The Stepford Wives (1975 film)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
The Stepford Wives
Stepfordwivesposter.jpg
Theatrical Poster
Directed by Bryan Forbes
Produced by Edgar J. Scherick
Screenplay by William Goldman
Based on The Stepford Wives 
by Ira Levin
Starring Katharine Ross
Paula Prentiss
Peter Masterson
Nanette Newman
Tina Louise
Patrick O'Neal
Music by Michael Small
Cinematography Enrique Bravo
Owen Roizman
Edited by Timothy Gee
Production
company
Palomar Pictures International
Distributed by Columbia Pictures
Release dates February 12, 1975 (USA)
Running time 115 minutes
Country United States
Language English

The Stepford Wives is a 1975 science fictionthriller film based on the 1972 Ira Levin novel of the same name.[1] It was directed by Bryan Forbes with a screenplay by William Goldman, and stars Katharine Ross, Paula Prentiss, Peter Masterson, Forbes' wife Nanette Newman and Tina Louise.

While the film was a moderate success at the time of release, it has grown in stature as a cult film over the years.[2] Building upon the reputation of Levin's novel, the term "Stepford Wife" has become a popular science fiction concept and several sequels were shot, as well as a remake in 2004 using the same title, but rewritten as a comedy instead of a serious horror and thriller film.[3]


Plot[edit]

Joanna Eberhart (Katharine Ross) is a young wife who moves with her husband Walter (Peter Masterson) and two children from New York City to the idyllic Connecticut suburb of Stepford. Loneliness quickly sets in as Joanna, a mildly rebellious aspiring photographer, finds the women in town all look great and are obsessed with housework, but have few intellectual interests. The men all belong to the clubbish Stepford Men's Association, which Walter joins to Joanna's dismay. Neighbor Carol Van Sant's (Nanette Newman) sexually submissive behavior to her husband Ted, and her odd, repetitive behavior after a car accident also strike Joanna as unusual.

Joanna and Bobbie investigate Stepford.

Things start to look up when she makes friends with another newcomer to town, sloppy, irrepressible Bobbie Markowe (Paula Prentiss). Along with glossy trophy wife Charmaine Wimperis (Tina Louise), they organize a Women's Lib consciousness raising session, but the meeting is a failure when the other wives hijack the meeting with cleaning concerns. Joanna is also unimpressed by the boorish Men's Club members, including intimidating president Dale "Diz" Coba (Patrick O'Neal); stealthily, they collect information on Joanna including her picture, her voice, and other personal details. When Charmaine turns overnight from a languid, self-absorbed tennis fan into an industrious, devoted wife, Joanna and Bobbie start investigating, with ever-increasing concern, the reason behind the submissive and bland behavior of the other wives, especially when they learn they were once quite supportive of liberal social policies.

Spooked, Bobbie and Joanna start house hunting in other towns, and later, Joanna wins a prestigious contract with a photo gallery with some photographs of their respective children. When she excitedly tells Bobbie her good news, Joanna is shocked to find her freewheeling and liberal friend has abruptly changed into another clean, conservative housewife, with no intention of moving from town.

Joanna panics and, at Walter's insistence, visits a psychiatrist to whom she voices her belief that all the men in the town are in a conspiracy of somehow changing the women. The psychiatrist recommends she leave town until she feels safe, but when Joanna returns home, the children are missing. The marriage devolves into domestic violence when Joanna and Walter get into a physical scuffle. In an attempt to find her children, she hypothesizes Bobbie may be caring for them. Joanna, still mystified by Bobbie's behavior, is desperate to prove her humanity but intuitively stabs Bobbie with a kitchen knife. However, Bobbie doesn't bleed or suffer, but instead goes into a loop of odd mechanical behavior, thus revealing the real Bobbie has been replaced by an android.

Despite feeling she may be the next victim, Joanna sneaks into the mansion which houses the Men's Association to find her children. There, she finds the mastermind of the whole operation, Dale "Diz" Coba, and eventually her own robot-duplicate. Joanna is shocked into paralysis when she witnesses its soulless, black, empty eyes. The Joanna-duplicate brandishes a cord and approaches Joanna, suggesting that she is to strangle the real Joanna to death.

Ultimately, the finished Joanna duplicate is seen placidly purchasing groceries at the local supermarket, along with the other "wives"—all wearing similar long dresses, large sun hats and saying little more than hello to each other.

Still images show a very cheerful Walter along with his children in the back of the station wagon, picking up his wife from the supermarket.

Cast[edit]

Joanna's not-yet-finished double.

Production notes[edit]

The film was shot in a variety of towns in Western Connecticut, primarily in Darien, Westport, and Fairfield. Director Bryan Forbes purposefully chose white and bright colors for the setting of the film, attempting to make a "thriller in sunlight". With the exception of the stormy night finale, the film is almost over-saturated with bright light and cheery settings. All the locations were actual places; no sets were built for the film.

Nanette Newman as the archetypal conformist Stepford wife "Carol van Sant". Her casting required a change in the look planned for all the wives.

Tension developed between Forbes and screenwriter Goldman over the casting of Nanette Newman (Forbes's wife) as one of the wives. Goldman had wanted the wives to be depicted as model-like women who dressed provocatively. But after casting Newman this was not to be, as Goldman stated he felt that Newman's physical appearance did not match the type of woman he imagined, and as a result this caused a change in appearance in costuming for all of the other wives. Goldman has said that he found Newman to be a perfectly good actress, however. Goldman was also unhappy with some rewrites that Forbes contributed. In particular, Forbes toned down Goldman's "horrific" ending. Actor Masterson, who was friends with Goldman, would secretly call Goldman for his input on scenes, creating additional stresses.[4]

Goldman later claimed the movie "could have been very strong, but it was rewritten and altered, and I don't think happily."[5]

Casting[edit]

Bryan Forbes met with Diane Keaton about playing the lead role, but she turned it down. When he asked why, she said her analyst did not like the script.[6]

Initially, Joanna Cassidy was cast as Bobbie. When she left after a few weeks of production, her scenes were reshot. Tuesday Weld initially accepted the role of Joanna, but cancelled before filming began.[7]

"Brat Pack" actress Mary Stuart Masterson made her film debut here as one of Joanna's children. Masterson is the daughter of Peter Masterson. Dee Wallace, later known for her role in E.T. the Extra-Terrestrial, appears as Charmaine's maid. Franklin Cover, of the television situation comedy The Jeffersons, also appears in a supporting role. Tina Louise originated the role of Ginger Grant on the TV situation comedy Gilligan's Island. When the actress declined to appear in later incarnations, she was replaced by actress Judith Baldwin, who had a role as one of the minor wives. Baldwin also appeared in a small role in the television sequel The Stepford Children. Kenneth McMillan, who later featured as the evil Baron Harkonnen in David Lynch's 1984 film version of Dune, has a small speaking role in the early part of the film, as the supermarket manager.

Reception[edit]

The Stepford Wives has a 67% fresh rating on Rotten Tomatoes. Some critics deride its leisurely pace. Most applaud the "quiet, domestic" thrills the film delivers in the final third and earlier sections as "clever, witty, and delightfully offbeat".[8] As for the satire in the film, Roger Ebert wrote, "[The actresses] have absorbed enough TV, or have such an instinctive feeling for those phony, perfect women in the ads, that they manage all by themselves to bring a certain comic edge to their cooking, their cleaning, their gossiping and their living deaths."[9]

Initial reaction to the film by feminist groups was not favorable, arguing that it was "anti-woman." Cast and crew vehemently disagree, as the men in the film are characterized as "swinish and grotesque", and the heroine is dispatched in the finale. They maintain that critics misunderstand the premise, that Stepford is a sort of chauvinistic dystopia, and that the depiction of subservient, robotic women is intended as a satirical statement against traditional gender roles. There was a television ad campaign that further fueled the controversy, ending with the words: "See 'The Stepford Wives'...before your husband does."

Awards and nominations[edit]

Academy of Science Fiction, Fantasy, & Horror films

  • Best Actress 1975 — Katherine Ross-Won
  • Best Science Fiction film 1975 — nominated

American Film Institute Films

Sequels[edit]

Many sequels have been produced over the years including:

Parodies and popular culture[edit]

  • Married... with Children, season 11, episode 10, "The Stepford Peg": Peg (Katey Sagal) bumps her head on the coffee table after slipping on a candy wrapper, and becomes a stereotypical housewife thanks to Al (Ed O'Neill) implanting suggestions that she does do housework.
  • The Chronicle, season 1, episode 18: "The Stepford Cheerleaders"
  • Homeboys in Outer Space, season 1, episode 10: "A Man's Place is in the Homey, or The Stepford Guys"
  • Desperate Housewives: In Season 1, Bree Van de Kamp is said to be running for the "mayor of Stepford" because of her perfection.
  • Newhart, season 2, episode 4: "The Stratford Wives"
  • In one episode of Ned's Declassified School Survival Guide there were three "perfect" girls in the class, and Moze thinks they are robots.
  • In an episode of My Hero, Pierce is asked if it is possible to make the Stepford wives a reality.
  • S'Express sampled the line "yes, yes, this, it's wonderful" in their 1989 hit "Hey Music Lover".

References[edit]

  1. ^ Canby, Vincent (February 13, 1975). "The Stepford Wives (1975) Screen: 'Stepford Wives' Assays Suburbia's Detergent Set". The New York Times. 
  2. ^ http://www.theweek.co.uk/uk-news/52924/bryan-forbes-dies-stepford-wives
  3. ^ Scott, A. O. (June 11, 2004). "The Stepford Wives (2004) FILM REVIEW; Married To a Machine". The New York Times. 
  4. ^ The Stepford Wives Behind the scenes documentary
  5. ^ Dennis Brown, Shoptalk, Newmarket Press, 1992 p 70
  6. ^ Bryan Forbes, A Divided Life, Mandarin, 1993 p27
  7. ^ Creating Horror in Connecticut Sunlight Wolf, William. Los Angeles Times (1923-Current File) [Los Angeles, Calif] 11 Aug 1974: q30.
  8. ^ BBC review
  9. ^ Roger Ebert.com
  10. ^ AFI's 100 Years...100 Thrills Nominees
  11. ^ AFI's 10 Top 10 Ballot

External links[edit]