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Undid revision 920066695 by Gerda Arendt (talk) Hi , this is Tijl Faveyts, i completed the page about me that you created. I hope it is in your interest as well. Thank you so much for creating the page in the first place!
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'''Tijl Faveyts''' <!--(born 17 October 1961)--> is a Belgian operatic [[Bass (voice type)|bass]]. A member of the [[Komische Oper Berlin]], he has performed leading roles such as Mozart's [[The Magic Flute|Sarastro]] and Hunding in Wagner's ''[[Die Walküre]]'' at major opera houses, concert halls and festivals, and made recordings.
'''Tijl Faveyts''' (born 1980) is a Belgian operatic [[Bass (voice type)|bass]].


<br />
⚫
== Career ==

== Early life ==
Born in Belgium, Faveyts studied voice at the [[Royal Conservatory of Brussels]] and the [[University of Music and Performing Arts Vienna]], with Ralf Döring and [[Robert Holl]].<ref name="Flanders" />
Born in Belgium, Faveyts studied voice at the [[Royal Conservatory of Brussels]] and the [[University of Music and Performing Arts Vienna]], with Ralf Döring and [[Robert Holl]].<ref name="Flanders" />


⚫
== Career ==
Faveyts was engaged at the [[Theater St. Gallen]] from 2005 to 2012,<ref name="Minden" /> where appeared in roles such as Don Basilio in Rossini's ''[[Il barbiere di Siviglia]]'', Oroveso in Bellini's ''[[Norma (opera)|Norma]]'', and the Doctor in Alban Berg's ''[[Wozzeck]]''<ref name="Ghent" /> In 2006, he appeared as Sarastro in Mozart's ''[[Die Zauberflöte]]'' at the [[Aix-en-Provence Festival]], conducted by [[Daniel Harding]], which won him international attention.<ref name="Flanders" /> In 2010, he made his U.S. debut as Doctor in ''Wozzeck'' in [[Berkeley, California|Berkeley]], [[Los Angeles]] and New York, with the [[London Philharmonia Orchestra]] conducted by [[Esa-Pekka Salonen]].<ref name="Ghent" />
Faveyts was engaged at the [[Theater St. Gallen]] from 2005 to 2012,<ref name="Minden" /> where appeared in roles such as Don Basilio in Rossini's ''[[Il barbiere di Siviglia]]'', Oroveso in Bellini's ''[[Norma (opera)|Norma]]'', and the Doctor in Alban Berg's ''[[Wozzeck]]''<ref name="Ghent" /> In 2006, he appeared as Sarastro in Mozart's ''[[Die Zauberflöte]]'' at the [[Aix-en-Provence Festival]], conducted by [[Daniel Harding]], which won him international attention.<ref name="Flanders" /> In 2010, he made his U.S. debut as Doctor in ''Wozzeck'' in [[Berkeley, California|Berkeley]], [[Los Angeles]] and New York, with the [[London Philharmonia Orchestra]] conducted by [[Esa-Pekka Salonen]].<ref name="Ghent" />


He moved to the [[Aalto Theatre]] in Essen in 2013, where he appeared as Hunding in Wagner's ''[[Die Walküre]]'' in 2018.<ref name="Schürmann" /> He has been a member of the [[Komische Oper Berlin]] from 2019,<ref name="Minden" /> where his roles include Sarastro, Gremin in Tchaikovsky's ''[[Eugene Onegin (opera)|Jewgeni Onegin]]'' and Sparafucile in Verdi's ''[[Rigoletto]]''.<ref name="KOB" /> His roles also include Osmin in Mozart's ''[[Die Entführung aus dem Serail]]'', Daland in Wagner's ''[[Der fliegende Holländer]]'', Marke in ''[[Tristan und Isolde]]'', Fasolt and Hunding in ''[[Der Ring des Nibelungen]]'', and Orest in ''[[Elektra (opera)|Elektra]]'' by Richard Strauss.<ref name="KOB" />
From 2013 to 2019 he became a member of the Ensemble at the [[Aalto Theatre]] in Essen, where he appeared in roles such as Hunding in Wagner's , ''[[Die Walküre]]'' , Kezal in Smetana's ''[[The Bartered Bride|Die Verkaufte Braut]]'' , Ramfis in Verdi's ''[[Aida]]'' , and Oroveso in Bellini's ''[[Norma]]''.<ref name="Schürmann" /> In 2019 he joined the Ensemble of the [[Komische Oper Berlin]],<ref name="Minden" /> where he will be seen as Sarastro, Gremin in Tchaikovsky's ''[[Eugene Onegin (opera)|Jewgeni Onegin]]'' , Commendatore in Mozart's [[Don Giovanni|Don Govanni]] and Sparafucile in Verdi's ''[[Rigoletto]]''.<ref name="KOB" /> His roles also include Osmin in Mozart's ''[[Die Entführung aus dem Serail]]'', Daland in Wagner's ''[[Der fliegende Holländer]]'', Marke in ''[[Tristan und Isolde]]'', Fasolt and Hunding in ''[[Der Ring des Nibelungen]]'', Don Pasquale in Donizetti's [[Don Pasquale]] , Roi de Trèfle in Prokofiev's [[The Love for Three Oranges|L'amour des trois oranges]], Comte des Grieux in Massenet's [[Manon]] and Orest in ''[[Elektra (opera)|Elektra]]'' by Richard Strauss.<ref name="KOB" />

⚫
From 2015, Faveyts appeared as Fasolt and Hunding in ''[[Der Ring in Minden]]'', Wagner's Ring Cycle at the [[Stadttheater Minden]], given completely in 2019.<ref name="Minden" /><ref name="NW" /><ref name="Schulte" /> A reviewer noted his interpretation as convincingly lyrical in voice and action.<ref name="Molke" /> Hunding is portrayed as a person with a certain social background, not an evil character, with striking low vocal register.<ref name="Molke 2016" /> He sang as a guest at the {{ill|Vlaamse Opera|nl|Koninklijke Vlaamse Opera}} in [[Ghent]],<ref name="Ghent" /> the [[Grand Théâtre de Luxembourg]], [[Theater an der Wien]] in Vienna, [[La Monnaie]] in Brussels, [[Nederlandse Opera Amsterdam|Nederlandse Opera]] in Amsterdam, [[Staatsoper Stuttgart]], [[Semperoper]] Dresden, [[Leipzig Opera|Oper Leipzig]], [[Staatstheater am Gärtnerplatz|Gärtnerplatztheater]] München, [[Theater Bonn]] , [[Cologne Opera|Oper Köln]], Grand Theatre de Geneve, [[National Centre for the Performing Arts (China)|NCPA Beijing]] and the [[Israeli Opera]] in Tel Aviv.<ref name="Flanders" />


He has worked with conductors like [[Kazushi Ōno|Kazushi Ono]], [[Fabio Luisi]], [[Esa-Pekka Salonen]], [[Daniel Harding]], [[Carlo Rizzi (conductor)|Carlo Rizzi,]] [[Antonino Fogliani]], [[Tomáš Netopil|Tomáš Netopi]]<nowiki/>l, [[Frank Beermann]] and [[Marc Albrecht]] and directors like Mariame Clément, [[Kasper Holten]], [[Frank Castorf]], [[Stéphane Braunschweig]], Guy Joosten, [[Vincent Boussard|Vincent Broussard]] and [[Stefan Herheim]]
⚫
From 2015, Faveyts appeared as Fasolt and Hunding in ''[[Der Ring in Minden]]'', Wagner's Ring Cycle at the [[Stadttheater Minden]], given completely in 2019.<ref name="Minden" /><ref name="NW" /><ref name="Schulte" /> A reviewer noted his interpretation as convincingly lyrical in voice and action.<ref name="Molke" /> Hunding is portrayed as a person with a certain social background, not an evil character, with striking low vocal register.<ref name="Molke 2016" /> He sang as a guest at the {{ill|Vlaamse Opera|nl|Koninklijke Vlaamse Opera}} in [[Ghent]],<ref name="Ghent" /> the [[Grand Théâtre de Luxembourg]], [[Theater an der Wien]] in Vienna, [[La Monnaie]] in Brussels, [[Nederlandse Opera Amsterdam|Nederlandse Opera]] in Amsterdam, [[Staatsoper Stuttgart]] and the [[Israeli Opera]] in Tel Aviv.<ref name="Flanders" />


In concert, Faveyts performed at the [[Lincoln Center]]'s Avery Fisher Hall in New York City with the London Philharmonia Orchestra in 2012, repeated at the [[Zellerbach Hall]] in Berkeley and the [[Disney Concert Hall]] in Los Angeles.<ref name="Flanders" /> He also appeared at the [[Wiener Festwochen]], [[Musikverein Vienna]] and [[Concertgebouw]] in Amsterdam, among others.<ref name="Flanders" />
In concert, Faveyts performed at the [[Lincoln Center]]'s Avery Fisher Hall in New York City with the London Philharmonia Orchestra in 2012, repeated at the [[Zellerbach Hall]] in Berkeley and the [[Disney Concert Hall]] in Los Angeles.<ref name="Flanders" /> He also appeared at the [[Wiener Festwochen]], [[Musikverein Vienna]], [[Elbphilharmonie]] Hamburg and [[Concertgebouw]] in Amsterdam, among others, where he performed [[St Matthew Passion|Bach’s “St. Matthew Passion]]” and “[[St John Passion|St. John Passion]]”, Handel’s “[[Messiah (Handel)|The Messiah]]”, Haydn’s “[[The Seasons (Haydn)|Die Jahreszeiten]]”, “[[The Creation (Haydn)|Die Schöpfung]]”,  and Mozart’s “[[Requiem (Mozart)|Requiem]]” .<ref name="Flanders" />


== References ==
== References ==

Revision as of 13:59, 7 October 2019

Tijl Faveyts
Education
Occupation
Organizations
Websitewww.faveyts.info

Tijl Faveyts (born 1980) is a Belgian operatic bass.


Early life

Born in Belgium, Faveyts studied voice at the Royal Conservatory of Brussels and the University of Music and Performing Arts Vienna, with Ralf Döring and Robert Holl.[1]

Career

Faveyts was engaged at the Theater St. Gallen from 2005 to 2012,[2] where appeared in roles such as Don Basilio in Rossini's Il barbiere di Siviglia, Oroveso in Bellini's Norma, and the Doctor in Alban Berg's Wozzeck[3] In 2006, he appeared as Sarastro in Mozart's Die Zauberflöte at the Aix-en-Provence Festival, conducted by Daniel Harding, which won him international attention.[1] In 2010, he made his U.S. debut as Doctor in Wozzeck in Berkeley, Los Angeles and New York, with the London Philharmonia Orchestra conducted by Esa-Pekka Salonen.[3]

From 2013 to 2019 he became a member of the Ensemble at the Aalto Theatre in Essen, where he appeared in roles such as Hunding in Wagner's , Die Walküre , Kezal in Smetana's Die Verkaufte Braut , Ramfis in Verdi's Aida , and Oroveso in Bellini's Norma.[4] In 2019 he joined the Ensemble of the Komische Oper Berlin,[2] where he will be seen as Sarastro, Gremin in Tchaikovsky's Jewgeni Onegin , Commendatore in Mozart's Don Govanni and Sparafucile in Verdi's Rigoletto.[5] His roles also include Osmin in Mozart's Die Entführung aus dem Serail, Daland in Wagner's Der fliegende Holländer, Marke in Tristan und Isolde, Fasolt and Hunding in Der Ring des Nibelungen, Don Pasquale in Donizetti's Don Pasquale , Roi de Trèfle in Prokofiev's L'amour des trois oranges, Comte des Grieux in Massenet's Manon and Orest in Elektra by Richard Strauss.[5]

From 2015, Faveyts appeared as Fasolt and Hunding in Der Ring in Minden, Wagner's Ring Cycle at the Stadttheater Minden, given completely in 2019.[2][6][7] A reviewer noted his interpretation as convincingly lyrical in voice and action.[8] Hunding is portrayed as a person with a certain social background, not an evil character, with striking low vocal register.[9] He sang as a guest at the Vlaamse Opera in Ghent,[3] the Grand Théâtre de Luxembourg, Theater an der Wien in Vienna, La Monnaie in Brussels, Nederlandse Opera in Amsterdam, Staatsoper Stuttgart, Semperoper Dresden, Oper Leipzig, Gärtnerplatztheater München, Theater Bonn , Oper Köln, Grand Theatre de Geneve, NCPA Beijing and the Israeli Opera in Tel Aviv.[1]

He has worked with conductors like Kazushi Ono, Fabio Luisi, Esa-Pekka Salonen, Daniel Harding, Carlo Rizzi, Antonino Fogliani, Tomáš Netopil, Frank Beermann and Marc Albrecht and directors like Mariame Clément, Kasper Holten, Frank Castorf, Stéphane Braunschweig, Guy Joosten, Vincent Broussard and Stefan Herheim

In concert, Faveyts performed at the Lincoln Center's Avery Fisher Hall in New York City with the London Philharmonia Orchestra in 2012, repeated at the Zellerbach Hall in Berkeley and the Disney Concert Hall in Los Angeles.[1] He also appeared at the Wiener Festwochen, Musikverein Vienna, Elbphilharmonie Hamburg and Concertgebouw in Amsterdam, among others, where he performed Bach’s “St. Matthew Passion” and “St. John Passion”, Handel’s “The Messiah”, Haydn’s “Die Jahreszeiten”, “Die Schöpfung”,  and Mozart’s “Requiem” .[1]

References

  1. ^ a b c d e "Tijl Faveyts / Solist - Bass". flandersintheusa.org. Komische Oper Berlin. 2012. Retrieved 5 October 2019.
  2. ^ a b c "Tijl Faveyts". ring-in-minden.de (in German). 2019. Retrieved 5 October 2019.
  3. ^ a b c "Tijl Faveyts". operaballet.be (in Dutch). 2019. Retrieved 5 October 2019.
  4. ^ Schürmann, Martina (21 June 2018). "Tijl Faveyts – Der Mann für die tiefen Tonlagen". Westdeutsche Allgemeine Zeitung (in German). Retrieved 5 October 2019.
  5. ^ a b "Tijl Faveyts / Solist - Bass". komische-oper-berlin.de (in German). Komische Oper Berlin. 2019. Retrieved 5 October 2019.
  6. ^ "Minden / Wie Wagner an die Weser kam: Beifall für "Die Walküre" von Minden". Neue Westfälische (in German). 11 September 2016. Retrieved 5 October 2019.
  7. ^ Schulte, Christoph (12 September 2016). "Wagner-Wunder in der Provinz – "Götterdämmerung" in Minden". Neue Musikzeitung (in German). Retrieved 5 October 2019.
  8. ^ Molke, Thomas (9 September 2015). "Das Rheingold". omm.de (in German). Online Musik Magazin. Retrieved 27 August 2017.
  9. ^ Molke, Thomas (11 September 2016). "Die Walküre". omm.de (in German). Online Musik Magazin. Retrieved 5 October 2019.
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