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Kanhopatra

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Sant Kanhopatra
Organization
PhilosophyVarkari
HonorsSant (संत) in Marathi, meaning "Saint"

Kanhopatra (Marathi: कान्होपात्रा) or Kanhupatra (कान्हूपात्रा) was a 15th century Maharashtrian poetess and saint, venerated by the Varkari sect of Hinduism.

Little is known about the historical Kanhopatra's life.[1] According to most traditional accounts, Kanhopatra was a courtesan and dancing-girl. These accounts typically concentrate on her death when she chose to surrender to the Hindu god Vithoba—the patron god of the Varkaris—rather than becoming a concubine of the Badshah (king) of Bidar. She died in the central shrine of Vithoba in Pandharpur. She is the only person whose samadhi (mausoleum) is within the precincts of the temple.

Kanhopatra wrote Marathi abhanga poetry telling of her devotion to Vithoba and her struggle to balance her piety with her profession. In her poetry, she implores Vithoba to be her saviour and release her from the clutches of her profession. About thirty of her abhangas have survived, and continue to be sung today. She is the only female Varkari saint to have attained sainthood based solely on her devotion, without the support of any guru, male Varkari saint, or parampara (tradition or lineage).

Life

An elaborate, carved entrance to a Hindu temple whose canopy is visible at the top of the image. The entrance section is polygonal with arches and there is a stone staircase leading into the grey/cream coloured structure. Several pilgrims are seen in the foreground, as is a stall.
The chief gate of Vithoba temple, Pandharpur, where Kanhopatra is buried

Kanhopatra was a daughter of a rich prostitute and courtesan named Shama, who lived in the town of Mangalvedhe, near Pandharpur, the site of Vithoba's chief temple .[1][2][3] Shama was uncertain about the identity of Kanhopatra's father, but suspected that it was the town's head-man Sadashiva Malagujar. She spent her childhood in the palatial house of her mother, served by several maids, but because of her mother's profession, Kanhopatra's social status was demeaningly low.[1][4]

Kanhopatra was trained in dance and song from early childhood so that she could join her mother's profession. She became a talented dancer and singer. Her beauty was compared to the apsara (heavenly nymph) Menaka.[1] Most accounts declare that Kanhopatra was forced into the courtesan's life, though she detested it,[5][6] while some say that Kanhopatra firmly declined to become a courtesan.[3][4]

Sadashiva Malagujar, Kanhopatra's supposed father, heard of Kanhopatra's beauty and wished to see her dance. Kanhopatra refused. Accordingly Sadashiva started to harass Kanhopatra and Shama. Shama tried to convince him that he was the father of Kanhopatra and thus should spare them, but Sadashiva did not believe her. As he continued his harassment, Shama's wealth slowly depleted. Eventually, Shama apologised to Sadashiva and offered to present Kanhopatra to him. Kanhopatra, however, fled to Pandharpur disguised as a maid, with the help of her aged maid Hausa.[1]

In some legends, Hausa—described as a Vakari—is credited for Kanhopatra's journey to devotion. Other accounts credit the Vakari pilgrims who passed Kanhopatra's house on their way to the temple of Vithoba in Pandharpur. According to one story, for example, she asked a passing Varkari if Vithoba would accept her as a devotee. The Varkari assured her that Vithoba—"the god of the downtrodden"—would accept her as he accepted the maid Kubja,[n 1] and this assurance strengthened her resolve to go to Pandharpur.[1][7][8]

Kanhopatra withdrew from society. She moved into a hut in Pandharpur with Hausa and lived an ascetic's life. She sang and danced at the Vithoba temple, and cleaned it twice a day. She gained the respect of the people, who believed her to be a poor farmer's daughter maddened by the love of Vithoba. In this period, Kanhopatra wrote ovi-metered abhanga poems dedicated to Vithoba.[1][9][10]

During this same time, however, Sadashiva—who felt insulted by Kanhopatra's refusal—sought the help of the Badshah (king) of Bidar.[1] Hearing tales of Kanhopatra's beauty, the Badshah ordered her to be his concubine. When she refused, the king sent his men to get her by force. Kanhopatra took refuge in the Vithoba temple. The soldiers of the king besieged the temple and threatened to destroy it if Kanhopatra was not handed over to them. Kanhopatra requested a last meeting with Vithoba before being taken.[1][2][5][6]

By all accounts, Kanhopatra then died at the feet of the Vithoba image, but the circumstances were unclear. According to popular tradition, Kanhopatra merged with the murti of Vithoba in a form of marriage—something Kanhopatra longed for but was forbidden, as it was not socially acceptable for a daughter of a courtesan to marry. Other theories suggest that she killed herself, or that she was killed for her rebelliousness.[1][2][5][6]

Most accounts say that Kanhopatra's body was laid at feet of Vithoba and then buried near the southern part of the temple, in accordance with her last wishes.[5] In some accounts, the nearby Bhima river (Chandrabhaga) flooded, inundating the temple and killing the army that sought Kanhopatra. The next day, her body was found near a rock. According all versions of the legend—on this spot where Kanhopatra was buried, a tarati tree rose, which is worshipped by pilgrims today—in remembrance of Kanhopatra.[1][5] Kanhopatra is the only person whose samadhi (mausoleum) is in the precincts of the Vithoba temple.[11][n 2]

Details of Kanhopatra's life are uncertain

Kanhopatra's history is known through stories passed down over centuries, making it hard to separate fact and fiction. Most accounts agree about her birth to Shama the courtesan and her death in the Vithoba temple when the Badshah of Bidar sought her. The characters of Sadashiva Malagujar (her alleged father) and Hausa the maid do not appear in all accounts, however.

Several historians have attempted to establish the dates of Kanhopatra's life and death. One estimate places her life circa 1428 CE by relating her to a Bahamani king of Bidar who is often associated with the Kanhopatra story—although in most accounts, that king is never explicitly named.[5] Pawar estimates that she died in 1480.[12] Others loosely suggest dates of 1468 or 1470, or simply say that she lived in the 15th century—or in rare instances, the 16th century.[3][6][8][9][10]

Literary works and teachings

A black-and-white image of an idol of an arms-akimbo bare-chested man, wearing a conical head-gear, a dhoti and ornaments. The idol is placed on a brick, and backed by a decorated halo.
Kanhopatra's patron deity: Vithoba, the Pandharpur image at whose feet, Kanhopatra died.

Kanhopatra is believed to have composed many abhangas, but most were not in written form: only thirty of her abhangas or ovis survive today.[1][5] Twenty-three verses of her poems are included in the anthology of Varkari saints called Sakal sant-gatha.[9] Most of these verses are autobiographical, with an element of pathos.[3] Her style is described as unadorned by poetic devices, easy to understand, and with a simplicity of expression.[3] According to Deshpande, Kanhopatra's poetry reflects the "awakening of the downtrodden" and the rise of female creative expression, ignited by the sense of gender equality enforced by the Varkari tradition.[3]

Kanhopatra's abhangas frequently portray her struggle between her profession and her devotion to Vithoba, the patron deity of the Varkaris.[5] She presents herself as a woman deeply devoted to Vithoba, and pleads for him to save her from the unbearable bondage of her profession.[6][12] Kanhopatra speaks of her humiliation and her banishment from society owing to her profession and social stature. She expresses disgust for the society which adored her as an object of beauty rather than as a human being, and abhorred her for profession. She worries that she was beyond the "scope of God's love".[3][4][13] In Nako Devaraya Anta Aata - believed to the last abhanga of her life - unable to bear the thought of separation from her Lord, Kanhopatra begs Vithoba to end her misery.[1][7] In the abhanga Patita tu pavanahe, she acknowledges her Lord as the saviour of the fallen and asks him to save her as well:[13]

O Narayana, you call yourself
savior of the fallen...
My caste is impure
I lack loving faith
my nature and actions are vile.
Fallen Kanhopatra
offers herself to your feet,
a challenge
to your claims of mercy.[14]

Kanhopatra refers to Vithoba by names such as Narayana (a name of Vishnu, who is identified with Vithoba), Krishna (an incarnation of Vishnu, identified with Vithoba), Sripati ("husband of goddess Sri," an epithet of Vishnu) and Manmatha (a name of Kamadeva, the god of love, used by Vaishnava saints to describe Vishnu). She refers to Krishna-Vithoba as the "champion of the low", and as a mother.[13][1][n 3] Kanhopatra also asserts the importance of repeating the names of God and reveals how chanting His names has helped her. She hoped that her chanting would ultimately lead her to salvation.[15] Kanhopatra also extols the deeds of Dnyaneshwar - the first great saint of the Varkaris, and his siblings.[16]

Kanhopatra's abhangas also show her concern for her body, her sense of vulnerability and her will to "remain untouched in the midst of turbulence".[17] She describes how she has been the object of lustful thoughts, and compares herself to food being devoured by wild animals.[13] Kanhopatra advises against seeking mere sexual pleasure;[18] she speaks of the evils of sexual attraction, citing mythological characters who suffered the consequences of sexual temptation: the demon-king Ravana, the demon Bhasmasura, the god-king of heaven Indra and the moon-god Chandra.[4][19][n 4]

Legacy and remembrance

Cover-page of a script titled Saint Kanhopatra (संत कान्होपात्रा) in Marathi, with a photograph showing a woman dressed in a sari kneeling with palms pressed together before a man. The man, dressed in a white dhoti-kurta, is bent forward and seems to be blessing her with his wight hand placed over her head.
Script of the drama Sant Kanhopatra, depicting Bal Gandharva (left) as Kanhopatra

Kanhopatra is formally included in the list of Sants, meaning saints in Marathi.[20] Mahipati (1715-1790), a traditional biographer of Marathi saints, devotes an entire chapter to her in his Bhaktavijaya extolling her devotion to Vithoba.[21] In his Bhaktalilamrita Mahipati refers to Kanhopatra as one of the saints who sit surrounding Krishna (identified with Vithoba in Maharashtra).[22] Kanhopatra is cited by the Vakari saint-poets as "an example of the real downtrodden and deserving people persons that are saved by the merciful God".[20] In one of his abhangas, the Varkari saint and poet Tukaram (1577 - c.1650) uses the example of Kanhopatra to illustrate that caste is irrelevant when compared with devotion and merit.[23] Her death and her surrender to Vithoba is regarded as a "great legacy of self respect combined with spiritualism."[4] Kanhopatra is considered unique since she is the only prominent Maharashtrian woman without a traditional family. She was born in a household where devotion was unthinkable. She is the only woman Varkari saint, who is not associated with any male Varkari saint,[n 5] who has no guru, nor any parampara (tradition or sect). She attained sainthood exclusively on the basis of her intense devotion to Vithoba, a devotion reflected in her abhangas.[1][7][11][24]

Kanhopatra's life has been recounted in a 1937 Marathi film Kanhopatra written and directed by Bhalji Pendharkar. She was also the subject of the popular 1931 Marathi drama named Sant Kanhopatra, in which Bal Gandharva played the lead. Kanhopatra's abhangas Aga Vaikunthichya Raya and Nako Devaraya Anta Aata are used in that drama and in the 1963 Marathi film Sadhi Manase respectively.[24][25]

Kanhopatra's abhangas are still sung in concerts and on radio,[24] and by Varkaris on their annual pilgrimage to Pandharpur.[6] The tree that rose at her burial spot in the Pandharpur temple is worshipped as her samadhi by devotees even today.[5] A small shrine is also dedicated to her in her home town Mangalvedhe.[26]

Notes

Footnotes
  1. ^ In Hindu mythology, Kubja is described as a hunchback handmaid of the evil king Kamsa, who is prophesied to be killed by his nephew—god Krishna. Kubja welcomes Krishna (with whom god Vithoba is identified) in Mathura—the kingdom of Kamsa and annoints him with saffron and sandal, in return Krishna makes Kubja young and beautiful again. Kubja offers herself to Krishna and thus is accepted inspite of her low stature.
  2. ^ Kanhopatra is not the only person to die in the Pandharpur Vithoba temple, the saint-poet Namdev died on the first step of the main gate of the temple.
  3. ^ Kanhopatra is not unique in addressing Vithoba as mother, saint Janabai also refers to Vithoba as a mother. Other Varkari poet-saints refer to Vithoba mostly as a father. The suffix "ba" in Vithoba means "father". Kanhopatra refers to Krishna as Krishnai, Kanhai (Kanha is a name of Krishna) and Vithoba as Vithabai. The "aai" suffix in these words means "mother".
  4. ^ In the Hindu epic Ramayana, Ravana —the antagonist- kidnaps Sita and in the war that follows to regain Sita, Rama—the hero of the epic and husband of Sita—kills Ravana. The demon Bhasmasura has the to power to reduce anyone to ashes by putting his hand on that person's head. He is deceived by Mohini, the seductress incarnation of Vishnu to put his own hand on his head and thus kill himself. The lord of heaven, Indra was cursed by sage Gautama Maharishi to have a thousand eyes (ulcers) all over his body, when he seduced Ahalya, the sage's wife, in the disguise of the sage. The moon-god Chandra was cursed to have dark spots on his face, when he kidnapped his teacher—god Brihaspati's wife Taraka and bore a son of her.
  5. ^ Sant Muktabai was the sister of saint Dnyaneshwar. Sant Soyrabai and Sant Nirmala was the wife and sister of saint Chokhamela. Janabai was the maid-servant of saint Namdev. Sant Bahinabai was a student of saint Tukaram
Reference notes
  1. ^ a b c d e f g h i j k l m n o Kunte, Madhvi (कुंटे , माधवी) (2 Jul 2009). "कान्होपात्रा (Kanhopatra)". Maharashtra Times (in Marathi). The Times Group. p. 2. Retrieved 2009-09-29.{{cite news}}: CS1 maint: multiple names: authors list (link) CS1 maint: unrecognized language (link)
  2. ^ a b c Vaidya, Vivek Digambar (10 July 2009). "कव्हरस्टोरी (Cover story)". Lokprabha (in Marathi). Indian Express Group Group. Retrieved 2009-09-30.
  3. ^ a b c d e f g Deshpande, Sunita, ed. (2007). "Kanhopatra:saint-poetess". Encyclopaedic dictionary of Marathi literature. Global Encyclopaedic Literature. Vol. 6 (1 ed.). New Delhi: Global Vision Publishing House. p. 297.
  4. ^ a b c d e
  5. ^ a b c d e f g h i Sellergren p. 226
  6. ^ a b c d e f Mokashi-Punekar, Rohini (2006). Ditmore, Melissa Hope (ed.). Encyclopedia of Prostitution and Sex Work (1 ed.). USA: Greenwood Publishing Group. p. 237.
  7. ^ a b c Pimpalkar, Vaishali ( पिंपळकर, वैशाली ) (26 May, 2009). "विठ्ठलमय कान्होपात्रा (Vitthalmaya Kanhopatra)". Prahaar (in Marathi). Retrieved 2009-09-30. {{cite news}}: Check date values in: |date= (help)CS1 maint: multiple names: authors list (link) CS1 maint: unrecognized language (link)
  8. ^ a b Kher, B G (1979). "Mahārāshṭra Women saints". Women Saints of East and West. Hollywood: Vedanta Press. p. 62.
  9. ^ a b c Mukherjee, Sujit (1999). A Dictionary of Indian Literature: Beginnings-1850. Vol. 1. Orient Longman. p. 164.
  10. ^ a b Pillai, S. Devadas (1997). Indian sociology through Ghurye, a dictionary (Mumbai ed.). Popular Prakashan. pp. 42, 377.
  11. ^ a b Zelliot, Eleanor (2000). "Women and Power: Women Saints in Medieval Maharashtra". In Bose, Mandakranta (ed.). Faces of the feminine in ancient, medieval, and modern India. Oxford University Press US. p. 197.
  12. ^ a b Pawar, G M (1997). "Medieval Marathi Literature". In K. Ayyappapanicker (ed.). Medieval Indian literature: an anthology. Vol. 1. Sahitya Akademi. p. 360.
  13. ^ a b c d Sellergren pp. 227-29
  14. ^ Sellergren p. 227
  15. ^ Sellergren pp. 232-3
  16. ^ Sellergren p. 233
  17. ^ Sellergren pp. 228, 234
  18. ^ Ranande p. 208
  19. ^ Sellergren p. 230
  20. ^ a b Aklujkar p. 126
  21. ^ See Mahīpati (1988). "39". Stories of Indian Saints: An English Translation of Mahipati's Marathi Bhaktavijaya. Motilal Banarsidass. ISBN 8120804694. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help) for a complete translation of Bhaktavijaya.
  22. ^ Abbott, Justin Edwards (2000). Life of Tukaram. Motilal Banarsidass Publishers. p. 34. ISBN 81-208-0170-9.
  23. ^ Lorenzen, David N (2006). Who invented Hinduism: essays on religion in History (1 ed.). New Delhi: Yoda Press. pp. 129–30.
  24. ^ a b c Sellergren p. 214
  25. ^ "Sant Kanhopatra". Aathavanitli Gani. Retrieved 2009-09-29.
  26. ^ "श्री संत कान्होपात्रा (Shri Sant Kanhopatra)" (in Marathi). Retrieved 2009-10-04.

References

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