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== Fadhel Jaïbi ==
== Fadhel Jaïbi ==
Hi Joe, the autobiaphies are translations for what already exists in French and Arabic on Wikipedia and the same information is on theatre-coemporain.net. Could you please help?
Thanks
Aminazah


Fadhel Jaïbi: Born in 1945- playwright, film and theater director, director of theater training programs both in Tunisia and abroad. He studied Performing Arts in France (1967-72). He directed 3 films and over 20 plays. Most of his acclaimed works include Comedia (1991), Familia (1993), Les Amoureux du Café Désert (The Lovers of the deserted Café, 1995). He co-founded the Theater of Gafsa in 1972, the New Theater in 1976, and Familia Productions in 1994. Jaïbi has succeeded to make his mark as a dramatist and director in Tunisian/Arabic contemporary theater. The plays that he either wrote or directed provide valuable depth when considering socio-political trends. Without considering the list of themes as exhaustive in any sense, Jaïbi’s texts propose to examine all the conflicts of class, gender and language and address how they are played out on stage. The reception of his productions in Tunisia, Paris, Germany, Jordan, Lebanon, Argentina, the United States, and Tokyo, to name a few, encourage cross-cultural intermingling of all sorts, including artistic. The crux of his theatre is never straightforward. An analysis of any of his plays arouses all kinds of controversies that pertain to the Tunisian people making the crucial connections between the local and global context. His plays continue to shine aesthetically and therefore attract audiences numbering in the thousands. <small><span class="autosigned">— Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[User:Aminazah|Aminazah]] ([[User talk:Aminazah|talk]] • [[Special:Contributions/Aminazah|contribs]]) 01:55, 26 April 2011 (UTC)</span></small><!-- Template:Unsigned --> <!--Autosigned by SineBot-->
Fadhel Jaïbi: Born in 1945- playwright, film and theater director, director of theater training programs both in Tunisia and abroad. He studied Performing Arts in France (1967-72). He directed 3 films and over 20 plays. Most of his acclaimed works include Comedia (1991), Familia (1993), Les Amoureux du Café Désert (The Lovers of the deserted Café, 1995). He co-founded the Theater of Gafsa in 1972, the New Theater in 1976, and Familia Productions in 1994. Jaïbi has succeeded to make his mark as a dramatist and director in Tunisian/Arabic contemporary theater. The plays that he either wrote or directed provide valuable depth when considering socio-political trends. Without considering the list of themes as exhaustive in any sense, Jaïbi’s texts propose to examine all the conflicts of class, gender and language and address how they are played out on stage. The reception of his productions in Tunisia, Paris, Germany, Jordan, Lebanon, Argentina, the United States, and Tokyo, to name a few, encourage cross-cultural intermingling of all sorts, including artistic. The crux of his theatre is never straightforward. An analysis of any of his plays arouses all kinds of controversies that pertain to the Tunisian people making the crucial connections between the local and global context. His plays continue to shine aesthetically and therefore attract audiences numbering in the thousands. <small><span class="autosigned">— Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[User:Aminazah|Aminazah]] ([[User talk:Aminazah|talk]] • [[Special:Contributions/Aminazah|contribs]]) 01:55, 26 April 2011 (UTC)</span></small><!-- Template:Unsigned --> <!--Autosigned by SineBot-->

Revision as of 01:59, 26 April 2011

DYK for Indigenous Territory

HJ Mitchell | Penny for your thoughts? 16:03, 3 April 2011 (UTC)[reply]

Great article! Thanks for your hard work. Savidan 17:35, 3 April 2011 (UTC)[reply]

Thank you! —Joseph RoeTkCb, 19:28, 3 April 2011 (UTC)[reply]

Good job in curbing some rather unscientific tabloid sensationalism ;) There's probably undue weight put in the matter now in that paragraph, but it's waay better than it was! - Alison 21:50, 8 April 2011 (UTC)[reply]

Thanks, and yeah – there probably is. It can be pared down in a few months when the facts come out and people stop coming to the article after reading newspaper stories though. —Joseph RoeTkCb, 06:43, 9 April 2011 (UTC)[reply]

Marilyn's Cross

Hey, Joey. Thanks for the clean up on Marilyn's Cross. Looks great!

LMcCormick (talk) 18:38, 18 April 2011 (UTC)[reply]

No problem, it's a pleasure to see such a well-formed article at AfC. —Joseph RoeTkCb, 18:40, 18 April 2011 (UTC)[reply]

John Cody

Hey, thanks for the feedback. Appreciate that. I think I will add a photo and perhaps a couple more references and then submit it for DYK as you suggested.

PS. I'm new at this, not sure if this is the appropriate area to respond to your comments. — Preceding unsigned comment added by Billcallahan (talkcontribs) 00:31, 19 April 2011 (UTC)[reply]

You're welcome. You could have responded here or on your talk page, it doesn't really matter. —Joseph RoeTkCb, 07:54, 19 April 2011 (UTC)[reply]

Fadhel Jaïbi

Hi Joe, the autobiaphies are translations for what already exists in French and Arabic on Wikipedia and the same information is on theatre-coemporain.net. Could you please help? Thanks Aminazah

Fadhel Jaïbi: Born in 1945- playwright, film and theater director, director of theater training programs both in Tunisia and abroad. He studied Performing Arts in France (1967-72). He directed 3 films and over 20 plays. Most of his acclaimed works include Comedia (1991), Familia (1993), Les Amoureux du Café Désert (The Lovers of the deserted Café, 1995). He co-founded the Theater of Gafsa in 1972, the New Theater in 1976, and Familia Productions in 1994. Jaïbi has succeeded to make his mark as a dramatist and director in Tunisian/Arabic contemporary theater. The plays that he either wrote or directed provide valuable depth when considering socio-political trends. Without considering the list of themes as exhaustive in any sense, Jaïbi’s texts propose to examine all the conflicts of class, gender and language and address how they are played out on stage. The reception of his productions in Tunisia, Paris, Germany, Jordan, Lebanon, Argentina, the United States, and Tokyo, to name a few, encourage cross-cultural intermingling of all sorts, including artistic. The crux of his theatre is never straightforward. An analysis of any of his plays arouses all kinds of controversies that pertain to the Tunisian people making the crucial connections between the local and global context. His plays continue to shine aesthetically and therefore attract audiences numbering in the thousands. — Preceding unsigned comment added by Aminazah (talkcontribs) 01:55, 26 April 2011 (UTC)[reply]