Media Composer

Avid Media Composer

File:AvidMC4.jpg Media Composer v4 running on Mac OS X.
Developer(s)	Avid
Stable release	5.03
Operating system	Windows XP (32-bit), Windows Vista (64-bit), Windows 7 (64-bit), Mac OS X
Type	Film and video editing software
License	Proprietary
Website	http://www.avid.com/products/family/Media-Composer

Media Composer, frequently referred to as "The Avid", is a non-linear editing system. It is the flagship product of Avid Technology. It was released in 1989 on the Macintosh II as an offline editing system. Since that time, the application features have increased to allow for film editing, uncompressed standard definition (SD) video and high definition (HD) editing and finishing. Since the early 1990s, Media Composer has been the dominant non-linear editing system in the film and television industry on first Mac and then also on Windows. The Avid Newscutter, aimed at newsrooms, Avid Symphony, aimed at finishing, are all Avid products that were derived from Media Composer and share similar interfacing, as were Avid Xpress Pro (discontinued in 2008) and its predecessor Avid Xpress DV, which were aimed at the lower end of the market.

Current version

There is one version of Media Composer, which can be used as standalone software, or to which you can add specific external Avid input/output interfaces.

Avid Designed Hardware:

Avid Mojo SDI: includes Composite, S-Video, Component and SDI video, with 4 channels RCA, 4 channels AES and 2 channels optical S/PDIF audio. This interface only supports SD video formats.

Avid Mojo DX: a newer version of the Mojo with architecture offering faster processing and full 1920x1080 HD resolution in addition to standard definition video. This interface has SDI/HD-SDI inputs and outputs, HDMI outputs and stereo 1/4" TRS audio inputs and outputs.

Avid Nitris DX: a replacement of the Adrenaline hardware, a successor to the original Avid Nitris (used with Avid DS and Avid Symphony), with architecture offering faster processing and full 1920x1080 HD resolution (without extra cards) in addition to standard definition video. This interface also has a hardware DNxHD codec. Video connections include SDI, HD-SDI, Composite, S-Video and Component (SD or HD) inputs and outputs, it also has a HDMI output. Audio connections include XLR, AES, optical S/PDIF and ADAT inputs and outputs. It also has RCA inputs and 1/4" TRS outputs, plus LTC timecode I/O.

3rd Party Supported Hardware:

Matrox MXO2 Mini: Starting with Media Composer v5, Avid has added support for the Matrox MXO2 Mini interface. While this interface does have input connections, only output is supported by Media Composer (you cannot capture with this interface). The connections on the unit support analog video/audio and HDMI in both SD and HD formats. The device is connected by a cable to either a PCIe card or ExpressCard/34 interface, so this unit can be used on a desktop or laptop system.

Discontinued hardware

Recently discontinued

Avid Mojo: includes Composite and S-Video with two channels of RCA audio. There is an optional component video cable that can be added to this interface. This interface only supports SD video formats.

Avid Adrenaline: rack mountable interface which includes Composite, S-Video, Component and SDI video, 4 channels of XLR, 4 channels of AES, 2 channels of S/PDIF and 8 channels of ADAT audio. This interface also has an expansion slot for the DNxcel card which adds HD-SDI input and output as well as a DVI and HD component outputs. The DNxcel card uses Avid’s DNxHD compression which is available in 8-bit color formats up to 220mb as well as a 10-bit color format at 220mb. The DNxcel card also adds real-time SD down-convert and HD cross-convert.

Hardware history

Media Composer as standalone software (with optional hardware) has only been available since June, 2006 (version 2.5). Before that, Media Composer was only available as a combination of hardware and software, or as turnkey systems (including CPU and monitors).

In the mid-nineties, Media Composer systems were Mac-only, and based on the NuVista videoboard (by Truevision), supporting video resolutions up to AVR27.

In the late nineties, version 6 and 7 of Media Composer were based on the Avid Broadcast Video Board (ABVB), supporting video resolutions up to AVR77. 3D add-on boards (most notably the Pinnacle Alladin) and 16bit 48K 4-channel and 8-channel audio I/O (Avid/DigiDesign 442 and Avid/DigiDesign 888, were optional.

The 1998 introduction of the Avid Symphony marked the transition from ABVB to the Meridien hardware (allowing for Uncompressed SD editing), that Media Composer version 8 (the first version of Media Composer that was available on both Mac and Windows) up to 12.0.5 (November, 2003) would be built around. Even though the video board had changed, the audio I/O was still handled by the Avid/DigiDesign 888 (16bit 48K) hardware.

In 2003 Avid Mojo and Avid Adrenaline formed the new DNA (Digital Non-linear Accelerator) hardware line. The launch of Avid Media Composer Adrenaline also meant a version renumbering, as it was labeled Avid Media Composer Adrenaline 1.0. Adrenaline was the first Media Composer system to support 24bit audio. It also meant the end of Film Composer and Media Composer Offline, since the Avid Media Composer Adrenaline featured most of the film options and online resolutions and features.

In 2008 the Mojo DX and Nitris DX were introduced, both capable of handling uncompressed HD video.

Features

The Current version of Media Composer (MCSoft) has the following important features

• Animatte
• 3D Warp
• Paint
• Live Matte Key
• Tracker / Stabiliser
• Timewarps with motion estimation (FluidMotion)
• SpectraMatte (high quality chroma keyer)
• Color Correction toolset (with Natural Match)
• ScriptSync (with Nexidia speech recognition)
• Stereoscopic editing abilities
• AMA - Avid Media Access, the ability to edit with P2, XDCAM, RED and Quicktime native material directly without capture.
• Mix and Match - put clips of any frame rate, compression, scan mode or video format on the same timeline
• SmartTools - drag and drop style editing on timeline, can be selectively adjusted to the types of actions that the user wants to use when clicking on timeline.
• RTAS - (RealTime AudioSuite), support for realtime audio plug-ins on the timeline.

Media Composer differentiates itself from Avid Symphony because it is missing Advanced/Secondary Color Correction and Universal Mastering.

The software used to be protected by a USB dongle that will operate on either Mac or Windows. As of version 3.5 the dongle is optional, and existing users may choose to use software activation or keep using their dongles, while new systems are being sold exclusively with software activation. The software ships with installers for both Mac and Windows, and can physically be installed on several computers, allowing the user to move the software license (or the dongle) between systems and/or platforms.

The installer includes installers for

• EDL Manager
• Avid Log Exchange
• FilmScribe
• MediaLog
• Interplay Transfer
• MetaSync Manager
• MetaFuze (Windows only), a standalone application to convert files (R3D, DPX, TIFF) from film scanning, CGI systems or RED camera into MXF media files. Actually based on an import module that was taken from Avid DS.

Also included with the boxed version of Media Composer is the following 3rd party software:

• Boris BCC 6 - Native Special effect filters that run directly in the Avid effect palette, which include secondaries, some tracking features, many applicable to titles.
• Avid FX - 2D & 3D compositing and titling software (aka Boris RED)
• Sorenson Squeeze 6 - Compression software to create, Windows Media, Quicktime, MPEG 1/2, MPEG 4 or Flash video
• SonicFire Pro 5 - music creation software (includes 2 CDs of music tracks)
• Avid DVD by Sonic - DVD and Blu-Ray authoring software (Windows only)

Software are full versions with online manuals.

History

According to Eric Peters, one of the company's founders, most prototypes of "the Avid" were built on Apollo workstations. At some point, Avid demo'd one of their products at Siggraph. Says Peters: "Some Apple people saw that demo at the show and said, "Nice demo. Wrong platform!" It turned out they were evangelists for the then new Mac II (with *six* slots!). When we got back to our office (actually a converted machine shop) after the show, there was a pile of Fedex packages on our doorstep. They were from Apple, and they contained two of their prototype Mac II machines (so early they didn't even have cases, just open chassis). Also there were four large multisync monitors. Each computer was loaded with full memory (probably 4 megs at the time), and a full complement of Apple software (pre-Claris). That afternoon, a consultant knocked on our door saying, "Hi. I'm being paid by Apple to come here and port your applications from Apollo to Macintosh." He worked for us for several weeks, and actually taught us how to program the Macs." At the time, Macs were not considered to be fast enough for video purposes. The Avid engineering team, however, managed to get 1,200 kBytes per second, which allowed them to do offline video on the Macs.

Steven Cohen was the first editor to use Film Composer for a major motion picture on Lost in Yonkers.

The system has been used by other top editors such as Walter Murch on The English Patient (the first digitally-edited film to receive a Best Editing Oscar).

Avid received an Oscar statuette representing the 1998 Scientific and Technical Award for the concept, design, and engineering of the Avid Film Composer system for motion picture editing.

Film Composer is no longer sold as a separate product, since - over time - all of its specific film editing features were implemented into the "regular" Media Composer and/or the Avid Symphony.

Catering to the mid and high end of the non-linear editing market, Avid is still used in a lot of major film productions, though it's facing increasing competition from Apple's Final Cut Studio [1] [2].

In July 2009 American Cinema Editors (ACE) announced that the ACE Board of Directors had recognized Avid Media Composer software with the Board’s first-ever “ACE Technical Excellence Award” - recognizing it as the preferred choice of the industry’s most acclaimed editors.[3]

Year	Operating System	Version	Notes/Major Features
1989	Macintosh	Avid/1	First Avid. Becomes Media Composer
1992	Macintosh		Introduction of the Avid Film Composer. First true 24-frame capture, editing, and playback system. Open Media Framework (OMF) introduced (April)
Jan 1993	Macintosh		Models 210 (unbundled) and 220 (with Mac IIci) at $15.000 / $24.900
Dec 1994	Macintosh	5.2	AVR27, multicamera editing, realtime chroma and luma keys, support for Avid Media Reader, support for 3rd party Photoshop plugins
Jul 1995	Mac OS 7.5	5.5	Last version to run on Macintosh 68K hardware. Film Cutter (simplified version of Film Composer). Hardware-independent QuickTime codec, 3D effects module.
Sep 1995	Mac OS	6.0	First Media Composer to use the Avid Broadcast Video Board (ABVB)
Mar 1996	Mac OS	6.1	First PCI-based system
Dec 1996	Mac OS	6.5	Script-based editing, AVR77, AVR9s
Feb 1998	Mac OS	7.0	Paint, Animatte, AVX plugins, spot color correction, image cloning, Intraframe Editing, AudioSuite plugins. Models like MC 1000 ($66.500) and MC 8000 ($94.625)
1999	Mac OS 7.6 to 8.6	7.2	Last version on ABVB hardware.
1999	Mac OS 8.5.1	8.0	First version based on Meridien hardware. Uncompressed SD video. "Media Composer XL"
1999	Windows NT	9.0	First Media Composer release on Windows NT 4.0 (Meridien)
2000	WinNT/Mac OS9	10.0	SD 24p support for Meridien on Mac
2001	Win2K/Mac OS9	10.5	Support for Windows 2000
2002	Win2K/Mac OS9	11.0	Marquee integrated (Windows only), DV support (option)
Feb 2003	Mac OS X	11.7	First version to support Mac OS X. MetaSync.
May 2003	WinXP/Mac OS X	1.0	First version of Media Composer Adrenaline
Nov 2003	Win2K/Mac OS X	12.0	Last version of Media Composer on Meridien hardware
Sept 2004	WinXP/Mac OS X	1.5	MXF support, Marquee on Mac
Dec 2004	WinXP	2.0	HD support, 10-bit video, SpectraMatte keyer, AVX2
March 2005	WinXP	2.1	P2 support, XDCam support
Dec 2005	WinXP	2.2	HDV support
June 2006	WinXP/Mac OS X	2.5	HD on Mac, Media Composer soft, Mojo and Mojo SDI support, XDCam HD, Tracker
Sept 2006	WinXP/Mac OS X	2.6	Interplay, Safe Color Limiter effect
March 2007	WinXP/Mac OS X	2.6.4	DNxHD36, low-bandwidth HD compression rate for offline editing
May 2007	WinXP/Mac OS X	2.7	MacPro (Intel) support, ScriptSync, P2 / XDCam writeout
Dec 2007	WinXP/Mac OS X	2.8	VC-1/MXF (SMPTE 421M) support
June 2008	WinXP & Vista/ Mac OS X	3.0	'DX' hardware support, new render engine (better multi-threading and GPU support), RT timecode generator, SubCap effect, AVC-I codec support
Sept 2008	WinXP & Vista/ Mac OS X	3.05	XDCAM 50mb format, DNA hardware on MacOS 10.5.5, RED workflow support
Dec 2008	WinXP & Vista/ Mac OS X	3.1	Video Satellite option for ProTools (Windows only)
March 2009	WinXP & Vista/ Mac OS X	3.5	Avid Media Access (AMA) for better file based workflows, FluidStabilizer, Keyframeable Color Correction, Native XDCAM EX support, Timecode in Quicktime files, Stereoscopic support, Software Activation, 14-day Downloadable Trial
Sept 2009	WinXP & Vista/ Mac OS X	4.0	Mix and Match frame rates on timeline, Expert Decompose, AVC-I writeout, Macintosh Video Satellite support, 1080p24 (not-PsF) output, HD Ancillary data support on DX hardware, GFCAM 50mb/100mb support, Stereoscopic enchantments, updated 3rd party software bundle
Nov 2009	WinXP & Vista/ Mac OS X	4.0.4	Support for Mac OS X 10.6.3 Snow Leopard
June 2010	WinXP, Vista, Win7/ Mac OS X	5.0	AMA support for RED, Quicktime and Canon cameras, Matrox MXO2 Mini output, SmartTools 'drag & drop' editing, HD-RGB support, AVCHD import, SMPTE 436M support, RTAS audio plug-in support, ScriptSync becomes a paid option, Windows 7 support

External links

• Media Composer trial version
• Avid Version Matrix (indicates supported versions of operating systems and QuickTime for Avid editor application versions)
• Avid QuickTime Codec download
• American Cinema Editors Equipment Survey 2008
• Avid's Decade of Film Composer
• Avid/1 promotion video

User groups

• Avid Community website, including User Forums and Tutorials
• Creative Cow Avid Editing forums
• Avid-L2 mailing list
• Editors' Lounge Usergroup Burbank, USA
• Boston Avid Users Group
• AvidUserGroup The Netherlands