Andrew Glaze

Andrew Glaze
Born	(1920-04-21) April 21, 1920 Nashville, Tennessee, U.S.A.
Occupation	Poet, Playwright, Novelist
Spouse	Dorothy Elliott Shari, Adriana Keathley

Andrew Glaze (born April 21, 1920) is an American poet, playwright, and novelist. About him, Robert Frost wrote, “I have high hopes for Mr. Glaze”. Although much of Glaze's poetry reflects his coming of age in the South, and eventual return there, he also lived in New York City for 31 years. The poetry he wrote during this time captured a verbal photograph of life in Manhattan, and while living there he became part of a circle of poets that included Oscar Williams, Norman Rosten, John Ciardi, and William Packard.

Early life

Andrew Louis Glaze was born in Nashville, Tennessee, April 21, 1920, to Mildred Ezell Glaze, and Dr. Andrew Louis Glaze M.D., a Dermatologist. He grew up in Birmingham, Alabama with a younger sister and brother. and graduated from Ramsay High School. He has been called both Andrew L. Glaze III, and Junior. His grandfather, Andrew L. Glaze, was a Confederate doctor during the Civil War, but the middle name had the alternate spelling of “Lewis”.

College

After graduating from the Webb School in Bell Buckle, Tennessee, Glaze went on to major in English at Harvard College. In a 1985 interview with writer Steven Ford Brown, Glaze revealed that, while a student there, he came to know Robert Frost. This was primarily because Glaze was a resident of Leverett House and his poetry teacher, Theodore Morrison, kept seating him beside Frost at the monthly banquets held in Leverett House Dining Hall.

World War II

Immediately after graduating from Harvard in 1942, Glaze enlisted in the United States Air Force to serve during World War II. He sailed to Europe on the RMS Queen Mary, which had been converted into a troop transport ship that could carry 15,000 men. “The American poet Andrew Glaze, then an Air Force lieutenant, stood on the foredeck and looked down on 'a quarter of a mile of human circles shooting craps'." When the war was over, while waiting his turn to be shipped back home, he attended the University of Grenoble.

Poetry beginnings

Although he was away in the war, in 1944, Glaze's first published poem appeared in the Spring Edition of the Virginia Quarterly Review. In 1946, upon his return from Europe, he took a creative writing course at Stanford University taught by Wallace Stegner, and accepted a summer Fellowship invitation to the Bread Loaf Writers' Conference. Attendees that year included Eugene Burdick, and William Styron. Glaze's former teacher, Theodore Morrison, was now the Director of the conference, and Robert Frost a Faculty member. Several years after the conference, when Frost came through Birmingham, Alabama, on a poetry reading tour, he asked his host to call and invite Glaze to join them on an outing. Glaze eventually wrote a poem about the excursion and titled it Mr. Frost. Never officially published in a book, it is currently archived in the Houghton Library at Harvard. Meanwhile, at Dartmouth College, in the Robert Frost Collection of the Rauner Special Collections Library, is a hand written note from Frost about Glaze's poetry. Donated by Theodore Morrison's wife Kathleen in 1978, it begins with, "I should be sorry if a book of verse as genuine and readable as this couldn't find a publisher," and is signed, "Robert Frost, April 14, 1956".

Career and marriage

After returning to Alabama, from 1949–1956, Glaze worked as a reporter for the Birmingham Post-Herald, initially as a courthouse reporter. The experience eventually resulted in the title poem of his book I Am The Jefferson County Courthouse. In 1949 he married Dorothy Elliott, an actress from Birmingham, and daughter of William Young Elliott, Poet Laureate of Alabama from 1975–1982.

1950s

Glaze began to have success with his writing and between May 1950, and February 1956, Poetry magazine published seven of his poems. In 1951, Karl Shapiro, the editor of Poetry at the time, awarded him the magazine's Eunice Tietjens Memorial Prize At the same time, The New Yorker accepted one poem in 1950, and a second in 1955. He also had a short fiction piece appear in the 1953 4th Edition of New World Writing, and a poem in the 9th Edition in 1956. By January 19, 1957, The Saturday Review had accepted and published a poem titled Suwanee River.

Between 1950–1956, Glaze and his wife had a daughter, and renovated their house in Birmingham. One fellow hired to help paint the house was a local African-American named Earl. Glaze titled a poem after him, in which he described the renovation efforts, and included it in his first major book Damned Ugly Children. Glaze also had a close friend, William Gaither, who voluntarily helped Glaze work on the house. Years later, when he learned that Gaither had died, Glaze wrote a poem titled Bill Where Are You?, expressing his gratitude in the poem, along with a dedication. The poem appeared in his 1978 book The Trash Dragon of Shensi. Both of these poems provide a glimpse into one of Glaze's most enduring poetry traits, which is to reflect on people and events in his life.

In 1957, Glaze moved with wife and daughter to New York City, where he worked on writing plays, poetry and fiction. They lived in Greenwich Village and Glaze wrote a poem titled As I walk mornings down Bleecker Street (later retitled, "Alleluia"), and another titled Village Parade, which appeared in his first book. A son was born, but by 1961 the couple had divorced. The move to Manhattan, and subsequent divorce were later incorporated into Glaze's poem and book titled A City. Glaze's ex-wife later became Dorothy Elliott Shari, when she married actor William Shari, and joined The Living Theatre, Julian Beck, and Judith Malina, for a six year tour of Europe and abroad.

The move to New York was for career reasons, but was hastened by a fear of reprisal for articles that Glaze had written as a reporter for the Birmingham Post Herald. This was the dawn of the Civil rights movement, when Racial segregation and Jim Crow laws were an every day part of life in Birmingham, and Glaze had testified against a deputy sheriff in the defence of two black men, while he also wrote about police brutality against demonstrators.

1960s

Fantasy and Reality

In 1962, Glaze married his 2nd wife, dancer and actress, Adriana Keathley, At the time they met, she was in the original Broadway cast of Camelot. She later danced in the original cast of Michael Bennett's Broadway show Ballroom. In Andrew Glaze's Greatest Hits 1964-2004, Glaze notes that his poem Night Walk to a Country Theater (originally in the The New Yorker) was written on a visit to Connecticut where his wife was performing. The couple settled into an apartment on the West side of Manhattan, and for many years Glaze bicycled across town to the British Tourist Authority office on 5th Avenue and 54th Street, where he worked as a Press Officer, writing travel stories. His morning bicycle journey to work, heading East along 54th Street, inspired the poem Fantasy Street which was published in The New Yorker. The evening trip home, going West on 53rd Street, resulted in the matching poem Reality Street, which appeared in the magazine The Atlantic. Glaze referred to them as “Two Odes, after the fashion of Milton's L'Allego and Il Penseroso”. In 1978, Glaze did a reading and interview on WNYC radio, and stated that before The New Yorker published Fantasy Street, they sent a fact checker out to follow the entire route of the poem and check every location mentioned in it for accuracy."

In 1963, for exercise, and to learn more about his wife's interests, at the age of 43, Glaze began taking ballet lessons. In August 1980, Dance Magazine published a poem of his titled Nijinsky, in which Glaze imagined the ghost of the famous dancer observing him with a critical eye. Later, Robert Wilkinson interviewed him on the topic and titled it The Poet as Dancer.

Damned Ugly Children

In 1966, Glaze's first poetry book, Damned Ugly Children was published. The book was well received in a review in The New York Times by Richard Eberhart, “...Glaze's poems are refreshing in the intellectual health they show,… He possesses a true richness of psychic perception”. That same year the American Library Association proclaimed the book, “One of the most notable books of 1966”. On the wave of this acclaim, Glaze was invited to participate in the 1967 Morris Gray Lecture Series at Harvard, and to sign their historic Morris Gray Lecture Signature Book. A few months later, in June 1968, Robert Mazzocco reviewed the book, together with one by poet Robert Bly, in The New York Review of Books. The header for the dual review was "Jeremiads at Half-Mast". The following summer of 1969, Glaze found himself back at the Bread Loaf Writers' Conference, this time as a guest Faculty member, along with Maxine Kumin. In the meantime, poet John Ciardi had replaced Theodore Morrison as the Conference Director. David Rabe and William Doreski attended as student scholars that year. William Doreski later wrote that he first met Andrew Glaze at the Bread Loaf Writer's Conference that August, and added "He was, as I recall, doing mock obeisance before John Ciardi's new white Cadillac”.

Inspiration

The Manhattan life of Glaze and his wife included friends in the art, literature, theatre, and dance world. Elisabeth Lambert Ortiz, a poet and gourmet cookbook writer, was among those, and in 1965, when her Complete Book of Mexican Cooking, was first published, it revealed a recipe on page 286 with the words, “This recipe … was given to me by my friend Adriana Keathley Glaze, the dancer and actress”. Glaze then wrote a poem titled What's That You Say, Cesar? and dedicated it to her Mexican husband Cesar Ortiz-Tinoco. In the same time period, friends in the ballet world appeared in a line of Glaze's poem Bill, where are you? Glaze wrote, “We made a practice barre for Richard and Gage”. The reference was to Gage Bush, a dancer from Birmingham, married to Richard Englund, who danced in Camelot together with Glaze's 2nd wife. The Englunds became members of American Ballet Theatre.

Collaborations

In 1964, an acquaintanceship with Martha Graham dancer Helen McGehee, led Glaze to collaborate with her husband, Columbian artist, Rafael Alfonso Umaña Mendez. The result was an oversized folio of Glaze's poems, and lithographs by Umaña, titled simultaneously Lines or Poems, which was published by Editions Heraclita.

In the late 1960s, Glaze was contacted by Elizabeth (Betty) Whittington, daughter of Dorsey Whittington, conductor of the original Alabama Symphony Orchestra. Elizabeth was a pianist, married to composer Alan Hovhaness, and owner of a record company called Poseidon Society. In the 1970s, she decided to record an LP of Andrew Glaze reading his poems on Side A, while side B had poems written and read by poet Galway Kinnell. Elizabeth's husband, Alan Hovhaness, also approached Glaze, with a musical score that he asked Glaze to write lyrics and a libretto script for. In 1969, the final piece, a spoof musical, was written, scored, and titled The Most Engaged Girl, but never produced Glaze refers to Hovhaness in a paragraph of his poem Reality Street.

Theatre

In 1966, Glaze's play Miss Pete was to be premiered on May 11, at The American Place Theatre. It was part of a triple bill with The Floor by May Swenson, and 23 Pat O'Brian Movies by Bruce Jay Friedman.

1970s

During 1970, Glaze spent time translating poems by French, Russian, and the Spanish poets Pablo Neruda, César Vallejo, Frederico Garcia Lorca, and Octavio Paz. His translation of Pablo Neruda's poem I want to Turn to the South appeared in The Atlantic in 1971. Other translations appeared in his booklet A Masque of Surgery, which was published in England, and two that he'd done by Osip Mandelstam, titled Leningrad and Twilight of Freedom, were published in Poetry NOW # 4, in 1974.

In 1974, with the assistance of producer Joseph Papp, Glaze had a play, Kleinhoff Demonstrates tonight, produced at the Cricket Theatre in Minneapolis. Seven theatre groups performed the play between 1971—1988, and Papp's own organization, The Public Theatre/New York Shakespeare Festival, did a production with the actor/singer known as "Meatloaf" in a leading role. A second play, The Man-Tree, had a staged reading in 1974 by Joseph Papp's The Public Theatre. Two years later, The American Repertory Company of London, performed Glaze's play The Man-Tree in London.

The English Department of the University of Rochester invited Glaze to be a speaker at their Hyam Plutzik Reading Series in December 1977.

A Journey

In the early 1970s, Glaze wrote one of his earliest memories into his poem, A Journey. He described how he slipped out of his nanny's sight, at the age of five, and climbed onto the local trolley, with the intention of riding it downtown to join his mother. In 1975, the poem caught the attention of the music and poetry patron, soprano Alice Esty. In 1976 she commissioned composer Ned Rorem to set it to music as a lied song for soprano. Rorem dedicated the piece to her by having the words “For Alice” printed above the title on the official sheet music. The song has since been recorded by various singers. Glaze later wrote a poem titled Lights, dedicated it to Esty, and placed it as the very first poem in his 1978 book The Trash Dragon of Shensi. When the book came out, Glaze received a second glowing review in The New York Times, this time by writer Peter Schjeldahl who wrote, "He is a poet I would just like to quote and quote, there are so many fine, affecting and amusing passages".

1980s

In 1981, Glaze's book I Am The Jefferson County Courthouse was published and chosen by Library Journal as one of the best small press titles of that year. In the title poem, Glaze manages to verbally paint the image of a busy Southern courthouse of the 1950s; and compares the Prosecutor to a bull frog on a lillypad, addressing a pond of "obedient" followers who wait for a signal "to sing"

1983 brought two new plays. Love is Nothing to Laugh At, and Uneasy Lies which was reviewed in the New York Post by William Raidy.

By the mid-1980s a book had been published and titled Earth That Sings: on the poetry of Andrew Glaze. The volume contained selected poems from each of Glaze's prior books up to that point, and was edited by William Doreski. It contained interviews and articles about Glaze written by Steven Ford Brown, William Doreski, Theodore Haddin, Robert Wilkinson, and Carole Kiler, as well as an article titled Pagan-Protestant: notes on growing up in Alabama by Glaze himself.

1990s and 2000s

Moving back south

Between 1988–2002, Glaze prepared four new books of poetry for publication, while he and his wife lived and worked in her hometown of Miami, Florida. The first to be published, in 1991, was Reality Street. In 1997, the second, a collection of Glaze's poems titled Carnal Blessings was a finalist for the T.S. Eliot poetry prize. A third book of poems went to print in 1998 with the title, Someone Will Go On Owing, selected poems, 1966-1992, and won the SIBA Award. The book contained two poems that Maxine Kumin admitted were two of her favorites, Trash Dragon of Shensi and Fantasy Street.

In 2002, the fourth book, Remembering Thunder was released, after which Glaze and his wife moved to his hometown of Birmingham, Alabama. This time Maxine Kumin commented, “His original and unsettling voice makes these poems a real triumph”. Since moving back to Alabama, Glaze has continued to write, and in 2004 his book Andrew Glaze: Greatest Hits 1964–2004 was published.

In 2012 the Alabama Writers' Conclave announced Glaze's appointment as the 11th Poet Laureate of Alabama, beginning in 2013. On November 5th, he was officially comissioned by the Governor of Alabama in a ceremony at the State Capitol building in Montgomery.

Friends and supporters

Poetry anthologist Oscar Williams was directly responsible for the publication of Glaze's first book. He brought a manuscript of Glaze's poems to his own publishers, Simon & Schuster, and then suddenly died. The publishers asked a second advisor, writer and poet Norman Rosten, for advice, and Rosten gave his approval for the book Rosten became a friend, and later described Glaze as, “A serious, playful, irreverent poet, capable of setting off fireworks in the museum”. In 1981, Glaze dedicated his book I am the Jefferson County Courthouse to Norman Rosten, and another friend. Later, Glaze dedicated his 2002 book Remembering Thunder to his poetry publisher friends, Martin Mitchell and William Packard, and Someone Will Go On Owing to writers Ted (Theodore) Haddin, and Steven Ford Brown.

Career and legacy

Glaze's poetry career has spanned several decades since his first published poem in 1944. Poets, writers, and editors in his circle of friends have also included Leah Salisbury, Selden Rodman, Peter Viereck, Donald Lev and wife Enid Dame who published many of Glaze's poems in their “Home Planet News” periodical, Marguerite Harris, Paul Zimmer, Carol Berge, May Swenson, Robert Peters, Will Inman, Horace Gregory and his wife Marya Zaturenska, Ned O'Gorman, Richard Eberhart, Lewis Turco, David Ray, Stephen Stephanchev, Pablo Medina, and Sue Walker (Poet Laureate of Alabama).

Glaze's literary works, publications, and correspondence with literary colleagues, span so many decades that his output is now archived, along with an occasional photo, in the special collections, and rare manuscript archives, of over 30 College and University Libraries, and State Historical Society Archives.

An on-line memorial website for the late Poet James Humphrey mentions Glaze as a friend, and includes a quote by Andrew Glaze that is identified as one of his inspirations. “If you have the appetite for life, stay hungry.”

Works

Poetry books

• Damned Ugly Children, Trident Press (Simon & Schuster). 1966. American Library Association “Notable Book” of 1966, OCLC#1024239, (OCoLC)#564661342.
• The Trash Dragon of Shensi. Copper Beech Press. 1978, OCLC#PS3557.L38 T7.
• I Am The Jefferson County Courthouse and Other Poems. Thunder City Press. 1981. ISBN 0-918644-11-9.
• Earth That Sings: On the Poetry of Andrew Glaze. Ford-Brown & Co. 1985. ISBN 0-918644-16-X.
• Reality Street. St. Andrews Press. 1991. ISBN 0-932662-97-8.
• Someone Will go On Owing; Selected Poems, 1966–1992. Blackbelt Press. 1998. ISBN 1-881320-91-X.
• Remembering Thunder. NewSouth Books. 2002. ISBN 1-58838-077-7.
• Andrew Glaze: Greatest Hits 1964–2004. Pudding House Publications. 2005. ISBN 1-58998-324-6.
• Overheard in a Drug Store. Unpublished.

Poetry booklets

• The Token, a selection of verse. Birmingham Festival of the Arts. Winter, March 25, 1963. Volume 1 number 3. Library of Congress A618838,
• A Masque Of Surgery. Menard Press, 1974. ISBN 0-903400-12-X ISBN 978-0903400121
• A City. Swamp Press. 1982. ISBN 978-0-934714-18-1.

Artisan oversized folio

• LINES; Poems & Lithographs. Andrew Glaze and Umaña. Editions Heraclita. 1964.

Recordings, audio tape, videotape

• Poets Reading Their Poems; Andrew Glaze and Galway Kinnell. Poseidon Society Recording. Record # 1003. 1970.
• The Poets Corner. Interview by Steven Ford Brown and Philip Shirley. WBHM-FM Public Radio. April 11, 1982.
• A journey. Music by Ned Rorem. The American Song Series. Volume 1 as Rosalind Rees Sings Ned Rorem. GSS Record 104. 1984.
• A Journey. Music by Ned Rorem. Hearing 32 Songs of Ned Rorem. Premier Recordings. 1995.
• A Journey. Music by Ned Rorem. Susan Graham Sings Ned Rorem. Erato. 2000.
• I Am the Jefferson County Courthouse & Other Poems, (April 12, 1982), Birmingham Festival Theatre.
• Andrew Glaze. WNYC Radio, June 2, 1978. He discusses his poems and reads some poems...including "Lights," "Choir," "Becoming,"and "Fantasy Street."

Interviews with, quotes from, and discussions of, Andrew Glaze

• Companion To Southern Literature: themes, genres, places, people..., (reference to Andrew Glaze).
• Geniuses and Other Eccentrics: Photographing My Friends, (a reference to Andrew Glaze accompanied by a photo and his poem "A Choice").
• The Great American Poetry Bake-off, fourth series, Volume 4, (a discussion of Glaze's poetry).
• John Ciardi: A Biography, (Glaze interviewed about Ciardi).
• The Journal 12, "A Fierce White Light: One Perspective on the Poetry of Andrew Glaze", (interview with Andrew Glaze by Steven D. Conkle, Fall/Winter 1988-89).
• Light Quarterly, "A clear and bottomless well: the poetry of Andrew Glaze.(Interview)" (#48 pg. 55, Spring, 2005, ISSN: 1064-8186).
• MENU 1, "An Interview with Andrew Glaze" by Steven Ford Brown (Winter 1985).
• The Poet's Dictionary: a handbook of prosody and poetic devices, (uses Glaze's poem "A Letter to David Matzke" as an example).
• The Reader, (interview with Andrew Glaze).
• Speak Truth to Power: the story of Charles Patrick, a Civil Rights Pioneer, (quotes from an interview, and newspaper articles).
• Walt Whitman Quarterly Review, (cites Glaze's poem "Whitman Saw it Crazily Shining").

Play productions and readings

• Kleinhoff Demonstrates Tonight. The Changing Scene Theatre, Denver, Colorado (1988). Public Theatre/New York Shakespeare Festival, New York, New York (1974). Cricket Theatre, Minneapolis, MN (1974). Metropolitan Repertory Company, NY, NY (1984). Warren Robertson Studio (Revised version reading), NY, NY (1982). American Theatre for Actors, NY, NY (1982). Texas Drama Festival, Austin, TX (1971).
• Love is Nothing to Laugh At. American theatre for Actors (reading). NY, NY. 1983.
• The Man-tree. American Repertory Company of London, England. 1976. Public Theatre/New York Shakespeare Festival (staged reading), NY, NY. 1974.
• Miss Pete. The American Place Theatre. New York City. 1966. The Players (club). New York City.
• Uneasy Lies. Southhill Productions. Gene Frankel Theatre. NY, NY. 1983.

Unproduced plays, teleplays, and stage musical

• Decisions (play, ).
• The Most Engaged Girl (“A Musical Farce”). Libretto by Andrew Glaze, Music by Alan Hovaness
• Saint Jermyn (play, 1972).
• Starcatcher (1 act play, 1962).
• Want Me (play, 1962).
• We Are All Liars (play).
• The Wimmidge Group (Play, 1966).
• Early Unproduced Plays and Teleplays (1948–1964). These are archived at the Wisconsin Historical Society Archives/Wisconsin Center for Film and Theater Research, at http://digicoll.library.wisc.edu/cgi/f/findaid/findaid-idx?c=wiarchives;view=reslist;subview=standard;didno=uw-whs-us0051an

Anthologies and writing collections

• Alabama Poets: A Contemporary Anthology, Edited by Ralph Hammond, Livingston University Press, Livingston, AL. 1990, ISBN 0-942979-07-9 ISBN 978-0942979077.
• Anthology of Magazine Verse and Yearbook of American Poetry, Compiled by Alan Fl Pater, Monitor Press, Beverly Hills, 1981, ISBN 978-0-917734-04-5 ISBN 0917734041.
• Best Loved Poems, Compiled by Marie Stilkind, Merit Publishers, Miami, 1980.
• Contemporary Literature in Birmingham, Compiled by Steven Ford Brown, Publisher Thunder City Press/Ford Brown & Co./Birmingham Public Library, 1983, ISBN 978-0-918644-27-5 ISBN 0918644275.
• Contemporary Southern Poetry: An Anthology, Compiled by Guy Owen, Mary C. Williams, Louisiana State University Press, Baton Rouge, 1979, ISBN 0-8071-0577-5 ISBN 9780807105771.
• The Doctor Generosity Poets, Complied by Charles Hanna, Damascus Road Press, Wescoville, 1975, ISBN 0-913614-04-1 ISBN 978-0913614044.
• Epos Anthology, "Inventory, "Sweepings" (Volume 26, pg. 33, 1975).
• Hyn Anthology, Compiled by Donald Lev, Publisher Hyn, New York, 1970.
• Life on the Line, Selections on Words and Healing, "It's Here! He Tells His Mouth, Here!", Compiled by Sue Brannan Walker and Rosely Rosfman, Publisher Negative Capability Press, 1992, ISBN 0-942544-16-1, ISBN 978-0-942544-16-9.
• Loves, Etc., "You and I Make a Movie", Compliled by Marguerite Harris, Publisher Doubleday & Company, 1973, ISBN 0-385-01071-0, ISBN 978-0-385-01071-9.
• New World Writing Edition 4, "A Slightly Different Story" (short fiction).
• New World Writing Edition 9, (contains a poem).
• New York Poems, Complied by Howard Moss, Publisher Avon Books, 1980, New York, ISBN 0-380-76067-3, ISBN 978-0-380-76067-1.
• The New Yorker Book of Poems; Selected by the Editors of The New Yorker, "The Outlanders", Page 530, Publisher William Morrow & Co., Inc., 1994, New York, ISBN-0-688-07877-X(pbk).
• Poetry Southeast: 1950—1970: Tennessee Poetry Journal, "See Here Dr. Donne", Compiled by Frank Steele, Published by The University of Tennessee, 1968, ISBN 1-135-40883-1.
• The Remembered Gate: memoirs by Alabama writers, edited by Jay Lamar and Jeanie Thompson. Published by Tuscaloosa: University of Alabama Press, 2002, ISBN 0-8173-1123-8.
• Western Wind: an introduction to poetry, Compiled by John Frederick Nims, Random House, New York, 1974, ISBN 0-394-31231-7, ISBN 978-0-394-31231-6.
• Working the Dirt, "Buick", Compiled by Jennifer Horne, Publisher NewSouth Books, 2003, ISBN 1-58838-131-5 ISBN 13 978-1588381316.

Internet based poetry publications

• Birmingham Weekly- 2009 Poetry Issue, "You're Never With Who You Want to Be" (April 23, 2009).
• nycBigCityLit.com: the rivers of it, abridged, "Bliss", "Fishermen" (Fall, 2007).
• Poetrybay: an on-line Poetry Magazine for the 21st century "Skip and Hop" (Winter, 2002).
• Turtlehouse Press, "Overheard in a Drugstore", "Mr. Frost", (August 13, 2010, Vol MMX: Number 14.0).

Poems and written pieces in magazines

• Anyart Journal, "Skylark", "Frog", "Crazy Song", "Morning Flight" (Vol. 2 No. 4, 1976)
• Atlantic Monthly/The Atlantic, "The Trash Dragon of Shensi" (Issue ?, 1978), "Dr. Freud" (June 1977). "I Want to Turn to the South: 1941. A Poem by Pablo Neruda, translated by Andrew Glaze", (April 1972). "For Vlaimir Mayakowsky" "Reality Street" "Melt Out".
• Audience, "Thank You for the Language", (Volume 1 #November 6,–December 1971, a hardcover literary book/magazine from Hill Publishing Company, Boston), "Book Burial" and "Theatre of Weather" (Volume ? #?).
• Aura Literary Arts Review, "To One Who is Disappearing", "Generation", "Up or Down", "Lights", "Choir", "Song of the Downmouthed Mandoleer" (Issue #'s ?, Publisher: University of Alabama)
• Birmingham Arts Journal, "Trap of Feathers" (Volume 7, Issue 4, 2011).
• Birmingham Arts Journal, "Moody's Trip" (Excerpts from unpublished novel, Volume 3, Issue 3, 2006).
• Carcanet Press (England), "A Petition", "A song Through the Teeth" (1969–70).
• Dance Magazine, "Nijinsky" (August 1980, Volume LIV #8, page52), ISSN-0011-6009.
• Denver Quarterly, "Bill, Where are You?", "I Am the Jefferson County Courthouse".
• European Judaism (journal) (England), "Concert at the Station", "Leningrad", "Petropolis", "Twilight of Freedom". All four poems are translations of Osip Mandelstam. (1972).
• Folio, "To Betsy", "Making Country", "Me", and "I Want to Have Been the Shaman" (Fall Edition, 1970), "Under The Blanket" (later retitled "Waiting for the Leonids") and "The Greens Keeper" (Vol. 3, #1, Winter, 1967), "Ice Break" and "For Andrew Glaze Whose Father Invented the Submarine”:by Mary Jane Brabston (Vol. 1, Issue 1, 1965).
• Light Quarterly: A Quarterly of Light Verse, "Boomfoolery" (Summer, 2005), "A clear and bottomless well: the poetry of Andrew Glaze.(Interview)" (#48 pg. 55, Spring, 2005, ISSN: 1064-8186).
• Magnolia: A Florida Journal for Literary and Fine Arts, "The Chute", (Issue 2, 2008).
• The Nation, "Poem" (February 8, 1975), "Lobo" (May 4, 1974), "Always" (February 2, 1974).
• Negative Capability, "Someone Will Go On Owing", "Honeymoon", "Iron Mask", "American", "Evening it Out", "Life of Luck", "Bliss", "Yeats and Berryman have tea", "Thoreau Again", "Baroque", "To Work" (1981).
• New Directions (Issue #12, and Issue #26).
• The New Leader, "A Juggler of Ideas", a Review by Glaze of Peter Viereck's "New and Selected Poems" (April 1, 1968).
• NEWSart, "Poetry Today: Explosion, Renaissance, or Glut?", Glaze interviews Norman Rosten (10, 1977).
• The New Leader, "A Rare Sense of Discovery", a Review by Glaze of three books by Seldon Rodman, "The Caribbean", "The Peru Traveller", and "The Road to Panama" (December 16, 1968).
• The New Yorker, "A Night Walk to a Country Theatre" (January 25, 1982), "September" (September 5, 1977), "Fantasy Street" (April 11, 1977), "Eyes of the Heart" (March 14, 1977), "Ho Farragut" (May 21, 1955), "The Outlanders" (August 26, 1950).
• New York Quarterly, "Blue Barouche" (#63, 2007), "Drunks" (#62, 2006), "Poets" (#60, 2003), "Sword" (#55, 1995), "Green Vaulted Pine" (#54, 1995), "Please Take the Joy of It" (#52, 1993), "Nursing Home" (#49, 1992), "Most You" (#48, 1992), "Being a Thief" (#46, 1991), "My Nose My Needle" (#45, 1991), "Courage"(#44, 1991), "Witches" (#38, Spring 1989), "From HIM" (#35, Spring 1988), "Here We Come" (#33, Summer 1987), "Nature" (#32, Spring 1987), "Poem" (#30, Summer 1986), "Groucho", "The Present State of American Poetry":(essay and photo) (#29, Spring 1986), "Notes Found on a Gum Wrapper" (#28, Fall 1985), "Acrobats" (#27, Summer 1985), "A Choice" (#26, Spring 1985), "A Choice" (#12, Fall 1972), "Here! Here!", "I came Into Life Cain" (#5, Winter 1971), "Sing Sing" poem and worksheet (#2, Spring 1970), "A Thing I Did", with photo (Issue #1, Winter 1970).
• Open Places, "Notes", "Islands Among Us", "A Little Han Horse" (Spring, 1982).
• Poetry (magazine), "I Am the Jefferson County Courthouse" (September 1982), "A Cut of Copernicus" (February 1956), "Ludwig Rellstab's Visit to Beethoven" (January 1954), "Henry Buck", "The Big Eye" (August 1951), "Marine Biology", "Three Poems About One Thing", "Antigua" (May 1950).
• Poetry Northwest, "Lucky you", "Clouds" (Volume #17, 1976, ASIN: B001TQQ0MG), "Whitman Saw It Crazily Shining" (Volume #15, pg.34, 1974), "Alphabet Soup", Publisher: University of Washington.
• Poetry Now, "The Rule" (#38, 1983), "Getting Old" (#36, 1982), "Delmore", "Double Knit Socks" (#34, 1982), "Wizard" (#31, 1981), "The Fanatical You" (#26, 1980), "Please Take the Joy of It", "Petropolis", "Twilight of Freedom", "Concert at the Station", all translations of Osip Mandelstam by Andrew Glaze (#23, 1979), "Leningrad" translation of Osip Mandelstam by Andrew Glaze (#23, 1979), "Luck" (#21, 1979), "Place", "Bus Driver Playing the Flute" (#19, 1978), "Separation is Best", " A Guide", "The People of my Head" (#15-#18, 1977), "Mole" (#14, 1976), "A Place Worse Than the Belly of a Whale", "Coo Coo" (#11, 1975), "Fury in Amherst", "Flute and Specs" (#6, 1994).
• Saturday Review, "Suwanee River" (January 1957, pg. 44), "Gulliver", "It isn't Pulling up the Curtain", "Make Room".
• Second Aeon (England), "A Child" (Issue #14, 1972).
• Spirituality & Health, "Alleluia" (November 2008, Page 41).
• Southern Poetry Review", "76th Street", "Dog Dancing" (Spring 1982).
• Trails & Timberline Quarterly, "A Place That Can't Be Bought" (#994 Winter, 2006-2007, page 23).
• Tribune Magazine (England), "Christmas" (December 25, 1970).
• TriQuarterly, "What's That You Say, Cesar?", "Cat's Cradle".
• Virginia Quarterly Review, "An Incantation Against Ghosts" (Spring, 1944).
• Workshop Poetry Magazine (England), contains poems by Oslip Mandelstam translated by Andrew Glaze, (Issue #12, early 1970s)

Other publications with poems by Andrew Glaze

• Baltic Avenue Poetry Journal, Birmingham Poetry Review, Cacaphony (England), Chelsea Literary Journal, Dialog (Toronto), Earthwise, Greyledge Review, Home Planet News, Iowa Review, Kauri, Kayak, New Orleans Review, Occasional Windhover (England), Outerbridge, The Poet (England), Pivot, Pivot 35, Poets(Glasglow), Rattapallax #7, Sarasota Review, Scolastic Pieces, South Florida Classic Review, Sulfur River, Thunder Mountain Review 1, Voice Media, Yes.

Novels

• Decisions (unpublished)
• Moody's Trip (unpublished)
• Spectacular Travelers (unpublished)

College, university, and historical archives

• Amherst College
• Bates College
• Bowling Green State University
• Columbia University
• Dartmouth College
• Duke University
• George Washington University
• Georgetown University
• Harvard,
• Northwestern University,
• Ohio State University,
• Stanford University,
• Syracuse University
• Washington University in St. Louis
• Yale
• University of California, San Diego
• University of Chicago
• University of Indiana
• University of Iowa
• University of North Carolina
• University of Rochester
• University of Tennessee
• University of Texas at Austin
• University of Vermont
• University of Virginia
• University of Wisconsin
• University of Wyoming
• New York Public Library.
• Massachusetts Historical Society
• State Historical Society of Missouri (the Society is the official historical society of the state of Missouri and located on the campus of the University of Missouri)

External links

• http://www.utc.edu/Academic/TennesseeWriters/authors/glaze.andrew.html
• http://worldcat.org/identities/lccn-n81-70738
• http://www.encyclopediaofalabama.org/face/Article.jsp?id=h-2464
• http://oasis.lib.harvard.edu/oasis/deliver/~hou01302
• http://www.e-yearbook.com/yearbooks/Harvard_University_Red_Book_Yearbook/1942/Page_100.html
• http://www.alabamabound.org/AuthorPages/GlazeAndrew.htm
• http://books.google.com/books?id=vGbMGOUxrTMC&pg=PA28&lpg=PA28&dq=Andrew+Glaze+%2B+pudding#v=onepage&q=Andrew%20Glaze%20%2B%20pudding&f=false (On Google, "Andrew Glaze Greatest Hits: 1985-2004", prologue "Andrew Glaze on his life and his poems".

References

Sources

• Cifelli, Edward M. (1997). John Ciardi: a Biography. Arkansas: University of Arkansas Press. ISBN 1-55728-539-X 9781557285393. {{cite book}}: Check |isbn= value: length (help); Invalid |ref=harv (help)
• Doreski, William, ed. (1985). Earth That Sings: on the poetry of Andrew Glaze. Houston, Texas: Ford-Brown & Co. ISBN 0-918644-16-X Paper. {{cite book}}: Check |isbn= value: invalid character (help); Invalid |ref=harv (help)