Vanessa Beecroft
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| Vanessa Beecroft | |
|---|---|
| Born | April 25, 1969 Genoa, Italy |
| Nationality | Italian |
| Field | Performance, Photography, Drawing, Painting, Sculpture |
Vanessa Beecroft (Genoa, Italy, 1969) is an Italian contemporary artist living in Los Angeles.
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[edit] Artistic practice
Beecroft's work is a fusion of conceptual issues and aesthetic concerns, focusing on large-scale performance art, usually involving live female models (often nude). At her performances, video recordings and photographs are made, to be exhibited as documentation of the performances, but also as separate works of art. The work and her conceptual approach is neither performance nor documentary, but something in between, and closer to Renaissance painting. She sets up a structure for the participants in her live events to create their own ephemeral composition [1]. The performances are existential encounters between models and audience, their shame and their expectations. Each performance is made for a specific location and often references the political, historical, or social associations of the place where it is held. Beecroft’s work is deceptively simple in its execution, provoking questions around identity politics and voyeurism in the complex relationship between viewer, model and context.[2]
Vanessa Beecroft's performances have been described as art, fashion, brilliant, terrible, evocative, provocative, disturbing, sexist, and empowering. The primary material in her work is the live female figure, which remains ephemeral, and separate. These women, mainly unclothed, similar, unified through details like hair color, or identical shoes, stand motionless, unapproachable and regimented in the space while viewers watch them. Neither performance nor documentary, Beecroft's live events are recorded through photography and film, but her conceptual approach is actually closer to painting: she makes contemporary versions of the complex figurative compositions that have challenged painters from the Renaissance onwards. Beecroft's more recent work has a slightly more theatrical approach—the uniforms are period clothing, not nudity, and some of her performances include food, while others have featured men in military attire.
[edit] Performances
Beecroft’s first exhibition was VB01, in Milan, 1993, in which she presented a series of drawings along with the past eight years of her Food Diary. The following year she exhibited in New York for the first time, at the Andrea Rosen Gallery in New York. Later in 1994, VB08 took place at P.S.1 in Long Island City, NY.
More recently, in VB39, 1999 and in VB42, 2000 the artist explored the possibilities of fully male performances with the U.S. Navy in San Diego, CA and with the U.S. Silent Service at the Intrepid in New York, respectively.
Beecroft's performances have taken place at many notable art institutions: VB28 at the Venice Biennale in 1997; VB35 at the Solomon R. Guggenheim Museum, New York in 1998; VB40 at the MCA, Sydney, Australia in 1999; VB43 at the Gagosian Gallery in London in 2000; VB45 at the Vienna Kunsthalle in 2001; VB50 at the São Paulo Bienal, Brazil in 2002; VB52, part of a retrospective show, at the Castello di Rivoli in 2003; VB54 at an exhibit called Terminal 5 at the TWA Flight Center of JFK Airport in 2004, an exhibition that closed abruptly after the building itself was vandalized during an opening party.[3][4][5]
VB55, a recent example, featured one hundred women standing still in Berlin's Neue Nationalgalerie for three hours, each woman oiled from the waist up and wearing nothing but a pair of pantyhose. It was staged in April 2005.
In October 2005, Beecroft staged a performance on the occasion of the opening of the Louis Vuitton store on the Champs-Elysees in Paris[6]. For the same event, Beecroft placed models on the shelves next to Louis Vuitton bags.[7]
VB61, took place in the Pescheria del Rialto [8] in Venice on 8 June 2007. It involved "approximately 30 Sudanese women lying face-down on a white canvas on the ground, simulating dead bodies piled on top of one another" and represented the genocide in Darfur, Sudan[9].
Beecroft’s attempt to adopt Sudanese twins was the topic of the documentary The Art Star and the Sudanese Twins, which was included in the Sundance Film Festival’s World Cinema Documentary Competition.[10]
Her most recent performance, VB65, took place at PAC in Milan in March 2009, and featured a "Last Supper" of African immigrants, legal and illegal, dressed in suits, eating chicken without cutlery.[11]
[edit] Personal
- Born 1969: Genoa, Italy
- 1983 - 1987: Civico Liceo Artistico Nicol Barabino Architettura, Genoa
- 1987 - 1988: Accademia Ligustica Di Belle Arti Pittura, Genoa
- 1988 - 1993: Accademia di Belle Arti, Brera (Stage Design), Milan, Italy
From her marriage to sociologist Greg Durkin she has two sons.[12]
[edit] Exhibitions
Selected Exhibitions
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2009
2008
2007
2006
2005
2004
2003
2002
2001
2000
1999
1998
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1997
1996
1995
1994
1993
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[edit] Bibliography
Vanessa Beecroft: Performances (by V. Beecroft, D. Hickey; Germany, Hatje Cantz, 1999)
Vanessa Beecroft Performances, 1993–2003 (exh. cat. by V. Beecroft, M. Beccaria, et al.; Rivoli, Castello, Mus. A. Contemp., 2003)
Vanessa Beecroft: Photographs, Films, Drawings (exh. cat. by V. Beecroft, T. Kellein; Bielefeld, Städt. Ksthalle, 2004)
Vanessa Beecroft: VB53 (by V. Beecroft et al.; Italy, Charta, 2005)
Vanessa Beecroft: Drawings and Paintings 1993-2007 (exh. cat. by V. Beecroft, Giacinto Di Pietrantonio; Edizioni Electa, 2007)
[edit] External links
- Artist's website
- Vanessa Beecroft at Cosmic Galerie
- Vanessa Beecroft at Deitch Projects
- Vanessa Beecroft at designboom.com
- Vanessa Beecroft- Classic Cruelty
- Review of VB55 by The Guardian
- Las pinturas vivas de Vanessa Beecroft
[edit] References
- ^ Deitch Projects press text
- ^ Francis Summers: "Vanessa Beecroft" Grove Art Online. Oxford University Press, November 16 2007, http://www.groveart.com/
- ^ "Port Authority Shuts Art Exhibit in Aftermath of Rowdy Party". The New York Times, Carol Vogel, October 7, 2004. http://www.nytimes.com/2004/10/07/nyregion/07terminal.html?_r=1&scp=1&sq=%22rachel%20k.%20ward%22&st=cse.
- ^ "A Review of a Show You Cannot See". Designobvserver.com, Tom Vanderbilt, January 14, 2005. http://observatory.designobserver.com/entry.html?entry=2897.
- ^ "Art Exhibition at JFK Airport's TWA Terminal Abruptly Shut Down". Architectural Record, John E. Czarnecki,, October 11, 2004. http://observatory.designobserver.com/entry.html?entry=2897.
- ^ Louis Vuitton :: Louis Vuitton Hosts a Star-Studded Celebration for the Inauguration of Its Champs-Elysees House
- ^ artnet Magazine - PARIS À LA MODE
- ^ Vanessa Beecroft - Pescheria di Rialto, Venezia / Dettaglio articolo / Magazine di arte
- ^ Vanessa Beecroft VB61 Still Death! Darfur Still Deaf?
- ^ Glen Helfand (January 23, 2008), LETTER FROM... More than Movies, ARTINFO, http://www.artinfo.com/news/story/26656/more-than-movies/, retrieved 2008-04-24
- ^ MIART è la mostra internazionale
- ^ Thurman, Judith. Essay: "The Wolf at the Door" in Cleopatra's Nose. New York, Simon and Schuster, 2006.
- ^ Padiglione d'Arte Contemporanea