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Revision as of 21:40, 10 January 2015

Untitled

Unorthodox Jukebox is the second studio album by American recording artist Bruno Mars, released by Atlantic Records on December 7, 2012, as the follow-up to Mars' 2010 album Doo-Wops & Hooligans. On December 4, 2012, the album was available to listen to in its entirety for a week before the release.[1] The singer co-wrote the album and worked with several past collaborators, while enlisting new producers and guest vocals. Unorthodox Jukebox explores a variety of styles such as reggae rock, disco and soul music and incorporates significantly more explicit lyrics and themes than his previous material.[2][3]

Upon its release, Unorthodox Jukebox was met with generally positive reviews from music critics, who compared the work to that of his previous album. Commercially the album was a success debuting on the US Billboard 200 at number two with 192,000 copies sold, the album later peaked at number one on the chart becoming Mars first album to do so. The album also peaked at number one in Australia, Canada, Switzerland and the United Kingdom. Unorthodox Jukebox was the third best-selling album in Australia in 2013,[4] and the third best-selling album released in 2013, by a male in the United States.[5] The International Federation of the Phonographic Industry reported that Unorthodox Jukebox was the fourth best-selling album in the world in 2013, with 3.2 million copies sold worldwide. The album won the Grammy Award for Best Pop Vocal Album at the 2014 annual ceremony.

The release of the album was preceded by the release of one single. "Locked Out of Heaven" was released on October 1, 2012 as the album's lead single. It became a commercial success on music charts all over the world and topped the US Billboard Hot 100 chart for six consecutive weeks. In between the release of the lead single and the album, were the releases of promotional singles "Young Girls" on November 6, "Moonshine" on November 19 and "When I Was Your Man" on December 4, 2012. "When I Was Your Man" was released as the album's second single one month and half later on January 15, 2013 and became Mars' fourth single to top the US Billboard Hot 100 and experienced similar mainstream success as the lead. "Treasure" debuted on May 10, 2013 as the record's third single and was a moderate commercial success worldwide, peaking at number 5 on the US chart. The fourth and fifth single off the album, "Gorilla" and "Young Girls" ended Mars' streak as his first singles not to reach the Top 10, peaking at number 22 and 32, respectively on the Billboard Hot 100.

Background

In an interview for the Huffington Post Bruno Mars was confident saying that he will take his time creating and polishing his second full-length album. "It's going to come when it comes, I think we felt a little bit of a rush for the last album. It was a little bit of a deadline. We definitely don't want to feel that again...We just want it to be perfect".[6] Mars stated in an interview with Billboard: "This is me going into the studio and recording and writing whatever I want. This album represents my freedom." Big record label presidents said to him: 'Your music sucks, you don't know who you are, your music is all over the place, and we don't know how to market this stuff. Pick a lane and come back to us.' That was disgusting to me, because I'm not trying to be a circus act. I listen to a lot of music, and I want to have the freedom and luxury to walk into a studio and say, 'Today I want to do a hip-hop, R&B, soul or rock record'.[7] It was during his last two years of worldwide concerts and TV shows that Mars realized his second album needed to reflect his raucously energetic stage show.[8] Later, Mars confirmed expectations towards this album. "It's not about what's hot on the radio or the fastest way to make a buck, these guys (Mark Ronson & Jeff Bhasker) are fearless, doing the music they want to do". Mars remembers the biggest lesson he was taught when he started writing songs focused on rhythm: Does it make you move? Make you dance? Whether the song is uptempo or a ballad, Mars says, "there has to be a heartbeat in back of it. There needs to be a pulse in the song." That's what he tried to do with this album.[9]

Recording

I was travelling in Zanzibar on my honeymoon when I got this call saying, 'Do you want to meet Bruno Mars?. I was only kind of familiar with his music. But we met up in London and the first thing he said was, 'I want to sound exactly the opposite of what a Mark Ronson collaboration with Bruno Mars is supposed to sound like.' That won me over – and then I found out what a phenomenal talent he is. This is the most progressive music I've worked on yet. It's going to open up the arteries and change the sound of music". — Mark Ronson, on working with Bruno Mars.

[10]

He had been fine-tuning some track mixes until 5 a.m. with Manny Marroquin.[7] He further added, "We took some master chefs into the kitchen with no master plan... It was either going to be a disaster, or we were going to come out with something incredible."[11] During an interview with Rolling Stone magazine, Mars commented "It turned into this soulful, experimental, electronic, hard-to-explain thing... That's the reason behind the album title". He wanted to create something unexpected with the follow-up of his debut album, Doo-Wops & Hooligans (2010).

Unorthodox Jukebox was recorded at Larrabee Sound Studios in Los Angeles, Levcon Studios in Hollywood, Daptone Studios in Brooklyn, and Avatar Studios in New York City.[12] The album includes production from Mark Ronson, Jeff Bhasker, Emile Haynie, Diplo, Supa Dups, as well as The Smeezingtons. Mars noted that the album would be more musically varied and that he refuses to "pick a lane".[7] Mars has also been in studio with Benny Blanco and Paul Epworth. Regarding his production contributions, Blanco said: "I got a really cool song with him. Me and Paul [Epworth] just got together and Bruno wrote an amazing song on top of it. It kind of all came together." Discussing the song, Blanco states, "It's like some throwback Nina Simone type shit, like 'Sinnerman.'" The song turned out to be "Natalie".[13] Mars also worked with guests like jazz artist Esperanza Spalding and electronic producer Diplo. Mars claims to have taken each producer "beyond their comfort zone".[14] On the recording of the song "When I Was Your Man", Mars stated, "I'm never singing another ballad again,' but that came from the gut – it's the most honest, real thing I've ever sang... When there are no safe bets, that's when I feel my blood move."[14] Mars also claims that "Diplo has all the sounds in his computer to make the club go wild" to which Diplo replied "In our generation, he's the most talented guy I've worked with".[14]

In an exclusive interview with American Songwriter Philip Lawrance confessed "we had a lot of sleepless nights!" since they were trying to prove that the debut album "wasn't a fluke". The four to five months they worked on the project "was just falling- nothing would stick". Nevertheless, they decided to leave the studio, having a few drinks and decided to “...Chill out, relax, and not put so much pressure on ourselves. Let’s just let it come.” Afterwards "the ideas started coming out again."[15] Regarding the single "When I Was Your Man", Philip said that he and Bruno "always loved those moments where you can sit at the piano and emote...when an artist is so naked and vulnerable; you can’t help but be drawn to it." The song came out exactly the way they wanted it to be.[15] The third single "Treasure" was created with a thought of "We’re fun, like to dance and party" since they weren't able to do that in the first album, after the first worldwide tour they needed a song that was fun. He added "even going to festivals and seeing big bands like Coldplay or Bruce Springsteen" they had lots of fun. He described it as a song "where the whole band can get up and jam and have this Earth, Wind and Fire kind of moment."[15]

Music and lyrics

A pop and R&B album,[16] Unorthodox Jukebox also incorporates rock, soul[17] and reggae styles.[18] Andrew Chan of Slant Magazine observes "synthy '80s flourishes" in Mars' "approximations of R&B and reggae" on the album and likens his use of a "diluted form of vintage soul as the foundation for [his] middle-of-the-road pop-rock" to Adam Levine and Gavin DeGraw.[19] "Locked Out of Heaven" features booming synthesizers, a four-on-the-floor chorus, and a rock/reggae style similar to The Police.[20] Music journalist Simon Price finds Mars' style on the album more comparable to Wham!, particularly on songs such as "Treasure" and "When I Was Your Man".[21] Matt Diehl of Rolling Stone compares the disco-influenced "Moonshine" to French electronic duo Daft Punk,[11] while AllMusic's Tim Sendra calls "If I Knew" a "Sam Cooke-inspired" ballad.[22]

Mars' lyrics veer between the traditional notions of romance exhibited on "When I Was Your Man" and the male chauvinist sentiments on songs such as "Natalie" and "Gorilla".[19] The latter song contains a reference to his 2010 arrest for cocaine possession ("Got a body full of liquor with a cocaine kicker")[23] and is described by Mars as being about "good old animalistic sex".[11] For Unorthodox Jukebox, Mars hoped to "let loose" and discuss darker, more risqué subject matter, while drawing on the "danger" embraced by pop artists such as Michael Jackson and Prince.[11] Music journalist Kitty Empire argues that his songwriting values "narrative arc and internal logic".[18] Jody Rosen views that "Mars sings endlessly about sex – wild, wind-swept, Wagnerian sex", and that he relies on "grand statements, soap-opera plotlines and actual-opera melodrama."[24]

Singles

"Locked Out of Heaven" was serviced to mainstream radio stations and its digital release was on October 1, 2012 as the album's lead single.[25][26] It received positive commentary from music critics, who praised its reggae, rock and funky beat and the lyrics talking about passion in a "tidy and impeccable" way.[27][28] Commercially, it was a success, peaking atop the US Billboard Hot 100 and stayed in the top spot for six weeks, making it Mars' longest-running number one on the chart (previously, 'Just the Way You Are' and 'Grenade' each topped the chart for four weeks).[29] Elsewhere, it peaked at number one in Canada and the US Pop Songs chart and inside the top ten in more than twenty countries.[30][31]

"When I Was Your Man" was released on January 15, 2013 as the album's second official single.[32] It had previously been released as the album's third and final promotional single one month and half prior to its single release. The song topped the Billboard Hot 100 chart, becoming Mars' 4th number one single in the United States.[33]

"Treasure" was released as the album's third single from the album in May 2013.[34] It received generally favorable reviews from critics, who praised it as it "echoes the peppy sound of such pop/R&B hit-makers of the 1970s and 1980s as the Sylvers, Heatwave, DeBarge and Kool & the Gang."[35] To promote the single, Mars has performed on various occasions, including a "little extra Michael Jackson-esque, circa Off The Wall and Thriller" performance on the 2013 Billboard Music Awards.[36] The single reached the top 5 in the Billboard Hot 100 and charted inside the top 10 in 18 countries all over the world.[30]

"Gorilla" was confirmed as the fourth official single.[37] The production was handled by the same who produced the lead single, The Smeezingtons, Mark Ronson, Jeff Bhasker and Emile Haynie.[38] The track impacted U.S. radio on September 10, 2013. Mars performed the single for the first time during the 2013 MTV Video Music Awards. It reached number 22 on the Billboard Hot 100, becoming his first single not to reach the Top 10, and thus ending his streak.[30]

"Young Girls" was released as the fifth and final single from the album in Australia, North America and United Kingdom only. It officially impacted Top 40/Mainstream radio in the U.S. on December 10, 2013.[39] Some of the highst peak positions of the song are due to the release as the first promotional single on the iTunes Store on November 6, 2012.[40][41] Plans for a music video were done in 2012, but they were never materialized.[42]

Promotional singles

"Moonshine" was released as the album's second promotional single on November 19, 2012.[43]

Promotion

Mars performed "Locked Out of Heaven" and "Young Girls" for the first time on Saturday Night Live on October 20, 2012.[44][45] His performance as the host received positive reactions from critics and the public. Then, he performed the same songs on November 7, 2012 at the 2012 Victoria's Secret Fashion Show.[46] The performance later aired on December 4, 2012 on CBS.[47] On November 24, 2012, Mars appeared on the ninth season of the British X Factor where he performed "Locked Out of Heaven".[48][49] On the December 8, 2012, Mars performed in the 2012 edition of Jingle Bell Ball, event annually held and promoted by Capital FM which happened on the O2 Arena, in London.[50] On December 12, 2012, he performed "Locked Out of Heaven" during the semi-finals of the second season of the American X Factor.[51] Mars performed "When I Was Your Man" on The Voice during the final show of the third season on December 17, 2012.[52][53]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic[22]
The A.V. ClubC+[54]
Entertainment WeeklyA–[16]
The Guardian[55]
The Observer[18]
Paste7/10[56]
PopMatters8/10[57]
Rolling Stone[24]
Slant Magazine[19]
Spin8/10[23]

Unorthodox Jukebox was met with generally positive reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 70, based on 16 reviews.[58] Rolling Stone magazine's Jody Rosen wrote that its bombastic, exceptional pop music is by far superior to Mars' contemporaries,[24] while BBC Music's Matthew Horton said that the captivating album showcases his knack for songs with chart potential.[17] Matt Cibula of PopMatters complimented the songs' hooks and found the album "sung and arranged just as perfectly as his earlier work ... a truly accomplished and slick pop album".[57] Billboard magazine's Jason Lipshutz viewed that the album "succeeds in mixing its safer stylistic choices with its relatively bold ideas."[59] Jon Caramanica of The New York Times found the songwriting exceptional,[60] and Spin magazine's Dan Hyman wrote that Mars' lyrics "get a desperately needed kick in the pants".[23] Although she felt that Mars still lacks a characteristic style, Kitty Empire of The Observer observed "a little more hooliganism" than on his first album and felt that, "despite its title, [it] deserves your grudging respect".[18]

In a mixed review, AllMusic's Tim Sendra criticized Mars as an "icky hater" and wrote that his "opinion of the opposite sex seems to have taken a nosedive" after his first album's sentimental lyrics.[22] Andy Gill of The Independent felt that Mars is talented, but resorts to imitations of past recording artists.[61] Slant Magazine's said that his satisfactory singing is both a "minor limitation" and "the key to his appeal" on an album that is "a reasonably listenable exercise in genre fetishization."[19] Tony Clayton-Lea of The Irish Times wrote that because the songs are rhythmically clever, but indebted to the styles of past artists, there is "no killer, then, but no filler, either."[62]

Accolades

The album earned Mars numerous accolades. At the 56th Annual Grammy Awards, he was nominated for four categories and won one: Best Pop Vocal Album. The lead single "Locked Out of Heaven" was nominated for Record of the Year and Song of the Year while its Sultan + Ned Shepard remix was nominated for Best Remixed Recording, Non-Classical. "When I Was Your Man" was nominated for Best Pop Solo Performance.[63] At the 2014 Juno Awards, he won in the category of International Album of the Year.[64] "Locked Out of Heaven" won the nomination for Best Song at the 2013 MTV Europe Music Awards.[65]

Commercial performance

In the United States, the album debuted at number two on the Billboard 200 with 192,000 copies sold in its first week, topping the expectatives of sales of the record that were around 140,000-150,000 copies.[66] In the following week, dropped to the third position with less 8% on the sales, which reached 178,000 units (around 370,000 copies sold in only two weeks).[67] The album reached the top of the Billboard 200 on March 7, 2013 after 12 weeks since released, selling 95,000 copies in that week.[68] The album sold 1,399,000 copies in the United States in 2013, making it the fifth best-selling album of the year.[69] As of February 2014, the album has sold a total of 2,050,000 copies in the US, and made a comeback to the Billboard 200 top 10, emerging to number 7, and then number 3 in the week after. As of April 2, 2014, the album sold 2,187,000 copies in the US.[70] The album also went back to number one on Canadian Albums Chart, due mainly to Mars' performance at the Super Bowl XLVIII halftime show.[71]

In Europe, the album was very successful. In Switzerland, the album debuted at one and was certified Gold shortly after.[72] In the United Kingdom, Unorthodox Jukebox debuted at number one on the UK Albums Chart as the Official Charts Company predicted.[73] The album was the UK's fastest selling album by a recording artist in 2012, selling 136,000 copies, just behind the albums Babel, from Mumford & Sons and Take Me Home, from One Direction.[74][75] The number of copies sold, above 100,000 copies, was enough to certify the album gold, published by the British Phonographic Industry (BPI).[76] Unorthodox Jukebox is, as of April 2014, certified three times Platinum in the United Kingdom. In France, Unorthodox Jukebox debuted in the Top 10, it spent the whole year in the Top 20 of the French charts, except for 2 weeks, being able to sell 419,459 copies.[77][78] At the end of the year it was certified Diamond in the country, Mars' first Diamond certified album, selling 510,000 copies.[77] The album reached the top 10 on the Spanish charts, for the first time after 30 weeks, the longest time an album needed, since The Black Keys' El Camino reached it for the first time after 61 weeks in the chart.[79][80]

In New Zealand, the album became Mars' second consecutive number two album, and was certified gold by Recorded Music NZ, selling over 7,500 copies in its second week sales.[81] The album has sold a total of 210,000 copies in Australia by December 2013, being certified three times Platinum.[82] Unorthodox Jukebox debuted at number 11 on the Oricon Albums Chart, selling 18,414 copies.[83] On the following week, it sold 9,282 copies, descending to #20 and selling a two-week total of 27,696 albums.[84] Unorthodox Jukebox ended 2013 as the seventh best selling album in Mexico, spending fifty-five weeks in the charts.[85] The album was certified two times Platinum, on February 2014, and has sold over 100,000 copies.[86]

The album had sold 3.2 million copies worldwide by the end of December 2013 according to the International Federation of the Phonographic Industry.[87] Unorthodox Jukebox, as of July 2014, has sold 6 million copies worldwide, since the release.[88]

Impact

File:Grammy.jpg
Unorthodox Jukebox won the Grammy Award for Best Pop Vocal Album in 2014.

With sales of more than 1 million copies in the US alone by the end of 2013, Unorthodox Jukebox was named the #4 best-selling album of 2013.[89] Bruno Mars was the most played artist at pop radio in 2013 according to Mediabase.[90] While, the album was the 5th "most streamed album" in Spotify[91] and according to Rdio, an online music service, the second most streamed album worldwide.[92]

The lead single "Locked out of Heaven" was the fifth most played song across he U.S. and the seventh most played on the Top 40. The second single "When I Was Your Man" was the ninth most sold digital song of 2013, it was also the fourth most played song on radio and the eight most played on the Top 40 and the eight most played on Adult Contemporary radios, according to Nielsen SoundScan.[93] In the UK, "Locked out of Heaven" was the fourth most played pop track, while "When I Was Your Man" was the tenth, of 2013.[94]

Mars was named Billboard Artist of the Year by Billboard.[9] The success of the album had also facilitated Mars to become the headline performance at the half time show of the Super Bowl XLVIII on February 2, 2014.[9] Bill Werde, editorial director of Billboard magazine, said "His songs stuck around on multiple formats all year round".[95]

Track listing

Credits adapted from the liner notes of Unorthodox Jukebox.[38]

No.TitleWriter(s)Producer(s)Length
1."Young Girls"
3:49
2."Locked Out of Heaven"
  • Mars
  • Lawrence
  • Levine
3:53
3."Gorilla"
  • Mars
  • Lawrence
  • Levine
  • The Smeezingtons
  • Bhasker
  • Haynie
  • Ronson
4:04
4."Treasure"
  • Mars
  • Lawrence
  • Levine
  • Phredley Brown
The Smeezingtons2:56
5."Moonshine"
  • The Smeezingtons
  • Bhasker
  • Ronson
3:48
6."When I Was Your Man"
  • Mars
  • Lawrence
  • Levine
  • Wyatt
The Smeezingtons3:33
7."Natalie"
3:45
8."Show Me"
3:27
9."Money Make Her Smile"
  • Mars
  • Lawrence
  • Levine
  • Christopher Brown
3:23
10."If I Knew"
  • Mars
  • Lawrence
  • Levine
The Smeezingtons2:13
Total length:34:51
Deluxe edition bonus tracks[96]
No.TitleWriter(s)Producer(s)Length
11."Old & Crazy" (featuring Esperanza Spalding)
  • Mars
  • Bhasker
  • The Smeezingtons
  • Bhasker
  • Haynie*
1:55
12."Young Girls" (Demo)
  • Mars
  • Lawrence
  • Levine
  • Bhasker
  • Haynie
  • The Smeezingtons
  • Bhasker
  • Haynie
3:38
13."Gorilla" (Demo)
  • Mars
  • Lawrence
  • Levine
  • The Smeezingtons
  • Bhasker
  • Haynie
  • Ronson
3:42
14."Moonshine" (The Futuristics Remix)
  • Mars
  • Lawrence
  • Levine
  • Bhasker
  • Wyatt
  • Ronson
  • The Futuristics
  • Bhasker
  • Ronson
3:42
15."Locked Out of Heaven" (Major Lazer Remix)
  • Mars
  • Lawrence
  • Levine
  • Major Lazer
  • Junior Blender*
4:04
Total length:54:02

(*) denotes co-producer

Sample credits
  • "Old & Crazy" contains elements of "Japanese Sandman", performed by Django Reinhardt and written by Richard A. Whiting.[38]

Personnel

The following people contributed to Unorthodox Jukebox:[38]

Charts

Certifications

Region Certification Certified units/sales
Australia (ARIA)[135] 3× Platinum 210,000^
Austria (IFPI Austria)[136] Gold 10,000*
Belgium (BEA)[137] Gold 15,000*
Brazil (Pro-Música Brasil)[138] Platinum 40,000*
Canada (Music Canada)[139] 3× Platinum 240,000^
Denmark (IFPI Danmark)[140] Gold 10,000^
France (SNEP)[141] Diamond 500,000*
Germany (BVMI)[142] Platinum 200,000^
Hungary (MAHASZ)[143] Platinum 0^
Ireland (IRMA)[144] 2× Platinum 30,000^
Italy (FIMI)[145] Gold 30,000*
Japan (RIAJ)[147] Gold 186,825[146]^
Mexico (AMPROFON)[148] 2× Platinum+Gold 150,000^
New Zealand (RMNZ)[149] 3× Platinum 45,000^
Philippines (PARI)[150] 2× Platinum 30,000 
Spain (PROMUSICAE)[151] Platinum 40,000^
Sweden (GLF)[152] Platinum 40,000
Switzerland (IFPI Switzerland)[153] Gold 15,000^
United Kingdom (BPI)[154] 3× Platinum 900,000*
United States (RIAA)[155] 2× Platinum 2,121,000[71]
Summaries
Europe (IFPI)[156] Platinum 1,000,000*

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Release history

Region Date Label(s) Formats Edition
Australia[157] December 7, 2012 Atlantic Records CD, digital download Standard
Belgium[158] Warner Music Group
Finland[159][160] CD, digital download, LP
Ireland[161] Atlantic Records CD, digital download
Germany[162][163] CD, digital download, LP
New Zealand[164] Warner Music Group CD, digital download
Netherlands[165]
Norway[166]
Switzerland[167][168]
Czech Republic[169] December 10, 2012
Denmark[170]
France[171] Atlantic Records
Greece[172] Warner Music Group
Hungary[173]
Ireland[174] LP
Poland[175] CD, digital download
Portugal[176]
Sweden[177]
United Kingdom[178] Atlantic Records
Canada[179] December 11, 2012 Warner Music Canada
  • Standard
  • Target edition
Italy[180][181] Atlantic Records CD, digital download, LP Standard
Mexico[182][183] Warner Music Group CD, digital download
Spain[184] Atlantic Records
Taiwan[185] Warner Music Group
United States[186] Atlantic Records
  • Standard
  • Target edition
Japan[187] December 12, 2012 Warner Music Japan Standard
Brazil[188] December 13, 2012 Warner Music Group
New Zealand[189] November 5, 2013 Atlantic Records CD Deluxe Edition
United Kingdom[190] November 11, 2013
Spain[191] November 12, 2013
Australia[192] November 15, 2013
Germany[193] November 22, 2013
France[194] November 25, 2013

References

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  6. ^ Ryan Pearson (August 8, 2012). "Bruno Mars Heads Back To Grammys With Production Team, Smeezingtons". Huffington Post. Retrieved October 17, 2013.
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  10. ^ http://www.mtv.co.uk/music/urban/7724-mark-ronson-bruno-mars-will-change-the-sound-of-music
  11. ^ a b c d Diehl, Matt (November 13, 2012). "Bruno Mars recruits dream team of producers for unorthodox jukebox". Rolling Stone. Wenner Media. Retrieved November 17, 2012.
  12. ^ "Product Page: Unorthodox Jukebox". Muze. December 11, 2012. Retrieved June 9, 2013.
  13. ^ Horowitz, Steven J. (July 19, 2012). "Bruno Mars' New Music Has 'Throwback Nina Simone' Feel, Says Producer". Rolling Stone. Retrieved October 18, 2012.
  14. ^ a b c Diehl, Matt (November 21, 2012). "Bruno Mars and Diplo Hit Paris Strip Club for 'Unorthodox' Inspiration". Rolling Stone. Retrieved November 23, 2012.
  15. ^ a b c Rob LeDonne (September 4, 2013). "Philip Lawrence: Bruno Mars' Right Hand Man Goes Solo". American Songwriter. Retrieved October 13, 2013.
  16. ^ a b Maerz, Melissa (December 7, 2012). "Unorthodox Jukebox - review - Bruno Mars Review". Entertainment Weekly (1237). New York. Archived from the original on December 9, 2012. Retrieved December 7, 2012. {{cite journal}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  17. ^ a b Horton, Matthew (December 6, 2012). "Review of Bruno Mars - Unorthodox Jukebox". BBC Music. BBC. Retrieved December 7, 2012.
  18. ^ a b c d Empire, Kitty (December 8, 2012). "Bruno Mars: Unorthodox Jukebox – review". The Observer. London. The New Review section, p. 29. Retrieved December 9, 2012.
  19. ^ a b c d Chan, Andrew (December 9, 2012). "Bruno Mars: Unorthodox Jukebox". Slant Magazine. Retrieved December 9, 2012.
  20. ^ Rosen, Jody (October 10, 2012). "Locked Out of Heaven - Song Review". Rolling Stone. Retrieved December 16, 2012.
  21. ^ Price, Simon (December 9, 2012). "IoS album review: Bruno Mars, Unorthodox Jukebox (Atlantic/Elektra)". The Independent on Sunday. London. Retrieved December 9, 2012.
  22. ^ a b c Sendra, Tim. "Unorthodox Jukebox - Bruno Mars". AllMusic. Rovi Corporation. Retrieved December 9, 2012.
  23. ^ a b c Hyman, Dan (December 12, 2012). "Bruno Mars, 'Unorthodox Jukebox' (Atlantic)". Spin. New York. Retrieved December 13, 2012.
  24. ^ a b c Rosen, Jody (December 11, 2012). "Unorthodox Jukebox". Rolling Stone. New York. Retrieved December 11, 2012.
  25. ^ "Bruno Mars live fan chat scheduled". All Access. All Access Music Group. September 27, 2012. Retrieved November 1, 2012.
  26. ^ Warner, Kara (October 1, 2012). "Bruno Mars Gets 'Sensual' On 'Locked Out Of Heaven'". MTV News. MTV Networks. Retrieved January 7, 2012.
  27. ^ Jody Rosen (October 10, 2012). "Locked Out of Heaven | Song Reviews". Rolling Stone. Jann Wenner. Retrieved December 31, 2012.
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