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===Breakout (1998–2000)===
===Breakout (1998–2000)===
In 1998, Douglas teamed up with gothic fantasy artist Joseph Vargo, and the two decided to create an exclusively dark-themed instrumental Midnight Syndicate album. Vargo developed the storyline and concept of a musical journey through a haunted castle, with the music reflecting his gothic artwork.<ref name="radio">[http://www.goear.com/listen.php?v=5811b41 Radio Interview with Joseph Vargo, Edward Douglas and Gavin Goszka] {{webarchive|url=https://web.archive.org/web/20090221022533/http://www.goear.com/listen.php?v=5811b41 |date=2009-02-21 }} Station WERE 1300, (Cleveland, OH.), October 1998.</ref><ref name="Interview with Edward Douglas">[http://www.midnightsyndicate.com/paragonintvwms1006.htm Interview with Edward Douglas] {{webarchive|url=https://web.archive.org/web/20070927050002/http://www.midnightsyndicate.com/paragonintvwms1006.htm |date=2007-09-27 }}, '' Paragon Magazine'', October 2003.</ref><ref name="HA">[http://www.hauntedattraction.com/the-magazine/issues/haunted-attraction-magazine-issue-44-2/ Cover story on Midnight Syndicate] {{webarchive|url=https://web.archive.org/web/20110215064119/http://www.hauntedattraction.com/the-magazine/issues/haunted-attraction-magazine-issue-44-2/ |date=2011-02-15 }} Leonard Pickel, "Midnight Syndicate: Setting the Mood for an Industry", ''Haunted Attraction Magazine'' (Charlotte, NC), June 2006, Pg. 24-28, 38-41</ref> Composer Gavin Goszka, formerly a solo artist in a project called ''Lore,'' also joined Douglas and Vargo in the new Midnight Syndicate line-up. Together, they created ''[[Born of the Night]]'', a groundbreaking album that appealed to fans of gothic music, the horror genre, and haunted attractions. Douglas and Goszka wrote and performed the music on the album while Vargo served as [[Executive producer#Music|executive producer]] and [[creative director]] of the project, as well as writing and performing the vocals and narrations, and designing the cover art and packaging. The album and songs were also titled after several of Vargo's most popular paintings. ''[[Born of the Night]]'' was independently released in September 1998 through Vargo's Monolith Graphics and Douglas' Entity Productions, hitting the horror market just in time for the Halloween season. It was Midnight Syndicate's first critically acclaimed gothic-horror soundtrack and proved to be an instant success,<ref>John Soeder, "Gothic Horror Rock Featured This Weekend", ''[[The Plain Dealer]]'' (Cleveland, OH), March 2, 2000.</ref> establishing Midnight Syndicate's trademark sound.
In 1998, Douglas teamed up with gothic fantasy artist Joseph Vargo, and the two decided to create an exclusively dark-themed instrumental Midnight Syndicate album, "the result of Joseph Vargo's desire to produce an album that people could play in the background of their Halloween parties." Vargo developed the storyline and concept of a musical journey through a haunted castle, with the music reflecting his gothic artwork, "in addition to being integral to many of the creative decisions on the album." <ref name="entity">{{webarchive|url=http://web.archive.org/web/19980703070255/http://www.entityprod.com/linfaldia.htm |date=1998-07-03 }} Announcement posted by Midnight Syndicate in August 1998.</ref><ref name="radio">[http://www.goear.com/listen.php?v=5811b41 Radio Interview with Joseph Vargo, Edward Douglas and Gavin Goszka] {{webarchive|url=https://web.archive.org/web/20090221022533/http://www.goear.com/listen.php?v=5811b41 |date=2009-02-21 }} Station WERE 1300, (Cleveland, OH.), October 1998.</ref><ref name="Interview with Edward Douglas">[http://www.midnightsyndicate.com/paragonintvwms1006.htm Interview with Edward Douglas] {{webarchive|url=https://web.archive.org/web/20070927050002/http://www.midnightsyndicate.com/paragonintvwms1006.htm |date=2007-09-27 }}, '' Paragon Magazine'', October 2003.</ref><ref name="HA">[http://www.hauntedattraction.com/the-magazine/issues/haunted-attraction-magazine-issue-44-2/ Cover story on Midnight Syndicate] {{webarchive|url=https://web.archive.org/web/20110215064119/http://www.hauntedattraction.com/the-magazine/issues/haunted-attraction-magazine-issue-44-2/ |date=2011-02-15 }} Leonard Pickel, "Midnight Syndicate: Setting the Mood for an Industry", ''Haunted Attraction Magazine'' (Charlotte, NC), June 2006, Pg. 24-28, 38-41</ref> Composer Gavin Goszka, formerly a solo artist in a project called ''Lore,'' also joined Douglas and Vargo in the new Midnight Syndicate line-up. Together, they created ''[[Born of the Night]]'', a groundbreaking album that appealed to fans of gothic music, the horror genre, and haunted attractions. Douglas and Goszka wrote and performed the music on the album while Vargo served as [[Executive producer#Music|executive producer]] and [[creative director]] of the project, as well as writing and performing the vocals and narrations, and designing the cover art and packaging. The album and songs were also titled after several of Vargo's most popular paintings. ''[[Born of the Night]]'' was independently released in September 1998 through Vargo's Monolith Graphics and Douglas' Entity Productions, hitting the horror market just in time for the Halloween season. It was Midnight Syndicate's first critically acclaimed gothic-horror soundtrack and proved to be an instant success,<ref>John Soeder, "Gothic Horror Rock Featured This Weekend", ''[[The Plain Dealer]]'' (Cleveland, OH), March 2, 2000.</ref> establishing Midnight Syndicate's trademark sound.


In March 2000, ''[[Realm of Shadows]]'' followed suit with the same flavor of dark instrumental music and another gothic setting. Douglas and Goszka wrote all of the music for this album while Vargo wrote and performed the opening narration and theme story. Again, the songs were titled after Vargo's artworks. Both albums were featured as official soundtracks for Universal Studios' ''[[Halloween Horror Nights]]'', and used in several other major theme parks during Halloween, such as [[Busch Gardens]], [[Cedar Point]] and [[Thorpe Park|Thorpe Park's]] ''Fright Nights'' event.<ref name=scene99>Jeff Niesel, "Soundbites", ''[http://www.clevescene.com/issues/1999-10-14/music/soundbites.html Scene Magazine] {{webarchive|url=https://web.archive.org/web/20050117183008/http://clevescene.com/issues/1999-10-14/music/soundbites.html |date=2005-01-17 }}'' (Cleveland, OH), October 14, 1999.</ref> The heavy metal band [[King Diamond (band)|King Diamond]] also featured tracks from ''[[Born of the Night]]'' as opening music for their 2000 US tour. Afterwards, Vargo and Midnight Syndicate chose to work separately of one another on future projects.<ref name=DR>[http://www.monolithgraphics.com/interviews/DR01.pdf Interview with Midnight Syndicate] Peter Iorillo, "Something Wicked This Way Comes", ''Dark Realms Magazine'' (Cleveland, OH.), Issue 1, January 2001, Pg. 20-23.]</ref>
In March 2000, ''[[Realm of Shadows]]'' followed suit with the same flavor of dark instrumental music and another gothic setting. Douglas and Goszka wrote all of the music for this album while Vargo wrote and performed the opening narration and theme story. Again, the songs were titled after Vargo's artworks. Both albums were featured as official soundtracks for Universal Studios' ''[[Halloween Horror Nights]]'', and used in several other major theme parks during Halloween, such as [[Busch Gardens]], [[Cedar Point]] and [[Thorpe Park|Thorpe Park's]] ''Fright Nights'' event.<ref name=scene99>Jeff Niesel, "Soundbites", ''[http://www.clevescene.com/issues/1999-10-14/music/soundbites.html Scene Magazine] {{webarchive|url=https://web.archive.org/web/20050117183008/http://clevescene.com/issues/1999-10-14/music/soundbites.html |date=2005-01-17 }}'' (Cleveland, OH), October 14, 1999.</ref> The heavy metal band [[King Diamond (band)|King Diamond]] also featured tracks from ''[[Born of the Night]]'' as opening music for their 2000 US tour. Afterwards, Vargo and Midnight Syndicate chose to work separately of one another on future projects.<ref name=DR>[http://www.monolithgraphics.com/interviews/DR01.pdf Interview with Midnight Syndicate] Peter Iorillo, "Something Wicked This Way Comes", ''Dark Realms Magazine'' (Cleveland, OH.), Issue 1, January 2001, Pg. 20-23.]</ref>

Revision as of 22:07, 29 December 2019

Midnight Syndicate
OriginChardon, Ohio, US
GenresDark ambient, neoclassical dark wave
Years active1997–present
Labels
  • Entity Productions (1997–present)
  • Monolith Graphics (1998)
Members
  • Edward Douglas
  • Gavin Goszka
Past members
  • Scott Angus (1997)
  • Mark Rakocy (1997)
  • Dennis Carleton (1997)
  • Jamie Barbour (1997)
  • Ray Portler (1997)
  • Christopher Robichaud (1997)
  • Joseph Vargo (1998–2000)
Websitewww.midnightsyndicate.com Edit this at Wikidata

Midnight Syndicate is an American musical group that has been working primarily in the genre of gothic music since 1997 and is based in Chardon, Ohio, a suburb of Cleveland.

The band refers to their CDs as "soundtracks for the imagination" or "soundtracks to imaginary films". Their songs are characterized by a blend of instrumental music and sound effects and are commonly used to provide atmosphere during the Halloween season, in haunted attractions, theme parks, and in the role-playing game industry.

History

Formation and early years (1996–1998)

Composer/filmmaker Edward Douglas formed Midnight Syndicate in 1996 shortly after releasing a micro-budget, direct-to-video horror film called The Dead Matter (1996)[1] which he directed and scored and would later remake.[2] Midnight Syndicate's self-titled debut album was released the following year.[3] A majority of music on the album was written, arranged, and performed by Edward Douglas. Contributors included Scott Angus, Mark Rakocy, Dennis Carleton, Jamie Barbour, Ray Portler, the rap act Dark Side, and Christopher Robichaud. Douglas coined the term cine-fusion to describe the album. Cine-fusion is described in the album's liner notes as

"a blending of movie soundtrack music and pop music ... a compilation of soundtracks to movies that do not exist. The goal of the music is to stimulate the imaginations of listeners so that they are able to transport themselves to worlds or movies of their own creation."

Musically, the album contained an eclectic blend of styles including everything from dark instrumental music (of which three tracks appeared on future releases), rock,[4] rock-a-billy, techno, rap, new-age, humor-pop, jazz, and space. Movie-style sound effects were employed in some tracks. In March 1998, a multimedia show was produced by Douglas and his company, Entity Productions, to support the album. The show included a blending of original short films, live music, animation, and stage performers.[5]

Breakout (1998–2000)

In 1998, Douglas teamed up with gothic fantasy artist Joseph Vargo, and the two decided to create an exclusively dark-themed instrumental Midnight Syndicate album, "the result of Joseph Vargo's desire to produce an album that people could play in the background of their Halloween parties." Vargo developed the storyline and concept of a musical journey through a haunted castle, with the music reflecting his gothic artwork, "in addition to being integral to many of the creative decisions on the album." [6][7][8][9] Composer Gavin Goszka, formerly a solo artist in a project called Lore, also joined Douglas and Vargo in the new Midnight Syndicate line-up. Together, they created Born of the Night, a groundbreaking album that appealed to fans of gothic music, the horror genre, and haunted attractions. Douglas and Goszka wrote and performed the music on the album while Vargo served as executive producer and creative director of the project, as well as writing and performing the vocals and narrations, and designing the cover art and packaging. The album and songs were also titled after several of Vargo's most popular paintings. Born of the Night was independently released in September 1998 through Vargo's Monolith Graphics and Douglas' Entity Productions, hitting the horror market just in time for the Halloween season. It was Midnight Syndicate's first critically acclaimed gothic-horror soundtrack and proved to be an instant success,[10] establishing Midnight Syndicate's trademark sound.

In March 2000, Realm of Shadows followed suit with the same flavor of dark instrumental music and another gothic setting. Douglas and Goszka wrote all of the music for this album while Vargo wrote and performed the opening narration and theme story. Again, the songs were titled after Vargo's artworks. Both albums were featured as official soundtracks for Universal Studios' Halloween Horror Nights, and used in several other major theme parks during Halloween, such as Busch Gardens, Cedar Point and Thorpe Park's Fright Nights event.[11] The heavy metal band King Diamond also featured tracks from Born of the Night as opening music for their 2000 US tour. Afterwards, Vargo and Midnight Syndicate chose to work separately of one another on future projects.[12]

Rise (2001–2006)

Midnight Syndicate's third gothic horror soundtrack, Gates of Delirium, was released in 2001. This time Douglas and Goszka teamed up with two members who worked on the first Midnight Syndicate CD, Mark Rakocy (graphic design) and Christopher Robichaud (vocals). Set in a Victorian haunted mental institution called Haverghast Asylum, Gates of Delirium was the first Midnight Syndicate disc to feature the fictitious Haverghast family,[4] a theme the band would revisit on future discs such as The 13th Hour. Gavin Goszka has since called Gates of Delirium "a personal favorite" from the Midnight Syndicate library.

During the 2001 Halloween weekend, six of the band's mp3 singles were in the Top 20 for all of MP3.com (#1, No. 2, No. 7, No. 10, No. 12, and No. 19) registering over 100,000 listens in three days. The title track from Born of the Night remained at No. 1 for over a week with two tracks from Gates of Delirium maintaining their positions in the Top 40 as well.[13]

In August 2002, the band released their fifth studio album Vampyre. The vampire-themed disc was the first Midnight Syndicate disc to feature a cover designed by fantasy artist Keith Parkinson.

By this time, the band's popularity with role-playing gamers who used their discs as background for their sessions had grown to where they were exhibiting at gaming conventions. It was at one of these conventions that the band was approached by designers from Wizards of the Coast.[14] The result was 2003's Dungeons & Dragons: Official Role-playing Soundtrack, the first officially licensed soundtrack to the classic roleplaying game of the same name. The album (whose fantasy themes were a departure from previous releases) was generally well received by music critics and the gaming community and helped the band build their following in Europe.[15] Some of the tracks were later used in computer games Baldur's Gate - Dark Alliance II and Shadowbane expansions Rise of Chaos and Throne of Oblivion.

In August 2005, the band returned to darker themes with their seventh CD entitled The 13th Hour. Featuring vocal effects by Lily Lane of the horror-rock band Lazy Lane and cover art by Keith Parkinson the disc is set in a haunted Victorian mansion and features tracks like: Fallen Grandeur, Grisly Reminder, and Family Secrets.

Out of the Darkness (Retrospective: 1994–1999) was released in 2006 and featured re-recorded versions of tracks from Midnight Syndicate, Born of the Night, and Realm of Shadows, along with some of Edward Douglas’ early horror film scores including The Dead Matter (1995). Fantasy artist Rob Alexander designed the cover.[9] The track Into The Abyss was featured as the outtro on the Misfits 2013 live album, DEA.D ALIVE! [16] In 2015, the album was included in Rue Morgue Magazine's 50 Essential Horror Albums - Discs That Created, Evolved, or Defined Genre Music Through the Decades.[17]

The Rage and The Dead Matter (2007–2010)

In early 2007, the band temporarily shifted from creating "soundtracks to imaginary films" to composing music for actual projects when they completed the score to Robert Kurtzman's, The Rage and wrote music for Universal Orlando's Halloween Horror Nights 17's Carnival of Carnage. The Rage: Original Motion Picture Soundtrack was released in February 2008.[18]

In September 2007, Douglas returned to filmmaking as director, co-producer, and composer of an updated remake of his 1995 horror film, The Dead Matter.[19] During this time, Gavin Goszka started a solo project called Parlormuse which featured Victorian era songs re-recorded in a modern folk rock style.[20]

In August 2008, the band released The Dead Matter: Cemetery Gates, a CD of music inspired by the themes from the new The Dead Matter movie. Midnight Syndicate's first two music videos were made for the songs Dark Legacy and Lost from the disc. In the finale of the music video for Dark Legacy, Edward Douglas and Gavin Goszka are shown playing on stage at the historic Phantasy Theater in Cleveland, Ohio. It marked the first time they had played together live.[21]

On July 30, 2010 The Dead Matter movie was released on DVD along with a Midnight Syndicate "greatest hits-style" compilation CD called Halloween Music Collection and an EP entitled The Dark Masquerade featuring gothic artist Destini Beard performing operatic vocals and lyrics to various Midnight Syndicate recordings. The Dead Matter: Original Motion Picture Soundtrack was also released on July 30. The CD featured the score by Edward Douglas, other music that appeared in the film, and several remixes of Midnight Syndicate tracks by other artists.[22]

Recent projects (2011–present)

In August 2011, the band released its fourteenth studio album, entitled Carnival Arcane. The theme of the CD surrounds a fictional turn of the century traveling circus called The Lancaster Rigby Carnival. The CD was inspired by research into carnivals of that time period and Ray Bradbury's Something Wicked This Way Comes.[23] In 2012, the album won the Best CD category in the 2012 Rondo Hatton Classic Horror Awards.[24]

In August 2012 Destini Beard released the followup to her 2010 EP, The Dark Masquerade. The full-length CD once again featured Destini's original vocals and lyrics blended with previously recorded Midnight Syndicate tracks. The disc featured a remix by Pat Berdysz of the Electro-industrial band Encoder and an original song written and performed entirely by Destini entitled, My Last Goodbye. The CD is set in a haunted Victorian hotel and features cover art by Destini's father, fantasy artist, Ed Beard, Jr.[25] In February 2013, the band's song Into The Abyss from their Out of the Darkness CD was featured as an outtro on the Misfits live album, DEA.D Alive.[26][27]

In 2013, the band scored the horror creature feature film, Axe Giant: The Revenge of Paul Bunyan. The film is a dark contemporary take on the legend of Paul Bunyan and premiered on the Syfy Channel in June 2013.[28] In July 2013 the band released a new studio album entitled Monsters of Legend. Featuring images from Bride of Frankenstein and Werewolf of London on the cover, the album was influenced by classic Universal Monsters, Hammer Films, Amicus Productions, and Euro Horror films from the 60's and 70's as well as composers like James Bernard, Bernard Herrmann, and Max Steiner.[29] The album won the Best CD category in the 2014 Rondo Hatton Classic Horror Awards.[30]

In March 2014, the band announced plans for a series of live multimedia concerts entitled Midnight Syndicate Live! Legacy of Shadows that would run at the amusement park Cedar Point's HalloWeekends event beginning in September 2014. They also announced that they would be teaming up with special effects artist, Robert Kurtzman who worked on The Dead Matter as well as director Gary Jones and Face Off contestants, Beki Ingram and David Greathouse.[31][32] The show opened on September 12 to very positive reviews.[33] The Akron Beacon Journal described it as "Part concert, part movie, part theater, part just plain creepy," going on to call it "top-notch and ambitious." [34]

In September 2015, the band released, a "Yuletide-inspired" album entitled, Christmas: A Ghostly Gathering. Billed as "the band’s unique twist on classic Christmas carols blended with new and original material," the album was seen as an effort to take the band's Halloween-associated sound and apply it to a Christmas theme.[35][36] In a November 2016 interview, Edward Douglas called it "one of my favorite albums Midnight Syndicate has ever done."[37]

In April 2016, the band announced that it was teaming up with tabletop game designers, Twilight Creations, to create a soundtrack for that company's award-winning[38] zombie apocalypse-themed board game Zombies!!!.[39] The Zombies!!! Official Board Game Soundtrack was released in September of that year. The album was praised for its effectiveness for use with the game [40][41] as well as its appropriateness for use as background music during the Halloween season.[42][43]

In September 2017, the band returned to Cedar Point with a new production of their Midnight Syndicate Live! show. Staged inside the Jack Aldrich Theater, the show once again ran as a part of the amusement park's HalloWeekends event.[44][45] They followed it up in 2018 with a new show entitled Midnight Syndicate: Conspiracy of Shadows which WBLZ Media's Daniel James called the band's "most ambitious project to date" and "one of the best stage shows in the country."[46] In the band's blog, Gavin Goszka mentioned that the 2018 show marked the conclusion of a loose trilogy that consisted of the band's first three productions at Cedar Point.

In March of 2019, the band announced that they would be returning to Cedar Point for a third consecutive year. Gavin stated that the new show would be "taking things in a new direction," with Edward Douglas adding that he felt it was something that would appeal to fans of Twilight Zone.[47]

Musicianship

Influences

Douglas cites film composers Danny Elfman, James Horner, John Carpenter, Hans Zimmer, heavy metal acts King Diamond and Black Sabbath, radio dramas, and horror film scores as primary musical influences for Midnight Syndicate. He has cited Hammer Film Productions, the art of Joseph Vargo, Alchemy Gothic, and Keith Parkinson, the books of Stephen King, Tales From the Crypt comics, and Role-playing games as sources of inspiration.[8][48][49][50] He has said that Joseph Vargo's input was critical on the Born of the Night CD.[51] In a 2010 interview, Goszka cited similar musical influences (Elfman, Carpenter, King Diamond, and Sabbath) as well as Dead Can Dance.[52]

Legacy

Impact on Halloween music and haunted attraction industry

The group's music is commonly used as atmosphere for Halloween-themed events, stores, and parties (including Hugh Hefner's), as well as home decorating for trick-or-treating. Heather Adler credits them as helping to legitimize the genre of Halloween music (music for the Halloween holiday), elevating standards in the genre, and inspiring other musicians to create similar projects.[9][53][54][55] On September 11, 2009, AOL Radio released a list of the Top 10 Best Halloween Music CDs as ranked by AOL/CBS Radio listeners. Three of the ten CDs were Midnight Syndicate discs (Born of the Night No. 8, Realm of Shadows No. 4, and Vampyre No. 3), ranking behind Danny Elfman's The Nightmare Before Christmas and John Carpenter's Halloween soundtrack.[56]

They were the first company to produce soundtracks of quality specifically for that industry.[9][57] In 2005, Leonard Pickel, editor of Haunted Attraction Magazine estimated that "75-90% of the attractions in the industry had at least one Midnight Syndicate CD." The music is also used by amusement parks like Universal Orlando, Busch Gardens, Kings Island, Six Flags, and Cedar Point that hold Halloween-themed events such as Halloween Horror Nights, Howl-O-Scream, and Fright Fest.[9][54][58] In 2015, Rue Morgue Magazine cited the band's continued influence in the haunted attraction industry as well their "entrenchment" in the celebration of the Halloween season among their reasons for including Out of the Darkness (Retrospective: 1994–1999) among their 50 Essential Horror Albums - Discs That Created, Evolved, or Defined Genre Music Through the Decades.[17]

Impact on role-playing game industry

Midnight Syndicate has a significant following in the role-playing game community.[54][59] Their Dungeons & Dragons CD broke previous sales records for gaming soundtracks in its first month.[20] Their The 13th Hour CD won the Origins Award for Best Gaming Accessory presented by the Academy of Adventure Game Art & Design, marking the first time a role-playing soundtrack or music CD had won the award.[60] The 13th Hour also became the first music CD to win an award at the ENnies, a fan-based annual award show for role-playing game publishers and products.[61] In 2007, Midnight Syndicate teamed up with Goodman Games to produce Cages of Delirium a Dungeon Crawl Classics adventure based on Gates of Delirium which came packaged with the CD. The Cages of Delirium module was nominated for an ENnie Award as well as the band's Carnival Arcane album in 2012, their Monsters of Legend album in 2014, and their Zombies!!! Official Board Game Soundtrack in 2016.[62][63][64][65]

Distribution

When record labels and distributors rejected the band's first two CDs, Douglas began building his own distribution network by selling CDs out of his van with Goszka and cold-calling hundreds of stores.[54][66] Today Midnight Syndicate's CDs are self-distributed to thousands of retailers worldwide through Entity Productions, Inc. and its partners, making them one of the largest distributors of Halloween-themed music.[57][67] In addition to Dee Snider's Halloween-themed music act, Van Helsing's Curse,[68][69] Entity Productions also distributed the 2010 version of The Dead Matter movie.[70]

Discography

Studio albums

Soundtrack albums

Reissues

Collaborative albums

Film

Midnight Syndicate's composer credits include the scores to the films The Rage, The Dead Matter, and Axe Giant. Additionally, their music has been featured in television programs such as Happy!, Barbara Walters' 10 Most Fascinating People of 2002, The Ellen DeGeneres Show, The Today Show, Monday Night Football, NBA on TNT, Syfy's The Possessed and Halloween-themed programs on the Travel Channel[54][71] including recently, the reality show Making Monsters.[72][73] The music has also been used as theme music in independent horror films like Dead & Rotting, Revamped, Witchouse 3: Demon Fire and Song of the Vampire (AKA Vampire Resurrection).[71]

It is used in the audio drama, The Byron Chronicles.[74] Newer episodes of the Byron Chronicles are available at the creators blog.[75]

A lot of Midnight Syndicate's music has also been played at some popular Theme Parks' Halloween events (most notably in the UK) such as at 'Alton Towers Scarefest' and 'Thorpe Park Fright Nights'.

See also

References

  1. ^ Interview with Edward Douglas, FEARnet, October 2008.
  2. ^ Michael Gingold, "The Dead Matter: From Midnight music to a movie", Fangoria Magazine (New York, NY), August, 2010, Pg.6.
  3. ^ US Copyright office Midnight Syndicate album © date 1997-09-17
  4. ^ a b Interview with Gavin Goszka, Federico Marongiu, "Midnight Syndicate", Music Extreme (Argentina), 2001.
  5. ^ Charles Cassady, "On Fright Night and Beyond the Spookiest Sounds", West Life, October 25, 2006, Pg.11B.
  6. ^ Archived 1998-07-03 at the Wayback Machine Announcement posted by Midnight Syndicate in August 1998.
  7. ^ Radio Interview with Joseph Vargo, Edward Douglas and Gavin Goszka Archived 2009-02-21 at the Wayback Machine Station WERE 1300, (Cleveland, OH.), October 1998.
  8. ^ a b Interview with Edward Douglas Archived 2007-09-27 at the Wayback Machine, Paragon Magazine, October 2003.
  9. ^ a b c d e Cover story on Midnight Syndicate Archived 2011-02-15 at the Wayback Machine Leonard Pickel, "Midnight Syndicate: Setting the Mood for an Industry", Haunted Attraction Magazine (Charlotte, NC), June 2006, Pg. 24-28, 38-41
  10. ^ John Soeder, "Gothic Horror Rock Featured This Weekend", The Plain Dealer (Cleveland, OH), March 2, 2000.
  11. ^ Jeff Niesel, "Soundbites", Scene Magazine Archived 2005-01-17 at the Wayback Machine (Cleveland, OH), October 14, 1999.
  12. ^ Interview with Midnight Syndicate Peter Iorillo, "Something Wicked This Way Comes", Dark Realms Magazine (Cleveland, OH.), Issue 1, January 2001, Pg. 20-23.]
  13. ^ Midnight Syndicate News
  14. ^ "Welcome". Utter Trash. Retrieved 2007-09-23.
  15. ^ Bernard Van Isacker, "Midnight Syndicate: Success Comes From Within Yourself", Side-Line (Bruxelles, Belgium, July, 2005.
  16. ^ Midnight Syndicate Blog January 15, 2013
  17. ^ a b "50 Essential Horror Albums, Rue Morgue Magazine, October 2015 Issue 160, Pg. 28-36
  18. ^ Midnight Syndicate News Archives Archived 2011-07-26 at the Wayback Machine July 30, 2007
  19. ^ IMDB.com listing for The Dead Matter
  20. ^ a b Carl E. Feather, "Syndicate Ready for Halloween", Star Beacon (Ashtabula, OH), October 8, 2008, Sec. B, Pg. B1.
  21. ^ Midnight Syndicate Video Shoot Update Gregory Burkhart, FEARnet News, March 12, 2010
  22. ^ Midnight Syndicate Spec-Ed DVD Gregory Burkhart, FEARnet News, May 27, 2010
  23. ^ FEARnet "Carnival Arcane" Gregory Burkart, August 15, 2011
  24. ^ 2012 Rondo Award Winners David Colton, April 3, 2012
  25. ^ Drive-In of the Dead Interview with Destini Beard Archived 2014-02-24 at the Wayback Machine Mark Zahn, June 20, 2012
  26. ^ Midnight Syndicate Blog - January 2013 January 15, 2013
  27. ^ DEA.D Alive on Discogs
  28. ^ The Wrath of Paul Bunyan Clips Start Swinging Steve Barton, June 13, 2013
  29. ^ Aaron Von Lupton, "Listen To My Nightmare", Rue Morgue (magazine) (Toronto, ON), August, 2013, Pg.61.
  30. ^ 2014 Rondo Award Winners David Colton, May 13, 2014
  31. ^ Midnight Syndicate Announces Live Halloween Show 'Legacy of Shadows' FEARnet, Gregory Burkart, March 14, 2014
  32. ^ Catch 'Midnight Syndicate Live!' At Cedar Point's HalloWeekends Bloody Disgusting, Jonathan Barkan, March 17, 2014
  33. ^ Review: Midnight Syndicate Live! Legacy of Shadows, at Cedar Point Theme Park Insider, James Koehl, October 20, 2014
  34. ^ Midnight Syndicate Transforms the Goodtime Theater into the Ghoultime Theater Akron Beacon Journal, Craig Webb, Sept 25, 2014
  35. ^ Midnight Syndicate's "Christmas: A Ghostly Gathering" Now Available Dread Central, Debi Moore, September 11, 2015
  36. ^ Midnight Syndicate Terrorize Christmas Carol “Up On The Housetop” Bloody Disgusting, Jonathan Barkan, Sept 9, 2015
  37. ^ Interview with Midnight Syndicate Beyond The Edge Radio, November 13, 2016
  38. ^ "Origins Award Winners (2001)". Academy of Adventure Gaming Arts & Design. Archived from the original on 2008-02-02. Retrieved 2007-10-14.
  39. ^ Midnight Syndicate to Release Soundtrack for Zombies!!! Board Game Dread Central, David Gelmini, April 12, 2016
  40. ^ Zombies!!! Official Board Game Soundtrack Games Gazette, Chris Baylis, November 11, 2016
  41. ^ Zombies!!! Official Board Game Soundtrack Review G2V Productions, Arnold T. Blumberg, October 28, 2016
  42. ^ Zombies!!! Soundtrack - Midnight Syndicate[permanent dead link] Cryptic Corridor, Jonathan Brinson, October 22, 2016
  43. ^ Midnight Syndicate's Zombies!!! Metal Asylum, Rich Catino
  44. ^ Midnight Syndicate Returns To Rock Your Halloween Live! Dread Central, Steve Barton, March 15, 2017
  45. ^ It's time to see Midnight Syndicate Live! Sandusky Register, Justin Dietz, September 22, 2017
  46. ^ Midnight Syndicate Once Again Puts on an Amazing Show WBLZ Media, Daniel James, September 28, 2018
  47. ^ <http://www.midnightsyndicate.com/midnight-syndicate-cedar-point-2019/ Midnight Syndicate Returning to Cedar Point in 2019] Midnight Syndicate Blog, March 28, 2019
  48. ^ FEARnet interview with Edward Douglas, October 31, 2008.
  49. ^ Geek In the City GITC Interview with Edward Douglas, June 17, 2009
  50. ^ Black Gate Black Gate Interview with Edward Douglas, July 29, 2010
  51. ^ Creatures of the night come alive on new CD interview with Midnight Syndicate, Chronicle-Telegram, October 1998
  52. ^ Halloween Blues Archived 2014-08-15 at the Wayback Machine Interview with Gavin Goszka, October, 2010
  53. ^ Heather Adler, "Haunted Harmonies", Rue Morgue (Toronto, ON), Issue 50, Pg. 131
  54. ^ a b c d e Scream Kings Jason Bracelin, Scene Magazine (Cleveland, OH), May 25, 2005, Pg. 10-13.
  55. ^ Trevor Tuminski, "Hymns from the House of Horror", Rue Morgue (Toronto, ON), Issue 100, Pg.49.
  56. ^ Best Halloween Music CDs Sara Anderson, AOL Radio Blog
  57. ^ a b John Horton, "Scary Music Writers Accomplish Their Ghouls", The Plain Dealer (Cleveland, OH), October 17, 2006, Sec. A, Pg. A1.
  58. ^ Jim Vickers, "Scream Songs", Cleveland Magazine (Cleveland, OH), October 2006, Pg. 30.
  59. ^ Jeffrey Lee, "Background Music for Role-playing Games," Examiner, August 5, 2009
  60. ^ The Origins Awards Archived 2006-08-10 at the Wayback Machine
  61. ^ 2006 ENnie Award Noms and Winners
  62. ^ "Cages of Delirium info sheet". Archived from the original on 2014-10-16. Retrieved 2014-10-24.
  63. ^ 2012 ENnie Nominees
  64. ^ 2014 ENnie Nominees
  65. ^ "2017 ENnie Nominees". Archived from the original on 2017-11-04. Retrieved 2017-11-09.
  66. ^ Jennifer McKevitt, "Art of Darkness", News Herald (Mentor, OH), October 29, 2006, Sec. E, Pg.E1.
  67. ^ Carl E. Feather, "A little night music", Star Beacon (Ashtabula, OH), October 30, 2006, Sec. B, Pg. B1.
  68. ^ Van Helsing's Curse website
  69. ^ Midnight Syndicate's Van Helsing's Curse Store
  70. ^ Mark Koestner, "Dawn of his Dead", News Herald (Mentor, OH), July 30, 2010, Pg. C10.
  71. ^ a b IMDB.com listing for Midnight Syndicate
  72. ^ Midnight Syndicate Blog
  73. ^ Midnight Syndicate Gets Happy
  74. ^ Darker Projects website Archived 2012-11-15 at the Wayback Machine
  75. ^ Eric Busby Presents
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