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* [http://www.bbc.co.uk/programmes/p00ftgdb Frisky and Mannish on The Scott Mills Breakfast Show, BBC Radio 1]
* [http://www.bbc.co.uk/programmes/p00ftgdb Frisky and Mannish on The Scott Mills Breakfast Show, BBC Radio 1]

Revision as of 14:58, 3 August 2011

Frisky & Mannish
Frisky and Mannish on the South Bank
Frisky and Mannish on the South Bank
Background information
OriginEngland
GenresCabaret, Comedy,
Pop music,
MTV Generation
Years active2008-present
MembersLaura Corcoran, Frisky
Matthew Floyd Jones, Mannish
Websitefriskyandmannish.co.uk

Frisky and Mannish is a musical comedy cabaret double act based in London, England.

Formed in March 2008 by writers and performers Laura Corcoran and Matthew Floyd Jones,[1][2] the duo is best known for a style of pop culture parody that consists of the musical and dramatic rearrangement of well-known pop songs. They have been called "the mad scientists of pop, mixing unlikely solutions from incompatible artists and distilling entire genres into their separate elements."[3]

In 2009, their début show, Frisky and Mannish's School of Pop, was a critically acclaimed breakout hit at the Edinburgh Festival Fringe, following which the pair embarked upon an international tour of the United Kingdom, the Sydney Opera House in Australia, the Melbourne Comedy Festival, the Adelaide Cabaret Festival, the New Zealand International Arts Festival, and Singapore. In 2010, their sophomore show, Frisky and Mannish: The College Years, was another critical and commercial success at the Edinburgh Fringe, leading to further international touring of the United Kingdom and Australia.

Also known for their annual Christmas shows at the Lyric Theatre in London's West End, and their summer seasons on the South Bank, Corcoran and Jones have been nominated for numerous awards, including the Hackney Empire New Act of the Year Award, and the Chortle Award for Best Music and Variety Act.

The Guardian cites Frisky and Mannish as a rare example of a successful mixed-gender comedy duo: "from Flight of the Conchords to French and Saunders, single-sex double acts are everywhere - but Frisky and Mannish show that more should cross the gender divide."[4]

Origin of the name

Frisky and Mannish are named after two characters who appear in one line of Byron's Don Juan:

Lady Fitz-Frisky, and Miss Maevia Mannish,
Both longed extremely to be sung in Spanish.

—Byron, Don Juan, Canto the Eleventh, LIII.[5]

Genesis and early career

Laura Corcoran and Matthew Floyd Jones, both born in March 1985 in Manchester and Kingston-upon-Thames respectively, met as undergraduate students at Oxford University,[6] where Corcoran studied English literature[7] and Jones read Classics.[6] They collaborated on theatrical productions, including Guys and Dolls and Godspell, and wrote comic songs for the Oxford Revue.[8] They have both cited The Simpsons, Tenacious D and Julia Davis as particular shared inspirations.[8] Corcoran trained at the Royal Academy of Music,[8] while Jones was a member of the National Youth Music Theatre.[8]

Frisky & Mannish in New York City, January 2009

In March 2008, having been asked to perform a short set of music hall numbers at a fundraiser on the Battersea Barge, Corcoran and Jones decided instead to "mess around with a few songs."[7] Surprised by the positive reception, they began to develop the concept more fully, and mounted two solo showcases, the first at the Royal Academy of Dramatic Art in April, and the second at the Canal Café Theatre in July.[9]

They quickly established themselves on the cabaret scene with guest performances at the Edinburgh Festival Fringe 2008 and the Brighton Festival Fringe 2009,[10] appearances in Berlin and New York,[11] music festival gigs at Lovebox and Camp Bestival,[12] a comedy debate at the Oxford Union,[13] and guest appearances with the Olivier Award-winning variety show La Clique at the London Hippodrome.[13]

They reached the final of the Hackney Empire New Act of the Year competition in January 2010, and eventually achieved third place.[14]

Frisky and Mannish's School of Pop

From February 2009, Corcoran and Jones began a monthly residency at the Leicester Square Theatre with a full-length show entitled Frisky and Mannish's School of Pop. The school concept emphasized the "educational" aspect of their song parodies, touching upon subjects as varied as British history (TLC's 'No Scrubs' as an example of Tudor foreign policy), English literature (Wuthering Heights from the perspective of Kate Nash), and existentialism in the work of Chesney Hawkes.

Frisky & Mannish with Kate Nash at the Edinburgh Festival Fringe 2009

In August 2009, the School of Pop was performed at the Underbelly as part of the Edinburgh Festival Fringe.[15] The sell-out show received thirteen five-star reviews, from publications such as Time Out,[16] Chortle,[17] The Herald,[18] Edinburgh Evening News and The Mail on Sunday. Among the plaudits, the School of Pop was described as "the most purely entertaining hour to be spent at this year's Fringe" (The Independent),[19] "skilfully layered and musically surprising" (The Guardian),[11] "one of the most upbeat hours of comedy I've seen this year" (The Observer),[20] "pure exhilarating brilliance from start to finish" (Chortle),[17] and "the undisputed hit of the Edinburgh Fringe" (The Herald).[18] They promoted the show with live performances on Lauren Laverne's BBC 6 Music show and Fred MacAulay's BBC Radio Scotland show.[21] One performance was attended by Kate Nash, who was herself the subject of one of their parodies.[22]

The School of Pop transferred to Soho Theatre in London for a sell-out limited run in January 2010.[23] The following month, Corcoran and Jones began an international tour of the show, performing at the Sydney Opera House during the Mardi Gras festival in February,[24] the New Zealand International Arts Festival in Wellington in March,[25] the Melbourne International Comedy Festival in April,[26] and the Adelaide Cabaret Festival in June.[27] Time Out Sydney gave the show a five-star review, describing them as "clever, inventive, polished, prodigiously talented and extremely funny."[28] The New Zealand Herald wrote of them as "musically adroit, vocally gifted and brilliant mimics."[29] In Melbourne, the show garnered a mixed reception for the first time, with reviews ranging from "hardly groundbreaking stuff,"[30] to "different, refreshing and, frankly, border-line genius."[31] Back in the United Kingdom, the pair embarked upon a tour of provincial theatres, including the Komedia in Brighton,[32] the Lowry in Salford,[33] and venues in Leicester, Nottingham, Southampton, Cambridge and Reading.

As a result of the wide-ranging success of the School of Pop, Corcoran and Jones were nominated for a Chortle Award in the category of 'Best Music or Variety Act',[34] and featured as 'talents to watch' in both The Independent and The Sun.[35][36]

Frisky and Mannish: The College Years

Frisky & Mannish performing at Latitude, July 2010

Corcoran and Jones wrote a second show, entitled Frisky and Mannish: The College Years, as a sequel to the School of Pop. Their new parodies, largely based on a central theme of "collision theory", included an in-depth analysis of the vocal duet, an exposé of Florence and the Machine's musical inspirations, and an up-tempo club dance remix of Radiohead's 'Creep'.[37] The new show was premiered to a "packed out Cabaret tent" at Latitude Festival in Suffolk,[38] followed by official previews at Riverside Studios in Hammersmith in July 2010.[39]

At the Edinburgh Festival Fringe 2010, Corcoran and Jones enjoyed further critical and commercial success with The College Years, and received a number of five-star reviews from various publications.[37][40][41][42][43][44][45] The Edinburgh Festival Guide published a list of 'Top-rated shows' at the end of the 2010 festival, in which Frisky and Mannish: The College Years was placed second out of nearly 2500 productions.[46][47]

Dominic Cavendish in The Daily Telegraph wrote that "on paper, it’s next to impossible to do justice to what happens during a Frisky and Mannish gig - and gig feels the operative word... the atmosphere is more redolent of a flashy turn by Lady Gaga than your average comedy club night."[6] Chortle described the show as "the most fun you can have on the Fringe without chemicals... marvellous mash-ups, as inspired as anything Bill Bailey could come up with."[37] The List wrote: "not only hilariously funny, they're also both brilliant musicians and it's this skill that forms the basis of their show."[40] Other reviews wrote of "a maturity in writing and performance"[41] and "offbeat choices [that] show their knowledge of the subject and also the richness of pop music,"[48] while the show as a whole was described as "bigger, brassier and funnier than ever before,"[42] and "a belting show full of musical mayhem."[49] In The Telegraph, comedian Shappi Khorsandi singled out Frisky and Mannish as one of her favourite acts at the festival.[50]

Frisky and Mannish appeared as a featured act on Ali McGregor's BBC Radio 4 special, Curiosity Killed The Cabaret, broadcast on August 24, 2010.[51] They were also interviewed on STV's The Hour, during which they performed their version of Whigfield's 'Saturday Night'.[52]

Frisky and Mannish toured the United Kingdom in the autumn of 2010 with a hybrid of material from their first two shows, culminating in a performance at the Bloomsbury Theatre.[53] In February 2011, they were invited to the inaugural Fringe World festival in Perth, Western Australia, where they performed The College Years in The Famous Spiegeltent.[54] They returned to London with a run of shows at Jacksons Lane in May 2011.[55]

Frisky and Mannish: Pop Centre Plus

Corcoran and Jones's third full-length show is entitled Frisky and Mannish: Pop Centre Plus, and will be presented as part of the Edinburgh Festival Fringe in August 2011.[56] The show is structured as a parody of a careers advisory service, and forms the final instalment of Frisky and Mannish's "pop-parody trilogy."[57] In interviews, they have stated: "We've definitely upped the scale of the production," but also "stayed very true to who we are... [and] gone back to our cabaret roots in some ways."[58] Among other subjects, Pop Centre Plus looks at the entire genre of grime (with specific focus on the work of N-Dubz), compares and contrasts Adele with Cheryl Cole, and reveals that the Bee Gees have been writing songs for Rihanna.[22][58]

Other shows

South Bank shows

In June 2010, Corcoran and Jones were invited to appear as part of the E4 udderBELLY season in association with the Southbank Centre, continuing their association with the Underbelly.[59] The four cabaret shows, presented under the umbrella title of Frisky and Mannish: Pop Educators, were composed of songs from the School of Pop alongside new material that would be incorporated into The College Years. The Mail on Sunday called the show "unerringly sharp and upbeat from start to finish... a gold-star masterclass in the mechanics and semantics of pop."[60]

From May to July 2011, Corcoran and Jones returned to the South Bank for a follow-up season of shows.[61] The theme of the show was "finding gainful employment. The sort of employment everyone wants, to be a lip-synching, tabloid-dominating star of the 21st century."[62] The Evening Standard reviewed the show favourably, asserting that "Simon Cowell would struggle to fault Frisky and Mannish... Boy, do they do it well."[63]

West End Christmas shows

In December 2009, Corcoran and Jones made their West End début with a variety show entitled A Frisky and Mannish Christmas at the Lyric Theatre on Shaftesbury Avenue, featuring The Puppini Sisters and Angelos Epithemiou as guest acts.[64] Chortle described the show as possessing "the spirit of inventive, spangly, silliness, performed with powerful élan, that epitomises Frisky and Mannish at their best."[65]

They returned to the Lyric in December 2010 with a follow-up show, Frisky and Mannish's Christmas Mess...age, featuring Miles Jupp and Abandoman as guest acts.[66] Erotic Review wrote of the duo: "Despite the widely heralded post-Meow Meow, post-La Clique phenomenon of cabaret’s big-time explosion, large venue engagements are still few and far between in London’s perennially underground variety scene. Frisky and Mannish’s brash in-your-face irreverence makes a bold crossover statement, shamelessly seizing the mainstream spotlight with an unmistakable brand of humour both popular and defiant."[67]

Television and radio

In January 2011, Frisky and Mannish appeared in the third episode of BBC Two's children's comedy programme, Dick and Dom's Funny Business, performing a Strictly Come Dancing skit featuring Vincent Simone partnered with Lady Gaga.[68]

In March 2011, a number of Frisky and Mannish songs were featured on The Scott Mills Breakfast Show on BBC Radio 1.[69] The songs proved so popular that the duo were invited to appear in person on the show; they were interviewed by Scott Mills and performed live.[69] The video edit of their live performances on the show made the Most Popular list on the BBC Radio 1 website that week.[70] They have also been featured on BBC Radio 2's The Arts Show with Claudia Winkleman,[71] BBC Radio 4 with Ali McGregor,[72] BBC 6 Music with Lauren Laverne,[73] BBC Radio 7, BBC Radio Scotland,[21] and STV.[52]

Britain's Got Talent controversy

On Saturday 23 April 2011, Scottish drama teacher Edward Reid performed a version of Leona Lewis's cover of 'Run' on the television series Britain's Got Talent, replacing the original lyrics with 'Old McDonald Had a Farm' and other nursery rhymes. Reid received a standing ovation from the studio audience, unanimous praise from the judging panel, and was soon installed as favourite to win the competition.[74]

"We'd like to make the point that we by no means believe we 'own' the idea of performing twisted versions of pop songs. We were not the first, and won't be the last. But the strong links and similarities in this instance have been slightly disconcerting."

Corcoran and Jones's statement in The Sun

[75]

Immediately afterwards, Twitter users began accusing Reid of plagiarising the Frisky and Mannish song 'Wheels on the Bus', a version of Girls Aloud's 'Sound of the Underground' which also features a nursery rhyme medley and begins with 'Old McDonald Had a Farm'.[76] Corcoran and Jones, initially unavailable for comment, then released a statement to The Sun on April 25, 2011,[75] revealing that they had performed alongside Reid at the Glasgow Cabaret Festival in 2009, at which time his work was "very different" from theirs, and that he had seen their version of 'Wheels on the Bus'.[75]

Following the statement, Corcoran and Jones were reported to have "played down" the situation on their social networking sites, posting a tongue-in-cheek claim that they were "now being counter-sued by Old McDonald."[76] On their official website, the duo made the following observation: "We do not believe we are the first people to do pop parodies. Nor is the irony of the event lost on us, considering our repeated pilfering of the back-catalogues of Britney, Bieber and Busted. Only certain interpersonal exchanges made this an unusual event."[77]

Awards and nominations

References

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