One Hundred Years of Solitude

One Hundred Years of Solitude

File:100 Years of Solitude.png cover to a recent edition of One Hundred Years of Solitude
Author	Gabriel García Márquez
Original title	Cien Años de Soledad
Translator	Gregory Rabassa
Language	Spanish
Genre	Novel
Publisher	Harper and Row (USA) & Jonathan Cape (UK)
Publication date	1967 (translation 25 June 1970)
Publication place	Colombia
Media type	Print (Hardback & Paperback)
Pages	432 pp (UK hardback edition)
ISBN	ISBN 0-224-61853-9 (UK hardback edition)

One Hundred Years of Solitude (Template:Lang-es) is a novel by Nobel Prize winning Colombian author Gabriel García Márquez that was first published in Spanish in 1967 (Buenos Aires: Sudamericana), with an English translation by Gregory Rabassa released in 1970 (New York: Harper and Row). The book is considered García Márquez's masterpiece, metaphorically encompassing the history of Colombia or Latin America.

The novel chronicles a family's struggle, and the history of their fictional town, Macondo, for one hundred years. García Márquez acknowledges in his autobiography Living to Tell the Tale that Macondo was based on the towns where he spent his childhood. Like many other novels by Gabriel García Márquez, One Hundred Years of Solitude crosses genres, combining elements of history, magical realism, and pure fiction.

Plot summary

One Hundred Years of Solitude is the history of the isolated town of Macondo and of the family who founds it, the Buendías. For years, the town has no contact with the outside world, except for gypsies who occasionally visit, peddling technologies like ice and telescopes. The patriarch of the family, José Arcadio Buendía, is impulsive and inquisitive. He remains a leader who is also deeply solitary, alienating himself from other men in his obsessive investigations into mysterious matters. These character traits are inherited by his descendents throughout the novel. His older child, José Arcadio, inherits his vast physical strength and his impetuousness. His younger child, Aureliano, inherits his intense, enigmatic focus. Gradually, the village loses its innocent, solitary state when it establishes contact with other towns in the region. Civil wars begin, bringing violence and death to peaceful Macondo, which, previously, had experienced neither, and Aureliano becomes the leader of the Liberal rebels, achieving fame as Colonel Aureliano Buendía. Macondo changes from an idyllic, magical, and sheltered place to a town irrevocably connected to the outside world through the notoriety of Colonel Buendía. Macondo’s governments change several times during and after the war. At one point, Arcadio, the cruelest of the Buendías, rules dictatorially and is eventually shot by a firing squad. Later, a mayor is appointed, and his reign is peaceful until another civil uprising has him killed. After his death, the civil war ends with the signing of a peace treaty.

More than a century goes by over the course of the book, and so most of the events that García Márquez describes are the major turning points in the lives of the Buendías: births, deaths, marriages, love affairs. Some of the Buendía men are wild and sexually rapacious, frequenting brothels and taking lovers. Others are quiet and solitary, preferring to shut themselves up in their rooms to make tiny golden fish or to pore over ancient manuscripts. The women, too, range from the outrageously outgoing, like Meme, who once brings home seventy-two friends from boarding school, to the prim and proper Fernanda del Carpio, who wears a special nightgown with a hole at the crotch when she consummates her marriage with her husband.

A sense of the family’s destiny for greatness remains alive in its tenacious matriarch, Ursula Iguarán, and she works devotedly to keep the family together despite its differences. But for the Buendía family, as for the entire village of Macondo, the centrifugal forces of modernity are devastating. Imperialist capitalism reaches Macondo as a banana plantation moves in and exploits the land and the workers, and the Americans who own the plantation settle in their own fenced-in section of town. Eventually, angry at the inhumane way in which they are treated, the banana workers go on strike. Thousands of them are massacred by the army, which sides with the plantation owners. When the bodies have been dumped into the sea, five years of ceaseless rain begin, creating a flood that sends Macondo into its final decline. As the city, beaten down by years of violence and false progress, begins to slip away, the Buendía family, too, begins its process of final erasure, overcome by nostalgia for bygone days. The book ends almost as it began: the village is once again solitary, isolated. The few remaining Buendía family members turn in upon themselves incestuously, alienated from the outside world and doomed to a solitary ending. In the last scene of the book, the last surviving Buendía translates a set of ancient prophecies and finds that all has been predicted: that the village and its inhabitants have merely been living out a preordained cycle, incorporating great beauty and great, tragic sadness.

Allegory

• The house — the color and overall status of the Buendía household embody the political and economical stance of Colombia at the time: its construction represents the settlement of the place, its upgrade to "mansion" represents the birth of the nation.

• The daguerreotype — a daguerreotype of the late Remedios is kept in the house through all generations. At first it is meant to be sacred and holy, as she has died young and innocent, but the picture loses meaning as time goes by and younger generations fill the house. It is meant to embody tradition, or religion: its holiness is worn off and disrespected in the modern world.

• The Gypsies — the traveling Gypsy band represents creativity and progress - at first they visit frequently, and the people of Macondo marvel at the wonders of science. Later on the Gypsies change and bring amazing wonders, more incredible but of less use (portrayed as "magical" and not "scientific" artifacts) and the inhabitants are disenchanted.

• The red ants — the troop of red ants that constantly battle the Buendías in their household may represent time: many characters try to exterminate them and exile them from their mansion, but are always beaten and surrender to them.

Characters in One Hundred Years of Solitude

Family Tree of the Buendía Family

First generation

José Arcadio Buendía

The patriarch of the Buendía family, José Arcadio Buendía is strong-willed, immovable by others (both physically and mentally), but has a deep interest in philosophical mysteries. Buendía is responsible for leading Macondo through its early stages, but disappears from the storyline when he goes insane searching for the Philosopher's stone. Eventually he loses his sanity, speaking instead in Latin. He is tied to a chestnut tree and serves as a reminder of the early Macondo but is released by Úrsula a short time before his death.

Úrsula Iguarán

José Arcadio Buendía's wife is the matriarch of the family, as well as the member who lives through the most generations. Úrsula runs the family with a strong will and firm hand through several portions of the book, and dies somewhere between the ages of 114 and 122.

Second generation

José Arcadio

José Arcadio Buendía's firstborn son, José Arcadio seems to have inherited his father's headstrong, impulsive mannerisms. When the Gypsies come to Macondo, a Gypsy woman who sees José Arcadio's naked body exclaims that he has the biggest male genitalia she has ever seen. He has an affair with a woman named Pilar Ternera, but leaves her after getting her pregnant. He eventually leaves the family to chase a Gypsy girl and unexpectedly returns many years later as an enormous man, claiming that he'd sailed the seas of the world. He marries his adopted sister Rebeca, causing his banishment from the mansion, and he dies from a mysterious gunshot wound, days after saving his brother from execution.

Colonel Aureliano Buendía

José Arcadio Buendía's second son and the first person to be born in Macondo, he was named after an earlier ancestor. Aureliano was born with his eyes open after having wept in his mother's womb. This act caused him to have the incapacity for love. He was thought to have premonitions because everything he said came true. He appeared to have inherited his father's pensive, philosophical nature. He studies metallurgy, and joins the Liberal party when war breaks out. He fights the Conservative government in 32 civil wars, and avoids death multiple times. Having lost all interest in the war, he signs a peace treaty and returns home. In his old age, he loses all capacity for emotion or memory, spending each day making and unmaking tiny golden fish. He dies while urinating on the tree to which his father had been tied for so many years. He represents not only a warrior figure but also an artist due to his ability to write poetry and create finely crafted golden fish.

Remedios Moscote

Remedios was the youngest daughter of the town's Conservative administrator, Don Apolinar Moscote. Her most striking physical features are her beautiful skin and her emerald-green eyes. The future Colonel Aureliano falls in love with her, despite her extreme youth. She is so young, in fact, that the wedding must be delayed until she reaches puberty. To everyone's surprise, she makes a wonderful and sweet wife who gains everyone's hearts. She is the only one who takes care of José Arcadio Buendía during his illness. However, she dies shortly after the marriage due to complications with her pregnancy.

Amaranta

The third child of José Arcadio Buendía, Amaranta grows up as a companion of her stepsister Rebeca; her feelings toward Rebeca, however, turn sour over Pietro Crespi, whom both sisters intensely desire in their teenage years. Amaranta even wishes to kill Rebeca so she could have Pietro, but then little Remedios dies and Amaranta suffers an emotional crisis. When Rebeca marries José Arcadio instead, Amaranta rejects any man who seeks her out, including Pietro Crespi, who courts her after Rebeca leaves him; she's so afraid of commitment that she completely rejects Crespi, who kills himself in despair. She is then courted by her brother's close friend and comarade in arms- Col. Gerineldo Marquez, unfortunately she wards off his interest too for the same reason. Death in the form of an old woman comes to Amaranta and commands her to begin weaving a funeral shroud, and upon the shroud's completion, Amaranta dies that night, a lonely and virginal spinster, but comfortable in her existence after having finally accepted what she had become.

Rebeca

Rebeca is an orphan that came from Manaure, a village near Macondo. At first she was extremely timid, refused to talk, and had the habits of eating earth and whitewash from the walls of the house (a condition known as pica), and sucking her finger. When she arrived, she brought with her her parents' bones and an insomnia plague; Úrsula helps her to heal from the first and the revived Melquíades brings the cure for the latter. Rebeca grows up into a headstrong beauty and becomes engaged to Pietro Crespi, Amaranta's future fiancé, but leaves him to marry José Arcadio, after he returned from travelling the entire globe; she had become tired of all the wedding delays and her relationship to Amaranta had been destroyed over their rivalry. Disowned by Úrsula for marrying in a period of mourning for Aureliano's wife Remedios and for the "inconceivable lack of respect" their pseudo-incestuous marriage directed at Úrsula, the pair move to another home and lived happily on their own. When her husband dies mysteriously, perhaps by her own hand, Rebeca seems to disappear completely from the novel. Embittered, she bars the door and lives in solitude; her only source of comfort appears to be her memories. Rebeca dies of old age on her bed, with her finger inside her mouth.

Third generation

Arcadio

Arcadio is José Arcadio's illegitimate son by Pilar Ternera. He is a schoolteacher, but assumes leadership of Macondo when Colonel Aureliano Buendía leaves, upon Aureliano's request. He becomes a tyrannical dictator and uses his schoolchildren as his personal army, and Macondo becomes subject to his whims. He attempts to uproot the church, persecute Conservatives living in the town (like Don Apolinar Moscote), and patrols the town with his troops, but when he tried to execute Don Apolinar for a snide remark, Ursula whips him, and takes control of the town. Upon receiving news that the Conservative forces had made a comeback, Arcadio resolves to fight the Conservatives that fall upon the town, with the resources they have, despite gross disadvantages. The Liberal forces in Macondo fall, and Arcadio is shot shortly after the defeat by the Conservative firing squad.

Aureliano José

Aureliano José is the son of Colonel Aureliano Buendía, also by Pilar Ternera. He joins his father in several wars, but returns to Macondo because he is in love with his aunt, Amaranta, who raised him since his birth. The two almost engage in sexual activities, but Amaranta rejects him once she realizes the full extent of her actions. Aureliano José grows up in the military and intends to seek Amaranta's acceptance, but she still keeps rejecting him, and eventually he gives up. He came to know who his mother was and accepted her in his life. Finally, Aureliano José is shot to death by a Conservative captain of the guard midway through the wars, for running away from a squad of police; the captain is shot too, and each Macondo man shoots his lifeless body as a revenge.

Santa Sofía de la Piedad

Santa Sofía is a beautiful virgin girl and the daughter of a shopkeeper, hired by Pilar Ternera to have sex with her son Arcadio after Arcadio, unaware of their bonds as mother and son, tried to force himself on Pilar. She becomes the wife of Arcadio and the mother of Remedios the Beauty, José Arcadio Segundo and Aureliano Segundo, and is taken in along with her children by the Buendías after Arcadio's execution. She is mainly an invisible character in the novel, staying in the background as a maid in the Buendía household more or less voluntarily, apparently since she liked to be nonexistent in the family history. Eventually, she began to feel that the house itself was crumbling no matter what she did to keep it in shape. After Úrsula's death she leaves unexpectedly, not knowing her destination.

17 Aurelianos

During his 32 civil war campaigns, Colonel Aureliano Buendía has 17 sons by 17 different women, each of whom he stays with for only one night. It is explained that, traditionally, young women were sent to sleep with soldiers, and the Buendía household is visited by 17 different mothers wanting Úrsula to baptize their sons. Úrsula accepts the fact and baptizes them all with the name Aureliano and the same last name as the mother, hoping that her son will take care of the matter later. Later on the sons return to the Buendía house and are accepted by the Buendías. Four of these Aurelianos (A. Triste, A. Serrador, A. Arcaya and A. Centeno) stay in Macondo and become a permanent part of the family. Eventually, as a revenge against the Colonel, all are assassinated by the government, identified by the mysteriously permanent Ash Wednesday cross on their foreheads. The only survivor of the massacre is A. Amador, who escapes into the jungle, only to be assassinated at the doorstep of his father's house many years later, after being rejected admittance by his descendants.

Fourth generation

Remedios the Beauty

Remedios is Arcadio and Santa Sofía's first child, and she inherits her mother's beauty. It is said she's the most beautiful woman in the world, thus causing the deaths of several men who love or lust over her. She appears to most of the town naively innocent, practically to the point of stupidity according to some, throughout her life. However, Colonel Aureliano Buendía believes she has inherited great lucidity: "It is as if she's gone to war". This ability to penetrate flamboyant social construct results in Remedios leading a simple life that would be considered idiosyncratic. She rejects clothing and beauty, sewing a cassock as her only clothing, and shaving her feet-long hair to not have to comb it. Ironically, it is her touch with base human instinct that perpetuates her as an object of lust for more men, whom she treats with complete innocence and no reservations. Too beautiful and, arguably, too wise for the world, Remedios ascends into the sky one morning, while folding laundry.

José Arcadio Segundo

José Arcadio Segundo is the twin brother of Aureliano Segundo, the children of Arcadio and Santa Sofía. Úrsula believes that the two were switched in their childhood, as José Arcadio begins to show the characteristics of the family's Aurelianos, growing up to be pensive and quiet. He plays a major role in the banana worker strike, and is the only survivor when the company massacres the striking workers. Afterward, he spends the rest of his days studying the parchments, and tutoring the young Aureliano. He dies at the exact instant that his twin does.

Aureliano Segundo

Of the two brothers, Aureliano Segundo is the more boisterous and impulsive, much like the José Arcadios of the family. He takes his first girlfriend Petra Cotes as his mistress, even during his marriage to the beautiful and bitter Fernanda del Carpio. When living with Petra, his livestock propagate wildly, and he indulges in unrestrained revelry. After the long rains, his fortune dries up, and the Buendías are left almost penniless. He turns to search for a buried treasure, eventually almost going insane. He wastes away, and dies of throat cancer at the same moment as his twin. During the confusion at the funeral, the bodies are switched, and each is buried in the other's grave. He represents Colombia's economy: gaining and losing weight according to the situation at the time.

Fernanda del Carpio

Fernanda is the only major character (except for perhaps Rebeca, and the First generation) that does not originate in Macondo. She comes from a ruined aristocrat family that kept her isolated from the world in her school and is an extremely beautiful woman; she was chosen as the most beautiful girl among 5000 girls. Fernanda is brought to Macondo to compete with Remedios for the title of Queen of the carnival, after her father promises her she will be the Queen of Madagascar. After the fiasco, she marries Aureliano Segundo and soon takes the leadership of the family away from the now-frail Úrsula and manages Buendía affairs with an iron fist. She has three children by Aureliano (José Arcadio, Renata Remedios aka Meme and Amaranta Úrsula), and remains in the house after he dies, taking care of the household until her death.

Fernanda is never accepted by anyone in the Buendía household, and though the Buendías do nothing to rebel against her inflexible conservatism, she is generally regarded by the family as an outsider, and a "stuck up highlander". In the course of the novel, Fernanda's mental and emotional instability is revealed through her paranoia, her correspondence with the 'invisible doctors', and her irrational behavior towards Aureliano, whom she tries to isolate from the whole world. She is the only one who knows of the true parentage of Aureliano Babilonia until she reveals to her son Jose Arcadio in her letters.

Fifth generation

Renata Remedios (Meme)

Meme is the second child and first daughter of Fernanda and Aureliano Segundo. While she doesn't inherit Fernanda's beauty, she does have Aureliano Segundo's love of life and natural charisma. After her mother declares that she play the clavichord and do nothing else, she is sent to school and receives her performance degree along with recognition for her excellent academic grades. While she pursues the clavichord with 'an inflexible discipline', to placate Fernanda, she also enjoys partying and exhibits the same tendency towards excess as her father, even befriending women from the banana plantation.

Meme meets and falls in love with Mauricio Babilonia, a handsome mechanic of Gypsy blood working for the banana plantation, but when Fernanda finds out that they were having sexual relations, she arranges for Mauricio to be shot by claiming that he was a chicken thief, and takes Meme to a convent. Meme remains mute for the rest of her life, partially because of the trauma, but also as a sign of rebellion and determination. Several months later we know she was pregnant because she gives birth to a son, Aureliano, at the convent; he is sent to live with the Buendias. She dies of old age in an unknown hospital in Krakow.

José Arcadio (II)

José Arcadio, named after his ancestors in the Buendía tradition, follows the trend of the previous Arcadios. He is raised by Úrsula, who intends for him to become the Pope. Returning home from Rome (without having become a priest) after the death of his mother, he discovers a buried treasure and begins to waste it on lavish parties. Later, he begins a tentative friendship with Aureliano Babilonia, his nephew. José Arcadio plans to set Aureliano up in a business and return to Rome, but is murdered in his pool by four schoolchildren who steal his gold.

Amaranta Úrsula

Amaranta Úrsula is the third child of Fernanda and Aureliano. She displays the same characteristics as her namesake, Úrsula, who dies when she is only a child: willful, cheerful, tries to work hard for the sake of her happiness and the others. She never knows that the child sent to the Buendía home is her nephew, the illegitimate son of Meme; he becomes her best friend in childhood and early adolescence. She returns home from Europe with an elder husband, Gastón, who leaves her when she informs him of her passionate affair with Aureliano, her nephew, which later evolves into love. She dies of hemorragia, after she has given birth to the last Aureliano of the family.

Sixth generation

Aureliano Babilonia (Aureliano II)

Aureliano is the illegitimate child of Meme. He is sent to the house and hidden from everyone by his grandmother, Fernanda. He is strikingly similar to his namesake, the Colonel, and has the same character patterns as well: taciturn, silent, emotionally charged. He barely knows Úrsula, who dies during his childhood. He is a friend of José Arcadio Segundo, who explains to him the true story of the banana worker massacre.

While other members of the family leave and return, Aureliano stays at the house. He only ventures into the empty town after the death of Fernanda. He works to decipher the parchments of Melquíades but stops to have an affair with his childhood partner and the love of his life Amaranta Úrsula, not knowing that she's his aunt. When both she and her child die, he is able to decipher the parchments, alone in the house. "... Melquíades' final keys were revealed to him and he saw the epigraph of the parchments perfectly placed in the order of man's time and space: The first in line is tied to a tree and the last is being eaten by ants." He is assumed to have died along with the rest of Macondo, now a nearly deserted town.

Seventh generation

Aureliano (III)

The illegitimate child of Aureliano and his aunt, Amaranta Úrsula. The child was born with a pig's tail, as the eldest and long dead Úrsula had always feared would happen (the parents of the child had never heard of the omen) . The mother died while giving birth to her son, and due to the negligence of his grief-stricken father, the son is devoured by ants. When he sees the corpse, Aureliano Babilonia is hit with the realization of the parchment's meaning.

Others

Melquíades

Melquíades is one of a troop of Gypsies who would visit Macondo every year in March, displaying amazing items from around the world (note: a second, different Gypsy troop begins visiting the town bringing wonders such as magic carpets and ice along with the snake man that prompts Jose Arcadio's disappearance). Melquíades sells José Arcadio Buendía several new inventions, including a pair of magnets and an alchemist's lab. Later, the Gypsies report that Melquíades died in Singapore, but he nonetheless returns to live with the Buendía family, saying that death bored him. He stays with the Buendias and begins to write the mysterious parchments that Aureliano Babilonia eventually translates, before dying a second time; this time he drowns in the river near to Macondo, and is buried in a grand ceremony organized by the Buendias.

After Melquiades' death, Marquez makes reference to one of his earlier short stories, Big Mama's Funeral.

Pilar Ternera

Pilar is a local woman who sleeps with the brothers Aureliano and José Arcadio. She becomes mother of their sons, Aureliano José and Arcadio. Pilar reads the future with cards, and every so often makes an accurate, though vague, prediction. She has close ties with the Buendias throughout the whole novel, helping them with her card predictions. She dies after she turns 145 years old (she eventually stops counting), surviving until the very last days of Macondo.

The name "Ternera" is likely a play on the word "Ternura", which in Spanish means "Tenderness". Pilar is always presented as a very loving figure, and the author often uses names in a similar fashion.

Pietro Crespi

Pietro is a very handsome and polite Italian musician who runs a music school and installs the pianola in the Buendía house. He becomes engaged to Rebeca, but Amaranta, who also loves him, manages to delay the wedding for years. When José Arcadio claims Rebeca for his own wife and she accepts, Pietro begins to woo Amaranta, who is so embittered that she cruelly rejects him. Despondent over the loss of both sisters, he kills himself.

Petra Cotes

Petra is a dark-skinned woman with gold-brown eyes similar to those of a panther. She is Aureliano Segundo's mistress, as well as the love of his life. She arrives in Macondo as a teenager with her first husband, who starts running the local lottery and dies few years before she meets the twins; she briefly dates both of them, mistaking them to be the same man, and after José Arcadio decides to leave her and never see her again, Aureliano Segundo gets her forgiveness and remains by her side. He continues to see her, even after his marriage, and eventually lives with her; this greatly embitters his wife, Fernanda del Carpio, even after she comes to publicly accept the fact. When Aureliano and Petra make love, their animals reproduce at an amazing rate, but their livestock is wiped out during the five years of rain. Petra makes money by keeping the lottery alive, and provides food baskets for Fernanda and her family after the death of Aureliano Segundo.

Mr. Herbert and Mr. Brown

Mr. Herbert is a gringo who showed up at the Buendía house for lunch one day. After tasting the local bananas for the first time, he arranges for a banana company to set up a plantation in Macondo. The banana company is run by the dictatorial Mr. Brown. Meme befriends his daughter, Patricia. When José Arcadio Segundo helps arrange a strike, the company traps the strikers and machine guns them in the town square, stacking the corpses on a secret train and dumping them into the sea. José Arcadio is the only one who remembers the slaughter. The company arranges for the army to kill off any resistance, then leaves Macondo for good, but not before causing it to rain for almost five years. That event is likely based on the Banana massacre, that took place in Santa Marta, Colombia in 1928.

Mauricio Babilonia

Mauricio is a brutally honest, generous and handsome mechanic for the banana company, who is said to be a descendent of the Gypsies who used to visit Macondo in the early days. He has the unusual characteristic of being constantly swarmed by yellow butterflies, which follow even his lover for a time. Mauricio begins a romantic affair with Meme, whom he met at the banana company when she accompanied some gringo girls to check on the new cars, until Fernanda discovers them and tries to end it. When Mauricio continues to sneak into the house to see her, Fernanda has him shot as a chicken thief. Meme, having endured the shock of having witnessed his death, spends the rest of her life as an invalid in a convent imposed by Fernanda. However, Meme is pregnant with the mechanic's son who is named Aureliano. The boy is delivered by a nun to the Buendia house in a basket.

Gastón

Gastón is Amaranta Úrsula's Belgian husband. She marries him in Europe and returns to Macondo leading him on a silk leash. Gastón is about fifteen years older than his wife. He is an aviator and an adventurer. When he realizes his wife intends to stay in Macondo, he arranges for his airplane to be shipped over so he can start an airmail service. The plane is shipped to Africa by mistake. When he travels there to claim it, Amaranta writes him of her love for Aureliano (Babilonia) Buendia. Gastón takes the news in stride, only asking that they ship him his velocipede.

Major themes

The subjectivity of reality

Many readers and critics cite García Márquez as a pioneer of magical realism, a style of writing that is analogous to surrealism in pictorial and plastic work. In magical realism, events that seem impossible—such as levitation—are commonplace, and things are not as they first appear.

The fluidity of time

One Hundred years of Solitude contains several ideas concerning time. First, the story can be read simply as a linear progression of events, both when considering the individual lives or Macondo's history. All the characters eventually die within the course of the novel, after all, and the town is obliterated by the final page. But García Márquez obviously intends for at least two other understandings of time:

• He reifies the metaphor of history as a circular phenomenon, through the repetition of names and characteristics belonging to the Buendía family. Over six generations all the José Arcadios possess inquisitive and rational dispositions as well as enormous physical strength; the Aurelianos, meanwhile, tend towards insularity and quietude. This repetition of traits reproduces the history of the individual characters and ultimately a history of the town as a succession of the same mistakes ad infinitum due to some endogenous hubris in our nature.

• The novel explores the issue of timelessness or eternity even within the framework of mortal existence. A major trope with which it accomplishes this task is the alchemist's laboratory in the Buendía family home, which was first designed by Melquíades near the start of the story and remains essentially unchanged throughout its course as a place where the male Buendía characters can indulge their will to solitude, whether through attempts to deconstruct the world with reason as in the case of José Arcadio Buendía, or by the endless creation and destruction of golden fish like his son Colonel Aureliano Buendía, among a number of other means. A sense of inevitability prevails throughout the text, a feeling that regardless of what way one looks at time, its encompassing nature is the one truthful admission.

Literary significance and reception

In 1967, The New York Times hailed One Hundred Years of Solitude as "the first piece of literature since the Book of Genesis that should be required reading for the entire human race."

Awards and nominations

In addition to García Márquez's Nobel Prize for Literature for his oeuvre as a whole, One Hundred Years of Solitude was awarded Venezuela's prestigious Rómulo Gallegos Prize for literature in 1972.

Allusions and references

Allusions in other works

• The Modena City Ramblers, an Italian folk group, released an album in 1997 titled "Terra e Libertà". Many of the songs on it (eg, Cent'anni di solitudine, Macondo Express, Il ballado di Aureliano) were inspired by the novel, as well as lead singer Cisco Bellotti's travels through Latin America.
• Recording artist Owen recorded a song called "The Sad Waltzes of Pietro Crespi" on his album At Home With Owen (2006).

External links

• "The Solitude of Latin America", Nobel lecture by Gabriel García Márquez, 8 December, 1982
• "Memory and Prophecy, Illusion and Reality Are Mixed and Made to Look the Same", review by Robert Kiely, The New York Times, March 8, 1970.
• "On Marquez's One Hundred Years of Solitude", lecture by Ian Johnston, Malaspina University College, March 28, 1995