Art theft

Art theft is the stealing of high-profile art. This is usually done for the purpose of resale or ransom; occasionally thieves are also commissioned by dedicated private collectors. Stolen art is also often used between criminals in an underworld banking system as collateral for drug and weapons deals, or to barter for those items.

File:Munch Scream Thieves 2004.jpg

Masked thieves carrying stolen paintings from the Munch Museum in Oslo, August 2004

Individual theft

Many thieves are motivated by the fact that reasonably valuable art pieces are worth millions of dollars and weigh only a few kilograms, at most. Transportation is also trivial, assuming the thief is willing to inflict some damage to the painting by cutting it off the frame and rolling it up into a tube carrier. While most high-profile museums have extremely tight security, many places hosting multimillion dollar works have disproportionately poor security measures. That makes them susceptible to thefts that are slightly more complicated than a typical smash-and-grab, but with huge payoff. However, because the ownership of high profile art is easily tracked, potential buyers are very hard to find. Typically, a thief will steal a work, only to find out that there are no buyers. For the same reason, the stolen piece cannot be put on display publicly, which essentially defeats the purpose of having it. Unfortunately, while no thief can hope to get the actual value of the stolen work, even as little as 5% of the real value can be worthwhile for the thief. Most art is resold at auction houses; major reputable houses such as Sotheby's or Christie's demand proof of art ownership before listing. Many lost art pieces that become found and sold at auction have later been exposed as forgery or imitation.

A likely scenario in famous art theft is "theft for hire" or similar situations in which buyers have already been found. Some buyers may enjoy possessing famous art secretly. Fossil theft is an easier form of purchase as identification techniques are not as well established as art theft.

State theft, wartime looting and misappropriation by museums

Because antiquities are often regarded by the country of origin as national treasures, there are numerous cases where artworks (often displayed in the acquiring country for decades) have become the subject of highly charged and political controversy. One prominent example is the case of the Elgin Marbles, which were removed from Greece to the British Museum in 1816 by Thomas Bruce, 7th Earl of Elgin. Many different Greek governments have maintained that removal was tantamount to theft.

Similar controversies have arisen over Etruscan, Aztec and Italian artworks, with advocates of the originating countries generally alleging that the removal of artifacts is a pernicious form of cultural imperialism. Yale University's Peabody Museum of Natural History is engaged (as of November 2006) in talks with the government of Peru about possible repatriation of artifacts taken during the excavation of Machu Picchu by Yale's Hiram Bingham.

In 2006, New York's Metropolitan Museum reached an agreement with Italy to return many disputed pieces. The Getty Museum in Los Angeles is also involved in a series of cases of this nature. The artwork in question is of Greek and ancient Italian origin. The museum agreed on 20 November 2006 to return 26 contested pieces to Italy. One of the Getty's signature pieces, a statue of the goddess Aphrodite, is the subject of particular scrutiny.

From 1933 through the end of World War II, the Nazi regime maintained a policy of looting art for sale or for removal to museums in the Third Reich. Hermann Goering, head of the Luftwaffe, personally took charge of hundreds of valuable pieces, generally stolen from Jews and other victims of genocide. Members of the families of the original owners of these artworks have, in many cases, persisted in claiming title to their pre-war property. In 2006, title to the gilt painting Portrait of Adele Bloch-Bauer I, by Austrian artist Gustav Klimt, was restored to Maria Altmann, an heir of the prewar owner. Provenance in this case was easy to establish; Bloch Bauer, the subject of the painting, was Altmann's aunt. Altmann almost immediately sold the painting at auction and it was resold to Ronald Lauder for $135 million. At the time of the latter sale this was the highest known price ever paid for a painting.

Famous cases of art theft

Last Judgment triptych by Memling (1473)

A highlight of Early Netherlandish painting was stolen several centuries prior to the later theft of two panels from the Ghent Altarpiece in 1934: Hans Memling's Last Judgment altarpiece was commissioned in 1467, and was to become the central art piece in a de'Medici chapel in Florence. The ship transporting the painting in 1473 was looted by a "pious" pirate, offering the painting to the Gdansk cathedral. Although authenticity is undoubted, the story is plainly documented, and the now-priceless painting is one of Memling's greatest masterpieces, some catalogues of the painter's work scarcely mention it. Negotiations with the city of Gdansk to restore the theft keep failing. Nonetheless, the triptych was temporarily shown at a Memling exhibition in Bruges, celebrating the 500th anniversary of the painter's death. The case is famous because it allotted the receivers of the stolen goods not only the profit of owning the art work, but also the profit of copyright-like earnings (e.g. when lending it for expositions or photography), without needing to make any expense for hiding its whereabouts, over an extended period.

Gainsborough's The Duchess of Devonshire (1878)

In 1878, burglar Adam Worth stole Gainsborough's The Duchess of Devonshire from London art dealers Agnew & Agnew, which he used to negotiate the release of an accomplice from prison. However, as Worth's friend had already been freed, he demanded a ransom instead, which would finally be negotiated for an undisclosed amount in 1901.

The Mona Lisa (1911)

Perhaps the most famous case of art theft occurred on August 21, 1911, when the Mona Lisa was stolen from the Louvre. French poet Guillaume Apollinaire, who had once called for the Louvre to be "burnt down," came under suspicion; he was arrested and put in jail. Apollinaire pointed to his friend Pablo Picasso, who was also brought in for questioning, but both were later exonerated.

At the time, the painting was believed to be lost forever, and it would be two years before the real thief was discovered. It turned out that Louvre employee Vincenzo Peruggia stole it by simply walking out the door with it hidden under his coat. Peruggia was an Italian patriot who believed da Vinci's painting should be returned to Italy for display in an Italian museum. Peruggia may have also been motivated by a friend who sold copies of the painting, which would skyrocket in value after the theft of the original. After having kept the painting in his apartment for two years, Peruggia grew impatient and was finally caught when he attempted to sell it to the directors of the Uffizi Gallery in Florence; it was exhibited all over Italy and returned to the Louvre in 1913. Peruggia was hailed for his patriotism in Italy and only served a few months in jail for the crime.

Panels from the Ghent Altarpiece (1934)

Two panels of the fifteenth century Ghent Altarpiece, painted by the brothers Jan and Hubert Van Eyck were stolen in 1934, of which only one was recovered shortly after the theft. The other one (lower left of the opened altarpiece, known as De Rechtvaardige Rechters i.e. The Just Judges), has never been recovered, as the presumable thief (Arsène Goedertier), who had sent some anonymous letters asking for ransom, died before revealing the whereabouts of the painting.

Nazi theft and looting of Europe during the Second World War (1939-1945)

The Nazi plundering of artworks was carried out by the Reichsleiter Rosenberg Institute for the Occupied Territories (Einsatzstab Reichsleiter Rosenberg für die Besetzen Gebiete). In occupied France, the Jeu de Paume Art Museum in Paris was used as a central storage and sorting depot for looted artworks from museums and private art collections throughout France pending distribution to various persons and places in Germany. The Nazis confiscated tens of thousands of works from their legitimate Jewish owners. Some were confiscated by the Allies at the end of the war. Many ended up in the hands of respectable collectors and institutions.

Jewish ownership of some of the art was codified into the Geneva conventions.

Quedlinburg medieval artifacts (1945)

In 1945, an American soldier and former art teacher Joe Meador stole 12 medieval artifacts found in a cave near Quedlinburg which had been hidden by local members of the clergy from Nazi looters in 1943.

Returning to the United States, the artifacts remained in Meador's possession until his death in 1980. He made no attempt to sell them. When his older brothers attempted to sell a 9th century manuscript and 16th century prayerbook from Meador's collection in 1996, the two were arrested. However, the charges were dismissed after it was declared the statute of limitations had expired.

Alfred Stieglitz Gallery (1946)

Three paintings by Georgia O'Keeffe were stolen while on display at the art gallery of her husband, Alfred Stieglitz. The paintings were eventually found by O'Keeffe following their purchase by the Princeton Gallery of Fine Arts for $35,000 in 1975.

O'Keeffe sued the Museum for their return and, despite a six-year statute of limitations on art theft, a state appellate court ruled in her favor on July 27, 1979.

University of Michigan (1967)

Sketches by Spanish artist Pablo Picasso and British sculptor Henry Moore, valued at $200,000, were stolen while on display in a travelling art exhibit organized by the University of Michigan. The sketches were eventually found by federal agents in a California auction house on January 24, 1969, although no arrests were made.

Izmur Archaeology Museum (1969)

Various artifacts and other art worth $5 million were stolen from the Izmur Archaeology Museum in Istanbul, Turkey on July 24, 1969 (during which a night watchmen was killed by the unidentified thieves). Turkish police soon arrested a German citizen who, at the time of his arrest on August 1, had 128 stolen items in his car.

Stephen Hahn Art Gallery (1969)

Art thieves stole seven paintings, including works by Cassett, Monet, Pissarro and Rouault, from art dealer Stephen Hahn's Madison Avenue art gallery at an estimated value of $500,000 on the night of November 17, 1969. Ironically, Stephen Hahn had been discussing art theft with other art dealers as the theft was taking place.

Looting of Cypriot Orthodox Churches following the Turkish Invasion of Cyprus

Following the invasion of Cyprus in 1974 by Turkey, and the occupation of the northern part of the island churches belonging to the Cypriot Orthodox Church have been looted in what is described as "…one of the most systematic examples of the looting of art since World War II". Several high profile cases have made headline news on the international scene. Most notable was the case of the Kanakaria mosaics, 6th century AD frescos that were removed from the original church, trafficked to the USA and offered for sale to a museum for the sum of US$20,000,000. These were subsequently recovered by the Orthodox Church following a court case in Indianapolis.

The Gardner Museum (1990)

The largest art theft in U.S. history occurred in Boston on March 18, 1990 when thieves stole 12 paintings, collectively worth $300 million, from the Isabella Stewart Gardner Museum. This included Vermeer's The Concert and three Rembrandts (including his only seascape The Storm on the Sea of Galilee). To date, these paintings have not been recovered, but a reward is still offered for information leading to their return.

Mather Brown's Thomas Jefferson (1994)

While being stored in preparation to be reproduced, the portrait of Thomas Jefferson painted by artist Mather Brown in 1786, was stolen from a Boston warehouse on July 28, 1994. Authorities apprehended the thieves and recovered the painting on May 24, 1996 following a protracted FBI investigation.

Cooperman Art Theft hoax (1999)

In July 1999, Los Angeles ophthalmologist Steven Cooperman was convicted of insurance fraud for arranging the theft of two paintings, a Picasso and a Monet, from his home in an attempt to collect $17.5 million in insurance.

The National Museum of Fine Art (Nationalmuseum), Stockholm, Sweden (2000–2005)

One Rembrandt and two Renoirs were stolen from The National Museum of Fine Art in Stockholm, Sweden, when three armed thieves broke into the museum and were able to flee in a boat moored in front of the museum. By 2001 the police had recovered one Renoir, by March of 2005 they had recovered the second Renoir in Los Angeles and in September they recovered the Rembrandt in sting operation in a Copenhagen hotel.

Stephane Breitwieser - The "Art Collector" (c. 2001)

Stephane Breitwieser admitted to stealing 238 artworks and other exhibits from museums travelling around Europe; his motive was to build a vast personal collection. In January of 2005, Breitwieser was given a 26-month prison sentence. Unfortunately, over 60 paintings, including masterpieces by Brueghel, Watteau, Francois Boucher, and Corneille de Lyon were chopped up by Breitwieser's mother, Mireille Stengel, who appeared to be unaware of the value of the works that she destroyed.

Russborough House (1974, 1986, 2001, 2002)

Russborough House, the Irish estate of the late Sir Alfred Beit, has been robbed four times since 1974.

In 1974, members of the IRA, including Rose Dugdale, bound and gagged the Beits, making off with nineteen paintings worth an estimated £8 million. A deal to exchange the paintings for prisoners was offered, but the paintings were recovered after a raid on a rented cottage in Cork, and those responsible were caught and imprisoned.

In 1986, a Dublin gang lead by Martin Cahill stole eighteen paintings worth an estimated £30 million in total. Sixteen paintings were subsequently recovered, with a further two still missing to this day (2006).

Two paintings worth an estimated £3 million were stolen by three armed men in 2001. One of these, a Gainsborough had been previously stolen by Cahill's gang. Both paintings were recovered in September 2002.

A mere two to three days after the recovery of the two paintings stolen in 2001, the house was robbed for the fourth time, with five paintings taken. These paintings were recovered in December 2002 during a search of a house in Clondalkin.

Frankfurt art theft and "Operation Cobalt" (1994-2003)

Main article: Frankfurt art theft (1994)

Three paintings were stolen from a German gallery in 1994, two of them belonging to the Tate Gallery in London. In 1998, Tate conceived of Operation Cobalt, the secret buyback of the paintings from the thieves. The paintings were recovered in 2000 and 2002, resulting in a profit of several million pounds for Tate, because of prior insurance payments.

Edvard Munch works (1994, 2004, and 2005)

In 1994, Edvard Munch's The Scream was stolen from the National Gallery in Oslo, Norway, and held for ransom. It was recovered later in the year.

On 22 August 2004, another original of The Scream was stolen—Munch painted several versions of The Scream—together with Munch's Madonna. This time the thieves targeted the version held by the Munch Museum, from where the two paintings were stolen at gunpoint and during opening hours. Both paintings were recovered on 31 August 2006. Three men have already been convicted, but the gunmen remain at large. If caught, they could face up to eight years in prison.

On 6 March 2005, three more Munch paintings were stolen from a hotel in Norway, including Blue Dress, and were recovered the next day. On 31 August 2006, 'The Scream' and 'The Madonna' were recovered relatively undamaged.

Saliera

On May 11, 2003, Benvenuto Cellini's Saliera was stolen from the Kunsthistorisches Museum in Vienna, which was covered by a scaffolding at that time due to reconstruction works. On January 21, 2006 the Saliera was recovered by the Austrian police.

Jacob de Gheyn III

Rembrandt's Jacob de Gheyn III has been taken four times, making it the world's most stolen painting.

Relative Value (2007)

Jan Christensen's collage on canvas Relative Value was vandalized and stolen Sunday morning February 25, 2007, from Galleri MGM in Oslo, Norway. The canvas was cut down from the stretchers and taken away from the gallery where the work was on display. The artwork had seen critical attention and stirred debate due to the nature of the work consisting of real bank notes glued onto the canvas.

Sao Paulo Museum of Art (2007)

On December 20, 2007, Pablo Picasso's Portrait of Suzanne Bloch and Candido Portinari's O Lavrador de Cafe was stolen from the Sao Paulo Museum of Art.

Recovery

The Art Loss Register (ALR) [1] was formed in 1991 in London by a partnership of leading international auction houses and art trade associations, the insurance industry, and the International Foundation for Art Research. Its shareholders include Christie's, Sotheby's, Bonhams, Phillips de Pury & Company, and others. It is the world's largest database of stolen art and antiques dedicated to their recovery.

2007 saw the foundation of ARCA, The Association for Research into Crimes against Art. Its Director is Noah Charney, a novelist and a leading expert on the study of art theft; other founding members included the head of Scotland Yard's Arts and Antiquities Squad and several criminologists. ARCA is a nonprofit think tank dedicated principally to raising the profile of art crime (art forgery and [vandalism]], as well as theft) as an academic subject. It also plans to provide free consulting on the prevention of art theft, among a number of other projects dedicated to the prevention of art theft.

In the public sphere, Interpol, the FBI, London's Metropolitan Police, and a number of other law enforcement agencies worldwide maintain "art squads" dedicated to investigating thefts of this nature and recovering stolen works of art.

The portrayal of art theft in popular media

Fictional art thefts are often portrayed in the media as glamorous and exciting. These are often in the category of crime fiction or caper story.

Literature

There is a niche of the mystery genre that is devoted to art theft and forgery.

• Author Iain Pears has a series of novels known as the Art History Mysteries, each of which follows a fictional shady dealing in the art history world
• St. Agatha's Breast by T. C. Van Adler follows an order of monks attempting to track the theft of an early Poussin work
• Chasing Cezanne by Peter Mayle
• The Man Who Stole the Mona Lisa by Robert Noah is a historical fiction speculating as to the motivations behind the actual theft
• Inca Gold by Clive Cussler is a Dirk Pitt adventure about pre-Columbian art theft.
• The Rescue Artist by Edward Dolnick is a detailed account of the recovery of Munch's The Scream after it was stolen from the National Gallery in Oslo in 1994.
• "The Day They Stole the Mona Lisa" by Seymour Reit is also concerned with the theft of the Mona Lisa in 1911

Film

There is some overlap with the crime genre of film, but usually feature complicated heist plots and visually exciting getaway scenes. In many of these movies, the stolen art piece is a MacGuffin.

• In the 1999 remake of The Thomas Crown Affair, the title character is a stylish, debonair playboy who steals art for amusement rather than for the money. The 1968 Thomas Crown film arranges the theft of cash from banks, not art.
• Once a Thief (1991), directed by John Woo, follows a trio of art-thieves in Hong Kong who stumble across a valuable cursed painting.
• In Two if by Sea (1996), the main characters are attempting to unload a valuable painting and lead a normal life.
• In Entrapment (1999), an insurance agent is persuaded to join the world of art theft by an aging master thief.
• Ocean's Twelve (2004) involves a competition to steal a Faberge egg
• The Doctor Who episode City of Death features a plot to steal The Mona Lisa. Then because the aliens have time travel technology, they have Da Vinci make 11 more identical versions. They can sell their 12 original versions to 12 buyers, each in secret from the others. The plot is foiled when the Doctor writes "This is a fake" in felt tip pin on the additional canvases before they are started. It would show up on any scan. However, all are lost in a fire save one, one with the markings underneath. In that storyline, the world unknowingly is left with an original fake Mona Lisa, with modern writing underneath the paint.

See also

• List of artworks with contested provenance
• Kempton Bunton, the alleged thief of Goya's Portrait of the Duke of Wellington.
• Nazi Plunder

External links

• Rotten.com History of Art Theft
• FBI art theft Program
• Memoirs of top FBI Art Theft investigator Thomas McShane
• YourBrushWithTheLaw.com - Promotion in Art Theft Awareness
• Search for the World's Most Wanted Art
• Ghent Altarpiece search page
• Greatest heists in art history (BBC)
• Observatory for Protection of Cultural Patrimony(OPCP)
• Project for the Documentation of Wartime Cultural Losses - Website of the Cultural Property Research Foundation, Inc.
• "Madrid 'mislays' Serra sculpture" at BBC News, 19 January 2006
• ARCA website, with some additional information n the subject as a whole
• Homepage of the FBI's Art Theft program
• Investigating Stolen Art-The Reason Why by Richards Ellis of AXA 2005