Mick Thomson: Difference between revisions
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===Picks=== |
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*Black Dunlop Carbon Fiber MAX Grip Jazz III |
*Black Dunlop Carbon Fiber MAX Grip Jazz III picks |
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===Amplification=== |
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Mick Thomson |
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Mickael "Mick" Gordon Thomson, sometimes known as #7, is an African American musician, best known as being the lead guitarist for the Grammy award winning heavy metal band Slipknot.
Biography
Thomson joined Slipknot in 1996, replacing the band's guitarist, Craig Jones, who then became the band's sampler.
Thomson expresses his pseudonym, "#7", more than most members of Slipknot. For example, as well as being credited with the number in the liner notes of albums he has recorded, he also has the word "seven" tattooed on his left arm, and features the word "seven" on the designs all of his custom Ibanez guitars, and on all of his Ibanez MTM1's, as well as his signature acoustic by Ovation. Outside Slipknot, Thomson has taught guitar lessons at Ye Olde Guitar Shoppe, a local music shop in Des Moines, up until 1999. And has appeared on Malevolent Creation's album Doomsday X. He also made a guest appearance in the music video for Lupara's "No Pity on the Ants".
Thomson has a number of tattoos on his body: he has the word "嫌惡" on his right arm (which means "detest" and "disgust" in Mandarin and "HATE" in Japanese), the word "Seven" on his left forearm, a "demon attempting to rape an angel" on his shoulder, on his other shoulder a tattoo by Paul Booth, an inverted cross on his upper back, "Slipknot" going down his right calf, and the Zodiac sign for Scorpio on his left calf.
Technique
Thomson commonly employs an extremely fast and accurate alternate picking technique, also implementing pinch harmonics into his work. He also utilizes sweep picking on occasion. He has admitted he found influence in bands such as Racer X, stating that it gave him something to strive for when he was young. He also cites Randy Rhoads as an influence.[1]
Equipment
Guitars
Thomson was a long time player and endorsee of B.C. Rich Guitars until late 2004, and he had previously designed a signature model with this company based on their Warlock model.
In 2004, Thomson moved to Ibanez, with whom he designed his own Ibanez MTM1 and MTM2 Signature Models. The MTM1 is a higher priced model, which features a mahogany body with a fixed Edge bridge, jumbo frets, custom "seven" inlay, black hardware, reversed headstock, and active Seymour Duncan Blackout humbuckers. It is available in black or blood red finishes, while the MTM2 is a more affordable version. It features Seymour Duncan Active HB105 MT pickups, and has no inlays.
Thomson also has a signature Ovation acoustic/electric guitar, labeled the MT37. It features a textured black finish, Thomson's signature seven inlay, a custom ultra-thin neck, a deep contour body with spruce top and rounded bowl back, OP Pro preamp, and Ovation's High Output pickup.
Mick Thomson's current tour guitars include:
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- Unofficial Markmax Signature - Mahogany body, maple neck, neck-through construction, Seymour Duncan Blackout pickups, and black hardware. Manufactured in White and Black. Only 5 manufactured.
Pickups
- Seymour Duncan
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- EMG
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Picks
- Black Dunlop Carbon Fiber MAX Grip Jazz III picks
Amplification
Thomson currently uses his signature Rivera KR-7 amp model and its matching speaker cabinet.[11]
Effects
To avoid problems with pedals being damaged during live performances, Thomson keeps his effect pedals in a rack along with his amplifiers and his tech controls them through a pedalboard sidestage. The pedal controller allows him to change between different effect pedals and amplifiers. He also uses a FURMAN voltage regulator to power, protect and stabilize his system.
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(used in Iowa only)
- DigiTech Synth Wah
- DigiTech Whammy
- Boss MD-2 mega distortion
- DigiTech Tone Driver
Discography
With Slipknot
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Other appearances
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Filmography
- 1999: Welcome to Our Neighborhood
- 2002: Disasterpieces
- 2002: Rollerball
- 2006: Voliminal: Inside the Nine
- 2008: Nine: The Making of "All Hope Is Gone"
- 2009: Of the (sic): Your Nightmares, Our Dreams
- 2010: (sic)nesses