The Taste of Others
| The Taste of Others | |
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 French poster |
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| Directed by | Agnès Jaoui |
| Produced by | Christian Bérard Charles Gassot Jacques Hinstin |
| Written by | Agnès Jaoui Jean-Pierre Bacri |
| Starring | Anne Alvaro Jean-Pierre Bacri Alain Chabat Agnès Jaoui Gérard Lanvin |
| Music by | Jean-Charles Jarrel |
| Cinematography | Laurent Dailland |
| Editing by | Hervé de Luze |
| Distributed by | Pathé |
| Running time | 112 minutes |
| Country | France |
| Language | French |
| Budget | 9 020 000 € |
| Box office | 31 645 040 € |
The Taste of Others (French: Le goût des autres), is a 2000 French film. It was directed by Agnès Jaoui, and written by her and Jean-Pierre Bacri. It stars Jean-Pierre Bacri, Anne Alvaro, Alain Chabat, Agnès Jaoui, Gérard Lanvin and Christiane Millet.
The movie won the César Award for Best Film, Best Supporting Actor, Best Supporting Actress and Best Writing in 2001, and was nominated for an Academy Award for Best Foreign Language Film. It currently ranks fourteenth on Rotten Tomatoes as best reviewed movie, with 100% positive reviews.
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[edit] Plot
Castella (Bacri) owns a steel factory. To conduct a deal with Iranians, he is told he must learn English, so he hires Clara (Alvaro) to teach it to him. His wife, Angelique (Millet), is an interior decorator who is working on Castella's sister's apartment, and loves her dog. They go to the theatre, where their niece is performing in a production of Bérénice, accompanied by his driver, Bruno (Chabat), and his temporary bodyguard, Franck (Lanvin). While there, he sees Clara, who is an actress. Meanwhile, Franck sends Bruno to the bar to buy cigarettes. The barmaid, Manie (Jaoui), remembers having had sex with Bruno, but Bruno regrets that he does not remember her.
After the performance, Clara goes to the bar with her friends, including Antoine and Valerie, and their conversation reveals that she is afraid of never working again; after all, she is forty years old. Bruno, whose fiance is doing an internship in the United States, spends the night with Manie, who it turns out sells drugs on the side, and is frequently visited by clients. Franck meets Manie through Bruno and they start a relationship.
Previously uninterested in theatre, reluctant about going to theatre rather than for a dinner in a restaurant, Castella actually attends with his wife and develops a fascination with Clara's bohemian lifestyle. He alone attends another production she appears in. He joins her and her friends for lunch and attends an art show where he buys a piece. However, his cultural ignorance and general roughness makes him a laughingstock. Clara confides to her friend Manie that he is thick.
Castella's English is poor at first, but he soon makes some progress. He and Clara move the classes from his office to an English tea room, and to mark his progress, he writes a poem dedicated to Clara; however, he is dismayed when she says that she does not share the feelings expressed in the poem. One day she waits at the tea room and he doesn't show up. Bruno practices his flute, which he plays in a band. Later Bruno gently complains to Manie that he does not have any more news from his girlfriend who has gone to the US for an internship, as Manie has now developed an intense love affair with Franck, to the point that they speak of marriage, but Frank reveals himself to be more and more angry regarding Manie's drug dealing, fact she however assumes before him to the point of a clash.
Castella and Angelique are drifting apart, as indicated by how she doesn't like the painting he bought from Clara's artist friend and him not supporting anymore to live in such a doll house. Clara starts to feel that her friends are taking advantage of Castella and tells him. Castella leaves Angelique. Franck's contract finishes, and he decides at the late moment not to engage in any long or short-term relationship with Manie, not ringing at her door and leaving off in his car. Clara lands the lead part in Hedda Gabler and invites Castella to the opening. After seeing an empty chair all night, Clara is overjoyed to see him later in the audience.
[edit] Message
Speaking to Paris Match in 2004 Agnès Jaoui said ; "I detest mono-cultures. The problem of identity is something very complicated with me. I am profoundly secular, but if I were attacked for being Jewish, I would scream. And I want the right to say I violently condemn the politics of Ariel Sharon, even if it's complex. It's the same thing for Jean-Pierre as it is for me, it is the individual who counts. It's the social dimension of characters that interests us, not their roots or their heredity. I detest the notion of the inward looking group. It's this we tried to say in The Taste of Others. Whether it is a religious clan or a group of snobs, it's the same in our eyes. It's the same dogma, the same fundamentalism."
[edit] Awards and nominations
[edit] Won
- European Film Awards
- Best Screenwriter (Jean-Pierre Bacri and Agnès Jaoui)
- Montréal Film Festival
- Grand Prix des Amériques (Agnès Jaoui; tied with Innocence)
[edit] Nominated
- César Awards
- Best Actor – Leading Role (Jean-Pierre Bacri)
- Best Actor – Supporting Role (Alain Chabat)
- Best Actress – Supporting Role (Agnès Jaoui)
- Best Director (Agnès Jaoui)
- Best Editing (Hervé de Luze)
- European Film Awards
- Best Film
- European Discovery of the Year (Agnès Jaoui)
[edit] External links
| Preceded by Venus Beauty Institute |
César Award for Best Film 2001 |
Succeeded by Amélie |
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