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Jones secured a record deal with [[Island Records]] in 1977, which resulted in a string of dance-club hits and a large [[gay]] following. The three disco albums she recorded—''[[Portfolio (Grace Jones album)|Portfolio]]'' (1977), ''[[Fame (album)|Fame]]'' (1978), and ''[[Muse (Grace Jones album)|Muse]]'' (1979)—generated considerable success in that market. These albums consisted of pop melodies set to a disco beat, such as "All on a Summer's Night", "[[On Your Knees (Grace Jones song)|On Your Knees]]" and "[[Do Or Die (Grace Jones)|Do or Die]]," and standards such as "What I Did for Love" from musical ''[[A Chorus Line]]'', [[Jacques Prévert]]'s "[[Autumn Leaves (song)|Autumn Leaves]]", "[[Send in the Clowns]]" from [[Stephen Sondheim]]'s ''[[A Little Night Music]]'' and [[Edith Piaf]]'s signature tune "[[La vie en rose]]".
Jones secured a record deal with [[Island Records]] in 1977, which resulted in a string of dance-club hits and a large [[gay]] following. The three disco albums she recorded—''[[Portfolio (Grace Jones album)|Portfolio]]'' (1977), ''[[Fame (album)|Fame]]'' (1978), and ''[[Muse (Grace Jones album)|Muse]]'' (1979)—generated considerable success in that market. These albums consisted of pop melodies set to a disco beat, such as "All on a Summer's Night", "[[On Your Knees (Grace Jones song)|On Your Knees]]" and "[[Do Or Die (Grace Jones)|Do or Die]]," and standards such as "What I Did for Love" from musical ''[[A Chorus Line]]'', [[Jacques Prévert]]'s "[[Autumn Leaves (song)|Autumn Leaves]]", "[[Send in the Clowns]]" from [[Stephen Sondheim]]'s ''[[A Little Night Music]]'' and [[Edith Piaf]]'s signature tune "[[La vie en rose]]".


During this period, she also became a muse to [[Andy Warhol]], who photographed her extensively. <ref>[http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=133858 J. Paul Getty Museum, Grace Jones, photography:Andy Warhol]</ref> <ref>[http://evilmonito.com/2009/01/29/grace-jones-is-back/ Evilmonito.com, Grace Jones interview on Andy Warhol 2009-01-29]</ref> Jones also accompanied him to [[New York City]] nightclub [[Studio 54]] on many occasions.
During this period, she also became a muse to [[Andy Warhol]], who photographed her extensively. <ref>[http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=133858 J. Paul Getty Museum, Grace Jones, photography:Andy Warhol]</ref> <ref>[http://evilmonito.com/2009/01/29/grace-jones-is-back/ Evilmonito.com, Grace Jones interview on Andy Warhol 2009-01-29]</ref> Jones also accompanied him to [[New York City]] nightclub [[Studio 54]] on many occasions. The colorful artwork and design for Jones' three first albums and accompanying single releases were created by another of Warhol's longtime collaborators, Richard Bernstein, arguably best known for his many cover illustrations for ''[[Interview (magazine)|Interview Magazine]]'' in the 70s and early 80s. <ref>[http://www.observer.com/node/46693 New York Observer, November 3 2002, ''Richard Bernstein 1939-2000'']</ref>


Toward the end of the 1970s, Jones adapted the emerging [[New Wave music]] to create a different style for herself. Still with Island, and now working with producers [[Chris Blackwell]], [[Alex Sadkin]] and the [[Compass Point All Stars]], she released the acclaimed albums ''[[Warm Leatherette (album)|Warm Leatherette]]'' (1980) and ''[[Nightclubbing]]'' (1981). These included re-imaginings of songs by [[Sting (musician)|Sting]] ("[[Demolition Man (song)|Demolition Man]]"), [[Iggy Pop]] and [[David Bowie]] ("Nightclubbing"), [[Smokey Robinson]] ("[[The Hunter Gets Captured by the Game]]"), [[The Pretenders]] ("[[Private Life]]"), [[Roxy Music]] ("[[Love Is the Drug]]"), [[Flash and the Pan]] ("[[Walking in the Rain]]", [[The Normal]] ("Warm Leatherette"), [[Ástor Piazzolla]] ("[[I've Seen That Face Before (Libertango)]]"), and [[Tom Petty]] ("[[Breakdown (Tom Petty and the Heartbreakers song)|Breakdown]]").
Toward the end of the 1970s, Jones adapted the emerging [[New Wave music]] to create a different style for herself. Still with Island, and now working with producers [[Chris Blackwell]], [[Alex Sadkin]] and the [[Compass Point All Stars]], she released the acclaimed albums ''[[Warm Leatherette (album)|Warm Leatherette]]'' (1980) and ''[[Nightclubbing]]'' (1981). These included re-imaginings of songs by [[Sting (musician)|Sting]] ("[[Demolition Man (song)|Demolition Man]]"), [[Iggy Pop]] and [[David Bowie]] ("Nightclubbing"), [[Smokey Robinson]] ("[[The Hunter Gets Captured by the Game]]"), [[The Pretenders]] ("[[Private Life]]"), [[Roxy Music]] ("[[Love Is the Drug]]"), [[Flash and the Pan]] ("[[Walking in the Rain]]", [[The Normal]] ("Warm Leatherette"), [[Ástor Piazzolla]] ("[[I've Seen That Face Before (Libertango)]]"), and [[Tom Petty]] ("[[Breakdown (Tom Petty and the Heartbreakers song)|Breakdown]]").

Revision as of 21:08, 28 January 2010

Grace Jones

Grace Jones (born Grace Mendoza, May 19, 1948)[1] is a Jamaican-American singer, model, and actress.

Biography

Early life

Jones was born in Jamaica, the daughter of Marjorie and Robert W. Jones, who was a politician and Apostolic clergyman.[3][4][5] Her parents took Grace and her brother Randy to relocate to Syracuse, New York in 1965. Before becoming a successful model in New York City and Paris, Jones studied theater at Onondaga Community College.

Musical career

Jones secured a record deal with Island Records in 1977, which resulted in a string of dance-club hits and a large gay following. The three disco albums she recorded—Portfolio (1977), Fame (1978), and Muse (1979)—generated considerable success in that market. These albums consisted of pop melodies set to a disco beat, such as "All on a Summer's Night", "On Your Knees" and "Do or Die," and standards such as "What I Did for Love" from musical A Chorus Line, Jacques Prévert's "Autumn Leaves", "Send in the Clowns" from Stephen Sondheim's A Little Night Music and Edith Piaf's signature tune "La vie en rose".

During this period, she also became a muse to Andy Warhol, who photographed her extensively. [6] [7] Jones also accompanied him to New York City nightclub Studio 54 on many occasions. The colorful artwork and design for Jones' three first albums and accompanying single releases were created by another of Warhol's longtime collaborators, Richard Bernstein, arguably best known for his many cover illustrations for Interview Magazine in the 70s and early 80s. [8]

Toward the end of the 1970s, Jones adapted the emerging New Wave music to create a different style for herself. Still with Island, and now working with producers Chris Blackwell, Alex Sadkin and the Compass Point All Stars, she released the acclaimed albums Warm Leatherette (1980) and Nightclubbing (1981). These included re-imaginings of songs by Sting ("Demolition Man"), Iggy Pop and David Bowie ("Nightclubbing"), Smokey Robinson ("The Hunter Gets Captured by the Game"), The Pretenders ("Private Life"), Roxy Music ("Love Is the Drug"), Flash and the Pan ("Walking in the Rain", The Normal ("Warm Leatherette"), Ástor Piazzolla ("I've Seen That Face Before (Libertango)"), and Tom Petty ("Breakdown").

Both albums however also included a few tracks co-written by Jones herself, such as "A Rolling Stone", "Feel Up" and, most notably, the post-disco dance track "Pull Up to the Bumper" which went on to spend seven weeks at #2 on the U.S. Billboard Hot Dance Club Play chart as well as becoming a Top 5 single on the U.S. R&B chart when released as a single in the fall of 1981. [9] In the UK, Nightclubbing claimed the number one slot on music magazine New Musical Express' Album of the Year listing. [10]

Parallel to her musical shift was an equally dramatic visual makeover, created in partnership with stylist Jean-Paul Goude, with whom she had a son. Jones adopted a severe, androgynous look, with square-cut hair and angular, padded clothes. The cover photographs of Nightclubbing and, subsequently, Slave to the Rhythm (1985) exemplified this new identity. To this day, Jones is known for her unique look at least as much as she is for her music. Her collaboration with Blackwell, Sadkin and the Compass Point All Stars continued with the dub reggae–influenced album Living My Life, which featured the self-penned "My Jamaican Guy", sung in patois.

In the mid-1980s, she worked with Trevor Horn for the conceptual musical collage Slave to the Rhythm and with producer Nile Rodgers for Inside Story (1986)—her first album after leaving the Island Records label. The well-received Slave to the Rhythm consisted of several re-workings of the title track (the single of which hit Number 12 in the UK), while Inside Story produced her last Billboard Hot 100 hit to date, "I'm Not Perfect (But I'm Perfect For You)," one of several songs she co-wrote with Bruce Woolley.[11] Bulletproof Heart (1989) spawned the Number 1 U.S. Hot Dance Club Play hit "Love on Top of Love (Killer Kiss)", produced by C+C Music Factory's David Cole and Robert Clivilles.

Although she has yet to become a truly mainstream recording artist in the United States (with the exception of her featured work on the Arcadia hit single "Election Day"), much of her musical output is still popular on the Billboard's Hot Dance Club Play and Hot Dance Airplay charts, and many of her songs are regarded as classics to this day. Jones was able to find mainstream success in the United Kingdom, scoring a number of Top 40 entries on the UK Singles Chart. To date, she has officially released 49 commercial and/or promotional singles (not including re-releases), including several non-album tracks.

Voice

Grace Jones is a contralto vocalist.[2] Although her image became more notable than her voice, she is in fact a highly stylized vocalist. She sings in two modes—in her monotone speak-sing as in songs such as "Private Life," "Walking in the Rain," and "The Apple Stretching"; and in an almost-soprano mode in songs such as "La Vie en Rose" and "Slave to the Rhythm."[12] She contributed significant vocals to Arcadia's 1985 hit single, "Election Day," from the album So Red the Rose, as well as to their subsequent single "The Flame."

Style and image

Grace Jones's striking appearance, height (5'10½" or 1.79 m), and manner influenced the cross-dressing movement of the 1980s, such as Annie Lennox. She would also exemplify the "Flat Top" hairstyle in many of her concerts in the 1970s, which would become popular among black men in the 1980s. Her first album cover to feature this hairstyle was 1980's Warm Leatherette.

Jones maintained both recording and acting careers, although her acting often overshadowed her musical output; except in Europe where her profile as a recording artist was much higher. Her strong visual presence was an advantage for her music videos and concert tours. In her concert performances, she adopted various personas and wore outlandish costumes, particularly during her years with Goude. One such performance was at the Paradise Garage in 1985, for which she collaborated with visual artist Keith Haring for her costume. Haring painted her body in tribal patterns and fitted her with wire armor.[13] The muralist also painted her body for the video to "I'm Not Perfect (But I'm Perfect for You)."

Recent career

Jones recorded two albums during the 1990s, but they remain unreleased thus far—in 1994, she was due to release an electro album titled Black Marilyn with artwork featuring the singer as Marilyn Monroe; in 1998, she was scheduled to release an album entitled Force of Nature[citation needed]. A white label 12" single featuring two dance mixes of "Hurricane (Cradle to the Grave)" was released; a slowed-down remix of this song became the title track of her album released in 2008. Also in 1998, she sang the title track for the film remake of the cult TV series The Avengers. The song "Storm" was written and produced by Bruce Woolley, Chris Elliott, and Marius DeVries and was performed with The Radio Science Orchestra.

In 2000, Jones cut "The Perfect Crime," an up-tempo song for Danish TV written by the composer duo Floppy M. On May 28, 2002, Jones performed onstage with Italian opera tenor Luciano Pavarotti during Pavarotti's annual "Pavarotti and Friends" concert to support the United Nations refugee agency's programs for Angolan refugees in Zambia. Together they performed the aria "Pourquoi me réveiller?" from Jules Massenet's opera Werther. The concert was held in Modena, Italy, and Jones and Pavarotti were accompanied by the 70-strong Orchestra Sinfonica Italiana, conducted by Jose Molina.[14]

In November 2004, Jones sang her hit "Slave to the Rhythm" at a tribute concert for record producer Trevor Horn at London's Wembley Arena. She received rave reviews, despite having been absent in the music scene for some time. [15] [16] In February 2006, Jones was the celebrity runway model for Diesel's show in New York.

On October 20, 2006, the 3 CD compilation The Ultimate Collection was released in Europe by Universal Music's Dutch subsidiary CCM.

On November 3, 2006, Jones took part in a gathering of people sharing the surname, performing "Slave to the Rhythm" and "Pull up to the Bumper" to a large crowd of Joneses. 1,224 people were gathered that day at the Wales Millennium Centre in Cardiff, breaking the previous record for the largest surname-based gathering.[17]

Producer Ivor Guest confirmed that Jones had completed recording of her new album in 2007.[18] Jones revealed in an interview regarding her collaboration with Guest, "...we had a creative chemistry and the music flowed. We remain great friends and have created 23 tracks, of which the rest will form the next album."[19] Nick Hooker has directed the first video from the upcoming album.[20] Other participants on the new album include the original Compass Point All Stars lineup, i.e. Sly and Robbie, Barry Reynolds, Mikey Chung, Sticky Thompson and Wally Badarou, joined by Brian Eno, Bruce Woolley, Tricky, and Tony Allen.[21] In April 2007, Version2 listed "Corporate Cannibal" as the new video directed by Nick Hooker for Grace Jones.[22] On June 22, 2007, Jones performed in Copenhagen at Tivoli Gardens theme park. Tivoli's Web site mentioned the title of her new album as Corporate Cannibal, without confirming a release date.[23]

Jones was part of the lineup for Massive Attack's Meltdown at the Southbank Centre in London, taking place from June 14–22, 2008. Jones received positive reviews across many UK newspapers for her comeback show as part of the Meltdown festival on June 19, and she previewed many new songs from her first album of new material in almost 20 years.[24] She also performed at the relaunch of Elandra Resort in Mission Beach in Cairns, Queensland on June 28, 2008, her first performance in Australia in many years. [25] Jones headlined the Belgian Lokerse Feesten on August 8, 2008, with a full 2-hour show similar to the one at Meltdown.

Her new album was scheduled for release on October 27, 2008, on Wall of Sound/PIAS Records and is called Hurricane, with Jones touring the UK and headlining the Secret Garden Party and Latitude Festival in 2008, to promote the album's release. [26] [27] She also made a guest appearance and performance in 2008 at the Bestival (Isle of Wight) as well as Electric Picnic (Ireland). She played the Sydney Festival in January 2009, headlining the Festival First Night free concert in Hyde Park with an audience of over 80,000 people.[28]

Jones may release the "lost" album "Black Marilyn" independently in 2009, along with a compilation of tracks recorded between "Bulletproof Heart" and "Hurricane".

New remastered editions of "Portfolio", "Muse", and "Fame" are set to be released in 2010. This will mark the first time "Muse" has been commercially available on CD. Also on the way is a 2 CD Deluxe Edition of "Nightclubbing" from Island Records to coincide with the record labels 50th Anniversary. Originally scheduled for release in 2009, Universal Music Group, the company that currently holds the rights to the Island Records back catalogue, have now delayed the release indefinitely.

Jones recently performed on Friday Night With Jonathan Ross and performed "Love You to Life".

On 9 August 2009 Jones performed a full set at 'Space' - a nightclub on Ibiza island, Spain.

Grace Jones collaborated with the avant-garde poet Brigitte Fontaine in a duet named " Soufi " from Fontaine's latest work released in the fall of 2009.[29]

Film career

In the 1973 film Gordon's War, Jones played the role of Mary, a Harlem drug courier. In 1978 she appeared with Amanda Lear and Patty Pravo in highly controversial Italian TV series Stryx. Jones's work as an actress in mainstream film began with the role of Zula, the Amazon, in the 1984 film Conan the Destroyer alongside Arnold Schwarzenegger and NBA player Wilt Chamberlain. She next landed the role of May Day in the 1985 James Bond movie A View to a Kill. She also appeared in a short music video "Hey Baby" from the band Hansel to Home in 1986.

Jones appeared in a number of other motion pictures including the 1986 vampire film Vamp (in which she used her Keith Haring body paint as part of her non-speaking role as a vampiric exotic dancer) and the 1992 Eddie Murphy film Boomerang (in which she played eccentric supermodel Helen Strangé), for which she recorded the song "7 Day Weekend." In 2001, she appeared alongside Tim Curry in Wolf Girl (also known as Blood Moon), as a transvestite circus freakshow performer named Christoph/Christine. She also appeared in an episode of the Beastmaster television series as the Umpatra Warrior.

Awards and nominations

Jones is a three-time Saturn Award nominee, a Grammy nominee, a Razzie Award nominee, and a Q Awards Winner. Jones also ranked 82 on VH1's '100 Greatest Women of Rock and Roll' [30].

Saturn Awards

Grammy Awards

  • 1984 – Best Long Form Music Video for her A One Man Show: Nomination

MTV Video Music Award

  • 1986 – Best Female Video for "Slave to the Rhythm": Nomination

Razzi Awards

  • 1987 – Worst Supporting Actress for Siesta: Nomination

Q Music Award

  • 2008 – Idol award: Winner

Controversies

In 1981, Jones slapped chat show host Russell Harty across the face live on air after he turned to interview other guests and she felt she was being ignored. This topped a 2006 BBC poll of the most-shocking British TV chat show moments.[31]

In April 2005, Jones was accused of verbally abusing a Eurostar train manager in a quarrel over a ticket upgrade, and she either was escorted off the train or left of her own accord, later saying that she was mistreated.[32]

In November 2006, Jones was criticized for her behavior at a Delta Airlines party. Witnesses claimed that, at one stage, she removed items of clothing, claiming to be "Queen Bitch Jungle Mother of New York." Her publicist later denied the claims as "ridiculous."[33]

Discography

For further information, see: Grace Jones discography

Studio albums

Filmography

  • Gordon's War (1973)
  • Let's Make a Dirty Movie (1976)
  • Colt 38 Special Squad (1976)
  • Army of Lovers or Revolution of the Perverts (1979) (documentary)
  • Deadly Vengeance (1981)
  • Made in France (1984) (documentary)
  • Conan the Destroyer (1984)
  • A View to a Kill (1985)
  • Vamp (1986)
  • Straight to Hell (1987)
  • Siesta (1987)
  • Superstar: The Life and Times of Andy Warhol (1990) (documentary)
  • Boomerang (1992)
  • Cyber Bandits (1995)
  • McCinsey's Island (1998)
  • Palmer's Pick Up (1999)
  • No Place Like Home (2006)
  • Falco – Damn, We Still Live! (2008)
  • Chelsea On The Rocks (2008)

Television work

Appearances in popular culture

  • Chicago electronic duo Microfilm mentions Grace Jones in lyrics to their 2007 song "Paris." The lyrics "Tour Eiffel/You wear it well/Like Grace Jones/I think I fell...for you" refer to Jones's role in the Bond film A View to a Kill, where her character parachutes off the Eiffel Tower. [34]
  • On the reality TV series America's Next Top Model, cycle 2, the models dressed as famous celebrities for a photo shoot. Jones was one of them, modeled by Xiomara Frans. [35]
  • On the Australian edition of Top Model, Australia's Next Top Model, cycle 5, the models also dressed as celebrities for a photo shoot. Jones was again one of them, modeled by Franky Okpara. [36]
  • Spitting Image parodied Grace Jones in music video, portraying her as unsubtly post-modernist and pretentious (In is a kind of out. Sure is a kind of doubt. Goldfish is a kind of trout. Garbage is what this song's about...) [37]
  • On the sketch comedy TV show In Living Color, Kim Wayans regularly parodied Grace Jones as an extremely physical enthusiast of any activity, whether it be fighting an alligator for her dinner or pro wrestling, while regularly asking "Do you find me sexy?" [38]
  • In the early 1980s, Jones appeared in an advertising campaign for Honda's new line of motor scooters, which had become fashionable at the time. Jones persuaded rock star Adam Ant (who, prior to the ad campaign, had never driven in his life) to try it. The commercial ends with Jones biting Ant on the ear, which was edited out for airings in the U.S., but was left intact when it aired elsewhere. [39]
  • Spanish 80's pop band Mecano makes a comment on Grace Jones' hair-do in their song "Stereosexual". [40]
  • In late-2007, Neo soul artist Erykah Badu parodied the album cover of Jones' Nightclubbing in her "Honey" music video. [41]

See also

References

  1. ^ a b "THE SCURRA". The Mirror. 2002-05-21. Retrieved 2007-12-10. {{cite news}}: Cite has empty unknown parameter: |coauthors= (help)
  2. ^ a b Grace Jones trivia.
  3. ^ Gadoua, Renee K. (2003-04-20). "CRUSADE TO SEEK CNY "UNCHURCHED'; TWO-DAY REVIVAL WITH TWO WELL-KNOWN PREACHERS HOPES TO DRAW 14,000 TO ONCENTER". The Post-Standard. Retrieved 2007-12-10. {{cite news}}: Cite has empty unknown parameter: |coauthors= (help)
  4. ^ Yakir, Dan (1986-07-13). "Tough roles come easy to Grace Jones; Imposing artist leaves menacing mark on 'Vamp'". Chicago Sun-Times. Retrieved 2007-12-10. {{cite news}}: Cite has empty unknown parameter: |coauthors= (help); Italic or bold markup not allowed in: |publisher= (help)
  5. ^ Grace Jones Biography (1952?-)
  6. ^ J. Paul Getty Museum, Grace Jones, photography:Andy Warhol
  7. ^ Evilmonito.com, Grace Jones interview on Andy Warhol 2009-01-29
  8. ^ New York Observer, November 3 2002, Richard Bernstein 1939-2000
  9. ^ Whitburn, Joel (2004). Hot Dance/Disco 1974-2003, (Record Research Inc.)
  10. ^ Rocklistmusic.co.uk, NME Album of the Year 1981
  11. ^ HFA’s Songfile &reg
  12. ^ YouTube - Grace Jones - La Vie en Rose (2006)
  13. ^ Grace Jones
  14. ^ Relief Web: Pavarotti and friends to stage concert for Angolan refugees.
  15. ^ The Daily Mail, review Produced by Trevor Horn
  16. ^ BBC.co.uk, review Produced by Trevor Horn
  17. ^ http://www.jones.tv/Default.aspx?lc=English
  18. ^ MySpace.com - Ivor Guest - London - Autre - www.myspace.com/ivorguest
  19. ^ The Daily Mail
  20. ^ nick hooker
  21. ^ Ask Billboard
  22. ^ Pr Feed
  23. ^ Fødselsdagskoncert
  24. ^ "Grace Jones performs at Meltdown". BBC News. June 20, 2008. Retrieved January 5, 2010.
  25. ^ SMH.com.au, review Grace Jones 2008/06/29
  26. ^ NME.com, Grace Jones, Secret Garden Party
  27. ^ BBC.co.uk, Grace Jones, Latitude Festival
  28. ^ http://www.sydneyfestival.org.au/2009/Music/_item/event/GRACE_JONES
  29. ^ http://artsetspectacles.nouvelobs.com/p2338/a407543.html
  30. ^ http://www.vh1.com/shows/dyn/the_greatest/62162/episode_wildcard.jhtml?wildcard=/shows/dynamic/includes/wildcards/the_greatest/women_list_full.jhtml&event_id=862715&start=1
  31. ^ Jones slap tops TV chat show poll, BBC News, January 22, 2006.
  32. ^ Grace Jones denies train fracas, BBC News, April 6, 2005.
  33. ^ LACKS GRACE, New York Post, November 7, 2006.
  34. ^ microfilm
  35. ^ TV.com, recap America's Next Top Model, Season 2 Episode 4
  36. ^ Yahoo.com, Australia, interview Franky Opara.
  37. ^ Telegraph.co.uk; "Grace Jones at 60", Spitting Image parody.
  38. ^ TV.com In Living Color, episode A Date with Grace Jones.
  39. ^ Adam Ant offical site; "...next I had a huge hug from my old friend, the fabulous Grace Jones and we reminisced about our Honda commercial and movie experiences in the 1980s...
  40. ^ Spanishcharts.com; Mecano - "Stereosexual"
  41. ^ Blackvoices.com: "Grace Jones Fever": "...we first noticed Grace Jones fever in Erykah Badu's 'Honey' video in 2007..."

External links

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