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Hamad Butt

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  • Comment: Review pending since my last comment on 7 June - Bio repeatedly cites hamadbutt.co.uk which is not an independent RS. Also fails to meet WP:GNG. Saqib (talk) 20:14, 11 June 2024 (UTC)
  • Comment: Bio repeatedly cites hamadbutt.co.uk which is not an independent RS. Remove it. IMO fails to meet WP:GNG. Saqib (talk) 20:18, 7 June 2024 (UTC)


Hamad Masood Butt
Born(1962-01-09)January 9, 1962
Lahore, Pakistan
DiedSeptember 25, 1994(1994-09-25) (aged 32)
London, U.K.
Cause of deathComplications from AIDS
NationalityBritish
Education
Notable workTransmission (1990); Familiars (1992)
Stylesculpture, installation, drawing, contemporary art

Hamad Butt (9 January 1964 - 25 September 1994) was a British artist of Pakistani heritage who made a series of pioneering works in the early 1990s which sought to bring art into conversation with science, specifically in critical response to the AIDS crisis.[1]

Early Life and Education

Butt was born in Lahore, Pakistan in 1962 and moved with his family to East London in 1964. He was the second of five siblings. He was raised in the Muslim faith. As a child he lived in Manor Park and Ilford.[2]

He undertook a series of short courses in art from 1981 until 1987, including at Morley College and Central Saint Martins. He enrolled on the BA Fine Art degree programme at Goldsmiths, University of London from 1987 to 1990.[3]

There he was part of a lively cohort of art students including Damien Hirst, Angela Bulloch, Mat Collishaw, Angus Fairhurst, Michael Landy, Gillian Wearing and Simon Patterson, many of whom would become known as the Young British Artists (Butt was not affiliated).[4]

Career

Butt graduated from Goldsmiths, University of London in 1990.[5] He presented his first major installation, Transmission as his degree show in June 1990. The installation included a circle of glass books (now part of the Tate Collection), a series of works on paper, an animated video, and a vitrine containing live flies.[6] The latter anticipated a similar work, A Thousand Years (1990) by Damien Hirst, a fellow student at Goldsmiths, University of London, who showed the work as part of a group exhibition later in 1990.[7] Transmission was subsequently shown in an amended form as part of an exhibition at the short-lived Milch Gallery, run by his friend Lawren Maben.[8] Butt would be affiliated with Milch throughout his life, showing alongside major artists of the 1990s including Douglas Gordon, Nayland Blake, Simon Patterson and Nicola Tyson.[9]

In 1992 Butt showed Familiars, a tripartite installation of dangerous-looking sculptures constructed of glass and steel in precarious setups that appear to threaten to release toxic matter into the immediate environment. They featured the elemental materials bromine (as a liquid), chlorine (as a gas), and iodine (as solid crystals).[10] Substance Sublimation Units is a kinetic sculpture that uses a heating element to sublimate the crystals into a violet gas inside a series of glass chambers organised into the shape of a ladder.[11] Cradle consists of up to 18 glass spheres containing yellow chlorine gas suspended in a form resembling a Newton's cradle, a device designed to demonstrate the principles of conservation of momentum and conservation of energy in physics, and popular in the 1980s as an executive toy.[12] Familiars was first shown in 1992 at the John Hansard Gallery in Southampton.[13] Its director the curator Stephen Foster commissioned the work, which enabled Butt to undertake the complex fabrication of the works in collaboration with chemists and technical glassblowers at Imperial College London.[14]

Throughout his work of the 1990s, Butt devised encounters between art and science.[15] He was interested in science fiction, as evidenced in his regular usage of the figure of the triffid, as sourced from the cover of the 1963 Penguin paperback edition of John Wyndham's novel The Day of the Triffids: it was etched into the glass books in his first major work Transmission as well and animated in the accompanying video piece.[16]

Butt also made many paintings, drawings and works on paper.

Familiars was posthumously included in the exhibition Rites of Passage: Art at the End of the Century (curated by Stuart Morgan and Frances Morris at Tate Gallery (now Tate Britain) in 1995 alongside works by Louise Bourgeois, Robert Gober, Mona Hatoum, Susan Hiller, Bill Viola and others.[17] His work has also been included in group exhibitions at Whitechapel Gallery, Institute of Contemporary Arts, London, and again at Tate Britain, the latter as part of its rehang of the Tate permanent collection in 2023.

The first museum retrospective of his work, Hamad Butt: Apprehensions opens at the Irish Museum of Modern Art (IMMA), Dublin in late 2024 and tours to the Whitechapel Gallery, London in Summer 2025.[18]

Personal Life

From around 1981, Butt's partner was Nicholas Hodge, a carpenter. Hodge died of an AIDS-related illness in the Middlesex Hospital, London in September 1993.

Butt died of AIDS-related pneumonia in St Mary's Hospital, London after a protracted illness.[19]

References

  1. ^ Ladd, Nathan. "Transmission: Summary". Tate. Retrieved 7 June 2024.
  2. ^ Fullerton, Elizabeth (12 June 2023). "'Dicing with death': the lethal, terrifying art of Hamad Butt – and the evacuation it once caused". The Guardian. Retrieved 7 June 2024.
  3. ^ Fullerton, Elizabeth (12 June 2023). "'Dicing with death': the lethal, terrifying art of Hamad Butt – and the evacuation it once caused". The Guardian. Retrieved 7 June 2024.
  4. ^ Brazil, Kevin (Autumn 2022). "Apprehensions". Tate Etc. (56). Retrieved 7 June 2024.
  5. ^ Fullerton, Elizabeth (12 June 2023). "'Dicing with death': the lethal, terrifying art of Hamad Butt – and the evacuation it once caused". The Guardian. Retrieved 7 June 2024.
  6. ^ Brazil, Kevin (Autumn 2022). "Apprehensions". Tate Etc. (56). Retrieved 7 June 2024.
  7. ^ Fullerton, Elizabeth (12 June 2023). "'Dicing with death': the lethal, terrifying art of Hamad Butt – and the evacuation it once caused". The Guardian. Retrieved 7 June 2024.
  8. ^ Fullerton, Elizabeth (12 June 2023). "'Dicing with death': the lethal, terrifying art of Hamad Butt – and the evacuation it once caused". The Guardian. Retrieved 7 June 2024.
  9. ^ Morgan, Stuart. "Art au Lait!". Art Monthly. Retrieved 7 June 2024.
  10. ^ Whitley, Zoe. "Familiars: Summary". Tate. Retrieved 7 June 2024.
  11. ^ Fullerton, Elizabeth (12 June 2023). "'Dicing with death': the lethal, terrifying art of Hamad Butt – and the evacuation it once caused". The Guardian. Retrieved 7 June 2024.
  12. ^ Ladd, Nathan. "Transmission: Summary". Tate. Retrieved 7 June 2024.
  13. ^ Whitley, Zoe. "Familiars: Summary". Tate. Retrieved 7 June 2024.
  14. ^ Whitley, Zoe. "Familiars: Summary". Tate. Retrieved 7 June 2024.
  15. ^ Brazil, Kevin (Autumn 2022). "Apprehensions". Tate Etc. (56). Retrieved 7 June 2024.
  16. ^ Charalambous, Sophia (9 July 2019). "The British Artist Who Helped Pioneer the Use of Science in Art". Elephant. Retrieved 16 July 2024.
  17. ^ Lubbock, Tom (19 June 1995). ""No disrespect to art intended, but you can't just designate a 'religious' role to it." Tom Lubbock reviews the Tate Gallery's ambitious new exhibition, 'Rites of Passage'". The Independent. Retrieved 7 June 2024.
  18. ^ "Exhibition - Hamad Butt: Apprehensions". IMMA. Retrieved 7 June 2024.
  19. ^ Brazil, Kevin (Autumn 2022). "Apprehensions". Tate Etc. (56). Retrieved 7 June 2024.

References

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