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|Years_active = 1962–1969, 1977, 1983/1984
|Years_active = 1962–1969, 1977, 1983/1984
|Label = [[Columbia Graphophone]], <br>[[Decca Records|Decca]], <br>[[MGM Records|MGM]]
|Label = [[Columbia Graphophone]], <br>[[Decca Records|Decca]], <br>[[MGM Records|MGM]]
|URL =[http://members.aol.com/TheAnimalsSite/ members.aol.com/TheAnimalsSite]
|Current_members =
|Current_members =
|Past_members = ''The (Original) Animals (1962-1966)''<br>[[Eric Burdon]] <small>(lead voc)</small><br>[[Alan Price]] <small>(key)</small><br>[[Chas Chandler]] <small>(bass)</small><br>[[Hilton Valentine]] <small>(guitar)</small><br>[[John Steel (drummer)|John Steel]] <small>(drums)</small><br>[[Dave Rowberry]]<br>[[Barry Jenkins]]<br>--<br>''Eric Burdon and The (New) Animals (1966-1968)''<br>Eric Burdon<br>[[John Weider]]<br>[[Vic Briggs]]<br>[[Zoot Money]]<br>[[Andy Summers]]<br>[[Danny McCulloch]]<br>[[Barry Jenkins]]
|Past_members = ''The (Original) Animals (1962-1966)''<br>[[Eric Burdon]] <small>(lead voc)</small><br>[[Alan Price]] <small>(key)</small><br>[[Chas Chandler]] <small>(bass)</small><br>[[Hilton Valentine]] <small>(guitar)</small><br>[[John Steel (drummer)|John Steel]] <small>(drums)</small><br>[[Dave Rowberry]]<br>[[Barry Jenkins]]<br>--<br>''Eric Burdon and The (New) Animals (1966-1968)''<br>Eric Burdon<br>[[John Weider]]<br>[[Vic Briggs]]<br>[[Zoot Money]]<br>[[Andy Summers]]<br>[[Danny McCulloch]]<br>[[Barry Jenkins]]

Revision as of 19:52, 21 January 2008

This article is about the musical group. For information about the biological kingdom of living organisms see animal.
The Animals

The Animals were an English music group of the 1960s that was part of the British Invasion. Known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song "House of the Rising Sun", the band balanced tough, rock-edged pop singles against rhythm and blues-oriented album material. The Animals underwent numerous personnel changes and emerged as an exponent of psychedelic rock before dissolving at the end of the decade.

History

First incarnation

Formed in Newcastle-upon-Tyne during 1962 and 1963 when Burdon joined the existing Alan Price Rhythm and Blues Combo, the original line-up comprised Eric Burdon (vocals), Alan Price (organ and keyboards), Hilton Valentine (guitar), John Steel (drums), and Bryan "Chas" Chandler (bass).

They were dubbed "animals" because of their wild stage act and the name stuck. [1] The Animals' moderate success in their hometown and a connection with Yardbirds manager Giorgio Gomelsky motivated them to move to London in 1964, in time to be grouped with the British Invasion. They performed fiery versions of the staple rhythm and blues repertoire (Jimmy Reed, John Lee Hooker, Nina Simone, etc). Signed to the Columbia Graphophone subsidiary of EMI, a rocking version of the standard "Baby Let Me Follow You Down" (retitled "Baby Let Me Take You Home") was their first single. It was followed in June 1964 by the huge transatlantic hit "House of the Rising Sun". Burdon's howling vocals and the dramatic arrangement created arguably the first folk rock hit. Whether the arrangement was inspired by Bob Dylan's version of the song (which in turn was inspired by folk singer Dave Van Ronk) or by blues singer Josh White's (who recorded it twice in 1944 and 1949) or by singer/pianist Nina Simone (who recorded it in 1962 on Nina at the Village Gate, predating Dylan's interpretation) remains a subject of dispute, as does whether all five Animals deserved credit for the arrangement and not just Price.

The Animals' two-year chart career, masterminded by producer Mickie Most, featured singles that were intense, gritty pop covers such as Sam Cooke's "Bring It On Home To Me" and the Nina Simone number "Don't Let Me Be Misunderstood". In contrast their album tracks stayed with rhythm and blues, with Hooker's "Boom Boom" and Ray Charles' "I Believe to My Soul" being notable examples. Burdon's powerful, deep voice and the use of keyboards as much or more than guitars were two elements that made the Animals' sound stand out.

By May 1965 the group was starting to feel internal pressures. Price left due to personal and musical differences as well as a fear of flying on tour;[2] he went on to a successful career as a solo artist and with the Alan Price Set. Mickey Gallagher filled in for him on keyboards for a spell, until Dave Rowberry replaced him and was on hand for the hit working-class anthems "We Gotta Get Out of This Place"[3] and "It's My Life". Around that time, an Animals Big Band even made a one-time appearance.[4]

Many of The Animals' hits had come from Brill Building songwriters recruited by Most; the group, and Burdon in particular, felt this was too restrictive. As 1965 ended the group switched to Decca Records and producer Tom Wilson, who gave them more artistic freedom. In early 1966 MGM Records, their American label, collected their hits onto The Best of The Animals; it became their best-selling album in the U.S. In February 1966 Steel left and was replaced by Barry Jenkins; a leftover cover of Goffin-King's "Don't Bring Me Down" was the last hit as The Animals.

By this time their business affairs "were in a total shambles," according to Chandler (who would go on to manage Jimi Hendrix), and the group disbanded. Even by the standards of the day, when artists tended to be financially naïve, the Animals made very little money from their successes, eventually claiming mismanagement and theft on the part of their manager Michael Jeffery.

Second incarnation

A group with Burdon, Jenkins, and new sidemen John Weider (guitar/violin/bass), Vic Briggs (guitar/piano), and Danny McCulloch (bass) was formed under the name Eric Burdon and the Animals (or sometimes called Eric Burdon and the New Animals) in October 1966, and changed direction. The hard-driving blues was transformed into Burdon's version of psychedelia, as the former heavy-drinking Geordie (who later said he could never get used to Newcastle, "where the rain comes at you sideways") relocated to California and became a spokesman for the Love Generation.

Some of this group's hits included "San Franciscan Nights"[5], "Monterey" (a tribute to the 1967 Monterey Pop Festival), and the anti-war "Sky Pilot". There were further changes to this line-up: George Bruno (a/k/a Zoot Money, keyboards) was added in April 1968, and in July 1968 Andy Summers (guitar)—later of The Police—replaced Briggs and McCulloch.

By 1969 these Animals had dissolved, and Eric Burdon joined forces with a Latin group from Long Beach, California called War.

Reunions of first incarnation

The original Animals line-up of Burdon, Price, Valentine, Chandler, and Steel briefly reunited for a benefit concert in Newcastle in 1968, then for an album in 1977 aptly called Before We Were So Rudely Interrupted. The album received critical praise but there was no record company tour or promotion behind it. The original Animals reunited yet again in 1983 for the album Ark and a tour, supplemented by Zoot Money on keyboards and Steve Grant on guitar. Chandler died in 1996, putting an end to the full original line-up.

Later incarnations

During the 1990s and 2000s there have been several groups calling themselves Animals in part:

  • In 1993 Hilton Valentine formed the Animals II and was joined by John Steel in 1994 and Dave Rowberry in 1999. Other members of this version of the band include Steve Hutchinson, Steve Dawson and Martin Bland. From 1999 until Valentine's departure in 2001 the band toured as The Animals.
  • After Valentine left these Animals in 2001, Steel and Rowberry continued on as Animals and Friends with Peter Barton, Jim Rodford and John Williamson. When Rowberry died in 2003, he was replaced by Mickey Gallagher (who had briefly replaced Alan Price in 1965). Animals and Friends is still around and frequently plays gigs on a Color Line ship that travels between Scandinavia and Germany.
  • In the 1990s Danny McCulloch, from the later-1960s Animals released several albums as The Animals, despite the fact that this group contained no original band members. The albums contained covers of some original Animals songs as well as new ones written by McCulloch.
  • Eric Burdon reformed the Animals with a new backing band in 1998 as Eric Burdon and the New Animals. Members of this new group included Dean Restum, Dave Meros, Neal Morse and Aynsley Dunbar. Martin Gerschwitz replaced Morse in 1999 and Dunbar was replaced by Bernie Pershey in 2001. In 2003 the band started touring as Eric Burdon and the Animals.

Legacy

The original Animals were inducted into the Rock and Roll Hall of Fame in 1994. Their influence can be heard in artists as varied as The Doors, Joe Cocker, Frijid Pink, The Chocolate Watchband, Bruce Springsteen, Tom Petty & The Heartbreakers, Janis Joplin, David Johansen, and Fine Young Cannibals. In 2003, the band's version of "House of the Rising Sun" ranked number 122 on Rolling Stone magazine's 500 Greatest Songs of All Time list.

Discography

References

  1. ^ Making Time The Animals, accessed 02/11/07
  2. ^ Making Time The Animals, accessed 02/11/07
  3. ^ An iconic song which was used in Dennis Potter's Stand Up, Nigel Barton and in Our Friends in the North, adopted as an anthem by American troops in Vietnam, and later used, applied to the Iraq War, in Michael Moore's Fahrenheit 9/11
  4. ^ The Animals put together a big band to play at the 5th Annual British Jazz & Blues Festival in Richmond. The Animals Big Band made their one-and-only public appearance on August 5, 1965. As well as Burdon, Rowberry, Valentine, Chandler, and Steel, it featured a brass/horn section made up of Mike Carr, Kenny Wheeler and Greg Bown on trumpets, and Stan Robinson, Al Gay, Dick Morrissey and Paul Carroll on saxes.
  5. ^ Which, as writer Lester Bangs wrote in 1980, Burdon "inexplicably thought were warm". Nighttime weather in San Francisco—even in mid-summer—seldom exceeds 60 °F (16 °C) or 15 degrees Celsius[citation needed].

Literature

  • Program notes by Keith Altham Publicity, The Animals 1983 reunion tour
  • Burdon, Eric (1986). I Used to Be an Animal, but I'm All Right Now. Faber and Faber. ISBN 0-571-13492-0.

External links