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Sucker Punch (2011 film)

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Sucker Punch
File:Sucker Punch poster.jpg
Theatrical release poster.
Directed byZack Snyder
Screenplay byZack Snyder
Steve Shibuya
Story byZack Snyder
Produced byDeborah Snyder
Zack Snyder
StarringEmily Browning
Abbie Cornish
Jena Malone
Vanessa Hudgens
Jamie Chung
Oscar Isaac
Carla Gugino
Jon Hamm
Scott Glenn
CinematographyLarry Fong
Edited byWilliam Hoy
Music byTyler Bates
Marius de Vries
Production
companies
Distributed byWarner Bros. Pictures
Release date
  • March 25, 2011 (2011-03-25)
Running time
109 minutes
CountryTemplate:Film US
LanguageEnglish
Budget$82 million
Box office$26,962,233[1]

Sucker Punch is a 2011 American fantasy-adventure film written by Steve Shibuya and Zack Snyder, and directed by Snyder.[2][3] Sucker Punch features an ensemble female cast[4] comprising Emily Browning, Abbie Cornish, Jena Malone, Vanessa Hudgens and Jamie Chung. Described as "Alice in Wonderland with machine guns", the film follows a young woman in the 1950s about to be lobotomized as she attempts to escape an asylum with her inmate friends.

Development began in March 2007. The script, which was penned by Snyder and Shibuya, was finalized in five months and was actually planned to be made first before Watchmen. For Sucker Punch, Snyder gathered most of the Vancouver-based production team who worked on Watchmen.[5] Pre-production took place in Los Angeles in June 2009, then moved to Vancouver in July. Principal photography began in September 2009 and concluded in January 2010; filming took place in Vancouver.

Sucker Punch was released in both conventional and IMAX theatres at midnight on March 25, 2011.[6] It was previously announced that the film would be released October 8, 2010.[7] Snyder is currently mapping out the Blu-ray interactivity for the film in preparation for the film's home media release.[8]

Plot

In 1955, a 20-year-old girl nicknamed "Baby Doll" (Emily Browning) is institutionalized by her stepfather at the Lennox House for the Mentally Insane after accidentally shooting her sister while trying to prevent him from molesting them. Blue Jones (Oscar Isaac), the asylum's orderly, is bribed by Baby Doll's stepfather into faking the signature of the asylum's main therapist, Dr. Vera Gorski (Carla Gugino) and having Baby Doll lobotomized so she can neither inform the authorities of what really happened nor reclaim her recently deceased mother's fortune.

In the five days that it'll take for the Doctor (Jon Hamm) to arrive, Baby Doll retreats to a fantasy world inside her mind, created to help her cope with the harsh reality, where she is a newly arrived dancer at a brothel owned by the mob, who befriends four other dancers - Amber (Jamie Chung), Blondie (Vanessa Hudgens), Rocket (Jena Malone) and her older sister Sweet Pea (Abbie Cornish) - and is told by her dance instructor, Madam Gorski, that her virginity will be sold to a client known as "The High Roller" by the mobster Blue, and that the man will be arriving in five days.

During one of her dance classes to prepare her for the High Roller, Baby Doll's mind travels to another fantasy world, in Feudal Japan, where she meets the Wise Man (Scott Glenn), who tells her that she can escape if she collects five items - a map, fire, a knife, a key and a fifth, unrevealed item that will require "great sacrifice" - and gives her a sword and a gun, instructing her to fight three demon samurai, which she defeats.

Back in the brothel, Baby Doll discovers that her dance has mesmerized everyone - including Blue - and convinces her friends to help her escape. The first item, the map, is in Blue's office. While he's away watching Baby Doll dancing, Sweet Pea enters his office and makes a copy of the map, but Blue finds evidence of her presence. In Baby Doll's mind, she and her friends are sent to retrieve a map in a bunker protected by Steampunk clockwork German soldiers in the battle-scarred trenches of World War I.

They then have to steal fire. Baby Doll dances for one of the brothel's patrons while Amber steals a lighter from his pocket. In Baby Doll's mind, she and her friends must enter a orc-filled castle being besieged by knights and steal two crystals lodged in the throat of a baby dragon without awakening its mother. However, they fail and are forced to battle the mother dragon in the skies before Baby Doll is able to kill it. Blue realizes that the girls are planning something and later hears Blondie (who began having second thoughts) telling Baby Doll's plan to Madam Gorski.

The girls then have to steal a knife. Baby Doll distracts the brothel's cook with her dance while Sweet Pea steals his kitchen knife. While Baby Doll dances, the girls are transported to the distant future, where they have to enter a train filled with robots and disarm a bomb before it detonates and destroys a futuristic city in a distant planet. However, at the brothel, water spills on the radio producing the music that Baby Doll is dancing to and it malfunctions, allowing the cook to snap out of his trance. Back at the distant planet, one of the robots damages Rocket's jetpack and re-activates the bomb. Rocket sacrifices herself to save her sister and dies when the bomb detonates and destroys the entire city. Back at the brothel, the cook attempts to stab Sweet Pea in retaliation for stealing the knife but instead stabs and kills Rocket who has jump in to save her sister.

Blue bursts in and locks Sweet Pea in a utility closet for her attempted theft. He later takes the girls backstage, where he proceeds to makes examples of Amber and Blondie by shooting them in the head and chest respectively. He then tries to rape Baby Doll, but she stabs him with the knife, which Amber had stolen before they left the kitchen, and escapes with his master key, which she uses to free Sweet Pea. They start a fire with the lighter and, as part of the fire security system, the doors unlock. However, the gates are surrounded by Blue's men.

Baby Doll realizes that this is Sweet Pea's story (thus she is the fifth item), not hers, and distracts the guards, allowing Sweet Pea to escape. Suddenly, Baby Doll snaps back to the reality, where she is lobotomized by the Doctor. Blue kidnaps her and intents to rape her for stabbing him earlier, but is stopped by Dr. Gorski and the Doctor, who discovered about him faking her signature to have Baby Doll lobotomized and have called the cops. Blue is arrested and agrees to tell the police everything about Baby Doll's stepfather in exchange for a reduced sentence.

Meanwhile, Sweet Pea enters a bus in order to escape, but is approached by two suspicious policemen searching for her. The bus driver - revealed to be the Wise Man - tells them that she has been at the bus the entire day and is, therefore, not who they are looking for. After the two men leave, Sweet Pea says she doesn't have a ticket. The Wise Man says that this is no problem and drives her off into the distance.

Cast

Production

"A while ago I had written a script for myself and there was a sequence in it that made me think, 'How can I make a film that can have action sequences in it that aren't limited by the physical realities that normal people are limited by, but still have the story make sense so it's not, and I don't mean to be mean, like a bulls--t thing like Ultraviolet or something like that... It's as crazy as anything else that I have ever done. It's a movie that nobody can get made with the ending that it has and the subject matter."

Zack Snyder[18]

Development

Sucker Punch first gained attention in March 2007. Snyder put the project aside to work on Watchmen first.[19][20] The film is co-written with Steve Shibuya, who is the author of the original score that the story is based on.[21][22] Snyder directed and produced with his wife and producing partner, Deborah Snyder, through their Cruel and Unusual Films banner. Wesley Coller is executive producing.[23]

Warner Bros. announced in early 2009 that they would distribute Sucker Punch due to the success of Snyder's previous film, Watchmen.[21][24][25]"They've never said, 'Ahh, it could have been shorter,' or, 'Too bad it's so R-ish.' And that's really cool. I'm challenging them again with Sucker Punch."[21][24][25] In early interviews, Snyder stated that he would make Sucker Punch an R-rated film, but a later interview he then stated that he was aiming for it to be rated PG-13.[26] In its theatrical release, the movie was ultimately rated PG-13. Snyder was ultimately forced to cut many crucial scenes before the film's release in order to satisfy the MPAA's censors, but claimed that the home media release of the film will be a director's cut and closer to his original vision.[27]

When Snyder was in San Diego hosting a Blu-ray live screening of Watchmen for Comic-Con, he handed out t-shirts for Sucker Punch featuring the first art for the film. The art was designed by Alex Pardee of Snafu Comics.[28] Pre-production began in June 2009 in Canada. Snyder's pre-production work includes continuing to draw and look at concept art. Snyder also added that he enjoys the freedom of filming his own original script.[29] Photographer Clay Enos was hired to take still pictures on set and to take portraits of the main girls.[30]

Snyder has stated one interpretation of the film is that it is a critique on geek culture’s sexism and objectification of women.[27]

Casting

Cast of Sucker Punch at the 2010 San Diego Comic-Con International.

Before casting started in March 2009,[31] Snyder revealed his ideal cast for the feature film.[32] Snyder decided to go with an all-female cast with this film saying that "I already did the all-male cast with 300, so I’m doing the opposite end of the spectrum", contradicting the "no female leads" stance Warner Bros. took in 2007.[33][34][35]

Snyder had tapped Amanda Seyfried first for the lead role, "Baby Doll."[31] "We'll see. We're trying to, so...She's great. It would be great if it worked out", Snyder said when asked if Seyfried was up for the role.[36][37][38] Snyder had also offered roles to Abbie Cornish, Evan Rachel Wood, Emma Stone, and Vanessa Hudgens.[39] Despite Snyder's aim to have her play the role of "Baby Doll", the actress turned it down due to conflicting schedules between the film and her HBO series Big Love.[40] Days later, Browning agreed to replace Seyfried in the role. During the confirmation of her involvement, Hudgens, Wood, Cornish and Stone were all still in talks.[9]

Wood dropped out of the project due to scheduling conflicts with her recurring role in HBO's True Blood and her stage production of Spider-Man.[41] She was later replaced by Malone for the role of "Rocket".[42] Chung signed up for the role of "Amber" which Stone was supposedly tapped to portray.[11][13] Gugino, who was cast as "Madam Gorski", a psychiatrist in the asylum, previously worked with Snyder on Watchmen.[43] Hamm was confirmed in late August 2009 to be playing "High Roller." Isaac was also tapped at around the same time.[17][44][45]

Snyder confirmed that Glenn agreed to be involved in the project, portraying "The Wise Man".[16] Hudgens describes her role as the "tough one."[46][47] "I'm so stoked about it", she said. "I kept telling everyone, 'I want to do an action film.' But they were like, 'Maybe in a few years.' So I'm like, 'Ha, in your face. I am doing one now!'"[48] Each of the five girls has two characters—one is in the real world and the other one in the fever dreams.[49]

Training

Prior to filming, the cast had trainings and fight evaluations. Training lasted for 12 weeks. It started June 2009 in Los Angeles and continued through filming. The main girls in the film were told to deadlift up to 210 pounds (95 kg) for their roles. Damon Caro, the stunt coordinator from 300 and Watchmen, Snyder's previous films was hired for the stunts, training and fight choreography in the movie.[49][50] The other cast members started training without Hudgens while she was filming other films, including Beastly.[51] Snyder tells that when the girls are fighting, "[like] they're on their way to kill a baby dragon, they've killed all of these orc-like creatures and they're entering a door [and] it's this classic, real Navy SEAL style room clearing. They have machine guns but they're fighting mythic creatures, impossible creatures. The hand to hand stuff is all brutal, because Damon [Caro] did all the [fights] in Bourne and it has that vibe to it."[52] In the characters' imaginations, Snyder remarks that "they can do anything."[53]

Abbie Cornish reveals that the rest of them were training, prior to filming, six hours a day, five days a week, and were oriented with martial fighting, swords and choreography.[10] Damon Caro, known for choreographing stunts from films like 300 and the Bourne film series, worked with Snyder again for Sucker Punch as he has previously worked on all of Snyder's past films.[54][55][56]

Production and design

With an $82 million budget,[57] production took place in September 2009 and was expected to last until January 2010 in Vancouver and Toronto.[4][58] Originally, production would have started on June 2009, but it was postponed.[59] Production concluded on January 22, 2010.[60] Snyder confirms that prior to the set production date, he already shot some fantasy sequences for Sucker Punch.[29] Snyder shares that the film is a "stylized motion picture about action and sort of landscapes of the imagination and things of that nature." Snyder has been decided on the film's title for some time and says it concerns a pop-culture reference. "It's about hopefully what the movie feels like when you watch it, more than a specific 'Oh, it's a story of this person.' It's all stylized."[61]

The film includes an imaginary brothel that the five girls enter in the alternate reality, where singing and dancing take place. Hudgens was featured in a lush dancing scene and does a techno-belly dance musical number in the cavernous night club set while the character of Browning is tangling with a mutant German officer.[5] It also includes dragons, aliens and a scenario of World War I due to the time setting of the film. Snyder expressed his interest in the film's content:

On the other hand, though it's fetishistic and personal, I like to think that my fetishes aren't that obscure. Who doesn't want to see girls running down the trenches of World War One wreaking havoc? I'd always had an interest in those worlds — comic books, fantasy art, animated films. I'd like to see this, that's how I approach everything, and then keep pushing it from there.[5]

Rick Carter served as production designer[62] while the visual effects of the film were done by Animal Logic with 75 visual effects specialists, and the Moving Picture Company (MPC) who were awarded over 120 shots.[63] Sucker Punch operates on three levels—a reality, then a sub-reality where the psych ward world shifts into a strange high-roller's brothel. The final level is made up of a dream world where more action sequences that are removed from time and space take place.[10] Warner Bros. announced earlier that Sucker Punch would be released in 3D format.[64] Zack Snyder describes the conversion into 3D as a completely different process.[65] However, it was later announced that the film will not be presented in 3D.

Snyder wanted to design the movie to where there's no limits on him at all, considering that he had co-written the script and this is his first original film not based on any earlier references, and says it is the most difficult part. He adds that he still wants it to "be a cool story and not just like a video game where you’re just loose and going nuts."[66] Sucker Punch is into a mix of real and digital, with the night club built next door to the First World War trenches, a castle's partial facade — dragons to be added later — and the grim asylum hallways.[5]

Music

Untitled

Music plays an integral role in the movie. "In the story, music is the thing that launches them into these fantasy worlds", Snyder explains.[33] Music becomes the backbone of the film. They used actual songs for Sucker Punch that would create suitable moods. It plays an important factor in the film and is used as it was in Moulin Rouge!, according to Snyder.[21] Dance choreography was spearheaded by Paul Becker, with Jeff Dimitriou as associate. Carla Gugino, who plays a "madam" in the brothel, had to take singing lessons for scenes wherein she plays a choreographer madam in the brothel.[14] The brothel scenario would have "sexy" songs, as Jamie Chung described, and dance fantasy scenes.[67] Due to time constraints, Snyder was forced to cut out most of the dance sequences for the theatrical cut of the film, but there is one during the credits. He did mention that for the home media release of the film's "director's cut", the dance scenes will be re-inserted.[27]

As of September 2009, Chung remarked that they already began recording tracks for Sucker Punch.[55] Oscar Isaac reveals that the songs used in the film aren't going to be original but they are going to be new arrangements of existing music.[68]

On the official "Sucker Punch" website, it is stated that Tyler Bates (who composed all of Snyder's previous live-action films) and Marius de Vries (who composed the score for the film Moulin Rouge!) are scoring Sucker Punch. The official trailers contain samples from the songs "Prologue" by Immediate Music, "Crablouse" by Lords of Acid, "When the Levee Breaks" by Led Zeppelin, "Tomorrow Never Knows" by The Beatles, "And Your World Will Burn" by Cliff Lin, and "Panic Switch" by the Silversun Pickups.

Sucker Punch (Original Motion Picture Soundtrack) was released on March 22, 2011[69] by WaterTower Music. The soundtrack album contains nine tracks, all covers, remixes and mash-ups (as the label website says, "wildly re-imagined versions of classic songs") by Alison Mosshart, Björk, Queen and performances from stars Emily Browning, Carla Gugino, and Oscar Isaac.

Track listing

No.TitleArtistLength
1."Sweet Dreams (Are Made of This)"Emily Browning5:18
2."Army of Me (Sucker Punch Remix)"Björk featuring Skunk Anansie6:50
3."White Rabbit"Emilíana Torrini5:07
4."I Want It All / We Will Rock You Mash-Up"Queen featuring Armageddon aka Geddy5:07
5."Search and Destroy"Skunk Anansie4:24
6."Tomorrow Never Knows"Carla Azar and Alison Mosshart7:35
7."Where Is My Mind?"Yoav and Emily Browning6:08
8."Asleep"Emily Browning4:20
9."Love Is the Drug"Carla Gugino & Oscar Isaac4:12

Marketing

Sucker Punch participated in the Comic-Con 2010 and showed the first footage of the film, featuring the songs "Prologue" by Immediate Music and "The Crablouse" by Lords of Acid. The trailer was released on Tuesday July 27 on Apple Trailers. The second official trailer was released on Wednesday November 3 and was attached to Due Date, Harry Potter and the Deathly Hallows Part 1, and Black Swan.[65] In February 15 Titan Books released the official "Art Of The Film" book full of pictures, stills in a way to celebrate the film's release in the next month.

The film received a PG-13 rating. To avoid an R rating, a love scene was cut. Browning said, "I had a very tame and mild love scene with Jon Hamm... I think it's great for this young girl to actually take control of her own sexuality." She added, "[The MPAA] got Zack to edit the scene and make it look less like she's into it. Zack said he edited it down to the point where it looked like he was taking advantage of her. That's the only way he could get a PG-13 [rating] and he said, 'I don't want to send that message.'"[70]

Reception

Critical reaction

Sucker Punch has received mostly negative reviews from critics. Rotten Tomatoes reports that only 21% of 106 critics have given the film positive reviews.[71] As of March 26, 2011, the film holds a 35 out of 100 on Metacritic, signifying "Generally Unfavorable" reviews among 23 critics.[72] Richard Roeper gave the film a D, saying that it "proves a movie can be loud, action-packed and filled with beautiful young women—and still bore you to tears."[73] Roger Moore of the Orlando Sentinel gave the movie one out of four stars saying that the film is "an unerotic unthrilling erotic thriller in the video game mold, Sucker Punch is Last Airbender with bustiers."[74] A.O. Scott of The New York Times stated that there is nothing in the movie to enjoy beyond the tiny satisfaction in noting the movie lives up to its name.[75]

However, Andrew O'Hehir of Salon.com describes the film a "vertiginous thrill ride" that "gives us what we want (or what we think we want, or what he thinks we think we want)."[76] Betsy Sharkey from the Los Angeles Times also wrote a positive review describing the film as "a wonderfully wild provocation" and "an intemperate and utterly absorbing romp through the id" that she said she wouldn't have missed for the world.[77] Also Rene Rodriguez and Shawn Levy gave a positive reaction.

Box Office

Sucker Punch made $19,058,199 in its first weekend, reports Brandon Gray of BoxOfficeMojo, an opening that placed it behind Diary of a Wimpy Kid: Rodrick Rules[78] The total receipts for the opening weekend, inclusive of US$6,500,000 internationally, was $25,558,199 worldwide ; placing it in front of Wimpy Kid for the weekend.

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