke tönet'] for two tenors and two basses (1826, first published as Op. 64 No. 1)
  • D 825A, Quartet "Ewige Liebe" ['Ertönet, ihr Saiten, in nächtlicher Ruh'] for two tenors and two basses (1826, first published as Op. 64 No. 2)
  • D 825B, Quartet "Flucht" ['In der Freie will ich leben'] for two tenors and two basses (1825, first published as Op. 64 No. 3)
  • D 826, Quartet "Der Tanz" ['Es redet und träumet die Jugend so viel'] for soprano, alto, tenor, bass and piano (1828)
  • D 827, Song "Nacht und Träume" ['Heil’ge Nacht, du sinkest nieder!'] for voice and piano (1823, 2 versions; 2nd version first published as Op. 43 No. 2)
  • D 828, Song "Die junge Nonne" ['Wie braust durch die Wipfel'] for voice and piano (1825, first published as Op. 43 No. 1)
  • D 829, Melodrama "Leb’ wohl du schöne Erde" ['Leb’ wohl du schöne Erde'] for spoken voice and piano (1826, also appears as "Abschied" or "Abschied von der Erde")
  • D 830, Song "Lied der Anne Lyle" ['Wärst du bei mir im Lebenstal'] for voice and piano (1825?, first published as Op. 85 No. 1)
  • D 831, Song "Gesang der Norna" ['Mich führt mein Weg wohl meilenlang'] for voice and piano (1825, first published as Op. 85 No. 2)
  • D 832, Song "Des Sängers Habe" ['Schlagt mein ganzes Glück in Splitter'] for voice and piano (1825)
  • D 833, Song "Der blinde Knabe" ['O sagt, ihr Lieben, mir einmal'] for voice and piano (1825, 2 versions; 2nd version first published as Op. posth. 101 No. 2; NSA also appends a modified 2nd version)
  • D 834, Song "Im Walde" ['Ich wandre über Berg und Tal'] for voice and piano (1825, 2 versions; 2nd version first published as Op. 93 No. 1)
  • D 835, Quartet "Bootgesang" ['Triumph, er naht'] for two tenors, two basses and piano (1825, first published as Op. 52 No. 3)
  • D 836, Chorus "Coronach (Totengesang der Frauen und Mädchen)" ['Er ist uns geschieden'] for women’s choir and piano, Totengesang der Frauen und Mädchen (1825, first published as Op. 52 No. 4)
  • D 837, Song "Ellens Gesang I" ['Raste, Krieger, Krieg ist aus'] for voice and piano (1825, first published as Op. 52 No. 1)
  • D 838, Song "Ellens Gesang II" ['Jäger, ruhe von der Jagd!'] for voice and piano (1825, first published as Op. 52 No. 2)
  • D 839, Song "Ellens Gesang III (Hymne an die Jungfrau)" ['Ave Maria! Jungfrau mild'] for voice and piano, Ave Maria or Hymne an die Jungfrau (1825, first published as Op. 52 No. 6)
  • D 840, Piano Sonata in C major, Reliquie (1825, unfinished – first and second movements are complete; third and fourth movements are fragments)
  • D 841, Two German Dances for piano (1825)
  • D 842, Song "Totengräbers Heimwehe" ['O Menschheit, o Leben, was soll’s?'] for voice and piano (1825)
  • D 843, Song "Lied des gefangenen Jägers" ['Mein Roß so müd'] for voice and piano (1825, first published as Op. 52 No. 7)
  • D 844, Waltz in G major for piano, Albumblatt (1825)
  • D 845, Piano Sonata in A minor (1825, first published as Op. 42)
  • D 846, Song "Normans Gesang" ['Die Nacht bricht bald herein'] for voice and piano (1825, first published as Op. 52 No. 5)
  • D 847, Quartet "Trinklied aus dem 16. Jahrhundert" ['Edit Nonna, edit Clerus'] for two tenors and two basses (1825, first published as Op. posth. 155)
  • D 848, Quartet "Nachtmusik" ['Wir stimmen dir mit Flötensang'] for two tenors and two basses (1825, first published as Op. posth. 156)
  • D 849, see D 944
  • D 850, Piano Sonata in D major, Gasteiner (1825, first published as Op. 53)

D 851 to D 900[edit]

  • D 851, Song "Das Heimweh" ['Ach, der Gebirgssohn'] for voice and piano (1825, 2 versions; 2nd version first published as Op. 79 No. 1)
  • D 852, Song "Die Allmacht" ['Groß ist Jehova, der Herr'] for voice and piano (1825, 1st setting; first published as Op. 79 No. 2; NSA also appends a modified version)
  • D 853, Song "Auf der Bruck" ['Frisch trabe sonder Ruh’ und Rast'] for voice and piano (1825, 2 versions; 2nd version first published as Op. 93 No. 2)
  • D 854, Song "Fülle der Liebe" ['Ein sehnend Streben teilt mir das Herz'] for voice and piano (1825)
  • D 855, Song "Wiedersehn" ['Der Frühlingssonne holdes Lächeln'] for voice and piano (1825)
  • D 856, Song "Abendlied für die Entfernte" ['Hinaus mein Blick, hinaus ins Tal'] for voice and piano (1825, first published as Op. 88 No. 1)
  • D 857, Two songs "Zwei Szenen aus dem Schauspiel ‘Lacrimas’ " for voice and piano (1825, first published as Op. posth. 124)
1. "Lied der Delphine" ['Ach, was soll ich beginnen vor Liebe?']
2. "Lied des Florio" ['Nun, da Schatten niedergleiten']
  • D 858, see D Anh. I/7
  • D 859, Grande Marche Funèbre in C minor for piano duet (1825, first published as Op. 55)
  • D 860, Song "An mein Herz" ['O Herz, sei endlich stille'] for voice and piano (1825)
  • D 861, Song "Der liebliche Stern" ['Ihr Sternlein, still in der Höhe'] for voice and piano (1825)
  • D 862, Song "Um Mitternacht" ['Keine Stimme hör’ ich schallen'] for voice and piano (1825 and 1826?, 2 versions; 2nd version first published as Op. 88 No. 3)
  • D 863, Song "An Gott" ['Kein Auge hat dein Angesicht geschaut'] for one or more voices (1827 or earlier, lost)
  • D 864, Song "Das Totenhemdchen" ['Starb das Kindlein'] for one or more voices (after 1824, lost)
  • D 865, Quartet "Widerspruch" ['Wenn ich durch Busch und Zweig'] for two tenors, two basses and piano (1828, 2 versions; 2nd version for voice and piano; first published as Op. 105 No. 1)
  • D 866, Song cycle Vier Refrainlieder for voice and piano (1828?, first published as Op. 95)
1. "Die Unterscheidung" ['Die Mutter hat mich jüngst gescholten']
2. "Bei dir allein" ['Bei dir allein empfind ich, daß ich lebe']
3. "Die Männer sind méchant" ['Du sagtest mir es, Mutter']
4. "Irdisches Glück" ['So mancher sieht mit finstrer Miene']
  • D 867, Song "Wiegenlied" ['Wie sich der Äuglein kindlicher Himmel'] for voice and piano (1826 or 1827, first published as Op. 105 No. 2)
  • D 868, see D 990C
  • D 869, Song "Totengräber-Weise" ['Nicht so düster und so bleich'] for voice and piano (1826)
  • D 870, Song "Der Wanderer an den Mond" ['Ich auf der Erd’, am Himmel du'] for voice and piano (1826, first published as Op. 80 No. 1)
  • D 871, Song "Das Zügenglöcklein" ['Kling die Nacht durch, klinge'] for voice and piano (1826, 2 versions; 2nd version first published as Op. 80 No. 2)
  • D 872, Mass "Deutsche Messe" for mixed choir and organ, Gesänge zur Feier des heiligen Opfers der Messe. Nebst einem Anhange, enthaltend: Das Gebet des Herr (1827, 2 versions; 2nd version adds two oboes, two clarinets, two bassoons, two horns, two trumpets, three trombones, timpani and double bass)
  • D 873, Canon ["?"] ['?'] in A major for six voices (1826?, sketch without text)
  • D 873A, Quartet "Nachklänge" ['?'] for two tenors and two basses (?) (1826?, sketch without text)
  • D 874, Song "O Quell, was strömst du rasch und wild" ['O Quell, was strömst du rasch und wild'] for voice and piano (1826?, sketch)
  • D 875, Quintet "Mondenschein" ['Des Mondes Zauberblume lacht'] for two tenors, three basses and piano (1826, first published as Op. 102)
  • D 875A, Chorus "Die Allmacht" ['Groß ist Jehova der Herr!'] for mixed choir and piano (1826, 2nd setting; sketch)
  • D 876, Song "Im Jänner 1817" ['Ich bin von aller Ruh’ geschieden'] for voice and piano, Tiefes Leid (1826)
  • D 877, Song cycle Gesänge aus "Wilhelm Meister" (1826, first published as Op. 62)
1. "Mignon und der Harfner" ['Nur wer die Sehnsucht kennt'] for two voices and piano (5th setting)
2. "Lied der Mignon" ['Heiß mich nicht reden, heiß mich schweigen'] for voice and piano (2nd setting; NSA also appends a modified version)
3. "Lied der Mignon" ['So laßt mich scheinen, bis ich werde'] for voice and piano (3rd setting)
4. "Lied der Mignon" ['Nur wer die Sehnsucht kennt'] for voice and piano (6th setting)
  • D 878, Song "Am Fenster" ['Ihr lieben Mauern hold und traut'] for voice and piano (1826, first published as Op. 105 No. 3)
  • D 879, Song "Sehnsucht" ['Die Scheibe friert, der Wind ist rauh'] for voice and piano (1826, first published as Op. 105 No. 4)
  • D 880, Song "Im Freien" ['Draußen in der weiten Nacht'] for voice and piano (1826, first published as Op. 80 No. 3)
  • D 881, Song "Fischerweise" ['Den Fischer fechten Sorgen und Gram und Leid nicht an'] for voice and piano (1826, 2 versions; 2nd version first published as Op. 96 No. 4)
  • D 882, Song "Im Frühling" ['Still sitz’ ich an des Hügels Hang'] for voice and piano (1826, 2 versions; 2nd version first published as Op. posth. 101 No. 1)
  • D 883, Song "Lebensmut" ['O wie dringt das junge Leben'] for voice and piano (1826)
  • D 884, Song "Über Wildemann" ['Die Winde sausen am Tannenhang'] for voice and piano (1826, first published as Op. 108 No. 1)
  • D 885, Grande Marche Héroique in A minor for piano duet (pub. 1826, first published as Op. 66)
  • D 886, see D 968B
  • D 887, String Quartet in G major (1826, first published as Op. posth. 161)
  • D 888, Song "Trinklied" ['Bacchus, feister Fürst des Weins'] for voice and piano (1826)
  • D 889, Song "Ständchen" ['Horch, horch! die Lerch im Ätherblau'] for voice and piano (1826)
  • D 890, Song "Hippolits Lied" ['Laßt mich, ob ich auch still verglüh'] for voice and piano (1826)
  • D 891, Song "An Sylvia" ['Was ist Silvia, saget an'] for voice and piano, Gesang (1826, first published as Op. 106 No. 4)
  • D 892, Cantata "Nachthelle" ['Die Nacht ist heiter'] for tenor solo, two tenors, two basses and piano (1826, first published as Op. posth. 134)
  • D 893, Quartet "Grab und Mond" ['Silberblauer Mondenschein fällt herab'] for two tenors and two basses (1826)
  • D 894, Piano Sonata in G major, Fantasie (1826, first published as Op. 78; NSA also appends a discarded 1st version of the second movement)
  • D 895, Rondo in B minor for violin and piano, Rondeau brillant (1826, first published as Op. 70)
  • D 896, Song "Fröhliches Scheiden" ['Gar fröhlich kann ich scheiden'] for voice and piano (1827–1828, sketch)
  • D 896A, Song "Sie in jedem Liede" ['Nehm ich die Harfe'] for voice and piano (1827–1828, sketch)
  • D 896B, Song "Wolke und Quelle" ['Auf meinen heimischen Bergen'] for voice and piano (1827–1828, sketch)
  • D 897, Trio in E-flat major for violin, violoncello and piano, Notturno (1828?, an "Adagio" movement is extant; first published as Op. posth. 148)
  • D 898, Trio (No. 1) in B-flat major for violin, violoncello and piano (1828?, first published as Op. 99)
  • D 899, Four Impromptus for piano (1827, first published as Op. 90)
  • D 900, Allegretto in C minor for piano (after 1820?, fragment)

D 901 to D 950[edit]

  • D 901, Quartet "Wein und Liebe" ['Liebchen und der Saft der Reben'] for two tenors and two basses (1827)
  • D 902, Three songs "Drei Gesänge" for bass and piano (1827, first published as Op. 83)
1. "L'incanto degli occhi; Die Macht der Augen" ['Da voi, cari lumi'; 'Nur euch, schöne Sterne'] (2nd setting)
2. "Il traditor deluso; Der getäuschte Verräter" ['Ahimè, io tremo!'; 'Weh mir, ich bebe!']
3. "Il modo di prender moglie; Die Art ein Weib zu nehmen" ['Orsù! non ci pensiamo'; 'Wohlan! und ohne Zagen']
  • D 903, Cantata "Zur guten Nacht" ['Horch auf! Es schlägt die Stunde'] for baritone, men’s choir and piano (1827, first published as Op. 81 No. 3)
  • D 904, Song "Alinde" ['Die Sonne sinkt in’s tiefe Meer'] for voice and piano (1827, first published as Op. 81 No. 1)
  • D 905, Song "An die Laute" ['Leiser, leiser, kleine Laute'] for voice and piano (1827, first published as Op. 81 No. 2)
  • D 906, Song "Der Vater mit dem Kind" ['Dem Vater liegt das kind in Arm'] for voice and piano (1827)
  • D 907, Song "Romanze des Richard Löwenherz" ['Großer Taten tat der Ritter fern im heiligen Lande viel'] for voice and piano (1826?, 2 versions; 2nd version first published as Op. 86)
  • D 908, Eight Variations on a theme from Hérold's Opera Marie for piano duet (1827, first published as Op. 82 No. 1)
  • D 909, Song "Jägers Liebeslied" ['Ich schieß’ den Hirsch im grünen Forst'] for voice and piano (1827, first published as Op. 96 No. 2)
  • D 910, Song "Schiffers Scheidelied" ['Die Wogen am Gestade schwellen'] for voice and piano (1827)
  • D 911, Song cycle Winterreise for voice and piano (1827, first published as Op. 89)
1. "Gute Nacht" ['Fremd bin ich eingezogen']
2. "Die Wetterfahne" ['Der Wind spielt mit der Wetterfahne']
3. "Gefror’ne Tränen" ['Gefror’ne Tropfen fallen']
4. "Erstarrung" ['Ich such’ im Schnee vergebens']
5. "Der Lindenbaum" ['Am Brunnen vor dem Tore']
6. "Wasserflut" ['Manche Trän’ aus meinen Augen']
7. "Auf dem Flusse" ['Der du so lustig rauschtest'] (2 versions)
8. "Rückblick" ['Es brennt mir unter beiden Sohlen']
9. "Irrlicht" ['In die tiefsten Felsengründe']
10. "Rast" ['Nun merk’ ich erst, wie müd ich bin'] (2 versions)
11. "Frühlingstraum" ['Ich träumte von bunten Blumen'] (2 versions)
12. "Einsamkeit" ['Wie eine trübe Wolke']
13. "Die Post" ['Von der Straße her ein Posthorn klingt']
14. "Der greise Kopf" ['Der Reif hat einen weißen Schein']
15. "Die Krähe" ['Eine Krähe war mit mir aus der Stadt gezogen']
16. "Letzte Hoffnung" ['Hie und da ist an den Bäumen']
17. "Im Dorfe" ['Es bellen die Hunde']
18. "Der stürmische Morgen" ['Wie hat der Sturm zerrissen']
19. "Täuschung" ['Ein Licht tanzt freundlich vor mir her']
20. "Der Wegweiser" ['Was vermeid’ ich denn die Wege']
21. "Das Wirtshaus" ['Auf einen Totenacker hat mich mein Weg gebracht']
22. "Mut" ['Fliegt der Schnee mir ins Gesicht'] (2 versions)
23. "Die Nebensonnen" ['Drei Sonnen sah ich'] (2 versions)
24. "Der Leiermann" ['Drüben hinterm Dorfe steht ein Leiermann']
  • D 912, Chorus "Schlachtlied" ['Mit unserm Arm ist nichts getan'] for double men’s choir (1827, 2nd setting; first published as Op. posth. 151)
  • D 913, Quartet "Nachtgesang im Walde" ['Sei uns stets gegrüßt, o Nacht!'] for two tenors, two basses and four horns (1827, first published as Op. posth. 139)
  • D 914, Quartet "Frühlingslied" ['Geöffnet sind des Winters Riegel'] for two tenors and two basses (1827, 1st setting)
  • D 915, Allegretto in C minor for piano (1827)
  • D 916, Quartet "Das stille Lied" ['Schweige nur, süßer Mund'] for two tenors and two basses (1827, sketch)
  • D 916A, Song ["?"] ['?'] for voice and piano "Liedentwurf in C" (1827?, sketch without text)
  • D 916B, Piano piece in C major (1827?, sketch)
  • D 916C, Piano piece in C minor (1827?, sketch)
  • D 917, Song "Das Lied im Grünen" ['Ins Grüne, ins Grüne, da lockt uns der Frühling'] for voice and piano (1827, first published as Op. posth. 115 No. 1)
  • D 918, Opera "Der Graf von Gleichen" for four sopranos, two tenors, six basses, mixed choir and orchestra (1827, in two acts; unfinished – sketches of eleven numbers for Act I and nine numbers for Act II are extant)
Akt I
1. Introduktion: Es funkelt der Morgen (sketch)
2. Rezitativ und Cavatine: O Himmel kannst du mir; Mein Weib, o Gott (sketch)
3. Terzett: Wart nur wart (sketch)
4. Duett: Ein Schiff? ein Schiff? (sketch)
5a. Arie: Ihr Blumen, ihr Bäume (sketch)
5b. Rezitativ und Duettritornell: Suleika! Mein Herr und Freund! (sketch)
5c. Duett: Ich wünscht um dich zu schmücken (sketch)
6. Marsch, Rezitativ, Arie und Chor: Ha! Was ist das? (sketch)
7. Quintett: Wie Mondlicht durch die Wolken glänzt (sketch)
8. Rezitativ und Arie: Himmel was mußt’ ich hören?; Ja ich lieb’ ihn (sketch)
9. Lied: Tausend Frauen konnt’ ich schauen (sketch)
10. Duett: Ob ich verstehe? (sketch)
11. Finale I: Sie wird kommen (sketch)
Akt II
12. Chor: Laßt uns nicht feyern (sketch)
13. Arie: Trocknet nicht Thränen der ewigen Liebe (sketch)
14. Chor: Vaterland nimm uns auf in deinen Arm (sketch)
15. Rezitativ und Arie: Burg meiner Väter; O Vater der Güte (sketch)
16a. Rezitativ und Duett mit Chor: Wo ist er?; Laß ab mir sprengts die Brust (sketch)
16b. Rezitativ und Chor: Doch sprich, wo ist mein süßer Knabe? (sketch)
17a. Terzett: Das Zeichen wars, das er versprach (sketch)
17b. Rezitativ und Quintett: Oh sieh, sie kommt; Meine Arme öffnen sich (sketch)
18. Lied mit Chor: Vor Allem müßt ihr wissen (sketch)
19. Quartett: Gratulire! nun ich habe nichts dagegen (sketch)
20a. Rezitativ und Arie: Sie schläft; Deine Liebe, deine Milde (sketch)
20b. Duett: Wohlan! Sprich zu dem frommen Kinde (sketch)
20c. Arie: Gütter Gott nimm aus dem Herzen (sketch)
20d. Rezitativ und Duett: Angelika!; Schlage nicht die Augen nieder (sketch)
20e. Terzett: Ihr seyd bewegt was ist geschehen? (sketch)
20f. Quintett: Es geht schön im Kreise der volle Pokal (sketch)
  • D 919, Song "Frühlingslied" ['Geöffnet sind des Winters Riegel'] for voice and piano (1827?, 2nd setting)
  • D 920, Cantata "Ständchen" ['Zögernd leise, in des Dunkels nächt'ger Hülle'] for alto, men’s choir and piano, Notturno (1827, 2 versions; 2nd version [formerly D 921] for alto, women’s choir and piano, first published as Op. posth. 135)
  • D 921, see D 920
  • D 922, Song "Heimliches Lieben" ['O du, wenn deine Lippen mich berühren'] for voice and piano (1827, 2 versions; 2nd version first published as Op. 106 No. 1)
  • D 923, Song "Eine altschottische Ballade" ['Dein Schwert, wie ist’s von Blut so rot'] for male voice, female voice and piano (1827, 3 versions; 2nd version for voice and piano; 3rd version for male voice, female voice and piano; 1st version first published as Op. posth. 165 No. 5)
  • D 924, Twelve Grazer Waltzes for piano (1827?, first published as Op. 91)
  • D 925, Grazer Galopp in C major for piano (1827?)
  • D 926, Song "Das Weinen" ['Gar tröstlich kommt geronnen'] for voice and piano (1827–1828, first published as Op. 106 No. 2)
  • D 927, Song "Vor meiner Wiege" ['Das also, das ist der enge Schrein'] for voice and piano (1827–1828, first published as Op. 106 No. 3)
  • D 928, March in G major for piano duet, Kindermarsch (1827)
  • D 929, Trio (No. 2) in E-flat major for violin, violoncello and piano (1827, first published as Op. 100)
  • D 930, Trio "Der Hochzeitsbraten" ['Ach liebes Herz, ach Theobald, laß dir nur diesmal raten'] for soprano, tenor, bass and piano (1827, first published as Op. posth. 104)
  • D 931, Song "Der Wallensteiner Lanzknecht beim Trunk" ['He! schenket mir im Helme ein!'] for voice and piano (1827)
  • D 932, Song "Der Kreuzzug" ['Ein Münich steht in seiner Zell'] for voice and piano (1827)
  • D 933, Song "Des Fischers Liebesglück" ['Dort blinket durch Weiden'] for voice and piano (1827)
  • D 934, Fantasy in C major for violin and piano (1827, first published as Op. posth. 159)
  • D 935, Four Impromptus for piano (1827, first published as Op. posth. 142)
  • D 936, Cantata "Kantate für Irene Kiesewetter" ['Al par del ruscelletto chiaro'] for two tenors, two basses, mixed choir and piano duet (1827, also appears as "Kantate zur Feier der Genesung der Irene Kiesewetter")
  • D 936A, Sketch of a Symphony (No. 10) in D major (1828?, piano sketches of all three movements are extant)
  • D 937, Song "Lebensmut" ['Fröhlicher Lebensmut braust in dem raschen Blut'] for voice and piano (1828?, fragment)
  • D 938, Song "Der Winterabend" ['Es ist so still, so heimlich um mich'] for voice and piano (1828)
  • D 939, Song "Die Sterne" ['Wie blitzen die Sterne so hell durch die Nacht'] for voice and piano (1828, first published as Op. 96 No. 1)
  • D 940, Fantasy in F minor for piano duet (1828, first published as Op. 103)
  • D 941, see D 948
  • D 942, Cantata "Mirjams Siegesgesang" ['Rührt die Zimbel, schlagt die Saiten'] for soprano, mixed choir and piano (1828, first published as Op. posth. 136)
I. Rührt die Zimbel, schlagt die Saiten
II. Aus ägypten vor dem Volke
III. Doch der Horizont erdunkelt
IV. S’ist der Herr in seinem Grimme
V. Tauchst du auf, Pharao?
VI. Drum mit Zimbeln und mit Saiten
  • D 943, Song "Auf dem Strom" ['Nimm die letzten Abschiedsküsse'] for voice, horn (or violoncello) and piano (1828, first published as Op. posth. 119)
  • D 944, Symphony (No. 9) in C major, Great C major (1825? and 1828, identical to the "Gmunden-Gastein" Symphony, D 849)
  • D 944A, German Dance in an unknown key for piano (1828, lost)
  • D 945, Song "Herbst" ['Es rauschen die Winde so herbstlich und kalt'] for voice and piano (1828)
  • D 946, Three piano pieces "Drei Klavierstücke" (1828)
  • D 947, Allegro in A minor for piano duet, Lebensstürme (1828, first published as Op. posth. 144)
  • D 948, Hymn "Hymnus an den heiligen Geist" ['Komm, heil’ger Geist, erhöre unser Flehen'] for two tenors, two basses and men’s choir (1828, 2 versions; 1st version was formerly D 941; 2nd version [formerly D 964] for two tenors, two basses, men’s choir, two oboes, two clarinets, two bassoons, two trumpets, two horns and three trombones; 2nd version first published as Op. posth. 154)
  • D 949, see D 639
  • D 950, Mass No. 6 in E-flat major for soprano, alto, tenor, bass, mixed choir and orchestra (1828)

D 951 to D 965B[edit]

  • D 951, Rondo in A major for piano duet, Grand Rondeau (1828, first published as Op. 107)
  • D 952, Fugue in E minor for organ duet or piano duet (1828, first published as Op. posth. 152)
  • D 953, Hymn "Der 92. Psalm" ['tôw l’hôdôs ladônoj'] for baritone, soprano, alto, tenor, bass and mixed choir (1828)
  • D 954, Cantata "Glaube, Hoffnung und Liebe" ['Gott, laß die Glocke glücklich steigen'] for two tenors, two basses, mixed choir and piano (1828; scoring also possible for two tenors, two basses, mixed choir, two oboes, two clarinets, two bassoons, two horns and two trombones)
  • D 955, Song "Glaube, Hoffnung und Liebe" ['Glaube, hoffe, liebe!'] for voice and piano (1828, first published as Op. 97)
  • D 956, String Quintet in C major for two violins, viola and two violoncellos (1828, first published as Op. posth. 163)
  • D 957, Song cycle 13 Lieder nach Gedichten von Rellstab und Heine for voice and piano (1828, also appears as "Schwanengesang")
1. "Liebesbotschaft" ['Rauschendes Bächlein, so silber und hell']
2. "Kriegers Ahnung" ['In tiefer Ruh liegt um mich her']
3. "Frühlingssehnsucht" ['Säuselnde Lüfte wehen so mild']
4. "Ständchen" ['Leise flehen meine Lieder'], Serenade (NSA also appends a modified version)
5. "Aufenhalt" ['Rauschender Strom, brausender Wald']
6. "In der Ferne" ['Wehe dem Fliehenden']
7. "Abschied" ['Ade! du muntre, du fröhliche Stadt']
8. "Der Atlas" ['Ich unglückselger Atlas']
9. "Ihr Bild" ['Ich stand in dunkeln Träumen']
10. "Das Fischermädchen" ['Du schönes Fischermädchen']
11. "Die Stadt" ['Am fernen Horizonte']
12. "Am Meer" ['Das Meer erglänzte weit hinaus']
13. "Der Doppelgänger" ['Still ist die Nacht, es ruhen die Gassen']
  • D 958, Piano Sonata in C minor (1828)
  • D 959, Piano Sonata in A major (1828)
  • D 960, Piano Sonata in B-flat major (1828)
  • D 961, see D 452
  • D 962, Hymn "Tantum ergo" ['Tantum ergo'] in E-flat major for soprano, alto, tenor, bass, mixed choir and orchestra (1828)
  • D 963, Offertory "Intende voci" ['Intende voci'] in B-flat major for tenor, mixed choir and orchestra (1828)
  • D 964, see D 948
  • D 965, Song "Der Hirt auf dem Felsen" ['Wenn auf dem höchsten Fels ich steh'] for voice, clarinet and piano (1828, first published as Op. posth. 129)
  • D 965A, Song "Die Taubenpost" ['Ich hab’ eine Brieftaub in meinem Sold'] for voice and piano [formerly D 957 No. 14] (1828)
  • D 965B, Fugal exercises for unspecified instruments/voices "Fugenübungen" (1828; eighteen fugal expositions for two voices)

D 966 to D 998 (Undated works)[edit]

  • D 966, see D 11 No. 3
  • D 966A, see D 71C
  • D 966B, Sketch of an orchestral piece in A major (after 1819, sketch)
  • D 967, see D 37A
  • D 968, Allegro moderato in C major and Andante in A minor for piano duet, Sonatine (between 1815 and 1819?)
  • D 968A, Introduction, Four Variations on an original theme and Finale in B-flat major for piano duet [formerly D 603] (date unknown, first published as Op. posth. 82 No. 2)
  • D 968B, Deux Marches Caractéristiques in C major for piano duet [formerly D 886] (date unknown, first published as Op. posth. 121)
  • D 969, Twelve Waltzes for piano, Valses nobles (pub. 1827, first published as Op. 77)
  • D 970, Six Ländler for piano (date unknown, also appear as "Six German Dances")
  • D 971, Three German Dances for piano (1823?)
  • D 972, Three German Dances for piano (before 1817)
  • D 973, Three German Dances for piano (1823?)
  • D 974, Two German Dances for piano (1822?)
  • D 975, German Dance in D major for piano (1824?)
  • D 976, Cotillon in E-flat major for piano (pub. 1825)
  • D 977, Eight Écossaises for piano (1816?)
  • D 978, Waltz in A-flat major for piano (pub. 1825)
  • D 979, Waltz in G major for piano (pub. 1826)
  • D 980, Two Waltzes for piano (pub. 1826)
  • D 980A, Two Dances for piano [formerly D 640] (before 1821, sketches)
  • D 980B, Two Ländler in E-flat major for piano [formerly D 679] (1816?)
  • D 980C, Two Ländler in D-flat major for piano [formerly D 680] (before 1821, fragment)
  • D 980D, Waltz in C major for piano, Krähwinkler Tanz (pub. 1828)
  • D 980E, Two Dances for piano (?) (after 1818, sketches)
  • D 980F, March in G major for piano (date unknown; piano reduction of a lost march for orchestra?)
  • D 981, Singspiel "Der Minnesänger" (date unknown, fragment; lost)
  • D 982, Opera "?" for two sopranos, tenor, bass and orchestra (1819–1821?, also appears as "Sophie"; title and text author unknown; sketches of three numbers are extant)
1. Quartett: O lang ersehnte Seligkeit (sketch)
2. Ariette: Philomele, Philomele (sketch)
3. Terzett: Wir giessen die Nelken (sketch)
  • D 983, Quartet "Jünglingswonne" ['So lang im deutschen Eichentale'] for two tenors and two basses (pub. 1823, first published as Op. 17 No. 1)
  • D 983A, Quartet "Liebe" ['Liebe rauscht der Silberbach'] for two tenors and two basses (pub. 1823, first published as Op. 17 No. 2)
  • D 983B, Quartet "Zum Rundetanz" ['Auf! es dunkelt; silbern funkelt'] for two tenors and two basses (pub. 1823, first published as Op. 17 No. 3)
  • D 983C, Quartet "Die Nacht" ['Wie schön bist du, freundliche Stille'] for two tenors and two basses (pub. 1823, first published as Op. 17 No. 4)
  • D 984, Quartet "Der Wintertag" ['In schöner heller Winterzeit ward eine Maid geboren'] for two tenors, two basses and piano, Geburtstaglied (after 1820, fragment; piano part is lost; first published as Op. posth. 169)
  • D 985, Quartet "Gott im Ungewitter" ['Du Schrecklicher, wer kann vor dir und deinem Donner stehn?'] for soprano, alto, tenor, bass and piano (1815?, first published as Op. posth. 112 No. 1)
  • D 986, Quartet "Gott der Weltschöpfer" ['Zu Gott, zu Gott flieg auf'] for soprano, alto, tenor, bass and piano (1815?, first published as Op. posth. 112 No. 2)
  • D 987, see D 168A
  • D 988, Canon "Liebe säuseln die Blätter" ['Liebe säuseln die Blätter'] for three voices (1815?)
  • D 988A, Accompaniment part in B-flat major for piano (after 1820, fragment; for a multi-part vocal composition?)
  • D 989, see D 579A
  • D 989A, see D 579 B
  • D 990, Song "Der Graf von Habsburg" ['Zu Aachen in seiner Kaiserpracht'] for voice and piano (date unknown)
  • D 990A, Song "Kaiser Maximilian auf der Martinswand" ['Hinauf! hinauf! in Sprung und Lauf'] for voice and piano (date unknown, also appears as "Kaiser Maximilian auf der Martinswand in Tirol")
  • D 990B, Song "Augenblicke im Elysium" ['Vor der in Ehrfurcht all mein Wesen kniet'] for voice and piano [formerly D 582] (date unknown, lost)
  • D 990C, Song "Das Echo" ['Herzliebe gute Mutter, o grolle nicht mit mir'] for voice and piano [formerly D 868] (1828?, first published as Op. posth. 130)
  • D 990D, Song "Die Schiffende" ['Sie wankt dahin; die Abendwinde spielen'] for voice and piano (1815?, lost)
  • D 990E, Aria "L'incanto degli occhi" ['Da voi, cari lumi'] for soprano and piano (1816?, 1st setting; fragment)
  • D 990F, Aria "Ombre amene" ['Ombre amene'] for soprano and piano, La serenata (1816?, fragment; originally, the Deutsch catalogue incorrectly listed this entry as an early version of the song "Il traditor deluso")
  • D 991, see D 323
  • D 992, see D 383
  • D 993, see D 2E
  • D 994, see D 769A
  • D 995, see D 2D
  • D 996, see D 2A
  • D 997, see D 2B
  • D 998, see D 2C

Appendix and missing works[edit]

  • D Anh. I/1, String Quartet in E-flat major [formerly D 40] (1813, lost or identical to D 87)
  • D Anh. I/2, String Quartet in F major (1816, lost or identical to D 353 or D 487)
  • D Anh. I/3, Fugue in C major for string quartet (?) (1812?, fragment; only viola part is extant)
  • D Anh. I/4, String Quartet in G major [formerly D 2] (fragment of one movement is extant; composition by Albert Stadler)
  • D Anh. I/5, String Quartet in E-flat major (date unknown, sketch of the first movement is extant; composition by Anselm Hüttenbrenner)
  • D Anh. I/6, Duet in D major for two violins (1816, not by Schubert)
  • D Anh. I/6A, Symphony in E major, Symphony 1825 (date unknown, not by Schubert; composition by Gunter Elsholz)
  • D Anh. I/7, March for two pianos, eight hands [formerly D 858] (1825, lost)
  • D Anh. I/8, Piano Sonata in F major (1815, lost or identical to D 157)
  • D Anh. I/9, Piano Sonata in F major (1816, lost or identical to D 459)
  • D Anh. I/10, Fantasy in E-flat major for piano (1825?, lost)
  • D Anh. I/11, Allegro in G major and Minuet in C major for piano (date unknown, also appears as "Sonatina"; not by Schubert)
  • D Anh. I/12, Seven Easy Variations in G major for piano (pub. 1810, presumably not by Schubert)
  • D Anh. I/13, Six German Dances for piano (1814, lost)
  • D Anh. I/14, Waltz [in G-flat major] for piano, Kupelwieser-Walzer (1826, transcribed by Richard Strauss)
  • D Anh. I/15, Minuet with Trio in D major for piano [formerly D 336] (date unknown, presumably not by Schubert)
  • D Anh. I/16, Dance "Écossaise de Vienne" in A-flat major for piano (1821?, composition by Anselm Hüttenbrenner?)
  • D Anh. I/17, Hymn "Tantum ergo" ['Tantum ergo'] in B-flat major for unknown voices/instruments (date unknown, fragment; only one soprano part is extant; presumably not by Schubert)
  • D Anh. I/18, Trio or Quartet "Lied beim Rundetanz" ['Auf, es dunkelt, silbern funkelt'] for two tenors and bass or two tenors and two basses [formerly D 132] (1815 or 1816, fragment)
  • D Anh. I/19, Trio or Quartet "Lied im Freien" ['Wie schön ist’s im Freien'] for two tenors and bass or two tenors and two basses [formerly D 133] (1815 or 1816, fragment)
  • D Anh. I/20, Trio or Quartet "Amors Macht" ['Wo Amors Flügel weben'] for two tenors and bass or two tenors and two basses [formerly D 339] (1815 or 1816, fragment)
  • D Anh. I/21, Trio or Quartet "Badelied" ['Zur Elbe, zur Elbe, des Äthers Gewölbe'] for two tenors and bass or two tenors and two basses [formerly D 340] (1815 or 1816, fragment)
  • D Anh. I/22, Trio or Quartet "Sylphen" ['Was unterm Monde gleicht uns Sylphen flink und leicht'] for two tenors and bass or two tenors and two basses [formerly D 341] (1815 or 1816, fragment)
  • D Anh. I/23, Trio or Quartet "Lebenslied" ['Kommen und scheiden, suchen und meiden'] for two tenors and bass or two tenors and two basses (1815 or 1816, fragment; see also D 425)
  • D Anh. I/24, Cantata "Kantate auf den Vater" ['?'] for unspecified voices and piano (?) (1816, lost)
  • D Anh. I/25, Cantata "Drum Schwester und Brüder" ['Drum Schwester und Brüder singt fröhliche Lieder'] for voice (?), choir, violin, violoncello and other unknown instruments (1819, fragment; only violin and violoncello parts are extant)
  • D Anh. I/26, Trio or Quartet "Sturmbeschwörung" ['Nirgends Rettung, nirgends Land'] for two sopranos and alto (?) or two sopranos and two altos (?) (date unknown, fragment; only one soprano part is extant)
  • D Anh. I/27, Song "Drei Chöre mit Bläsern" ['Lieblich ist, wenn sanftes Grau; Leb wohl, geliebte Freundin; O Zeit, wie manchen herben Schmerz'] for male choir, two horns and two bassoons (date unknown, fragment; not by Schubert)
  • D Anh. I/28, Song "Klage (Nimmer länger trag ich)" ['Nimmer länger trag ich dieser Leiden Last'] for voice and piano, Nimmer länger trag ich [formerly D 512] (ca. 1817, presumably not by Schubert)
  • D Anh. I/29, Song "Kaiser Ferdinand II." ['Was reget die Stadt sich in freudiger Hast?'] for voice and piano (1809?, doubtful)
  • D Anh. I/30, Song "Mein Frieden" ['Ferne, ferne flammen helle Sterne'] for voice and piano (pub. 1823, composition by Franz Anton Schubert)
  • D Anh. I/31, Song "Adieu! (Lebe wohl!)" ['Voici l'instant suprême; Schon naht, um uns zu scheiden'] for voice and piano (pub. 1824, composition by August Heinrich von Weyrauch)
  • D Anh. I/32, Composition exercises "Generalbaßübungen" for unspecified instruments/voices [formerly D 598A] (date unknown)
  • D Anh. II/1, Arrangement of the Overture to the opera Iphigenie in Aulis for piano duet (1810?, fragment; composition by Christoph Willibald Gluck)
  • D Anh. II/2, Arrangement of the "Notturno in G major for Flute, Viola and Guitar" for flute, guitar, viola and violoncello [formerly D 96] (1814, also appears as "Quartet in G major for flute, guitar, viola and violoncello"; composition by Wenzel Thomas Matiegka, Op. 21; Trio II in the second movement "Menuetto", by Schubert)
  • D Anh. II/3, Arrangement of Two Arias from the Opera "Echo et Narcisse" ['Rien de la nature'; 'O combats, o désordre extrème!'] for voice and piano (1816, compositions by Christoph Willibald Gluck)
  • D Anh. II/4, Arrangement of the Hymn "Der 8. Psalm für Solostimme und Klavier" ['Unendlicher, Gott, unser Herr'] for voice, two oboes, two clarinets, timpani, strings and organ (1823, composition by Maximilian Stadler; instrumentation by Schubert)
  • D Anh. III/1, Nine Canons "Neun Kanons" ['Es packe dich das Glück beim Kragen; Vom Glück sei alles dir beschert; Glück fehl dir vor allem; Wohlsein und Freude; Drum habe Dank, o Vater Hayden; Adam hat siebn Söhn; Cato, Plato, Cicero; Was i beim Tag mit der Leiern gwinn; Alleluia'] for four or more voices (ca. 1810 copy; compositions by Michael Haydn, Joseph Haydn, Josef Otter, Wolfgang Amadeus Mozart and anonymous composers)
  • D Anh. III/2, Song "Die Teilung der Erde" ['Nehmt hin die Welt! rief Zeus aus seinen Höhen'] for voice and piano (ca. 1810 copy; composition by Franz de Paula Roser)
  • D Anh. III/3, Symphony in C major, KV 551 (1813 copy; composition by Wolfgang Amadeus Mozart)
  • D Anh. III/4, Canon "Kanon (Hoffnung Kind des Himmels)" ['Hoffnung Kind des Himmels'] from the Singspiel "Elbondocani" for two sopranos, tenor, bass and piano (1813? copy; composition by Johann Rudolf Zumsteeg)
  • D Anh. III/5, Trio "Chor der Derwische" ['Ein Gott, ein wahrer Gott ist nur'] for two tenors and bass (1813? copy; composition by Johann Rudolf Zumsteeg)
  • D Anh. III/6, Offertory "Clamavi ad te" in C major, Op. 16 [formerly D 85] for unspecified voices/instruments (1813 copy of the solo soprano voice is extant; composition by Josef Preindl)
  • D Anh. III/7, Scene "Monolog aus Goethes ‘Iphigenie’ " ['Heraus in eure Schatten'] for voice, women’s choir and piano ['Heraus in eure Schatten'] (1815 copy; composition by Johann Friedrich Reichardt)
  • D Anh. III/8, Symphony No. 4 in B-flat major, Op. 60 (8-bar copy after 1820; composition by Ludwig van Beethoven)
  • D Anh. III/9, Song "Deutsches Hochamt (Hier liegt vor deiner Majestät)" ['?'] for voice and organ (copy of the organ part lost; composition by Michael Haydn)
  • D Anh. III/10, Mass in C major (1820 copy; composition by Josef Preindl)
  • D Anh. III/11, Canon "Laß immer in der Jugend Glanz" ['Laß immer in der Jugend Glanz'], KV 484d, for two voices [formerly D 92] (copy lost; composition by Wolfgang Amadeus Mozart)
  • D Anh. III/12, Canon "Selig alle, die im Herrn entschliefen" ['Selig alle, die im Herrn entschliefen'], KV 382b, for two voices [formerly D 127] (copy lost; composition by Wolfgang Amadeus Mozart)
  • D Anh. III/13, Song "Abendlied unterm gestirnten Himmel" ['Wenn die Sonne niedersinket'], WoO 150, for voice and piano (1820 copy; composition by Ludwig van Beethoven)
  • D deest, Sketch of a composition "?" ['?'] for unspecified voices and orchestra (1811?, sketch)
  • D deest, Mass in C major (?) for mixed choir, two violins and organ (1811?, sketch?; lost or never written)
  • D deest, Theme of a dance composition (?) for piano (?) (1812?, sketch)
  • D deest, Trio "Scherz-Terzett" ['Mala musica, bona musica?'] for three altos (1812, doubtful)
  • D deest, Aria "?" ['?'] for bass and piano (?) (1812, sketch; also appears as "Allegretto in D major")
  • D deest, Fantasy in an unknown key for string quartet (1813, lost)
  • D deest, Fugue in an unknown key for piano or organ (1813, lost)
  • D deest, Fragment of a composition for violin (?) (1813, sketch; fragment)
  • D deest, Sketch of a composition for unspecified instrument(s) (1813, sketch)
  • D deest, Fugue in F major for piano (1813, sketch)
  • D deest, Piano piece (?) in F major (1813, sketch)
  • D deest, Themes to Two Minuets for piano (1813?, sketches)
  • D deest, Fragment of an instrumental composition for violin, viola and guitar (?) (1813?, fragment)
  • D deest, Song "?" ['?'] improvised for a play for voice and piano (1815?, lost?; possibly identical to D 284)
  • D deest, String Quartet in B-flat major (1816, lost)
  • D deest, Canon "Canon a trè" ['?'] in B-flat major for three voices (1816? fragment)
  • D deest, Four Dances in A major for piano (1816?, only incipits are extant)
  • D deest, Song "?" ['?'] in C major for voice and piano (1816, fragment)
  • D deest, Song "Die Nacht" ['Die Nacht bricht an, mit leisen Lüften sinket'] for voice and guitar (after 1816?, doubtful; accompaniment part by Franz Xaver Baron von Schlechta; voice part by Schubert?)
  • D deest, Sketch of a theme for unspecified instruments/voices "Themenentwurf" (1818, sketch)
  • D deest, Sketch of a theme in A minor for unspecified instruments/voices "Themenentwurf" (1818, sketch)
  • D deest, Ecossaise in G major, Ländler in F major and Ländler in F minor (?) for piano (1818, sketches)
  • D deest, Vocal composition "?" ['?'] for mixed choir (?) (1818?, fragment without text)
  • D deest, Song "Winterlied" ['Das Glas gefüllt!'] for voice and piano, Winterabend (after 1820; 2nd setting of D 242, with a different title; also appears unofficially listed as D 242A or D 324A)
  • D deest, Accompaniment for a vocal composition "?" ['?'] (1821?, fragment)
  • D deest, Vocal composition "?" ['?'] for unspecified voices (1821?, fragment)
  • D deest, Tantum ergo ['Tantum ergo'] in C major for mixed choir and orchestra (1821)
  • D deest, Tantum ergo ['Tantum ergo'] in C major for mixed choir and orchestra (1821)
  • D deest, Fragment of a composition for unspecified instruments (1823, sketch)
  • D deest, Sketch of a composition for orchestra (?) (1823, piano sketch)
  • D deest, Piano Sonata in C-sharp major (1825?, lost or identical to D 568 1st version)
  • D deest, Canon ["?"] ['?'] in C major for five voices (1826?)
  • D deest, Song "?" ['?'] for voice and piano (ca. 1827, fragment; lost)
  • D deest, Imitation exercises in invertible counterpoint for unspecified instruments/voices (1828; three 2-part imitation exercises)
  • D deest, Song (?) "Seliges Genügen" ['?'] for unspecified voice(s)/instrument(s) (date unknown, lost)
  • D deest, Song (?) "...doch stärker ist die Mutterliebe" ['?'] for voice (?) and orchestra (date unknown, fragment; lost)
  • D deest, Overture in an unknown key for orchestra (date unknown, lost)
  • D deest, Fragment of a cantata (?) "?" ['?'] for unspecified soloists, choir and orchestra (date unknown, fragment without text)
  • D deest, Song (?) or piano piece (?) "Lieder für das Pianoforte" ['?'] for voice (?) and/or piano (?) (date unknown, lost)
  • D deest, String Sextet in an unknown key for three violins, viola, violoncello and double bass (date unknown, fragment; lost)
  • D deest, Trio "?" ['?'] in D major for unspecified voices (date unknown, fragment without text)

For the first part of this list, see List of compositions by Franz Schubert (D 1–D 500).
For a list of Schubert's compositions organized by musical genre, see List of compositions by Franz Schubert by genre.

References[edit]

  • Badura-Skoda, Eva and Peter Branscombe. Schubert Studies: Problems of Style and Chronology. Cambridge University Press, 1982.
  • Deutsch, Otto Erich; et al. Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge. Bärenreiter, 1978.
  • Newbould, Brian. Schubert: The Music and the Man. University of California Press, 1999.
  • Talia Pecker Berio (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series I. Volume 1a "Messen Ia". Kassel: Bärenreiter, 1990.
  • Rossana Dalmonte and Pier Paolo Scattolin (eds). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series I. Volume 2 "Messen II". Kassel: Bärenreiter, 1982.
  • Doris Finke-Hecklinger (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series I. Volume 3a "Messen III". Kassel: Bärenreiter, 1980.
  • Doris Finke-Hecklinger (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series I. Volume 3b "Messen III". Kassel: Bärenreiter, 1980.
  • Manuela Jahrmärker and Volkmar von Pechstaedt (eds). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series I. Volume 5 "Messen-Sätze und Messen-Fragmente". Kassel: Bärenreiter, 1998.
  • Michael Kube (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series I. Volume 6 "Deutsche Messe/Deutsche Trauermesse". Kassel: Bärenreiter, 2001.
  • Manuela Jahrmärker (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series I. Volume 7 "Stabat mater (Jesus Christus schwebt am Kreuze)". Kassel: Bärenreiter, 1996.
  • Mario Aschauer (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series II. Volume 12 "Adrast". Kassel: Bärenreiter, 2008.
  • Manuela Jahrmärker and Thomas Aigner (eds). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series II. Volume 15 "Sacontala". Kassel: Bärenreiter, 2008.
  • Manuela Jahrmärker (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series II. Volume 17 "Der Graf von Gleichen". Kassel: Bärenreiter, 2006.
  • Dietrich Berke (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series III. Volume 2a "Mehrstimmige Gesänge für gemischte Stimmen". Kassel: Bärenreiter, 1996.
  • Dietrich Berke (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series III. Volume 2b "Mehrstimmige Gesänge für gemischte Stimmen". Kassel: Bärenreiter, 2006.
  • Dietrich Berke (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series III. Volume 4 "Mehrstimmige Gesänge für gleiche Stimmen ohne Klavierbegleitung". Kassel: Bärenreiter, 1974.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 1a "Lieder 1". Kassel: Bärenreiter, 1970.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 1b "Lieder 1". Kassel: Bärenreiter, 1970.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 2a "Lieder 2". Kassel: Bärenreiter, 1975.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 2b "Lieder 2". Kassel: Bärenreiter, 1975.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 3a "Lieder 3". Kassel: Bärenreiter, 1982.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 3b "Lieder 3". Kassel: Bärenreiter, 1982.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 4a "Lieder 4". Kassel: Bärenreiter, 1979.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 4b "Lieder 4". Kassel: Bärenreiter, 1979.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 5a "Lieder 5". Kassel: Bärenreiter, 1985.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 5b "Lieder 5". Kassel: Bärenreiter, 1985.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 6 "Lieder 6". Kassel: Bärenreiter, 1969.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 7 "Lieder 7". Kassel: Bärenreiter, 1968.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 8 "Lieder 8". Kassel: Bärenreiter, 2009.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 9 "Lieder 9". Kassel: Bärenreiter, 2011.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 10 "Lieder 10". Kassel: Bärenreiter, 2002.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 11 "Lieder 11". Kassel: Bärenreiter, 1999.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 12 "Lieder 12". Kassel: Bärenreiter, 1996.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 13 "Lieder 13". Kassel: Bärenreiter, 1992.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 14a "Lieder 14". Kassel: Bärenreiter, 1988.
  • Walther Dürr (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series IV. Volume 14b "Lieder 14". Kassel: Bärenreiter, 1988.
  • Michael Kube (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series V. Volume VI "Sinfonische Entwürfe und Fragmente". Kassel: Bärenreiter, 2012.
  • Michael Kube (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series V. Volume VII "Konzertstücke". Kassel: Bärenreiter, 2008.
  • Arnold Feil (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VI. Volume 1 "Oktette und Nonette". Kassel: Bärenreiter, 1969.
  • Martin Chusid (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VI. Volume 2 "Streichquintette". Kassel: Bärenreiter, 1971.
  • Martin Chusid (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VI. Volume 3 "Streichquartette I". Kassel: Bärenreiter, 1979.
  • Werner Aderhold (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VI. Volume 4 "Streichquartette II". Kassel: Bärenreiter, 1994.
  • Werner Aderhold (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VI. Volume 5 "Streichquartette III". Kassel: Bärenreiter, 1989.
  • Werner Aderhold (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VI. Volume 6 "Streichtrios". Kassel: Bärenreiter, 1981.
  • Arnold Feil (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VI. Volume 7 "Werke für Klavier und mehrere Instrumente". Kassel: Bärenreiter, 1975.
  • Helmut Wirth (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VI. Volume 8 "Werke für Klavier und ein Instrument". Kassel: Bärenreiter, 1970.
  • Doris Finke-Hecklinger and Werner Aderhold (eds). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VI. Volume 9 "Tänze für mehrere Instrumente". Kassel: Bärenreiter, 1991.
  • Walburga Litschauer (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 1. Volume 1 "Werke für Klavier zu vier Händen I". Kassel: Bärenreiter, 2007.
  • Christa Landon (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 1. Volume 2 "Werke für Klavier zu vier Händen II". Kassel: Bärenreiter, 1978.
  • Walburga Litschauer and Werner Aderhold (eds). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 1. Volume 3 "Werke für Klavier zu vier Händen III". Kassel: Bärenreiter, 2011.
  • Christa Landon (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 1. Volume 4 "Märsche und Tänze". Kassel: Bärenreiter, 1972.
  • Walburga Litschauer (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 1. Volume 5 "Ouvertüren". Kassel: Bärenreiter, 1984.
  • Walburga Litschauer (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 2. Volume 1 "Klaviersonaten I". Kassel: Bärenreiter, 2000.
  • Walburga Litschauer (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 2. Volume 2 "Klaviersonaten II". Kassel: Bärenreiter, 2003.
  • Walburga Litschauer (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 2. Volume 3 "Klaviersonaten III". Kassel: Bärenreiter, 1996.
  • David Goldberger (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 2. Volume 4 "Klavierstücke I". Kassel: Bärenreiter, 1988.
  • Christa Landon and Walther Dürr (eds). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 2. Volume 5 "Klavierstücke II". Kassel: Bärenreiter, 1984.
  • Walburga Litschauer (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 2. Volume 6 "Tänze I". Kassel: Bärenreiter, 1989.
  • Walburga Litschauer (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VII Part 2. Volume 7a "Tänze II". Kassel: Bärenreiter, 1990.
  • Alfred Mann (ed). Franz Schubert: Neue Ausgabe sämtlicher Wërke. Series VIII. Volume 2 "Schuberts Studien". Kassel: Bärenreiter, 1986.

External links[edit]