The Battle of the River Plate (film)

The Battle of the River Plate (Pursuit of the Graf Spee)
Theatrical poster
Directed by	Michael Powell Emeric Pressburger
Produced by	Michael Powell Emeric Pressburger
Written by	Michael Powell Emeric Pressburger
Starring	John Gregson Anthony Quayle Peter Finch
Music by	Brian Easdale
Cinematography	Christopher Challis
Editing by	Reginald Mills
Distributed by	Rank Film Distributors Ltd.
Release date(s)	30 November 1956 (UK)
Running time	119 minutes
Country	United Kingdom
Language	English

The Battle of the River Plate is a 1956 British war film by director-writer team of Michael Powell and Emeric Pressburger, starring John Gregson, Anthony Quayle and Peter Finch. In the United States the film was retitled Pursuit of the Graf Spee.

The film portrays the Battle of the River Plate, a naval battle of 1939, between a Royal Navy force of three cruisers and the German pocket battleship Admiral Graf Spee. Unlike many British war movies of its time, The Battle of the River Plate treats the German sailors as honourable opponents rather than as cardboard cut-out "Huns" and Nazis. This was a recurrent theme in Powell and Pressburger's films, such as The Life and Death of Colonel Blimp.

Plot

In the early months of the Second World War, the German Navy sends out merchant raiders to attack Allied shipping. The Royal Navy responds with hunting groups whose mission is to stop them. The group that finds the heavily-armed "pocket battleship" Admiral Graf Spee near South America is outgunned: Graf Spee is equipped with long-range 11-inch guns, while the three British cruisers, Ajax, Achilles and Exeter, have much lighter 8-inch and 6-inch guns. Despite this, they go straight to the attack.

The British are led by Commodore Harwood (Anthony Quayle), with Captain Woodhouse (Ian Hunter) commanding the Ajax, Captain Bell (John Gregson) the Exeter and Captain Parry (Jack Gwillim) the Achilles. The British use their superior numbers to "split her fire" by attacking from different directions, but Graf Spee, under Captain Hans Langsdorff (Peter Finch), inflicts much damage on her foes. Exeter is particularly hard hit.

However, Graf Spee sustains damage itself and takes refuge in the neutral port of Montevideo for repairs. According to international law, the ship may remain at neutral harbor only long enough to make repairs for seaworthiness, not to refit her for battle. With reinforcements too far away, the British spread disinformation that an overwhelming force is lying in wait, hoping to buy time. Taken in by the lies, Langsdorff takes his ship out with a skeleton crew and scuttles her.

Historical details

The use of real ships allows the film to pay particular attention to detail, including the bells ringing before each salvo, the scorching on the gun barrels after the battle, and the accurate depiction of naval procedures. However, the scene when Harwood meets with his captains on board Ajax is fictional, created for the movie in order to explain the tactical situation to the audience. The battle is seen entirely from the perspective of the British ships, plus that of prisoners (captured from nine merchantmen) held on Graf Spee. The film devotes nearly twenty minutes to the battle, which actually lasted little more than an hour before becoming a chase into Montevideo. The initial minutes from the spotting of Graf Spee at 0614, to her opening fire at 0618, and the British ships returning fire from 0620 are depicted in real time. In reality Graf Spee's gunfire did not "straddle" Exeter until 0623 after three salvoes, and her main armament fire was not "split" between the British ships until 0630, although these events are shown happening immediately. Exeter's Bridge and forward turrets were knocked out at 0630, but at this point the film begins to telescope the sequence of events.

Other interesting details include the fact that Commodore Harwood is shown wearing the shoulder tabs and sleeve rings of a Rear Admiral from the start, and not only after he had been promoted after the battle. This is historically correct, as 'Commodores of the first class' wore those insignia at the time. Exeter's chaplain is also correctly depicted wearing a civilian dark suit and clerical collar; it was not until later in the war that naval chaplains adopted military uniform as a security measure.

The Battle of the River Plate only hints at one aspect of the story: the death of Captain Hans Langsdorff, who committed suicide a few days after he scuttled his ship. Langsdorff is shown as subdued and depressed afterwards.

Cast

• John Gregson as Captain Frederick "Hookie" Bell, HMS Exeter
• Anthony Quayle as Commodore Henry Harwood, HMS Ajax
• Ian Hunter as Captain Charles Woodhouse, HMS Ajax
• Jack Gwillim as Captain Edward Parry, HMS Achilles
• Bernard Lee as Captain Patrick Dove, MS Africa Shell
• Peter Finch as Captain Hans Langsdorff, Admiral Graf Spee
• Lionel Murton as Mike Fowler, American radio reporter in Montevideo
• Anthony Bushell as Eugen Millington-Drake, the British Minister in Uruguay
• Peter Illing as Dr Alberto Guani, Uruguayan Foreign Minister
• Michael Goodliffe as Captain Henry McCall, British Naval Attaché in Buenos Aires
• Patrick Macnee as Lieutenant Commander Ralph Medley, HMS Ajax
• John Chandos as Dr Otto Langmann, the German Minister in Uruguay
• Douglas Wilmer as M. Desmoulins, the French Minister in Uruguay
• William Squire as Ray Martin, British SIS agent in Montevideo
• Roger Delgado as Captain Varela, Uruguyan Navy
• Andrew Cruickshank as Captain William Stubbs, SS Doric Star
• John Le Mesurier as the Chaplain of HMS Exeter
• Christopher Lee as Manolo, bar owner in Montevideo harbour
• Edward Atienza as Pop, Mike Fowler's gaucho assistant
• April Olrich as Dolores (singing voice by Muriel Smith)
• Peter Dyneley as Captain John Robison, SS Newton Beech (uncredited)

Cast notes

• Future director John Schlesinger has a small part as a prisoner on board the Graf Spee, as does Captain Patrick Dove of Africa Shell, who is himself portrayed by Bernard Lee.
• Anthony Newley and Donald Moffat have small parts as a radio operator and a lookout. Moffat was making his film debut, as was Jack Gwillim.

Production

The Battle of the River Plate had its genesis in an invitation to Michael Powell and Emeric Pressburger to attend a film festival in Argentina in 1954. They decided they couldn't afford to take the time from their schedules unless it was a working vacation, and used the trip to research the defeat of the Admiral Graf Spee. They came across the "hook" for their story when one of the surviving British naval officers gave Pressburger a copy of Captain Patrick Dove's book I Was A Prisoner on the Graf Spee, which became the basis of the human story of the film. Powell's work on this film was influenced by Noel Coward's film In Which We Serve (1942).

Filming started on 13 December 1955, the sixteenth anniversary of the battle. The HMS Ajax and River Plate Association reportedly sent a message to the producers: "Hope your shooting will be as successful as ours." Location shooting for the arrival and departure of the Graf Spee took place at the port of Montevideo, using thousands of locals as extras. However, the scenes showing Graf Spee sailing from Montevideo were shot in the Grand Harbour at Valetta in Malta, and the launch taking McCall out to HMS Ajax was filmed in Gozo harbour on Malta's northern island.

Two songs written by composer Brian Easdale were used in the film, "Dolores' Song" and "Rio de la Plata". Both were acted by April Olrich as "Dolores", with singing voice dubbed by Muriel Smith.

The film was filmed using VistaVision, a wide screen orthographic process using a horizontal film feed.

Ships used

• Admiral Graf Spee played by heavy cruiser USS Salem
• The supply ship Altmark played by the fleet oiler Olna.
• HMS Ajax flagship, played by HMS Sheffield
• HMS Exeter played by HMS Jamaica
• HMNZS Achilles played by herself (INS Delhi)
• HMS Cumberland played by herself when she joins the British squadron after the battle, (and by HMS Jamaica in the final scenes off Montevideo).
• HMS Birmingham was used for the firing of some of the guns, and to depict the explosions on the foredeck of Exeter, as well as the scene on the deck of Graf Spee showing the flag-draped coffins of dead German sailors laid out for burial .
• HMS Battleaxe was used as a camera ship.

Most of the action of the battle and prior to it takes place on real ships at sea. The producers had the advantage of having elements of the Mediterranean Fleet of the Royal Navy available for their use and USS Salem to play the part of Admiral Graf Spee (although she had the wrong number of main turrets). This meant that they did not have to rely on extensive use of models like most naval war films, although they did make use of a 23-foot model (with details only on the side being shot) in a six-foot-deep tank at Pinewood Studios for scene depicting the scuttling of Admiral Graf Spee, which was assembled from multiple takes from different angles.

In an early scene, it is claimed that the Graf Spee is being disguised by the ship's carpenters – using features such as a false funnel – as an American cruiser, a trick typical of commerce raiders. The U.S. Navy would not allow any Nazi insignia to be displayed on the Salem so the wartime German flag being hoisted and flown was filmed on a British ship. This is also the explanation as to why the crew of the Graf Spee are seen wearing US Navy pattern helmets rather than German "Coal Scuttles" – whilst the film-makers wanted to achieve an accurate impression and use German helmets they were refused permission. This aspect is sometimes described as a "goof" on the part of the film-makers, but was in fact a circumstance beyond their control.

It was remarkable that two of the original ships, HMS Achilles and Cumberland were available for filming fifteen years after the events depicted. Cumberland was a disarmed trials ship without her 8" gun turrets at this time and was refitted with lattice masts, but she is very recognisable as the last of the three-funnelled heavy cruisers to remain in service. (In the final scenes, Jamaica represented Cumberland as one of the British trio waiting off Montevideo).

HMNZS Achilles had been sold to the newly-formed Indian Navy in 1948, becoming the INS Delhi. The flagship HMS Ajax was actually her sister-ship, and would have looked identical to Achilles, while the original HMS Exeter was a two-funnelled half-sister of the Cumberland. HMS Sheffield and HMS Jamaica, which played Ajax and Exeter, had higher superstructures and more guns, which were mounted in triple turrets. Though different from the ships they represented, both these light cruisers saw active service against much more powerful German surface raiders, which makes their participation in this film interesting on a wider level.

In May 1941 HMS Sheffield served as the escort to HMS Ark Royal during the sinking of the battleship Bismarck, and on 31 December 1942, Sheffield and Jamaica jointly attacked and drove off the pocket battleship Lützow (sister ship to the Graf Spee), and the heavy cruiser Admiral Hipper, at the Battle of the Barents Sea, when the Germans attempted to intercept a large convoy to Murmansk. This success by two British light cruisers against two much more powerful warships caused Hitler to lose confidence in his surface forces, and the Germans subsequently relied mainly on U-boats to attack Allied shipping. On 26 December 1943 both Sheffield and Jamaica participated in the sinking of the battleship Scharnhorst at the Battle of North Cape; Sheffield, with Belfast and Norfolk, opened the attack at 09.00; as at the River Plate battle, three cruisers sought to attack a Battleship armed with 11" guns. After a long fight, HMS Jamaica finally sank Scharnhorst with torpedoes at 19.45. In 1944, both Sheffield and Jamaica acted as escorts for the aircraft carriers taking part in a series of attacks on Tirpitz in Norway. Thus the two leading Royal Navy ships of this film played a major part in the campaign against the large German surface raiders which began at the Battle of the River Plate.

Release and reception

When The Battle of the River Plate was completed and screened for executives at the Rank Organisation, it went over so well that it was decided to hold the release of the film for a year, so that it could be chosen as part of the next year's Royal Film Performance (in 1956), since 1955's film had already been selected. The film also performed very well at the box office.

Awards and honours

The Battle of the River Plate was nominated for three BAFTA Awards in 1957, for "Best British Film", "Best British Screenplay" and "Best Film From Any Source".

Book

In 1956, Powell published The Last Voyage of the Graf Spee, also known as Death in the Atlantic, retelling the story of the film.

References

Bibliography

• Christie, Ian. Arrows of Desire: the films of Michael Powell and Emeric Pressburger. London:Faber & Faber, 1994. ISBN 0-571-16271-1. 163pp (illus. filmog. bibliog. index).
• Pope, Dudley. The Battle of the River Plate. London: William Kimber, 1956. 259pp (illus).
• Powell, Michael. A Life in Movies: An Autobiography. London: Heinemann, 1986. ISBN 0-434-59945-X.
• Powell, Michael. Million Dollar Movie. London: Heinemann, 1992. ISBN 0-434-59947-6.

External links

• The Battle of the River Plate at the Internet Movie Database
• The Battle of the River Plate at the British Film Institute's Screenonline. Full synopsis, film stills and clips viewable from UK libraries
• Reviews and articles at the Powell & Pressburger Pages
• Pursuit of the Graf Spee at the TCM Movie Database
• Pursuit of the Graf Spee at AllRovi
• Battle of the River Plate at DVD Beaver