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*[http://www.ahm.cn/dcjx/info_list.php?typeID=2&ty=7 "Pan Yuliang"], Anhui Museum
*[http://www.ahm.cn/dcjx/info_list.php?typeID=2&ty=7 "Pan Yuliang"], Anhui Museum
*[http://www.ahm.cn/dcjx/info_list.php?typeID=2&ty=9 "Pan Yuliang 2"], Anhui Museum
*[http://www.ahm.cn/dcjx/info_list.php?typeID=2&ty=9 "Pan Yuliang 2"], Anhui Museum
*[http://www.expresspaintings.com/Asian_Art/Pan_Yuliang/pan_yuliang.html "Pan Yuliang"], Express Paintings {{Dead link|date=November 2011}}
*[https://web.archive.org/web/20070928203157/http://www.expresspaintings.com/Asian_Art/Pan_Yuliang/pan_yuliang.html "Pan Yuliang"], Express Paintings
*[http://www.lingnanart.com/chineseMaster/Master_panyuliang_cn.htm "Pan Yuliang"], Lingnanart (in Chinese)
*[http://www.lingnanart.com/chineseMaster/Master_panyuliang_cn.htm "Pan Yuliang"], Lingnanart (in Chinese)



Revision as of 05:37, 1 December 2016

Pan Yuliang
潘玉良
Born(1895-06-14)14 June 1895
Died22 July 1977(1977-07-22) (aged 70)
Resting placeMontparnasse Cemetery, Paris
NationalityChinese
Other namesZhang Yuliang, Chen Xiuqing, Pan Shixiu
EducationHong Ye, Zhu Qizhan, Wang Jiyuan
Alma mater
  • Shanghai Fine Arts School
  • Institut Franco-Chinois de Lyon
  • École Nationale des Beaux-Arts de Lyon
  • École Nationale des Beaux-Arts de Paris
  • Accademia di Belle Arti, Rome
OccupationPainter
Known forBeing the character in A soul Haunted by Painting 画魂 (1994 movie), Pan Yuliang (1990 TV series)
Notable workFemale Nude (女人體)
TelevisionIs the character in A soul Haunted by Painting 画魂 (1994 movie), Pan Yuliang (1990 TV series)
Awards
  • Female Nude receives the Roman International Art Exhibition’s Gold Prize
  • Paris Gold Prize
  • L'art Libre Confédération Française. Salon International Prize
  • Gold Medal, French Cultural Education Prize"
  • Arts-Sciences-Lettres Prize
Pan Yuliang
Traditional Chinese潘玉良
Transcriptions

Template:Chinese name

Pan Yuliang (Chinese: 潘玉良, 22 May 1899 – 1977), born Zhang Yuliang (張玉良), was a Chinese painter, renowned as the first woman in the country to paint in the Western style. She had studied in Shanghai and Paris. Because her modernist works caused controversy and drew severe criticism in China during the 1930s, Pan returned to Paris in 1937 to live and work for the next 40 years. She taught at the École des Beaux Arts, won several awards for her work, had exhibits internationally in Europe, the United States and Japan, and was collected by major institutions. In 1985 after her death, much of her work was transported to China, collected by the National Art Museum in the capital of Beijing. Her life as an artist has been portrayed in novels and film in China and the United States.

Life

Early life and education

Zhang Yuliang was born in 1899 in Jiangsu Province. After the death of her parents when she was 14, she was sold by her uncle to a brothel, where she was raised to become a prostitute. She attracted the attention of Pan Zanhua,[1] a wealthy customs official, who bought her freedom. He married her as his second wife and helped with her education; she adopted his name as her surname.[1]

They moved to Shanghai, where she passed the exams to enter the Shanghai Art School in 1920,[2] where she studied painting with Wang Jiyuan. After graduating from there, she went to Lyon and Paris for further study, sponsored by Pan Zanhua. In 1925, she won a scholarship to study at the Roman Royal Art Academy in Italy.[1]

Career

In 1926, Pan Yuliang won the Gold Prize for her works at the Roman International Art Exhibition. In 1929, Liu Haisu invited her to teach at the Shanghai Art School and she returned to China. She had a solo exhibit in Shanghai, where she was honored as the first Chinese female artist to paint in Western style. She was also invited to be an art professor of the National Central University in Nanjing. She gave five solo exhibitions in China from 1929 to 1936.

1930 nude

Her work was severely criticized by government officials and conservative critics - in part because she painted of nudes,[1] however, she and the fellow woman painter Guan Zilan became favourites in the art world of the Republic of China (1912–49). Women artists trained in Western style, such as Pan and Guan, captured the fascination of the public, and were accepted as the embodiment of modernity.[3]

Pan left Shanghai for France in 1937, and settled in Paris.[4] There she won some acclaim. After moving to France to pursue her work, Pan joined the faculty of the École des Beaux Arts.

She worked and lived in Paris for the next 40 years. Chinese expatriate artists in France elected her the chairman of the Chinese Art Association. Her works were exhibited internationally, especially in the United Kingdom, United States, Germany, Japan, Italy, Switzerland, Belgium and Greece.

Pan died in 1977 and was buried in the Montparnasse Cemetery of Paris.

In 1985, many of her works were returned to her native country, where they are held by the National Art Museum of China in Beijing and the Anhui Provincial Museum in Hefei.

Legacy and honors

  • 1926, her works won the Gold Prize at the Roman International Art Exhibition.
  • 1959, she won the Paris Gold Prize and the Belgium Silver Prize.

Marie Laure de Shazer, specialized in Chinese language, wrote a book about Pan Yuliang, "Pan Yu Liang, La Manet de Shanghai". She depicted how Pan Yuliang became a great painter like Manet in France. Her novel is based on the life of Pan Yuliang in France and in China.

  • Her life story is re-enacted in the 2004 TVB Drama "Painting Soul" where her role was played by Michelle Reis.

References

  1. ^ a b c d "Pan Yuliang's painting of bathing nudity", China Daily, 11 Nov 2006, accessed 1 January 2008
  2. ^ Zheng, Jane (2007). "The Shanghai Fine Arts College: Art Education and Modern Women Artists in the 1920s and 1930s". Modern Chinese Literature and Culture. 19 (1): 206.
  3. ^ Pickowicz, Paul; Shen, Kuiyi; Zhang, Yingjin (2013). Liangyou, Kaleidoscopic Modernity and the Shanghai Global Metropolis, 1926–1945. BRILL. p. 206. ISBN 978-90-04-26338-3.
  4. ^ Sullivan, Michael Art and Artists of Twentieth Century China ISBN 978-0-520-07556-6 p. 38