Repertoire of Plácido Domingo: Difference between revisions
<ref> for Vazquez' opera |
made wikitable sortable; added {{hs}}-dates for year column |
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Line 6: | Line 6: | ||
==Role debuts== |
==Role debuts== |
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{| class="wikitable" style="font-size:95%;" |
{| class="sortable wikitable" style="font-size:95%;" |
||
!Year |
!Year |
||
!# |
!# |
||
Line 16: | Line 16: | ||
!Location |
!Location |
||
|- |
|- |
||
|1959 |
|{{hs|1959-09-23}}1959 |
||
|1 |
|1 |
||
|[[Rigoletto]] |
|[[Rigoletto]] |
||
Line 25: | Line 25: | ||
|[[Mexico City]] |
|[[Mexico City]] |
||
|- |
|- |
||
|{{hs|1959-10-21}} |
|||
| |
|||
|2 |
|2 |
||
|[[Dialogues of the Carmelites]] |
|[[Dialogues of the Carmelites]] |
||
Line 34: | Line 34: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|1960 |
|{{hs|1960-00-00}}1960 |
||
|3 |
|3 |
||
|[[The Merry Widow]] |
|[[The Merry Widow]] |
||
Line 43: | Line 43: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|{{hs|1960-09-11}} |
|||
| |
|||
|4 |
|4 |
||
|[[Turandot]] |
|[[Turandot]] |
||
Line 52: | Line 52: | ||
|[[Monterrey]] |
|[[Monterrey]] |
||
|- |
|- |
||
|{{hs|1960-10-01}} |
|||
| |
|||
|5 |
|5 |
||
|Turandot |
|Turandot |
||
Line 61: | Line 61: | ||
|Monterrey |
|Monterrey |
||
|- |
|- |
||
|{{hs|1960-10-05}} |
|||
| |
|||
|6 |
|6 |
||
|[[Lucia di Lammermoor]] |
|[[Lucia di Lammermoor]] |
||
Line 70: | Line 70: | ||
|Monterrey |
|Monterrey |
||
|- |
|- |
||
|{{hs|1960-10-08}} |
|||
| |
|||
|7 |
|7 |
||
|[[La traviata]] |
|[[La traviata]] |
||
Line 79: | Line 79: | ||
|Monterrey |
|Monterrey |
||
|- |
|- |
||
|{{hs|1960-10-15}} |
|||
| |
|||
|8 |
|8 |
||
|[[Carmen]] |
|[[Carmen]] |
||
Line 88: | Line 88: | ||
|Monterrey |
|Monterrey |
||
|- |
|- |
||
|{{hs|1960-10-17}} |
|||
| |
|||
|9 |
|9 |
||
|[[Otello]] |
|[[Otello]] |
||
Line 97: | Line 97: | ||
|Monterrey |
|Monterrey |
||
|- |
|- |
||
|1961 |
|{{hs|1961-05-19}}1961 |
||
|10 |
|10 |
||
|La traviata |
|La traviata |
||
Line 106: | Line 106: | ||
|Monterrey |
|Monterrey |
||
|- |
|- |
||
|{{hs|1961-05-28}} |
|||
| |
|||
|11 |
|11 |
||
|El Ultimo sueno |
|El Ultimo sueno |
||
Line 115: | Line 115: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|{{hs|1961-06-28}} |
|||
| |
|||
|12 |
|12 |
||
|[[Amelia Goes to the Ball|Amelia goes to the ball]] |
|[[Amelia Goes to the Ball|Amelia goes to the ball]] |
||
Line 124: | Line 124: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|{{hs|1961-07-02}} |
|||
| |
|||
|13 |
|13 |
||
|[[Fedora (opera)|Fedora]] |
|[[Fedora (opera)|Fedora]] |
||
Line 133: | Line 133: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|{{hs|1961-08-08}} |
|||
| |
|||
|14 |
|14 |
||
|[[Boris Godunov (opera)|Boris Godunov]] |
|[[Boris Godunov (opera)|Boris Godunov]] |
||
Line 142: | Line 142: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|{{hs|1961-08-15}} |
|||
| |
|||
|15 |
|15 |
||
|[[Andrea Chénier]] |
|[[Andrea Chénier]] |
||
Line 151: | Line 151: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|{{hs|1961-08-21}} |
|||
| |
|||
|16 |
|16 |
||
|[[Tosca]] |
|[[Tosca]] |
||
Line 160: | Line 160: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|{{hs|1961-09-15}} |
|||
| |
|||
|17 |
|17 |
||
|[[Madama Butterfly]] |
|[[Madama Butterfly]] |
||
Line 169: | Line 169: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|{{hs|1961-09-30}} |
|||
| |
|||
|18 |
|18 |
||
|Tosca |
|Tosca |
||
Line 178: | Line 178: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|1962 |
|{{hs|1962-03-04}}1962 |
||
|19 |
|19 |
||
|[[La bohème]] |
|[[La bohème]] |
||
Line 187: | Line 187: | ||
|Mexico City |
|Mexico City |
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|- |
|- |
||
|{{hs|1962-05-10}} |
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| |
|||
|20 |
|20 |
||
|[[Così fan tutte]] |
|[[Così fan tutte]] |
||
Line 196: | Line 196: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|{{hs|1962-05-17}} |
|||
| |
|||
|21 |
|21 |
||
|[[Adriana Lecouvreur]] |
|[[Adriana Lecouvreur]] |
||
Line 205: | Line 205: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|{{hs|1962-10-01}} |
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| |
|||
|22 |
|22 |
||
|Trittico Francescano |
|Trittico Francescano |
||
Line 214: | Line 214: | ||
|[[Guadalajara, Jalisco|Guadalajara]] |
|[[Guadalajara, Jalisco|Guadalajara]] |
||
|- |
|- |
||
|{{hs|1962-10-07}} |
|||
| |
|||
|23 |
|23 |
||
|Madama Butterfly |
|Madama Butterfly |
||
Line 223: | Line 223: | ||
|[[Torreón]] |
|[[Torreón]] |
||
|- |
|- |
||
|{{hs|1962-11-26}} |
|||
| |
|||
|24 |
|24 |
||
|Lucia di Lammermoor |
|Lucia di Lammermoor |
||
Line 232: | Line 232: | ||
|[[Fort Worth, Texas|Fort Worth]] |
|[[Fort Worth, Texas|Fort Worth]] |
||
|- |
|- |
||
|1963 |
|{{hs|1963-06-25}}1963 |
||
|25 |
|25 |
||
|Carmen |
|Carmen |
||
Line 241: | Line 241: | ||
|[[Tel Aviv]] |
|[[Tel Aviv]] |
||
|- |
|- |
||
|{{hs|1963-09-21}} |
|||
| |
|||
|26 |
|26 |
||
|[[Don Giovanni]] |
|[[Don Giovanni]] |
||
Line 250: | Line 250: | ||
|Tel Aviv |
|Tel Aviv |
||
|- |
|- |
||
|{{hs|1963-12-03}} |
|||
| |
|||
|27 |
|27 |
||
|[[Faust (opera)|Faust]] |
|[[Faust (opera)|Faust]] |
||
Line 259: | Line 259: | ||
|Tel Aviv |
|Tel Aviv |
||
|- |
|- |
||
|1964 |
|{{hs|1964-01-21}}1964 |
||
|28 |
|28 |
||
|[[Les pêcheurs de perles]] |
|[[Les pêcheurs de perles]] |
||
Line 268: | Line 268: | ||
|Tel Aviv |
|Tel Aviv |
||
|- |
|- |
||
|{{hs|1964-09-05}} |
|||
| |
|||
|29 |
|29 |
||
|[[Eugene Onegin (opera)|Eugene Onegin]] |
|[[Eugene Onegin (opera)|Eugene Onegin]] |
||
Line 277: | Line 277: | ||
|Tel Aviv |
|Tel Aviv |
||
|- |
|- |
||
|1965 |
|{{hs|1965-01-21}}1965 |
||
|30 |
|30 |
||
|[[Cavalleria rusticana]] |
|[[Cavalleria rusticana]] |
||
Line 286: | Line 286: | ||
|Tel Aviv |
|Tel Aviv |
||
|- |
|- |
||
|{{hs|1965-07-30}} |
|||
| |
|||
|31 |
|31 |
||
|[[Samson and Delilah (opera)|Samson and Delilah]] |
|[[Samson and Delilah (opera)|Samson and Delilah]] |
||
Line 295: | Line 295: | ||
|[[Chautauqua]] |
|[[Chautauqua]] |
||
|- |
|- |
||
|{{hs|1965-09-07}} |
|||
| |
|||
|32 |
|32 |
||
|[[Les contes d'Hoffmann]] |
|[[Les contes d'Hoffmann]] |
||
Line 304: | Line 304: | ||
|Mexico City |
|Mexico City |
||
|- |
|- |
||
|1966 |
|{{hs|1966-01-01}}1966 |
||
|33 |
|33 |
||
|Carlota,<br> Severino,<br> La Mulata de Córdoba |
|Carlota,<br> Severino,<br> La Mulata de Córdoba |
||
Line 313: | Line 313: | ||
|[[Barcelona]] |
|[[Barcelona]] |
||
|- |
|- |
||
|{{hs|1966-02-22}} |
|||
| |
|||
|34 |
|34 |
||
|[[Don Rodrigo]] |
|[[Don Rodrigo]] |
||
Line 322: | Line 322: | ||
|[[New York City|New York]] |
|[[New York City|New York]] |
||
|- |
|- |
||
|{{hs|1966-03-03}} |
|||
| |
|||
|35 |
|35 |
||
|[[Andrea Chénier]] |
|[[Andrea Chénier]] |
||
Line 331: | Line 331: | ||
|[[New Orleans, Louisiana|New Orleans]] |
|[[New Orleans, Louisiana|New Orleans]] |
||
|- |
|- |
||
|{{hs|1966-04-06}} |
|||
| |
|||
|36 |
|36 |
||
|[[Hippolyte et Aricie]] |
|[[Hippolyte et Aricie]] |
||
Line 340: | Line 340: | ||
|[[Boston, Massachusetts|Boston]] |
|[[Boston, Massachusetts|Boston]] |
||
|- |
|- |
||
|{{hs|1966-08-09}} |
|||
| |
|||
|37 |
|37 |
||
|[[Pagliacci]] |
|[[Pagliacci]] |
||
Line 349: | Line 349: | ||
|New York |
|New York |
||
|- |
|- |
||
|{{hs|1966-09-16}} |
|||
| |
|||
|38 |
|38 |
||
|[[The Barber of Seville]] |
|[[The Barber of Seville]] |
||
Line 358: | Line 358: | ||
|Guadalajara |
|Guadalajara |
||
|- |
|- |
||
|{{hs|1966-11-15}} |
|||
| |
|||
|39 |
|39 |
||
|[[Anna Bolena]] |
|[[Anna Bolena]] |
||
Line 367: | Line 367: | ||
|New York |
|New York |
||
|- |
|- |
||
|1967 |
|{{hs|1967-03-08}}1967 |
||
|40 |
|40 |
||
|[[Il tabarro]] |
|[[Il tabarro]] |
||
Line 376: | Line 376: | ||
|New York |
|New York |
||
|- |
|- |
||
|{{hs|1967-05-11}} |
|||
| |
|||
|41 |
|41 |
||
|[[Aida]] |
|[[Aida]] |
||
Line 385: | Line 385: | ||
|[[Hamburg]] |
|[[Hamburg]] |
||
|- |
|- |
||
|{{hs|1967-05-19}} |
|||
| |
|||
|42 |
|42 |
||
|[[Don Carlos|Don Carlo]] |
|[[Don Carlos|Don Carlo]] |
||
Line 394: | Line 394: | ||
|[[Vienna]] |
|[[Vienna]] |
||
|- |
|- |
||
|{{hs|1967-05-31}} |
|||
| |
|||
|43 |
|43 |
||
|[[Un ballo in maschera]] |
|[[Un ballo in maschera]] |
||
Line 403: | Line 403: | ||
|[[Berlin]] |
|[[Berlin]] |
||
|- |
|- |
||
|1968 |
|{{hs|1968-01-14}}1968 |
||
|44 |
|44 |
||
|[[Lohengrin (opera)|Lohengrin]] |
|[[Lohengrin (opera)|Lohengrin]] |
||
Line 412: | Line 412: | ||
|Hamburg |
|Hamburg |
||
|- |
|- |
||
|{{hs|1968-02-15}} |
|||
| |
|||
|45 |
|45 |
||
|[[Manon Lescaut (Puccini)|Manon Lescaut]] |
|[[Manon Lescaut (Puccini)|Manon Lescaut]] |
||
Line 421: | Line 421: | ||
|[[Hartford, Connecticut|Hartford]] |
|[[Hartford, Connecticut|Hartford]] |
||
|- |
|- |
||
|{{hs|1968-03-14}} |
|||
| |
|||
|46 |
|46 |
||
|[[Il trovatore]] |
|[[Il trovatore]] |
||
Line 430: | Line 430: | ||
|New Orleans |
|New Orleans |
||
|- |
|- |
||
|1969 |
|{{hs|1969-01-02}}1969 |
||
|47 |
|47 |
||
|Rigoletto |
|Rigoletto |
||
Line 439: | Line 439: | ||
|Hamburg |
|Hamburg |
||
|- |
|- |
||
|{{hs|1969-01-18}} |
|||
| |
|||
|48 |
|48 |
||
|[[La forza del destino]] |
|[[La forza del destino]] |
||
Line 448: | Line 448: | ||
|Hamburg |
|Hamburg |
||
|- |
|- |
||
|{{hs|1969-02-20}} |
|||
| |
|||
|49 |
|49 |
||
|[[Manon]] |
|[[Manon]] |
||
Line 457: | Line 457: | ||
|New York |
|New York |
||
|- |
|- |
||
|{{hs|1969-07-16}} |
|||
| |
|||
|50 |
|50 |
||
|Turandot |
|Turandot |
||
Line 466: | Line 466: | ||
|[[Verona]] |
|[[Verona]] |
||
|- |
|- |
||
|{{hs|1969-12-07}} |
|||
| |
|||
|51 |
|51 |
||
|[[Ernani]] |
|[[Ernani]] |
||
Line 475: | Line 475: | ||
|[[Milan]] |
|[[Milan]] |
||
|- |
|- |
||
|1970 |
|{{hs|1970-03-00}}1970 |
||
|52 |
|52 |
||
|[[Oberon (opera)|Oberon]] |
|[[Oberon (opera)|Oberon]] |
||
Line 484: | Line 484: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1970-05-14}} |
|||
| |
|||
|53 |
|53 |
||
|[[La Gioconda (opera)|La Gioconda]] |
|[[La Gioconda (opera)|La Gioconda]] |
||
Line 493: | Line 493: | ||
|[[Madrid]] |
|[[Madrid]] |
||
|- |
|- |
||
|{{hs|1970-10-15}} |
|||
| |
|||
|54 |
|54 |
||
|[[Roberto Devereux]] |
|[[Roberto Devereux]] |
||
Line 502: | Line 502: | ||
|New York |
|New York |
||
|- |
|- |
||
|1971 |
|{{hs|1971-03-00}}1971 |
||
|55 |
|55 |
||
|[[Der Rosenkavalier]] |
|[[Der Rosenkavalier]] |
||
Line 511: | Line 511: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1971-07-00}} |
|||
| |
|||
|56 |
|56 |
||
|[[I Lombardi alla prima crociata]] |
|[[I Lombardi alla prima crociata]] |
||
Line 520: | Line 520: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1971-11-04}} |
|||
| |
|||
|57 |
|57 |
||
|[[Luisa Miller]] |
|[[Luisa Miller]] |
||
Line 529: | Line 529: | ||
|New York |
|New York |
||
|- |
|- |
||
|1972 |
|{{hs|1972-08-00}}1972 |
||
|58 |
|58 |
||
|[[Giovanna d'Arco]] |
|[[Giovanna d'Arco]] |
||
Line 538: | Line 538: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1972-99-98}} |
|||
| |
|||
|59 |
|59 |
||
|Los Claveles |
|Los Claveles |
||
Line 547: | Line 547: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1972-99-99}} |
|||
| |
|||
|60 |
|60 |
||
|[[La dolorosa]] |
|[[La dolorosa]] |
||
Line 556: | Line 556: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|1973 |
|{{hs|1973-03-22}}1973 |
||
|61 |
|61 |
||
|[[Francesca da Rimini (Zandonai)|Francesca da Rimini]] |
|[[Francesca da Rimini (Zandonai)|Francesca da Rimini]] |
||
Line 565: | Line 565: | ||
|New York |
|New York |
||
|- |
|- |
||
|{{hs|1973-11-03}} |
|||
| |
|||
|62 |
|62 |
||
|[[L'Africaine]] |
|[[L'Africaine]] |
||
Line 574: | Line 574: | ||
|[[San Francisco]] |
|[[San Francisco]] |
||
|- |
|- |
||
|1974 |
|{{hs|1974-04-09}}1974 |
||
|63 |
|63 |
||
|[[Les vêpres siciliennes|I Vespri Siciliani]] |
|[[Les vêpres siciliennes|I Vespri Siciliani]] |
||
Line 583: | Line 583: | ||
|[[Paris]] |
|[[Paris]] |
||
|- |
|- |
||
|{{hs|1974-07-00}} |
|||
| |
|||
|64 |
|64 |
||
|[[Mefistofele]] |
|[[Mefistofele]] |
||
Line 592: | Line 592: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1974-09-28}} |
|||
| |
|||
|65 |
|65 |
||
|[[Roméo et Juliette]] |
|[[Roméo et Juliette]] |
||
Line 601: | Line 601: | ||
|New York |
|New York |
||
|- |
|- |
||
|{{hs|1974-11-26}} |
|||
| |
|||
|66 |
|66 |
||
|[[La fanciulla del West]] |
|[[La fanciulla del West]] |
||
Line 610: | Line 610: | ||
|[[Turin]] |
|[[Turin]] |
||
|- |
|- |
||
|1975 |
|{{hs|1975-00-00}}1975 |
||
|67 |
|67 |
||
|[[La Navarraise]] |
|[[La Navarraise]] |
||
Line 619: | Line 619: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1975-09-28}} |
|||
| |
|||
|68 |
|68 |
||
|Otello |
|Otello |
||
Line 628: | Line 628: | ||
|Hamburg |
|Hamburg |
||
|- |
|- |
||
|1976 |
|{{hs|1976-00-00}}1976 |
||
|69 |
|69 |
||
|[[Gianni Schicchi]] |
|[[Gianni Schicchi]] |
||
Line 637: | Line 637: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1976-00-01}} |
|||
| |
|||
|70 |
|70 |
||
|[[Louise (opera)|Louise]] |
|[[Louise (opera)|Louise]] |
||
Line 646: | Line 646: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1976-00-02}} |
|||
| |
|||
|71 |
|71 |
||
|[[Macbeth (opera)|Macbeth]] |
|[[Macbeth (opera)|Macbeth]] |
||
Line 655: | Line 655: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1976-03-00}} |
|||
| |
|||
|72 |
|72 |
||
|[[Die Meistersinger von Nürnberg]] |
|[[Die Meistersinger von Nürnberg]] |
||
Line 664: | Line 664: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1976-03-08}} |
|||
| |
|||
|73 |
|73 |
||
|[[Le Cid (opera)|Le Cid]] |
|[[Le Cid (opera)|Le Cid]] |
||
Line 673: | Line 673: | ||
|[[Carnegie Hall]], New York |
|[[Carnegie Hall]], New York |
||
|- |
|- |
||
|{{hs|1976-07-00}} |
|||
| |
|||
|74 |
|74 |
||
|[[L'amore dei tre re]] |
|[[L'amore dei tre re]] |
||
Line 682: | Line 682: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|1977 |
|{{hs|1977-00-00}}1977 |
||
|75 |
|75 |
||
|[[L'elisir d'amore]] |
|[[L'elisir d'amore]] |
||
Line 691: | Line 691: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1977-02-15}} |
|||
| |
|||
|76 |
|76 |
||
|Fedora |
|Fedora |
||
Line 700: | Line 700: | ||
|Barcelona |
|Barcelona |
||
|- |
|- |
||
|{{hs|1977-12-18}} |
|||
| |
|||
|77 |
|77 |
||
|[[Werther]] |
|[[Werther]] |
||
Line 709: | Line 709: | ||
|[[Munich]] |
|[[Munich]] |
||
|- |
|- |
||
|1978 |
|{{hs|1978-01-00}}1978 |
||
|78 |
|78 |
||
|[[La damnation de Faust]] |
|[[La damnation de Faust]] |
||
Line 718: | Line 718: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|1979 |
|{{hs|1979-06-00}}1979 |
||
|79 |
|79 |
||
|[[Le Villi]] |
|[[Le Villi]] |
||
Line 727: | Line 727: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1979-06-01}} |
|||
| |
|||
|80 |
|80 |
||
|[[Requiem (Berlioz)|Requiem]] |
|[[Requiem (Berlioz)|Requiem]] |
||
Line 736: | Line 736: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1979-07-00}} |
|||
| |
|||
|81 |
|81 |
||
|[[Béatrice et Bénédict]] |
|[[Béatrice et Bénédict]] |
||
Line 745: | Line 745: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1979-09-09}} |
|||
| |
|||
|82 |
|82 |
||
|Il Giuramento |
|Il Giuramento |
||
Line 754: | Line 754: | ||
|Vienna |
|Vienna |
||
|- |
|- |
||
|1980 |
|{{hs|1980-06-19}}1980 |
||
|83 |
|83 |
||
|El Poeta |
|El Poeta |
||
Line 763: | Line 763: | ||
|Madrid |
|Madrid |
||
|- |
|- |
||
|1981 |
|{{hs|1981-09-21}}1981 |
||
|84 |
|84 |
||
|[[Norma (opera)|Norma]] |
|[[Norma (opera)|Norma]] |
||
Line 772: | Line 772: | ||
|New York |
|New York |
||
|- |
|- |
||
|1982 |
|{{hs|1982-00-00}}1982 |
||
|85 |
|85 |
||
|[[La rondine]] |
|[[La rondine]] |
||
Line 781: | Line 781: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1982-05-00}} |
|||
| |
|||
|86 |
|86 |
||
|[[Nabucco]] |
|[[Nabucco]] |
||
Line 790: | Line 790: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1983-09-26}}1983 |
|||
| |
|||
|87 |
|87 |
||
|[[Les Troyens]] |
|[[Les Troyens]] |
||
Line 799: | Line 799: | ||
|New York |
|New York |
||
|- |
|- |
||
|1986 |
|{{hs|1986-04-00}}1986 |
||
|88 |
|88 |
||
|[[Die Fledermaus]] |
|[[Die Fledermaus]] |
||
Line 808: | Line 808: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1986-11-15}} |
|||
| |
|||
|89 |
|89 |
||
|Goya |
|Goya |
||
Line 817: | Line 817: | ||
|[[Washington, D.C.|Washington]] |
|[[Washington, D.C.|Washington]] |
||
|- |
|- |
||
|1988 |
|{{hs|1988-00-00}}1988 |
||
|90 |
|90 |
||
|[[Iris (opera)|Iris]] |
|[[Iris (opera)|Iris]] |
||
Line 826: | Line 826: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1988-04-00}} |
|||
| |
|||
|91 |
|91 |
||
|[[Tannhäuser (opera)|Tannhäuser]] |
|[[Tannhäuser (opera)|Tannhäuser]] |
||
Line 835: | Line 835: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|1989 |
|{{hs|1989-03-00}}1989 |
||
|92 |
|92 |
||
|[[Die Frau ohne Schatten]] |
|[[Die Frau ohne Schatten]] |
||
Line 844: | Line 844: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|1990 |
|{{hs|1990-06-00}}1990 |
||
|93 |
|93 |
||
|[[Man of La Mancha]] |
|[[Man of La Mancha]] |
||
Line 853: | Line 853: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|1991 |
|{{hs|1991-02-00}}1991 |
||
|94 |
|94 |
||
|[[The Flying Dutchman (opera)|The Flying Dutchman]] |
|[[The Flying Dutchman (opera)|The Flying Dutchman]] |
||
Line 862: | Line 862: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1991-03-14}} |
|||
| |
|||
|95 |
|95 |
||
|[[Parsifal]] |
|[[Parsifal]] |
||
Line 871: | Line 871: | ||
|New York |
|New York |
||
|- |
|- |
||
|1992 |
|{{hs|1992-02-00}}1992 |
||
|96 |
|96 |
||
|The Barber of Seville |
|The Barber of Seville |
||
Line 880: | Line 880: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1992-08-07}} |
|||
| |
|||
|97 |
|97 |
||
|[[El gato montés]] |
|[[El gato montés]] |
||
Line 889: | Line 889: | ||
|[[Seville]] |
|[[Seville]] |
||
|- |
|- |
||
|{{hs|1992-12-19}} |
|||
| |
|||
|98 |
|98 |
||
|[[Die Walküre]] |
|[[Die Walküre]] |
||
Line 898: | Line 898: | ||
|Vienna |
|Vienna |
||
|- |
|- |
||
|1993 |
|{{hs|1993-10-21}}1993 |
||
|99 |
|99 |
||
|[[Stiffelio]] |
|[[Stiffelio]] |
||
Line 907: | Line 907: | ||
|New York |
|New York |
||
|- |
|- |
||
|1994 |
|{{hs|1994-02-00}}1994 |
||
|100 |
|100 |
||
|[[Doña Francisquita]] |
|[[Doña Francisquita]] |
||
Line 916: | Line 916: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1994-04-00}} |
|||
| |
|||
|101 |
|101 |
||
|[[La verbena de la Paloma]] |
|[[La verbena de la Paloma]] |
||
Line 925: | Line 925: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1994-06-05}} |
|||
| |
|||
|102 |
|102 |
||
|[[Il Guarany]] |
|[[Il Guarany]] |
||
Line 934: | Line 934: | ||
|[[Bonn]] |
|[[Bonn]] |
||
|- |
|- |
||
|{{hs|1994-11-01}} |
|||
| |
|||
|103 |
|103 |
||
|[[Idomeneo]] |
|[[Idomeneo]] |
||
Line 943: | Line 943: | ||
|New York |
|New York |
||
|- |
|- |
||
|{{hs|1994-11-08}} |
|||
| |
|||
|104 |
|104 |
||
|[[Hérodiade]] |
|[[Hérodiade]] |
||
Line 952: | Line 952: | ||
|San Francisco |
|San Francisco |
||
|- |
|- |
||
|1995 |
|{{hs|1995-00-00}}1995 |
||
|105 |
|105 |
||
|[[Luisa Fernanda (zarzuela)|Luisa Fernanda]] |
|[[Luisa Fernanda (zarzuela)|Luisa Fernanda]] |
||
Line 961: | Line 961: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1995-01-19}} |
|||
| |
|||
|106 |
|106 |
||
|[[Simon Boccanegra]]<br> (1881 version) |
|[[Simon Boccanegra]]<br> (1881 version) |
||
Line 970: | Line 970: | ||
|New York |
|New York |
||
|- |
|- |
||
|1996 |
|{{hs|1996-00-00}}1996 |
||
|107 |
|107 |
||
|[[La tabernera del puerto]] |
|[[La tabernera del puerto]] |
||
Line 979: | Line 979: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|1997 |
|{{hs|1997-06-28}}1997 |
||
|108 |
|108 |
||
|Simon Boccanegra<br> (1857 version) |
|Simon Boccanegra<br> (1857 version) |
||
Line 988: | Line 988: | ||
|London |
|London |
||
|- |
|- |
||
|{{hs|1997-10-18}} |
|||
| |
|||
|109 |
|109 |
||
|Divinas Palabras |
|Divinas Palabras |
||
Line 997: | Line 997: | ||
|Madrid |
|Madrid |
||
|- |
|- |
||
|1998 |
|{{hs|1998-05-21}}1998 |
||
|110 |
|110 |
||
|[[Le prophète]] |
|[[Le prophète]] |
||
Line 1,006: | Line 1,006: | ||
|Vienna |
|Vienna |
||
|- |
|- |
||
|{{hs|1998-06-00}} |
|||
| |
|||
|111 |
|111 |
||
|[[Faust Symphony]] |
|[[Faust Symphony]] |
||
Line 1,015: | Line 1,015: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1998-07-00}} |
|||
| |
|||
|112 |
|112 |
||
|[[La Dolores]] |
|[[La Dolores]] |
||
Line 1,024: | Line 1,024: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|1999 |
|{{hs|1999-02-00}}1999 |
||
|113 |
|113 |
||
|[[Das Lied von der Erde]] |
|[[Das Lied von der Erde]] |
||
Line 1,033: | Line 1,033: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1999-02-01}} |
|||
| |
|||
|114 |
|114 |
||
|Misa Tango |
|Misa Tango |
||
Line 1,042: | Line 1,042: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1999-03-18}} |
|||
| |
|||
|115 |
|115 |
||
|[[The Queen of Spades (opera)|The Queen of Spades]] |
|[[The Queen of Spades (opera)|The Queen of Spades]] |
||
Line 1,051: | Line 1,051: | ||
|New York |
|New York |
||
|- |
|- |
||
|{{hs|1999-06-00}} |
|||
| |
|||
|116 |
|116 |
||
|[[Fidelio]] |
|[[Fidelio]] |
||
Line 1,060: | Line 1,060: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1999-07-00}} |
|||
| |
|||
|117 |
|117 |
||
|[[Merlin (opera)|Merlin]] |
|[[Merlin (opera)|Merlin]] |
||
Line 1,069: | Line 1,069: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|1999-12-11}} |
|||
| |
|||
|118 |
|118 |
||
|[[Margarita la tornera]] |
|[[Margarita la tornera]] |
||
Line 1,078: | Line 1,078: | ||
|Madrid |
|Madrid |
||
|- |
|- |
||
|2000 |
|{{hs|2000-01-00}}2000 |
||
|119 |
|119 |
||
|La Gran Via |
|La Gran Via |
||
Line 1,087: | Line 1,087: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|2000-02-17}} |
|||
| |
|||
|120 |
|120 |
||
|The Merry Widow |
|The Merry Widow |
||
Line 1,096: | Line 1,096: | ||
|New York |
|New York |
||
|- |
|- |
||
|{{hs|2000-06-30}} |
|||
| |
|||
|121 |
|121 |
||
|[[La battaglia di Legnano]] |
|[[La battaglia di Legnano]] |
||
Line 1,105: | Line 1,105: | ||
|London |
|London |
||
|- |
|- |
||
|2001 |
|{{hs|2001-01-00}}2001 |
||
|122 |
|122 |
||
|La Revoltosa |
|La Revoltosa |
||
Line 1,114: | Line 1,114: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|2002 |
|{{hs|2002-04-01}}2002 |
||
|123 |
|123 |
||
|[[Sly (opera)|Sly]] |
|[[Sly (opera)|Sly]] |
||
Line 1,123: | Line 1,123: | ||
|New York |
|New York |
||
|- |
|- |
||
|2003 |
|{{hs|2003-06-18}}2003 |
||
|124 |
|124 |
||
|Luisa Fernanda |
|Luisa Fernanda |
||
Line 1,132: | Line 1,132: | ||
|Milan |
|Milan |
||
|- |
|- |
||
|{{hs|2003-09-14}} |
|||
| |
|||
|125 |
|125 |
||
|Nicholas and Alexandra |
|Nicholas and Alexandra |
||
Line 1,141: | Line 1,141: | ||
|[[Los Angeles]] |
|[[Los Angeles]] |
||
|- |
|- |
||
|2005 |
|{{hs|2005-01-00}}2005 |
||
|126 |
|126 |
||
|[[Tristan und Isolde]] |
|[[Tristan und Isolde]] |
||
Line 1,150: | Line 1,150: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|2005-05-13}} |
|||
| |
|||
|127 |
|127 |
||
|[[Cyrano de Bergerac (Alfano)|Cyrano de Bergerac]] |
|[[Cyrano de Bergerac (Alfano)|Cyrano de Bergerac]] |
||
Line 1,159: | Line 1,159: | ||
|New York |
|New York |
||
|- |
|- |
||
|{{hs|2005-06-00}} |
|||
| |
|||
|128 |
|128 |
||
|[[Pepita Jiménez]] |
|[[Pepita Jiménez]] |
||
Line 1,168: | Line 1,168: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|2006 |
|{{hs|2006-00-00}}2006 |
||
|129 |
|129 |
||
|[[Edgar (opera)|Edgar]] |
|[[Edgar (opera)|Edgar]] |
||
Line 1,177: | Line 1,177: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|2006-12-21}} |
|||
| |
|||
|130 |
|130 |
||
|[[The First Emperor]] |
|[[The First Emperor]] |
||
Line 1,186: | Line 1,186: | ||
|New York |
|New York |
||
|- |
|- |
||
|2007 |
|{{hs|2007-11-27}}2007 |
||
|131 |
|131 |
||
|[[Iphigénie en Tauride]] |
|[[Iphigénie en Tauride]] |
||
Line 1,195: | Line 1,195: | ||
|New York |
|New York |
||
|- |
|- |
||
|2008 |
|{{hs|2008-03-26}}2008 |
||
|132 |
|132 |
||
|[[Tamerlano]] |
|[[Tamerlano]] |
||
Line 1,204: | Line 1,204: | ||
|Madrid |
|Madrid |
||
|- |
|- |
||
|2009 |
|{{hs|2009-10-24}}2009 |
||
|133 |
|133 |
||
|Simon Boccanegra |
|Simon Boccanegra |
||
Line 1,213: | Line 1,213: | ||
|Berlin |
|Berlin |
||
|- |
|- |
||
|2010 |
|{{hs|2010-00-00}}2010 |
||
|134 |
|134 |
||
|La Nuit de Mai |
|La Nuit de Mai |
||
Line 1,222: | Line 1,222: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|2010-00-01}} |
|||
| |
|||
|135 |
|135 |
||
|[[I Medici]] |
|[[I Medici]] |
||
Line 1,231: | Line 1,231: | ||
|Studio |
|Studio |
||
|- |
|- |
||
|{{hs|2010-08-01}} |
|||
| |
|||
|136 |
|136 |
||
|Rigoletto |
|Rigoletto |
||
Line 1,240: | Line 1,240: | ||
|[[Beijing]] |
|[[Beijing]] |
||
|- |
|- |
||
|{{hs|2010-09-23}} |
|||
| |
|||
|137 |
|137 |
||
|Il Postino |
|Il Postino |
||
Line 1,249: | Line 1,249: | ||
|Los Angeles |
|Los Angeles |
||
|- |
|- |
||
|2011 |
|{{hs|2011-12-31}}2011 |
||
|138 |
|138 |
||
|[[The Enchanted Island (opera)|The Enchanted Island]] |
|[[The Enchanted Island (opera)|The Enchanted Island]] |
||
Line 1,258: | Line 1,258: | ||
|New York |
|New York |
||
|- |
|- |
||
|2012 |
|{{hs|2012-03-25}}2012 |
||
|139 |
|139 |
||
|[[Thaïs (opera)|Thaïs]] |
|[[Thaïs (opera)|Thaïs]] |
||
Line 1,267: | Line 1,267: | ||
|[[Valencia, Spain|Valencia]] |
|[[Valencia, Spain|Valencia]] |
||
|- |
|- |
||
|{{hs|2012-09-15}} |
|||
| |
|||
|140 |
|140 |
||
|[[I due Foscari]] |
|[[I due Foscari]] |
||
Line 1,277: | Line 1,277: | ||
<!-- The following information is to be included in this page after 14 March 2013: |
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|- |
|- |
||
|2013 |
|{{hs|2013-03-14}}2013 |
||
|141 |
|141 |
||
|La traviata |
|La traviata |
||
Line 1,288: | Line 1,288: | ||
<!-- The following information is to be included in this page after 15 April 2013: |
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|- |
|- |
||
|{{hs|2013-04-15}} |
|||
| |
|||
|142 |
|142 |
||
|Nabucco |
|Nabucco |
Revision as of 18:01, 2 January 2013
Perhaps the most versatile of all living tenors, Domingo has sung 128 opera roles and as many as 140 roles (overall) in Italian, French, German, English, Spanish and Russian.[1] His main repertoire however is Italian (Otello, Cavaradossi in Tosca, Don Carlo, Des Grieux in Manon Lescaut, Dick Johnson in La fanciulla del West, Radames in Aida), French (Faust, Werther, Don José in Carmen, Samson in Samson et Dalila), and German (Lohengrin, Parsifal, and Siegmund in Die Walküre).
He continues to add more operas to his repertoire, some of latest of which include the title role (baritone) in Verdi's Rigoletto in August 2010 at Reignwood Theatre and Neruda in Catán's Il Postino in September 2010 at the Los Angeles Opera. On New Year's Eve 2011, he created the role of the god Neptune in the original baroque pastiche The Enchanted Island at the MET, his 138th role. In March 2012, he sang for the first time the baritone role of the Cenobite monk Athanaël in Massenet's Thaïs, his 139th role, and he added the 140th by singing another baritone role, that of Francisco Foscari, in Verdi's I due Foscari on 15 September 2012.
Role debuts
Year | # | Title | Composer | Role | Debut date | Opera house / Studio recording |
Location |
---|---|---|---|---|---|---|---|
1959 | 1 | Rigoletto | Verdi | Borsa | 23 September 1959 | Palacio de Bellas Artes | Mexico City |
2 | Dialogues of the Carmelites | Poulenc | Chaplain | 21 October 1959 | Palacio de Bellas Artes | Mexico City | |
1960 | 3 | The Merry Widow | Lehár | Danilo, Camille |
1960 | Palacio de Bellas Artes | Mexico City |
4 | Turandot | Puccini | Altoum | 11 September 1960 | Teatro de la Ciudad | Monterrey | |
5 | Turandot | Puccini | Pang | 1 October 1960 | Teatro de la Ciudad | Monterrey | |
6 | Lucia di Lammermoor | Donizetti | Normanno | 5 October 1960 | Teatro de la Ciudad | Monterrey | |
7 | La traviata | Verdi | Gastone | 8 October 1960 | Teatro de la Ciudad | Monterrey | |
8 | Carmen | Bizet | Remendado | 15 October 1960 | Teatro de la Ciudad | Monterrey | |
9 | Otello | Verdi | Cassio | 17 October 1960 | Teatro de la Ciudad | Monterrey | |
1961 | 10 | La traviata | Verdi | Alfredo | 19 May 1961 | Teatro de la Ciudad | Monterrey |
11 | El Ultimo sueno | Vázquez[2] | Enrique | 28 May 1961 | Palacio de Bellas Artes | Mexico City | |
12 | Amelia goes to the ball | Menotti | Lover | 28 June 1961 | Palacio de Bellas Artes | Mexico City | |
13 | Fedora | Giordano | Désire, Baron Rouvel |
2 July 1961 | Palacio de Bellas Artes | Mexico City | |
14 | Boris Godunov | Mussorgsky | Simpleton, Shuisky |
8 August 1961 | Palacio de Bellas Artes | Mexico City | |
15 | Andrea Chénier | Giordano | Abbé, Incredibile |
15 August 1961 | Palacio de Bellas Artes | Mexico City | |
16 | Tosca | Puccini | Spoletta | 21 August 1961 | Palacio de Bellas Artes | Mexico City | |
17 | Madama Butterfly | Puccini | Goro | 15 September 1961 | Palacio de Bellas Artes | Mexico City | |
18 | Tosca | Puccini | Cavaradossi | 30 September 1961 | Palacio de Bellas Artes | Mexico City | |
1962 | 19 | La bohème | Puccini | Rodolfo | 4 March 1962 | Palacio de Bellas Artes | Mexico City |
20 | Così fan tutte | Mozart | Ferrando | 10 May 1962 | Palacio de Bellas Artes | Mexico City | |
21 | Adriana Lecouvreur | Cilea | Maurizio | 17 May 1962 | Palacio de Bellas Artes | Mexico City | |
22 | Trittico Francescano | Refice | 1 October 1962 | Teatro Degollado | Guadalajara | ||
23 | Madama Butterfly | Puccini | Pinkerton | 7 October 1962 | Teatro Isauro Martínez | Torreón | |
24 | Lucia di Lammermoor | Donizetti | Edgardo | 26 November 1962 | Fort Worth Opera | Fort Worth | |
1963 | 25 | Carmen | Bizet | Don José | 25 June 1963 | Israeli Opera House | Tel Aviv |
26 | Don Giovanni | Mozart | Don Ottavio | 21 September 1963 | Israeli Opera House | Tel Aviv | |
27 | Faust | Gounod | Faust | 3 December 1963 | Israeli Opera House | Tel Aviv | |
1964 | 28 | Les pêcheurs de perles | Bizet | Nadir | 21 January 1964 | Israeli Opera House | Tel Aviv |
29 | Eugene Onegin | Tchaikovsky | Lenski | 5 September 1964 | Israeli Opera House | Tel Aviv | |
1965 | 30 | Cavalleria rusticana | Mascagni | Turiddu | 21 January 1965 | Israeli Opera House | Tel Aviv |
31 | Samson and Delilah | Saint-Saëns | Samson | 30 July 1965 | Chautauqua Opera | Chautauqua | |
32 | Les contes d'Hoffmann | Offenbach | Hoffmann | 7 September 1965 | Palacio de Bellas Artes | Mexico City | |
1966 | 33 | Carlota, Severino, La Mulata de Córdoba |
Sandi, Moreno, Moncayo |
Maximiliano, Tenor role, Anselmo |
1 January 1966 | Gran Teatre del Liceu | Barcelona |
34 | Don Rodrigo | Ginastera | Don Rodrigo | 22 February 1966 | New York City Opera | New York | |
35 | Andrea Chénier | Giordano | Andrea Chénier | 3 March 1966 | New Orleans Opera | New Orleans | |
36 | Hippolyte et Aricie | Rameau | Hippolyte | 6 April 1966 | Opera Company of Boston | Boston | |
37 | Pagliacci | Leoncavallo | Canio | 9 August 1966 | Metropolitan Opera | New York | |
38 | The Barber of Seville | Rossini | Almaviva | 16 September 1966 | Teatro Degollado | Guadalajara | |
39 | Anna Bolena | Donizetti | Lord Percy | 15 November 1966 | Metropolitan Opera | New York | |
1967 | 40 | Il tabarro | Puccini | Luigi | 8 March 1967 | Metropolitan Opera | New York |
41 | Aida | Verdi | Radames | 11 May 1967 | Hamburg State Opera | Hamburg | |
42 | Don Carlo | Verdi | Don Carlo | 19 May 1967 | Vienna State Opera | Vienna | |
43 | Un ballo in maschera | Verdi | Riccardo | 31 May 1967 | Deutsche Oper Berlin | Berlin | |
1968 | 44 | Lohengrin | Wagner | Lohengrin | 14 January 1968 | Hamburg State Opera | Hamburg |
45 | Manon Lescaut | Puccini | Des Grieux | 15 February 1968 | Connecticut Opera | Hartford | |
46 | Il trovatore | Verdi | Manrico | 14 March 1968 | New Orleans Opera | New Orleans | |
1969 | 47 | Rigoletto | Verdi | Il Duca | 2 January 1969 | Hamburg State Opera | Hamburg |
48 | La forza del destino | Verdi | Don Alvaro | 18 January 1969 | Hamburg State Opera | Hamburg | |
49 | Manon | Massenet | Des Grieux | 20 February 1969 | Metropolitan Opera | New York | |
50 | Turandot | Puccini | Calaf | 16 July 1969 | Verona Arena | Verona | |
51 | Ernani | Verdi | Ernani | 7 December 1969 | Teatro alla Scala | Milan | |
1970 | 52 | Oberon | Weber | Hüon | March, 1970 | Bayerischer Rundfunk studio | Studio |
53 | La Gioconda | Ponchielli | Enzo | 14 May 1970 | Teatro Real | Madrid | |
54 | Roberto Devereux | Donizetti | Devereux | 15 October 1970 | New York City Opera | New York | |
1971 | 55 | Der Rosenkavalier | R. Strauss | Italian singer | March, 1971 | Studio | |
56 | I Lombardi alla prima crociata | Verdi | Oronte | July, 1971 | Royal Philharmonic, London |
Studio | |
57 | Luisa Miller | Verdi | Rodolfo | 4 November 1971 | Metropolitan Opera | New York | |
1972 | 58 | Giovanna d'Arco | Verdi | Carlo VII | August, 1972 | Studio | |
59 | Los Claveles | Serrano | Fernando | 1972 | Studio | ||
60 | La dolorosa | Serrano | Rafael | 1972 | Studio | ||
1973 | 61 | Francesca da Rimini | Zandonai | Paolo | 22 March 1973 | Metropolitan Opera | New York |
62 | L'Africaine | Meyerbeer | Vasco da Gama | 3 November 1973 | War Memorial Opera House | San Francisco | |
1974 | 63 | I Vespri Siciliani | Verdi | Arrigo | 9 April 1974 | Palais Garnier | Paris |
64 | Mefistofele | Boito | Faust | July, 1974 | Studio | ||
65 | Roméo et Juliette | Gounod | Roméo | 28 September 1974 | Metropolitan Opera | New York | |
66 | La fanciulla del West | Puccini | Dick Johnson | 26 November 1974 | Teatro Regio di Torino | Turin | |
1975 | 67 | La Navarraise | Massenet | Araquil | 1975 | Studio | |
68 | Otello | Verdi | Otello | 28 September 1975 | Hamburg State Opera | Hamburg | |
1976 | 69 | Gianni Schicchi | Puccini | Rinuccio | 1976 | Studio | |
70 | Louise | Charpentier | Julien | 1976 | Studio | ||
71 | Macbeth | Verdi | Macduff | 1976 | Studio | ||
72 | Die Meistersinger von Nürnberg | Wagner | Walther von Stolzing | March, 1976 | Studio | ||
73 | Le Cid | Massenet | Don Rodrigue | 8 March 1976 | Opera Orchestra of New York | Carnegie Hall, New York | |
74 | L'amore dei tre re | Montemezzi | Avito | July, 1976 | Studio | ||
1977 | 75 | L'elisir d'amore | Donizetti | Nemorino | 1977 | Studio | |
76 | Fedora | Giordano | Loris | 15 February 1977 | Gran Teatre del Liceu | Barcelona | |
77 | Werther | Massenet | Werther | 18 December 1977 | Bavarian State Opera | Munich | |
1978 | 78 | La damnation de Faust | Berlioz | Faust | January, 1978 | Studio | |
1979 | 79 | Le Villi | Puccini | Roberto | June, 1979 | Studio | |
80 | Requiem | Berlioz | Tenor part | June, 1979 | Studio | ||
81 | Béatrice et Bénédict | Berlioz | Bénédict | July, 1979 | Studio | ||
82 | Il Giuramento | Mercadante | Viscardo | 9 September 1979 | Vienna State Opera | Vienna | |
1980 | 83 | El Poeta | Torroba | José de Espronceda | 19 June 1980 | Teatro Real | Madrid |
1981 | 84 | Norma | Bellini | Pollione | 21 September 1981 | Metropolitan Opera | New York |
1982 | 85 | La rondine | Puccini | Ruggero | 1982 | Studio | |
86 | Nabucco | Verdi | Ismaele | May, 1982 | Studio | ||
1983 | 87 | Les Troyens | Berlioz | Enée | 26 September 1983 | Metropolitan Opera | New York |
1986 | 88 | Die Fledermaus | J. Strauss | Alfred | April, 1986 | Studio | |
89 | Goya | Menotti | Goya | 15 November 1986 | Washington National Opera | Washington | |
1988 | 90 | Iris | Mascagni | Osaka | 1988 | Studio | |
91 | Tannhäuser | Wagner | Tannhäuser | April, 1988 | Studio | ||
1989 | 92 | Die Frau ohne Schatten | R. Strauss | Der Kaiser | March, 1989 | Studio | |
1990 | 93 | Man of La Mancha | Leigh | Don Quixote | June, 1990 | Studio | |
1991 | 94 | The Flying Dutchman | Wagner | Erik | February, 1991 | Studio | |
95 | Parsifal | Wagner | Parsifal | 14 March 1991 | Metropolitan Opera | New York | |
1992 | 96 | The Barber of Seville | Rossini | Figaro | February, 1992 | Studio | |
97 | El gato montés | Penella | Rafaele Ruiz | 7 August 1992 | Teatro de la Maestranza | Seville | |
98 | Die Walküre | Wagner | Siegmund | 19 December 1992 | Vienna State Opera | Vienna | |
1993 | 99 | Stiffelio | Verdi | Stiffelio | 21 October 1993 | Metropolitan Opera | New York |
1994 | 100 | Doña Francisquita | Vives | Fernando | February, 1994 | Studio | |
101 | La verbena de la Paloma | Bretón | Julian | April, 1994 | Studio | ||
102 | Il Guarany | Gomes | Pery | 5 June 1994 | Bonn Opera House | Bonn | |
103 | Idomeneo | Mozart | Idomeneo | 1 November 1994 | Metropolitan Opera | New York | |
104 | Hérodiade | Massenet | Jean | 8 November 1994 | War Memorial Opera House | San Francisco | |
1995 | 105 | Luisa Fernanda | Torroba | Javier | 1995 | Studio | |
106 | Simon Boccanegra (1881 version) |
Verdi | Adorno | 19 January 1995 | Metropolitan Opera | New York | |
1996 | 107 | La tabernera del puerto | Sorozábal | Leandro | 1996 | Studio | |
1997 | 108 | Simon Boccanegra (1857 version) |
Verdi | Adorno | 28 June 1997 | Royal Opera House | London |
109 | Divinas Palabras | Abril | Lucero | 18 October 1997 | Teatro Real | Madrid | |
1998 | 110 | Le prophète | Meyerbeer | Jean van der Leyden | 21 May 1998 | Vienna State Opera | Vienna |
111 | Faust Symphony | Liszt | Tenor part | June, 1998 | Studio | ||
112 | La Dolores | Bretón | Lázaro | July, 1998 | Studio | ||
1999 | 113 | Das Lied von der Erde | Mahler | Tenor part | February, 1999 | Studio | |
114 | Misa Tango | Bacalov | Tenor part | February, 1999 | Studio | ||
115 | The Queen of Spades | Tchaikovsky | Hermann | 18 March 1999 | Metropolitan Opera | New York | |
116 | Fidelio | Beethoven | Florestan | June, 1999 | Studio | ||
117 | Merlin | Albéniz | King Arthur | July, 1999 | Orquesta Nacional de España, Madrid |
Studio | |
118 | Margarita la tornera | Chapí | Don Juan de Alarcón | 11 December 1999 | Teatro Real | Madrid | |
2000 | 119 | La Gran Via | Chueca | Caballero de Gracía | January, 2000 | Studio | |
120 | The Merry Widow | Lehár | Danilo | 17 February 2000 | Metropolitan Opera | New York | |
121 | La battaglia di Legnano | Verdi | Arrigo | 30 June 2000 | Royal Opera House | London | |
2001 | 122 | La Revoltosa | Chapí | Felipe | January, 2001 | Studio | |
2002 | 123 | Sly | Wolf-Ferrari | Christopher Sly | 1 April 2002 | Metropolitan Opera | New York |
2003 | 124 | Luisa Fernanda | Torroba | Vidal Hernando | 18 June 2003 | Teatro alla Scala | Milan |
125 | Nicholas and Alexandra | Drattell | Rasputin | 14 September 2003 | Los Angeles Opera | Los Angeles | |
2005 | 126 | Tristan und Isolde | Wagner | Tristan | January, 2005 | EMI Abbey Road Studio 1, London |
Studio |
127 | Cyrano de Bergerac | Alfano | Cyrano | 13 May 2005 | Metropolitan Opera | New York | |
128 | Pepita Jiménez | Albéniz | Don Luis de Vargas | June, 2005 | Studio | ||
2006 | 129 | Edgar | Puccini | Edgar | 2006 | Studio | |
130 | The First Emperor | Tan | Emperor Qin | 21 December 2006 | Metropolitan Opera | New York | |
2007 | 131 | Iphigénie en Tauride | Gluck | Oreste | 27 November 2007 | Metropolitan Opera | New York |
2008 | 132 | Tamerlano | Handel | Bajazet | 26 March 2008 | Teatro Real | Madrid |
2009 | 133 | Simon Boccanegra | Verdi | Simon Boccanegra | 24 October 2009 | Berlin State Opera | Berlin |
2010 | 134 | La Nuit de Mai | Leoncavallo | Tenor part | 2010 | Studio | |
135 | I Medici | Leoncavallo | Giuliano Medici | 2010 | Studio | ||
136 | Rigoletto | Verdi | Rigoletto | 1 August 2010 | Reignwood Theater | Beijing | |
137 | Il Postino | Catán | Pablo Neruda | 23 September 2010 | Los Angeles Opera | Los Angeles | |
2011 | 138 | The Enchanted Island | Various | Neptune | 31 December 2011 | Metropolitan Opera | New York |
2012 | 139 | Thaïs | Massenet | Athanaël | 25 March 2012 | Palau de les Arts Reina Sofia | Valencia |
140 | I due Foscari | Verdi | Francesco Foscari | 15 September 2012 | Los Angeles Opera | Los Angeles |
Major opera house and festival debuts
Year[3] | Opera house / Festival | Opera |
---|---|---|
1967 | Hamburg State Opera | Tosca |
Vienna State Opera | Don Carlo | |
1968 | Metropolitan Opera | Adriana Lecouvreur |
1969 | Verona Arena | Turandot |
San Francisco Opera | La bohème | |
Teatro alla Scala | Ernani | |
1970 | Teatro Real | La Gioconda |
Edinburgh Festival | Missa Solemnis | |
1971 | Royal Opera House | Tosca |
1972 | Bavarian State Opera | La bohème |
1973 | Paris Opéra | Il trovatore |
1975 | Salzburg Festival | Don Carlo |
1992 | Bayreuth Festival | Parsifal |
See also
- List of recordings by Plácido Domingo
- The Three Tenors
- Christmas in Vienna I, II, III, and VI
- Grammy Award for Best Opera Recording
- Category:Plácido Domingo albums
References
External links
![](http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png)
- Official website
- Plácido Domingo International Operalia Opera Singer Contest
- World Tour Homepage
- Discography on EMI Classics website
- Discography on DG Classics website
- Opera is expensive, singers are cheap, Plácido Domingo about too small Operas, Casting-Singers as Paul Potts and the humility before a great career (Interview by Nahuel Lopez in German, Frankfurter Allgemeine Sonntagszeitung, 17 March 2009)
- Interview with Domingo from The Guardian, 10 July 2005
- Biography at the Kennedy Center
- Plácido Domingo's video of concerts and Opera from YouTube.com
- Guardian article detailing his switch to baritone.
- History of the Tenor - Sound Clips and Narration