The Lion Has Wings
|The Lion Has Wings|
|Directed by||Michael Powell
Brian Desmond Hurst
Alexander Korda (uncredited)
|Produced by||Alexander Korda
|Written by||Adrian Brunel
|Music by||Richard Addinsell
Orchestrated, Roy Douglas
Direction, Muir Mathieson
Harry Stradling Sr.
|Editing by||Henry Cornelius
Derek N. Twist
|Distributed by||United Artists|
|Release date(s)||3 November 1939 (UK)|
|Running time||76 minutes|
The Lion Has Wings is a 1939 British, black-and-white, documentary-style, propaganda war film. The film was directed by Adrian Brunel, Brian Desmond Hurst, Alexander Korda and Michael Powell. It was produced by London Film Productions and Alexander Korda Film Productions.
The film was made at the outbreak of the Second World War, released to cinemas very quickly, and helped convince the government of the value of film in both the propaganda battle and the dissemination of information.
The film opens with a newsreel style documentary comparing life in Britain to life in Nazi Germany, narrated by E.V.H. Emmett in the upbeat and patriotic narrative style common to such newsreels in Britain. This mainly uses existing newsreel footage with some additional footage shot especially for this film. It includes scenes from Fire Over England with Queen Elizabeth I giving her speech to the troops at Tilbury about repelling invaders. It also compares the relaxed lifestyles and openness of the British Royal Family and the British people with the militarism of Nazi Germany by including footage from Triumph of the Will (Triumph des Willens).
The second chapter shows an early bombing raid on German warships in the Kiel Canal. Although it was mainly recreated in the studio and with special effects, it also includes some footage of the real bombers and their crews returning from the raid.
The epilogue has Mr. and Mrs. Richardson taking a break from their duties, enjoying an afternoon by the river. She gives a stirring speech about how the women of Britain have in the past given their sons and lovers to the land and to the sea and must now give them to the air. But they will do so willingly to defend all that is fair and kind about the British way of life. But Wing Commander Richardson is so tired he falls asleep part way through her speech.
As appearing in screen credits (main roles identified):
|Merle Oberon||Mrs. Richardson|
|Ralph Richardson||Wing Commander Richardson|
|Flora Robson||Queen Elizabeth I (edited from Fire Over England)
|Robert Douglas||Briefing officer|
|Milton Rosmer||Head of Observer Corps|
|Ronald Shiner||a minor role (uncredited)|
|Ronald Adam||Bomber Chief|
|Robert Rendel||Chief of Air Staff|
|John Longden||Unnamed character|
|Archibald Batty||Air Officer|
|Ian Fleming||Unnamed character|
|Charles Carson||Unnamed character|
|John Penrose||Unnamed character|
|Frank Tickle||Unnamed character|
|John Robinson||Unnamed character|
|Derrick De Marney||Bill|
|Carl Jaffe||Unnamed character|
|Gerald Case||Unnamed character|
|Torin Thatcher||Unnamed character|
|Bernard Miles||Observer Controller|
|E.V.H. Emmett||Narrator, UK version (voice)|
|Lowell Thomas||Narrator, US version (voice)|
At the outbreak of war, there were fears that all film production would be halted and cinemas closed, as they were in the First World War. Alexander Korda was close friends with Winston Churchill and was very aware of current events. As soon as war was declared, Korda pulled staff from other productions to fulfill his promise to Churchill that he would have a feature propaganda film ready within one month of the outbreak of war.
Since The Lion Has Wings was made before the attacks on Britain had begun, the film had to rely on existing "stock" footage including sequences lifted from the air raid featurette, The Gap. Contemporary aircraft, many of which were obsolete by 1939, are a noticeable jarring element. The footage of a German bomber taking off is actually a German airliner (Focke-Wulf Fw 200); at least it has the correct markings but most of the aircraft featured in the RAF air show were antiquated biplane fighters. The addition of footage that was shot at operational bases, RAF Hornchurch, Hornchurch, Essex and RAF Mildenhall, Suffolk, England combined with studio work at Denham Studio, Denham, Buckinghamshire, UK, lent an air of authenticity to the production.
In order to ensure rapid progress, the film had three directors and was shot simultaneously in various locations. Michael Powell was assigned the task of recreating the RAF bomber raids and his taut and well-structured section stands up the best, while Brian Desmond Hurst's sequence with Merle Oberon and Ralph Richardson received the most criticism as being forced and obvious. Adrian Brunel, the last of the three credited directors, was responsible for the spy and "crisis" scenes. Powell later remarked that the project was "all shop-made, edited and directed in less than a month."
The speed of production and the multiple directors shows in the final result, "it's not the most elegant of films", but it is an effective "message" film.[neutrality is disputed] It was all shot in 12 days and completed in about four weeks at a cost of just £30,000, a notable achievement in the times. Within days of its release, copies had been shipped to 60 countries. Although it is difficult to determine its actual impact on the public, The Lion Has Wings was considered a significant factor in persuading the British government to allow the film industry to continue to work, and the film was regarded as a model of how filmmakers could be an asset to the war effort.
Like many propaganda films, The Lion Has Wings does not tell the whole truth, but there are many elements of truth in it. The use of radar as a defensive measure was not mentioned since it was still a secret. However, the bombing raids were shown first being reported by spies then confirmed by the Observer Corps, a tactic that was actually occurring as part of the defensive measures. The film also shows Luftwaffe bombers trying to attack London but being completely turned back by barrage balloons which in reality had little effect on the raids. The use of RAF fighters intercepting and attacking enemy bombers at night was not feasible at that point. These errors or misinterpretations added to other lofty claims that Britain had sufficient aircraft in production and was quite ready to fight to counter the overwhelming numbers of Luftwaffe raiders; all purposeful exaggerations intended to bolster morale.
Public reaction was generally reserved, as British audiences saw The Lion Has Wings as patently simplistic and patronizing, yet it was a commercial success. Powell later derided the project as "an outrageous piece of propaganda, full of half-truths and half-lies, with some stagey episodes which were rather embarrassing and with actual facts which were highly distorted..." This marks a great contrast with American propaganda war films, which, if not always acclaimed by critics, were usually wildly successful with the U.S. public (especially those with John Wayne or Errol Flynn).
Author of The Rise and Fall of the Third Reich, William Shirer recounts in his Berlin Diary on 10 June 1940 that he thought the film "very bad, supercilious and silly". He was shown the film at the German Propaganda ministry while working as a CBS Radio news reporter.
- "The Lion Has Wings." allmovie.com. Retrieved: 25 January 2011.
- Johnston and Carter 2002, p. 141.
- "The Lion Has Wings: Full Credits." IMDb. Retrieved: 25 January 2011.
- Powell 1986, pp. 330, 338.
- Powell 1986, p. 335.
- Crook, Steve. "Steve Crook commentary." powell-pressburger.org.Retrieved: 25 January 2011.
- "The Lion Has Wings." IMDb. Retrieved: 25 January 2011.
- Alexander, Lou. "Lion Has Wings, The (1939) Review." screenonline.org.uk. Retrieved: 2 February 2008.
- Aldgate, Anthony and Jeffrey Richards. Britain Can Take it: British Cinema in the Second World War. Edinburgh: Edinburgh University Press, 2nd Edition. 1994. ISBN 0-7486-0508-8.
- Barr, Charles, ed. All Our Yesterdays: 90 Years of British Cinema. London: British Film Institute, 1986. ISBN 0-85170-179-5.
- Dolan, Edward F. Jr. Hollywood Goes to War. London: Bison Books, 1985. ISBN 0-86124-229-7.
- Hardwick, Jack and Ed Schnepf. "A Viewer's Guide to Aviation Movies". The Making of the Great Aviation Films, General Aviation Series, Volume 2, 1989.
- Johnston, John and Nick Carter. Strong by Night: History and Memories of No. 149 (East India) Squadron Royal Air Force, 1918/19 - 1937/56. Tonbridge, Kent, UK: Air-Britain (Historians) Ltd., 2002. ISBN 0-85130-313-7.
- Murphy, Robert. British Cinema and the Second World War. London: Continuum, 2000. ISBN 0-8264-5139-X.
- Michael Powell. A Life in Movies. London: Heinemann, 1986. ISBN 0-434-59945-X.
DVD versions 
This film is available on DVD from:
- DD Home Entertainment coded for Region 2 (UK & Europe)
- Magna Pacific coded for Region 4 (Australasia)
- Criterion as an extra included on their release of The Thief of Bagdad coded for Region 1.
- The Lion Has Wings at AllRovi
- The Lion Has Wings at the BFI Film & TV Database
- The Lion Has Wings at the Internet Movie Database
- The Lion Has Wings reviews and articles at the Powell & Pressburger Pages
- The Lion Has Wings at the TCM Movie Database
- The Lion Has Wings at the British Film Institute's Screenonline. Full synopsis and film stills (and clips viewable from UK libraries).
- www.briandesmondhurst.org - official legacy website of the co-director with filmography including The Lion Has Wings