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==Reception==
==Reception==
The film was well received by most critics; some even hailed it as one of the most original American films of all time.{{Citation needed|date=February 2017}} [[Pauline Kael]] was among the most enthusiastic critics, calling it "a true original, and a triumph of personal filmmaking" and "dizzyingly sensual".<ref>Kael, Pauline (1991). ''5001 Nights at the Movies''. New York: Holt Paperbacks. p. 473. ISBN 0-8050-1367-9.</ref> [[Dave Kehr]] of the ''[[Chicago Reader]]'' said that "the acting and editing have such original, tumultuous force that the picture is completely gripping".<ref name="rt">[http://www.chicagoreader.com/chicago/mean-streets/Film?oid=1057472. Mean Streets.] [http://www.chicagoreader.com/chicago/about-chicago-reader/page?oid=1215880 ''The Chicago Reader'']<!--Retrieved Dec. 3, 2009.--></ref> [[Vincent Canby]] of ''[[The New York Times]]'' reflected that "no matter how bleak the milieu, no matter how heartbreaking the narrative, some films are so thoroughly, beautifully realized they have a kind of tonic effect that has no relation to the subject matter".<ref>Canby, Vincent. Oct. 3, 1973. [https://movies.nytimes.com/movie/review?res=EE05E7DF1739E56EBC4B53DFB6678388669EDE Movie review - Mean Streets (1973)] [http://www.nytco.com/company/index.html The New York Times]<!--Retrieved Dec. 3, 2009.--></ref> ''[[Time Out (magazine)|Time Out]]'' magazine called it "one of the best American films of the decade".<ref>[http://www.timeout.com/film/reviews/72996/mean_streets.html Mean Streets (1973)] [http://www.timeout.com/about/ Time Out London] {{webarchive|url=https://web.archive.org/web/20091126010310/http://www.timeout.com/about/ |date=2009-11-26 }}</ref>
The film was well received by most critics; some even hailed it as one of the most original American films of all time.{{Citation needed|date=February 2017}} [[Pauline Kael]] was among the most enthusiastic critics, calling it "a true original, and a triumph of personal filmmaking" and "dizzyingly sensual".<ref>Kael, Pauline (1991). ''5001 Nights at the Movies''. New York: Holt Paperbacks. p. 473. ISBN 0-8050-1367-9.</ref> [[Dave Kehr]] of the ''[[Chicago Reader]]'' said that "the acting and editing have such original, tumultuous force that the picture is completely gripping".<ref name="rt">[http://www.chicagoreader.com/chicago/mean-streets/Film?oid=1057472. Mean Streets.] [http://www.chicagoreader.com/chicago/about-chicago-reader/page?oid=1215880 ''The Chicago Reader'']<!--Retrieved Dec. 3, 2009.--></ref> [[Vincent Canby]] of ''[[The New York Times]]'' reflected that "no matter how bleak the milieu, no matter how heartbreaking the narrative, some films are so thoroughly, beautifully realized they have a kind of tonic effect that has no relation to the subject matter".<ref>Canby, Vincent. Oct. 3, 1973. [https://movies.nytimes.com/movie/review?res=EE05E7DF1739E56EBC4B53DFB6678388669EDE Movie review - Mean Streets (1973)] [http://www.nytco.com/company/index.html The New York Times] {{webarchive|url=https://web.archive.org/web/20100103193507/http://www.nytco.com/company/index.html |date=2010-01-03 }}<!--Retrieved Dec. 3, 2009.--></ref> ''[[Time Out (magazine)|Time Out]]'' magazine called it "one of the best American films of the decade".<ref>[http://www.timeout.com/film/reviews/72996/mean_streets.html Mean Streets (1973)] {{webarchive|url=https://web.archive.org/web/20110607134208/http://www.timeout.com/film/reviews/72996/mean_streets.html |date=2011-06-07 }} [http://www.timeout.com/about/ Time Out London] {{webarchive|url=https://web.archive.org/web/20091126010310/http://www.timeout.com/about/ |date=2009-11-26 }}</ref>


Retrospectively, [[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' inducted ''Mean Streets'' into his [[The Great Movies|Great Movies list]] and wrote: "In countless ways, right down to the detail of modern TV crime shows, ''Mean Streets'' is one of the source points of modern movies."<ref name="ebert">{{cite web|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20031231/REVIEWS08/401010340/1023|title=Mean Streets Movie Review & Film Summary (1973) - Roger Ebert|first=Roger|last=Ebert|publisher=}}</ref> In 2013, the staff of ''[[Entertainment Weekly]]'' voted the film the seventh greatest of all time.<ref>{{cite magazine|url=http://ew.com/gallery/movies-10-all-time-greatest/7-mean-streets-1973|title=Movies: 10 All-Time Greatest - 7. Mean Streets (1973)|magazine=Entertainment Weekly|date=June 27, 2013|accessdate=February 9, 2017}}</ref> In 2015, it was ranked 93rd on [[BBC]]'s "The 100 greatest American films" list.<ref>{{cite web | url=http://www.bbc.com/culture/story/20150720-the-100-greatest-american-films | title=The 100 greatest American films | publisher=BBC | date=July 20, 2015 | accessdate=January 19, 2017}}</ref> [[James Gandolfini]], when asked on ''[[Inside the Actors Studio]]'' (season 11, episode two) which films most influenced him, cited ''Mean Streets'' among them, saying "I saw that 10 times in a row...."<ref>{{cite web | first=Scott | last=Collins | title=James Gandolfini dies at 51; actor starred in 'The Sopranos' | url=http://articles.latimes.com/2013/jun/20/local/la-me-james-gandolfini-20130620 | work=[[Los Angeles Times]] | date=June 20, 2013 | accessdate=February 9, 2017}}</ref>
Retrospectively, [[Roger Ebert]] of the ''[[Chicago Sun-Times]]'' inducted ''Mean Streets'' into his [[The Great Movies|Great Movies list]] and wrote: "In countless ways, right down to the detail of modern TV crime shows, ''Mean Streets'' is one of the source points of modern movies."<ref name="ebert">{{cite web|url=http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20031231/REVIEWS08/401010340/1023|title=Mean Streets Movie Review & Film Summary (1973) - Roger Ebert|first=Roger|last=Ebert|publisher=}}</ref> In 2013, the staff of ''[[Entertainment Weekly]]'' voted the film the seventh greatest of all time.<ref>{{cite magazine|url=http://ew.com/gallery/movies-10-all-time-greatest/7-mean-streets-1973|title=Movies: 10 All-Time Greatest - 7. Mean Streets (1973)|magazine=Entertainment Weekly|date=June 27, 2013|accessdate=February 9, 2017}}</ref> In 2015, it was ranked 93rd on [[BBC]]'s "The 100 greatest American films" list.<ref>{{cite web | url=http://www.bbc.com/culture/story/20150720-the-100-greatest-american-films | title=The 100 greatest American films | publisher=BBC | date=July 20, 2015 | accessdate=January 19, 2017}}</ref> [[James Gandolfini]], when asked on ''[[Inside the Actors Studio]]'' (season 11, episode two) which films most influenced him, cited ''Mean Streets'' among them, saying "I saw that 10 times in a row...."<ref>{{cite web | first=Scott | last=Collins | title=James Gandolfini dies at 51; actor starred in 'The Sopranos' | url=http://articles.latimes.com/2013/jun/20/local/la-me-james-gandolfini-20130620 | work=[[Los Angeles Times]] | date=June 20, 2013 | accessdate=February 9, 2017}}</ref>

Revision as of 05:37, 7 June 2017

For other uses, see Mean Streets (disambiguation).
Mean Streets
File:Mean Streets poster.jpg
Theatrical release poster
Directed byMartin Scorsese
Written byMartin Scorsese
Mardik Martin
Produced byJonathan T. Taplin
Starring
Narrated byMartin Scorsese
CinematographyKent L. Wakeford
Edited bySidney Levin
Production
company
Taplin – Perry – Scorsese Productions
Distributed byWarner Bros.
Release date
October 2, 1973
Running time
112 minutes
CountryUnited States[1]
LanguageEnglish
Budget$500,000
Box office$3 million[2]

Mean Streets is a 1973 American crime film directed by Martin Scorsese and co-written by Scorsese and Mardik Martin. The film stars Harvey Keitel and Robert De Niro. It was released by Warner Bros. on October 2, 1973. De Niro won the National Society of Film Critics award for Best Supporting Actor for his role as John "Johnny Boy" Civello.

In 1997, Mean Streets was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Plot

Charlie (Harvey Keitel) is a young Italian-American man who is trying to move up in the local New York City Mafia but is hampered by his feeling of responsibility towards his reckless younger friend Johnny Boy (Robert De Niro), a small-time gambler who owes money to many loan sharks.

Charlie works for his uncle Giovanni (Cesare Danova), the local caporegime, mostly collecting debts. He is also having a secret affair with Johnny Boy's cousin Teresa (Amy Robinson), who has epilepsy and is ostracized because of her condition—especially by Charlie's uncle. Charlie's uncle, a dignified man who takes his role as caporegime seriously, also wants Charlie not to be such close friends with Johnny, saying "Honorable men go with honorable men."

Charlie is torn between his devout Catholicism and his Mafia ambitions. As the film progresses, Johnny becomes increasingly self-destructive and disrespectful of his creditors. Failing to receive redemption in the church, Charlie seeks it through sacrificing himself on Johnny's behalf.

At a bar, a local loan shark named Michael (Richard Romanus) comes looking for Johnny to "pay up", but to his surprise, Johnny insults him. Michael lunges at Johnny, who retaliates by pulling a gun on him. After a tense standoff, Michael walks away, and Charlie convinces Johnny that they should leave town for a brief period. Teresa insists on coming with them. Charlie borrows a car and they drive off, escaping the neighborhood without incident.

Then a car that has been following them suddenly pulls up alongside, Michael at the wheel and his henchman, Jimmy Shorts (Martin Scorsese), in the backseat. Jimmy fires several shots at Charlie's car, hitting Johnny in the neck and Charlie in the hand, causing Charlie to crash the car. The film ends with an ambulance and police arriving at the scene, and paramedics take them away.

Cast

Production

Apart from his first actual feature, Who's That Knocking at My Door, and a directing project given him by early independent film maker Roger Corman, Boxcar Bertha, this was Scorsese's first feature film of his own design. Director John Cassavetes told him after he completed Boxcar Bertha: "You’ve just spent a year of your life making a piece of shit." This inspired Scorsese to make a film about his own experiences.[3] Cassavetes told Scorsese he should do something like Who's That Knocking At My Door, which Cassavetes had liked, and then came Mean Streets, which was based on actual events Scorsese saw almost regularly while growing up in New York City's Little Italy.

The screenplay for the movie initially began as a continuation of the characters in Who's That Knocking. Scorsese changed the title from Season of the Witch to Mean Streets, a reference to Raymond Chandler's essay "The Simple Art of Murder", wherein Chandler writes, "But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid." Scorsese sent the script to Corman, who agreed to back the film if all the characters were black. Scorsese was anxious to make the film so he considered this option, but actress Verna Bloom arranged a meeting with potential financial backer Jonathan Taplin, who was the road manager for the musical group The Band. Taplin liked the script and was willing to raise the $300,000 budget that Scorsese wanted if Corman promised, in writing, to distribute the film. The blaxploitation suggestion was to come to nothing when funding from Warner Bros. allowed him to make the film as he intended with Italian-American characters.[4]

Reception

The film was well received by most critics; some even hailed it as one of the most original American films of all time.[citation needed] Pauline Kael was among the most enthusiastic critics, calling it "a true original, and a triumph of personal filmmaking" and "dizzyingly sensual".[5] Dave Kehr of the Chicago Reader said that "the acting and editing have such original, tumultuous force that the picture is completely gripping".[6] Vincent Canby of The New York Times reflected that "no matter how bleak the milieu, no matter how heartbreaking the narrative, some films are so thoroughly, beautifully realized they have a kind of tonic effect that has no relation to the subject matter".[7] Time Out magazine called it "one of the best American films of the decade".[8]

Retrospectively, Roger Ebert of the Chicago Sun-Times inducted Mean Streets into his Great Movies list and wrote: "In countless ways, right down to the detail of modern TV crime shows, Mean Streets is one of the source points of modern movies."[9] In 2013, the staff of Entertainment Weekly voted the film the seventh greatest of all time.[10] In 2015, it was ranked 93rd on BBC's "The 100 greatest American films" list.[11] James Gandolfini, when asked on Inside the Actors Studio (season 11, episode two) which films most influenced him, cited Mean Streets among them, saying "I saw that 10 times in a row...."[12]

The film holds a 98% "Certified Fresh" rating on Rotten Tomatoes based on 51 reviews, with an average rating of 8.9/10 and the consensus: "Mean Streets is a powerful tale of urban sin and guilt that marks Scorsese's arrival as an important cinematic voice and features electrifying performances from Harvey Keitel and Robert De Niro."[13]

American Film Institute recognition

Home media

Mean Streets was released on VHS and Betamax in 1985. The film debuted as a letterboxed LaserDisc on 7 October 1991 in the US.[14] It was released on Blu-ray for the first time on 6 April 2011 in France,[15] and in America on 17 July 2012.[16]

See also

References

  1. ^ "Mean Streets (1973)". Explore.bfi.org.uk. Retrieved 2016-10-20.
  2. ^ Gleiberman, Owen (April 23, 2004). "Gross Oversights". Entertainment Weekly.
  3. ^ Brown, Mick (March 7, 2010). "Martin Scorsese interview for Shutter Island". The Daily Telegraph. London.
  4. ^ Musto, Michael (2011-11-01). "Mean Streets Was Almost a Blaxploitation Flick!". VillageVoice.com. Retrieved 2016-10-20.
  5. ^ Kael, Pauline (1991). 5001 Nights at the Movies. New York: Holt Paperbacks. p. 473. ISBN 0-8050-1367-9.
  6. ^ Mean Streets. The Chicago Reader
  7. ^ Canby, Vincent. Oct. 3, 1973. Movie review - Mean Streets (1973) The New York Times Archived 2010-01-03 at the Wayback Machine
  8. ^ Mean Streets (1973) Archived 2011-06-07 at the Wayback Machine Time Out London Archived 2009-11-26 at the Wayback Machine
  9. ^ Ebert, Roger. "Mean Streets Movie Review & Film Summary (1973) - Roger Ebert".
  10. ^ "Movies: 10 All-Time Greatest - 7. Mean Streets (1973)". Entertainment Weekly. June 27, 2013. Retrieved February 9, 2017.
  11. ^ "The 100 greatest American films". BBC. July 20, 2015. Retrieved January 19, 2017.
  12. ^ Collins, Scott (June 20, 2013). "James Gandolfini dies at 51; actor starred in 'The Sopranos'". Los Angeles Times. Retrieved February 9, 2017.
  13. ^ "Mean Streets".
  14. ^ "Mean Streets (1973) [12241]". LaserDisc Database. Retrieved 2017-02-27.
  15. ^ "Mean Streets Blu-ray (France)". Blu-ray.com. Retrieved 2013-02-28.
  16. ^ "Mean Streets Blu-ray". Blu-ray.com. Retrieved 2016-10-20.
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