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Look, Eagle scout, if you're going to place a tag that says "discuss", then you sure as hell owe it to us to START that discussion and let us know what your problem is. In the meantime, look at Vehicle registration plates of Alabama.
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author=Shmoop Staff|year=2010|publisher=Shmoop University}}</ref>
author=Shmoop Staff|year=2010|publisher=Shmoop University}}</ref>


In 1975, Van Zant said: "The lyrics about the governor of Alabama were misunderstood. The general public didn't notice the words 'Boo! Boo! Boo!' after that particular line, and the media picked up only on the reference to the people loving the governor."<ref name=BallinggerL>Ballinger, Lee. (2002 ©1999). ''Lynyrd Skynyrd: An Oral History''. Los Angeles, California: XT377 Publishing. ISBN 0-9720446-3-9</ref> "The line 'We all did what we could do' is sort of ambiguous," Al Kooper notes. "'We tried to get Wallace out of there' is how I always thought of it."<ref name=BallinggerL /> Journalist Al Swenson argues that the song is more complex than it is sometimes given credit for, suggesting that it only looks like an endorsement of Wallace.<ref name=BallinggerL /> "Wallace and I have very little in common," Van Zant himself said, "I don't like what he says about colored people."<ref name=BallinggerL/>
In 1975, Van Zant said: "The lyrics about the governor of Alabama were misunderstood. The general yaaaaaapppp public didn't notice the words 'Boo! Boo! Boo!' after that particular line, and the media picked up only on the reference to the people loving the governor."<ref name=BallinggerL>Ballinger, Lee. (2002 ©1999). ''Lynyrd Skynyrd: An Oral History''. Los Angeles, California: XT377 Publishing. ISBN 0-9720446-3-9</ref> "The line 'We all did what we could do' is sort of ambiguous," Al Kooper notes. "'We tried to get Wallace out of there' is how I always thought of it."<ref name=BallinggerL /> Journalist Al Swenson argues that the song is more complex than it is sometimes given credit for, suggesting that it only looks like an endorsement of Wallace.<ref name=BallinggerL /> "Wallace and I have very little in common," Van Zant himself said, "I don't like what he says about colored people."<ref name=BallinggerL/>


Music historians examining the juxtaposition of invoking Nixon and Watergate after Wallace and Birmingham note that one reading of the lyrics is an "attack against the liberals who were so outraged at Nixon's conduct" while others interpret it regionally "the band was speaking for the entire South, saying to northerners, we're not judging you as ordinary citizens for the failures of your leaders in Watergate; don't judge all of us as individuals for the racial problems of southern society".<ref name="Music Guide"/>
Music historians examining the juxtaposition of invoking Nixon and Watergate after Wallace and Birmingham note that one reading of the lyrics is an "attack against the liberals who were so outraged at Nixon's conduct" while others interpret it regionally "the band was speaking for the entire South, saying to northerners, we're not judging you as ordinary citizens for the failures of your leaders in Watergate; don't judge all of us as individuals for the racial problems of southern society".<ref name="Music Guide"/>

Revision as of 14:23, 6 September 2012

"Sweet Home Alabama"
Song
B-side"Take Your Time"

"Sweet Home Alabama" is a song by Southern rock band Lynyrd Skynyrd that first appeared in 1974 on their second album, Second Helping.

It reached #8 on the US charts in 1974, and was the band's second hit single.[1]

Creation and recording

At a band practice shortly after bassist Ed King had switched to guitar, King heard fellow guitarist Gary Rossington playing a guitar riff that inspired him (in fact, this riff is still heard in the final version of the song and is played during the verses as a counterpoint to the main D-C+9-G chord progression). In interviews, Ed King has said that, during the night following the practice session, the chords and two main guitar solos came to him in a dream, note for note. King then introduced the song to the band the next day. Also written at this session was the track that followed "Alabama" on the Second Helping album, "I Need You"[citation needed].

A live version of the track on the compilation album Collectybles places the writing of the song during the late summer of 1973, as the live set available on the album is dated October 30, 1973.

The track was recorded at Studio One in Doraville, Georgia, using just King, bassist Wilkeson, and drummer Burns to lay down the basic backing track. Ed King used a Marshall amp belonging to Allen Collins. The guitar used on the track was a 1972 Fender Stratocaster. However, King has said that the guitar was a pretty poor model and had bad pickups, forcing him to turn the amp up all the way to get decent volume out of it[citation needed]. This guitar is now displayed at the Rock and Roll Hall of Fame Museum in Cleveland, Ohio.

The famous "Turn it up" line uttered by Ronnie Van Zant in the beginning was not intended to be in the song. Van Zant was simply asking producer Al Kooper and engineer Rodney Mills to turn up the volume in his headphones so that he could hear the track better[citation needed].

There is a semi-hidden vocal line in the second verse after the "Well, I heard Mr. Young sing about her" line. In the left channel, you can hear the phrase "Southern Man" being sung lightly (at approximately 0:55). This was producer Al Kooper doing a Neil Young impression and was just another incident of the band members messing around in the studio while being recorded. According to Leon Wilkeson, it was Kooper's idea to continue and echo the lines from "Southern Man" after each of Van Zant's lines. "Better...keep your head"..."Don't forget what your / good book says", etc. But Van Zant insisted that Kooper remove it, not wanting to plagiarize or upset Young[citation needed]. Kooper left the one line barely audible in the left channel.

Following the two "woos" (Leon's the first, Ed's the second) at the start of the piano solo (at approximately 4:08), Van Zant can be heard ad-libbing "My, Montgomery's got the answer." The duplicate "my" was produced by Kooper turning off one of the two vocal takes. For Lynyrd Skynyrd's 1976 film Free Bird, this final line was changed to "Mr. (Jimmy) Carter got the answer." in a reference to the 1976 Presidential Election.[citation needed] While this line has many variation and was commonly sung as " My Montgomery's got the answer" in the original recording the line was "Ma and Pop Stoneman got the answer" Referring to Hattie Stoneman and Earnest Van Stoneman better known as Ma and Pop Stoneman of the Bluegrass/Country music group and a TV show of the same name "The Stoneman Family".

The count-in heard in the beginning of the track is spoken by Ed King. The count-in to the first song on an album was a signature touch that producer Kooper usually put on albums that he made.

"Sweet Home Alabama" was a major chart hit for a band whose previous singles had "lazily sauntered out into release with no particular intent". The hit led to two TV rock-show offers, which the band turned down.[2] In addition to the original appearance on Second Helping, the song has appeared on numerous Lynyrd Skynyrd collections and live albums.

None of the three writers of the song were originally from Alabama. Ronnie Van Zant and Gary Rossington were both born in Jacksonville, Florida. Ed King was from Glendale, California.

Controversy

"Sweet Home Alabama" was written as an answer to two songs, "Southern Man" and "Alabama" by Neil Young, which dealt with themes of racism and slavery in the American South. "We thought Neil was shooting all the ducks in order to kill one or two," said Ronnie Van Zant at the time.[2] The following extract shows the Neil Young mention in the song:

Well I heard mister Young sing about her
Well, I heard ole Neil put her down
Well, I hope Neil Young will remember
A Southern man don't need him around anyhow

Van Zant's other response was also controversial, with references to Alabama Governor George Wallace (a noted supporter of segregation) and the Watergate scandal:

In Birmingham, they love the governor (boo boo boo)
Now we all did what we could do
Now Watergate does not bother me
Does your conscience bother you?
Tell the truth
...
Sweet home Alabama, oh, sweet home baby
Where the skies are so blue and the governor's true

Music historians point out that the choice of Birmingham in connection with the governor (rather than the capital Montgomery) is significant for the controversy as "In 1963, the city was the site of massive civil rights activism, as thousands of demonstrators led by Martin Luther King, Jr. sought to desegregate downtown businesses...[and] was the scene of some of the most violent moments of the Civil Rights Movement. Segregationist police chief Bull Connor unleashed attack dogs and high-pressure water cannons against peaceful marchers, including women and children; just weeks later, Ku Klux Klansmen bombed a black church, killing four little girls."[3]

In 1975, Van Zant said: "The lyrics about the governor of Alabama were misunderstood. The general yaaaaaapppp public didn't notice the words 'Boo! Boo! Boo!' after that particular line, and the media picked up only on the reference to the people loving the governor."[4] "The line 'We all did what we could do' is sort of ambiguous," Al Kooper notes. "'We tried to get Wallace out of there' is how I always thought of it."[4] Journalist Al Swenson argues that the song is more complex than it is sometimes given credit for, suggesting that it only looks like an endorsement of Wallace.[4] "Wallace and I have very little in common," Van Zant himself said, "I don't like what he says about colored people."[4]

Music historians examining the juxtaposition of invoking Nixon and Watergate after Wallace and Birmingham note that one reading of the lyrics is an "attack against the liberals who were so outraged at Nixon's conduct" while others interpret it regionally "the band was speaking for the entire South, saying to northerners, we're not judging you as ordinary citizens for the failures of your leaders in Watergate; don't judge all of us as individuals for the racial problems of southern society".[3]

Muscle Shoals

One verse of the song includes the line "Now Muscle Shoals has got the Swampers/And they've been known to pick a song or two." This refers to the town of Muscle Shoals, Alabama, a popular location for recording popular music because of the "sound" crafted by local recording studios and back-up musicians. "The Swampers" referred to in the lyrics are the Muscle Shoals Rhythm Section. These musicians, who crafted the "Muscle Shoals Sound", were inducted into the Alabama Music Hall of Fame in 1995[5] for a "Lifework Award for Non-Performing Achievement" and into the Musician's Hall Of Fame in 2008 (the performers inducted into the latter were the four founding Swampers—Barry Beckett, Roger Hawkins, David Hood, Jimmy Johnson—plus Pete Carr, Clayton Ivey, Randy McCormack, Will McFarlane, and Spooner Oldham).[6][7] The nickname "The Swampers" was given to the Muscle Shoals Rhythm Section by producer Denny Cordell during a recording session by singer/songwriter Leon Russell, in reference to their 'swampy' sound.

Part of the reference comes from the 1971–1972 demo reels that Lynyrd Skynyrd had recorded in Muscle Shoals with Johnson as a producer/recording engineer. Johnson helped refine many of the songs first heard publicly on the Pronounced album, and it was Van Zant's "tip of the hat" to Johnson for helping out the band in the early years and essentially giving the band its first break.

Lynyrd Skynyrd remains connected to Muscle Shoals, having since recorded a number of works in the city and making it a regular stop on their concert tours.

Chart performance

Chart (1973) Peak
position
Austrian Singles Chart 56
Canada RPM Top Singles 6
German Singles Chart 87
Swiss Singles Chart 51
U.S. Billboard Hot 100 8

Year-End Chart

Chart (1973) Peak
position
U.S. Cashbox Top 100 58
Canadian RPM Top Singles 81

Sales and certifications

Region Certification Certified units/sales
United States (RIAA)[9] Platinum (MT) 3,172,000[8]

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Covers

An altered version by the country group Alabama (who changed the lyrics involving the Watergate scandal with a verse talking about Alabama football) was included on the 1994 tribute album Skynyrd Frynds.

In 1999, the Germany rock band Bonfire covered the song for their album, Fuel to the Flames and have performed the song live at concerts as well as for an acoustic performance (which was released as the double disc album One Acoustic Night).

In 2005, Universal Recording artists Boyz After Money Always (B.A.M.A.) recorded a rap remake to the classic rock song. B.A.M.A.'s version reached #16 on the Billboard hip-hop singles chart and went on to sell over 150,000 ringtones.

Kid Rock's 2008 song "All Summer Long" samples "Sweet Home Alabama" on the chorus and uses the guitar solo and piano outro; Billy Powell is featured on the track. "All Summer Long" also samples Warren Zevon's "Werewolves of London", which has similar chord progression to "Sweet Home Alabama". Since Kid Rock's release, the original song has charted in the UK charts at number 44.

Spanish punk rock group Siniestro Total released a parody under the title Miña Terra Galega, that is "My Galician Homeland", in Galician), "where the sky is always gray".[10]

In the video game StarCraft II: Wings of Liberty, "Sweet Home Alabama" is covered by the "Big Tuna Band" and appears with other 20th century music in Jimmy's jukebox aboard the 26th century battle cruiser "Hyperion".

Although not a cover, former Metallica guitarist Dave Mustaine has admitted that the bridge to the song The Four Horsemen on the band's album Kill 'Em All is a direct copy of the main riff in Sweet Home Alabama. [11]

Back in 1994, the Finnish rock band group "The Leningrad Cowboys featuring the Alexandrov Ensemble" did a cover of many songs on their album called "Happy Together".

Japanese female singer Chihiro Onitsuka covered the song in her 2012 cover album "FAMOUS MICROPHONE".

"Sweet Home Alabama" appears on the soundtrack of the 1994 film Forrest Gump, as the title character dances with his beloved friend Jenny in the living room of his Alabama home during a rainstorm. In the 1997 film Con Air, the song is played as the list of main characters is seen in the end credits. During the film, it is also played on the plane as some of the convicts dance, prompting Garland Greene (Steve Buscemi) to comment on the irony of "a bunch of idiots dancing on a plane, to a song made famous by a band that died in a plane crash." The song (in edited form) is also heard at the beginning of the 2010 film Despicable Me. The song also appears in the 1995 film Crimson Tide. As the ballistic missile submarine USS Alabama sets sail, the crew in the enlisted mens mess are playing the song on a portable stereo. It is also used in the opening to the film Joe Dirt and features David Spade lip syncing the opening "turn it up" lyric.

The song is often heard at U.S. Cellular Field whenever Chicago White Sox ace Jake Peavy is pitching. Peavy was born in Mobile, Alabama.

As of 2009, the State of Alabama has begun using the phrase "Sweet Home Alabama" as an official slogan on license plates for motor vehicles, with Governor Bob Riley noting that Lynyrd Skynyrd's anthem is the third most-played song referring to a specific destination.[12] (This is also the second Alabama license plate in a row to make reference to a popular song, with the state's previous plate having featured "Stars Fell on Alabama".)

The song has been used in multiple advertising campaigns. In September 2007, Alabama Governor Bob Riley announced the phrase "Sweet Home Alabama" would be used to promote Alabama state tourism in a multi million dollar ad campaign. No indication has been given if the song itself will be included in the campaign.[13]

The song was used as the theme song to the 2001 EA Sports video game NASCAR Thunder 2002

The song is played at every home football game for the University of Alabama with the phrase "Roll Tide Roll" following the title lyrics.

Recognition and awards

Members

References

  1. ^ Sweet Home Alabama song information, Songfacts.com
  2. ^ a b c d Dupree, T. (1974), Lynyrd Skynyrd in Sweet Home Atlanta [Electronic version]. Rolling Stone. Retrieved October 17, 2007.
  3. ^ a b Shmoop Staff (2010). Sweet Home Alabama: Shmoop Music Guide. Shmoop University.
  4. ^ a b c d Ballinger, Lee. (2002 ©1999). Lynyrd Skynyrd: An Oral History. Los Angeles, California: XT377 Publishing. ISBN 0-9720446-3-9
  5. ^ http://www.alamhof.org/msrs.html
  6. ^ http://www.rollingstone.com/rockdaily/index.php/2008/10/29/kid-rock-keith-richards-help-induct-crickets-muscle-shoals-into-musicians-hall-of-fame/
  7. ^ http://www.timesdaily.com/article/20081029/ARTICLES/810290317/0/NEWS
  8. ^ Grein, Paul (2010-09-24). "Chart Watch Extra: Songs From The Last Century". Nielsen Business Media. Yahoo! Music. Retrieved 2012-03-22.
  9. ^ "American single certifications – Lynyrd Skynyrd – Sweet Home Alabama". Recording Industry Association of America.
  10. ^ Siniestro Total homepage
  11. ^ http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=162008
  12. ^ http://www.governorpress.alabama.gov/pr/pr-2008-10-07-01-new_tags_photo.asp
  13. ^ Associated Press (2007). Lynyrd Skynyrd Song Turns Alabama Tourist Theme [Electronic version]. USA Today. retrieved October 17, 2007.
  14. ^ Miller, John J. (2006-05-26) Rockin' the Right, National Review

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