The Futurological Congress
||This article's plot summary may be too long or excessively detailed. (September 2009)|
|The Futurological Congress|
1st English language edition
|Original title||Ze wspomnien Ijona Tichego Kongres futurologiczny|
|Cover artist||Menten Ted (1st English)|
|Genre||Science Fiction / Black Humour|
|Publisher||Seabury Press (1st English)|
|Published in English||1974|
|Media type||Print ()|
|Dewey Decimal||891.8/537 19|
|LC Classification||PG7158.L39 Z413 1985|
The Futurological Congress (Polish: Kongres futurologiczny) is a 1971 black humour science fiction novel by Stanisław Lem detailing the exploits of the hero of a number of his books, Ijon Tichy, as he visits the Eighth World Futurological Congress at a Hilton Hotel in Costa Rica. The book is Lem's take on the common sci-fi trope of an apparently Utopian future that turns out to be an illusion.
The book opens at the eponymous congress, a light-heartedly grim Malthusian parody of the state of the world. A riot breaks out and the hero, Ijon Tichy, is hit by various psychoactive drugs that were put into the drinking water supply lines by the government to pacify riots. Ijon and a few others escape to the safety of a sewer beneath the Hilton where the congress was being held, and in the sewer he goes through a series of hallucinations and false awakenings which cause him to be confused about whether or not what's happening around him is real. Finally, he believes that he falls asleep and wakes up many years later. The main part of the book follows Ijon's adventures in the future world — a world where everyone takes hallucinogenic drugs, and hallucinations have replaced reality.
Ijon Tichy is sent to the Eighth World Futurological Congress in Costa Rica by Professor Tarantoga. The conference is set to focus on the world's overpopulation crisis and ways of dealing with it. It is held at the Costa Rica Hilton in Nounas, which is 164 stories tall. Lem is fiercely satirical from the start, and absurdities abound at the Hilton with its guaranteed 'BOMB-FREE' rooms and the extravagances of Tichy's suite, which include a palm grove and an 'all-girl orchestra [that] played Bach while performing a cleverly choreographed striptease'.
The conference itself is no less absurd. Papers and presenters are too numerous to allow for full presentations. Instead, papers are distributed in hard copy and speakers call out paragraph numbers to call attention to their most salient points.
In the middle of his first night at the conference, Tichy drinks some tap water in his hotel room, and his wild hallucinogenic trip begins, though it never becomes any more or less absurd than the brief glimpse of reality Lem presents in the beginning of the book (if indeed the congress is meant to be reality). He realizes the next day that the government has drugged the public water supply with "benignimizers", a drug that makes the victim helplessly benevolent. Events spiral out of control at the Hilton, which was already so chaotic that charred corpses from bombing attacks would be covered with tarps where they lay while guests went about their business.
The government ends up bombing the hotel, and Tichy escapes into the sewer where rats walk around on their hind legs. Tichy is evacuated from the scene by the military, but during his rescue the helicopter crashes and he awakes in the hospital, where he finds that his brain has been transplanted into the body of an attractive young black woman.
Protesters attack the hospital, and Tichy is nearly killed again. This time when he wakes up, he finds he has been transplanted into the body of an overweight, red-haired man. Tichy's mental state grows increasingly fragile as he cannot distinguish reality from hallucination, and the medical staff make the decision to freeze him until a time when medicine can help his condition.
He awakes in the year 2039, and at this point, the novel adopts the format of a journal that Tichy keeps to chronicle his experience in this new world. His future shock is so great that he finds he is being introduced to the world in small stages by the medical staff.
In most regards, this future society is Utopian. Money is no object. One can simply go to the bank and request any sum and borrow it interest-free. There is no effort made to collect the debt, either, as most people take a drug that instills a sense of pride and work-ethic, which would disallow defaulting on the debt.
Tichy learns that there is an inherent bias against defrostees, and that there are a great deal of words that he does not understand. Like cityspeak, and many other sci-fi futuristic languages, it is a mishmash of words with clear enough English roots, though Tichy is mystified by it. Also, mood is highly regulated via drugs. Tichy gets involved with a woman, and during an argument, she deliberately takes a drug called recriminol to make her more combative, which prolongs the tiff.
Following their break-up, Tichy becomes deeply disillusioned with the 'psychem' mentality wherein drugs regulate every waking moment of the day. He resolves to stop taking any drugs and confides to his friend, Professor Trottelreiner, that he can't stand this new world. Trottelreiner explains that the everyday drugs that Tichy is tired of are only the tip of the iceberg. Narcotics and hallucinogens are trifles compared to 'mascons', which are so powerful that they mask whole swaths of reality.
Trottelreiner explains, "mascon" derives from mask, masquerade, mascara. By introducing properly prepared mascons to the brain, one can mask any object in the outside world behind a fictitious image—superimposed—and with such dexterity, that the psychemasconated subject cannot tell which of his perceptions have been altered, and which have not. If but for a single instant you could see this world of ours the way it really is—undoctored, unadulterated, uncensored—you would drop in your tracks!"
The Professor then gives Tichy a flask of "up'n'at'm, one of the vigilanimides, a powerful countersomniac and antipsychem agent. A derivative of dimethylethylhexabutylpeptopeyotine". With his first sip of up'n'at'm, Tichy watches as the gilded surroundings of the five-star restaurant they are in evaporates into a dingy concrete bunker and his stuffed pheasant turns into 'the most unappetizing gray-brown gruel, which stuck in globs to my tin — no longer silver — fork'.
But this first dose is just the beginning of Tichy's journey. He sees that people do not drive cars or ride in elevators, but they run in the streets and climb the walls of empty elevator shafts, which explains why everyone in this new world is so out of breath. Robots whip people in the street and protect order. Through successive doses of up'n'at'm, Tichy sees increasingly horrible visions of the world, climaxing in a frozen horrorscape where people sleep blissfully in the snow and the police robots are revealed to be people who are convinced they are robots. The frozen state of the world explains why he has always found the new world to be so cold.
In a state of panic, Tichy realizes that he is "no longer safely inside the illusion, but shipwrecked in reality", and he desperately seeks the seat of power. He ascends in a skyscraper to encounter his acquaintance George P. Symington Esquire, who sits in a modest office and explains to Tichy that he and a few others employ mascons as a way of maintaining order:
"The year is 2098 ... with 69 billion inhabitants legally registered and approximately another 26 billion in hiding. The average annual temperature has fallen four degrees. In fifteen or twenty years there will be glaciers here. We have no way of averting or halting their advance — we can only keep them secret."
"I always thought there would be ice in hell," I said.
Tichy realizes his only course of action and tackles Symington, pushing them both out of the window. They plummet to the earth, but instead of colliding with the frozen ground, Tichy splashes into the black, stinking waters of the sewer beneath the Costa Rica Hilton, where he realizes that it is now the second day of the Eighth World Futurological Congress.
The director of the film The Congress said that some elements of the film were inspired by the novel Futurological Congress in that similarly to Lem's Ijon Tichy, the actress is split between delusional and real mental states.
- The Futurological Congress book page on Stanislaw Lem's official site
- Review at challengingdestiny.com