Jump to content

Huiyen Lallong: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
No edit summary
No edit summary
Line 20: Line 20:
}}
}}
{{Indian martial arts sidebar}}
{{Indian martial arts sidebar}}
'''Thang-ta''' or '''huyen lallong''' is a weapon-based [[Indian martial art]] created by the [[Meitei people|Meitei]] of [[Manipur]]. In the [[Manipuri language]], ''thang'' means sword and ''ta'' means spear, referring to the art's primary weapons. The spear can be used in its non-missile form while in close or thrown from afar. Other weapons include the shield and the axe.
'''Thang-ta''' or '''huyen lallong''' is a weapon-based [[Indian martial art]] created by the [[Meitei people|Meitei]] of [[Manipur]].<ref>[http://www.india-north-east.com/2010/12/thang-ta-martial-art-dance.html Thang Ta - the martial art dance], ''India-north-east.com''</ref> In the [[Manipuri language]], ''thang'' means sword and ''ta'' means spear, referring to the art's primary weapons. The spear can be used in its non-missile form while in close or thrown from afar. Other weapons include the shield and the axe.


Because of [[Manipur]]'s cultural similarity, geographic proximity and ethnic ties with [[Myanmar]], thang-ta is closely related to [[banshay]]. Both can be practiced in three different ways: ritual, demonstration and combat. The first way is related to the tantric practices and is entirely ritualistic in nature. The second way consists of a spectacular performance involving sword and spear dances. These dances can be converted into actual fighting practices. The third way is the true combat application.
Because of [[Manipur]]'s cultural similarity, geographic proximity and ethnic ties with [[Myanmar]], thang-ta is closely related to [[banshay]]. Both can be practiced in three different ways: ritual, demonstration and combat. The first way is related to the tantric practices and is entirely ritualistic in nature. The second way consists of a spectacular performance involving sword and spear dances. These dances can be converted into actual fighting practices. The third way is the true combat application.

Revision as of 08:04, 13 June 2013

Thang-Ta
Also known asHuyen Lalong
FocusWeaponry
Country of originIndiaManipur, India
Olympic sportNo
MeaningSword-spear

Template:Indian martial arts sidebar Thang-ta or huyen lallong is a weapon-based Indian martial art created by the Meitei of Manipur.[1] In the Manipuri language, thang means sword and ta means spear, referring to the art's primary weapons. The spear can be used in its non-missile form while in close or thrown from afar. Other weapons include the shield and the axe.

Because of Manipur's cultural similarity, geographic proximity and ethnic ties with Myanmar, thang-ta is closely related to banshay. Both can be practiced in three different ways: ritual, demonstration and combat. The first way is related to the tantric practices and is entirely ritualistic in nature. The second way consists of a spectacular performance involving sword and spear dances. These dances can be converted into actual fighting practices. The third way is the true combat application.

The earliest record of thang-ta and its sibling Sarit Sarak dates back from the early 17th century. Warriors would arrange to fight one-on-one as a way of settling feuds or disputes. The day before a duel, fighters might eat dinner together. While thang-ta involves using weapons against one or more opponents, Sarit Sarak is the art of fighting empty-handed against armed or unarmed opponents, but on many occasions there is a combined approach to the training of these two systems. Martial arts were banned during the British occupation of the region, but the 1950s saw a resurgence of the traditional fighting systems. Today thang-ta is the most popular of Meitei martial arts,[2] practiced by both men and women. It is most often seen through demonstrations in cultural programs.[2] In recent years thang-ta has been promoted as a sport all over India and also as a self-defence tactical subject. Every year thang-ta competitions are held at school, district, state and national level. The promotion of thang-ta as a sport helped in the cause of its promotion and spread from Manipur to the whole of India, particularly Jammu and Kashmir. Manipur and Jammu & Kashmir are currently the strongest contenders at the national level.

In 2009 Gurumayum Gourakishor Sharma, a leading exponent and teacher of thang-ta, received the high Padma Shri honor award from the Indian Government for his contributions to the preservation and advancement of the art.[3][4]

See also

References

  1. ^ Thang Ta - the martial art dance, India-north-east.com
  2. ^ a b [1] Manipur Page
  3. ^ Manipur martial art guru gets Padmashri, 2009-01-28, retrieved 2009-07-24, ... Gurumayum Gourakishore Sharma, who is well-known for his invaluable contribution in the field of thang-ta, the traditional martial art, has been conferred the prestigious Padmashri award ... {{citation}}: Unknown parameter |newspapere= ignored (help)
  4. ^ "Guru G. Gourakishor, the master of Manipuri martial art form", AndhraNews.net, 2009-04-24, ... Guru G. Gourakishor Sharma was recently conferred the coveted Padamshree award for 2008-2009 to honour his lifetime contribution to Manipuri Martial Art, Thang-Ta ... {{citation}}: |access-date= requires |url= (help)