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Soylent Green

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Soylent Green
theatrical release poster by John Solie
Directed byRichard Fleischer
Screenplay byStanley R. Greenberg
Produced byWalter Seltzer
Russell Thacher
StarringCharlton Heston
Leigh Taylor-Young
Edward G. Robinson
CinematographyRichard H. Kline
Edited bySamuel E. Beetley
Music byFred Myrow
Distributed byMetro-Goldwyn-Mayer
Release date
  • April 19, 1973 (1973-04-19)
Running time
97 minutes
CountryTemplate:Film US
LanguageEnglish

Soylent Green is a 1973 American science fiction film directed by Richard Fleischer. Starring Charlton Heston, the film overlays the police procedural and science fiction genres as it depicts the investigation into the brutal murder of a wealthy businessman in a dystopian future suffering from pollution, overpopulation, depleted resources, poverty, dying oceans and a hot climate due to the greenhouse effect. Much of the population survives on processed food rations, including "soylent green".

The film, which is loosely based upon the 1966 science fiction novel Make Room! Make Room!, by Harry Harrison, won the Nebula Award for Best Dramatic Presentation and the Saturn Award for Best Science Fiction Film in 1973.

Plot

In the year 2022, the population has grown to forty million people in New York City alone. Most housing is dilapidated and overcrowded, and the homeless fill the streets and line the fire escapes and stairways of buildings. Food as we know it in present times is a rare and expensive commodity. Most of the world's population survives on processed rations produced by the massive Soylent Corporation, including Soylent Red and Soylent Yellow, which are advertised as "high-energy vegetable concentrates." The newest product is Soylent Green, a small green wafer which is advertised as being produced from "high-energy plankton." It is much more nutritious and palatable than the red and yellow varieties, but, like most other food, it is in short supply, which often leads to food riots.

Robert Thorn (Charlton Heston) is a New York City Police Department detective in the 14th Precinct who lives in a dilapidated, cramped one-room apartment with his aged friend and roommate, Solomon "Sol" Roth (Edward G. Robinson, in his last film). Roth is a 'book,' a former professor who searches through the now-disordered remnants of written records to help Thorn's investigations. He tells Thorn about the time before the ecological disaster and population crisis, when real food was plentiful; however, Thorn is generally not interested in such stories, finding most of them too hard to believe.

Thorn is assigned to investigate the murder of William R. Simonson (Joseph Cotten). At the crime scene, he finds Simonson lying in a pool of blood after having been struck multiple times in the back of the head. Instead of looking for clues, the poorly paid detective helps himself to the wealthy man's food, liquor, shower (with real hot water and soap), and books. He questions Shirl (Leigh Taylor-Young), an attractive 21 year old concubine (euphemistically known as "furniture") who comes with the apartment, and Simonson's bodyguard, Tab Fielding (Chuck Connors), who claims that he was told to escort Shirl on a shopping trip when the attack took place.

Returning to his apartment, Thorn gives Roth the Soylent Oceanographic Survey Report, 2015 to 2019, a two-volume work which he took from Simonson's apartment. Thorn returns to work and talks to his superior officer, Lieutenant Hatcher (Brock Peters), telling him that he suspects it may have been an assassination, since nothing was stolen from the apartment and the murder seemed professional. He finds it odd that the luxury apartment's sophisticated alarm and monitoring electronics happened to be inoperative on the night of the murder, and his bodyguard just happened to be out of the apartment at the time.

After questioning the bodyguard's 'Furniture', Thorn returns to his own apartment to eat a meal of the purloined food, where Roth tells him that Simonson was a member of the board of directors of the Soylent Corporation. When he presents Roth with a spoon of strawberry jam surreptitiously palmed from Fielding's apartment, Roth tastes it and declares that Fielding's "furniture" is eating some "$150 a jar" strawberry jam, which is an out-of-place luxury for the mistress of a bodyguard. Thorn returns to question Shirl again; she tells him that Simonson became deeply troubled in the days before his death, even taking her to church. Thorn later attempts to question the priest about Simonson's confession, but the priest is almost catatonic with exhaustion and has a hard time remembering Simonson, even though such a rich man would have stood out among the impoverished people who normally frequent the church. When the priest remembers Simonson, he tells Thorn that the memory of what Simonson told him was haunting, and is unable to describe what Simonson said. Fielding later murders the priest, suspecting him of telling Thorn about Simonson's confession, and ensuring there is no possibility of him telling anyone else. After Thorn begins uncovering evidence as to why Simonson was murdered, New York State's Governor, Joseph Santini (Whit Bissell), who was once Simonson's partner in a high-profile law firm and who is running for re-election (as shown in the campaign posters on such walls as that of Hatcher's office), instructs Hatcher to close the investigation. However, Thorn continues his investigation into the murder. When Thorn is on riot duty during the distribution of rations, Simonson's murderer is dispatched by the Soylent Corporation to kill him during an inevitable food riot, and fires several shots at Thorn, but then the attacker is crushed to death under the "scoop" of a riot control vehicle.

Roth examines Soylent's oceanographic reports at the "Supreme Exchange," a library and gathering place for fellow "books." Roth and his fellows finally realize that the reports indicate a "horrible" truth which, despite reading it for themselves, they find nearly impossible to believe. The worldwide oceans have died and can no longer produce the plankton from which Soylent Green is officially said to be made. The leader of the Supreme Exchange tells Roth that they must have proof of what the Soylent Corporation is doing before they bring their findings to the Council of Nations (ostensibly, a reformed United Nations). Unable to live with what he has uncovered, Roth opts for assisted suicide at a government clinic in Madison Square Garden, which had been converted for mass euthanasia, a process referred to as "going home." As Roth is dying, he listens to light classical music and watches video clips of Earth long ago when animal (sheep, deer and horses) and plant life were thriving and there was no pollution. Thorn forces the staff to allow him to see and talk to Roth. During Roth's final moments, overcome with emotion, he tells Thorn the secret of Soylent Green, and begs him to follow his body to the processing center, and report back to the "Supreme Exchange."

Thorn sneaks into the basement of the assisted suicide facility, where he sees corpses being loaded onto waste disposal trucks. He secretly hitches a ride on one, which is driven to a heavily guarded waste disposal plant. Once inside the plant, Thorn sees how the corpses are processed into Soylent Green wafers. Thorn escapes and heads for the "Supreme Exchange," but is ambushed by Fielding and several other gunmen who are waiting for him. He retreats into a cathedral filled with homeless people. After a desperate fight through throngs of sleeping homeless, Thorn kills Fielding.

When police backup arrives, the seriously wounded and nearly hysterical Thorn confides to Hatcher the horrible secret behind Soylent Green, finally urging him to spread the word: "Soylent Green is PEOPLE!"

Cast

Production

The screenplay was based on the 1966 Harrison novel Make Room! Make Room!, which is set in the year 1999 with the theme of overpopulation and overuse of resources leading to increasing poverty, food shortages, and social disorder as the next millennium approaches. Harrison was contractually prevented from having any control over the screenplay and kept from knowing during negotiations that it was MGM buying the film rights;[1] He discussed the adaptation in Omni's Screen Flights/Screen Fantasies (1984, ISBN 0385192029; edited by Danny Peary),[1] noting that the "murder and chase sequences [and] the 'furniture' girls are not what the film is about — and are completely irrelevant" and answered his own rhetorical question "Am I pleased with the film? I would say fifty percent."[1]

While the book refers to "soylent steaks", it makes no reference to "Soylent Green", the processed food rations depicted in the film. The book's title was not used for the movie since it might have confused audiences into thinking it was a big-screen version of Make Room for Daddy.[2]

This was the 101st and last movie in which Edward G. Robinson appeared. He died from cancer twelve days after the shooting was done, on January 26, 1973. Heston was the only member of the crew that Robinson told (just before filming the scene of Robinson's character's death), knowing that this knowledge would deeply affect Heston, and therefore his playing of the scene.[3][4] Robinson had previously worked with Heston in The Ten Commandments (1956).

Music

In the film, after the aged Roth learns the truth about Soylent Green, he decides he "has lived too long", and states that he is "going home". By this, he means that he is going to sign up for government-assisted suicide. When Roth arrives at the clinic, he is asked to select a lighting scheme and a type of music for the death chamber. Roth selects orange-hued lights and "light classical" music. When he goes to the death chamber, a selection of classical music (Tchaikovsky, Beethoven and Grieg) plays through speakers, and films are projected on large screens. As Thorn arrives and gazes upon his dying friend, Dick Van Patten utters his famous line "It's truly unfortunate that you missed the overture."

The "going home" score in this part of the film was conducted by Gerald Fried and consists of the main themes from Symphony No. 6 ("Pathétique") by Tchaikovsky, Symphony No. 6 ("Pastoral") by Beethoven, and the Peer Gynt Suite ("Morning Mood" and "Åse's Death") by Edvard Grieg. As the music plays, scenes of majestic natural beauty are projected on film screens: "deer in woods, trees and leaves, sunsets beside the sea, birds flying overhead, rolling streams, mountains, fish and coral, sheep and horses, and lots and lots of flowers — from daffodils to dogwoods." Amidst the music and the scenes of nature, Roth remembers the world as it once was. Yet, he cannot peacefully take his last breath as he is pained by the beauty lost and cannot stand the awfulness of the real world. Roth struggles to tell Thorn about the secret of "Soylent Green", (muttering "The Corporation... they're processing people") urging him to "prove it" before taking his dying breath.

Critical response

Time called it "intermittently interesting"; they note that "Heston forsak[es] his granite stoicism for once" and assert the film "will be most remembered for the last appearance of Edward G. Robinson...In a rueful irony, his death scene, in which he is hygienically dispatched with the help of piped-in light classical music and movies of rich fields flashed before him on a towering screen, is the best in the film."[5] New York Times critic A.H. Weiler wrote "Soylent Green projects essentially simple, muscular melodrama a good deal more effectively than it does the potential of man's seemingly witless destruction of the earth's resources"; Weiler concludes "Richard Fleischer's direction stresses action, not nuances of meaning or characterization. Mr. Robinson is pitiably natural as the realistic, sensitive oldster facing the futility of living in dying surroundings. But Mr. Heston is simply a rough cop chasing standard bad guys. Their 21st-century New York occasionally is frightening but it is rarely convincingly real."[6]

As of June 2011[needs update], Soylent Green has a 73% rating on Rotten Tomatoes, based on 30 reviews.[7]

American Film Institute Lists

Home video

Soylent Green was released on laserdisc by MGM/UA in 1992 (ISBN 0792813995, OCLC 31684584).[10] In November 2007, Warner Home Video released the film on DVD concurrent with the DVD releases of Logan's Run and Outland, "two other '70s sci-fi classics."[11]

Cultural impact

Soylent Green is referred to in a number of television series and other media, either for dramatic or comedic effect. The film was referenced in an episode of the US television sitcom Barney Miller (1975–1982), which was set in a New York City police station in Greenwich Village.

The animated American sitcom Futurama, which is set in the year 3000, presents soylent based foods as being normal parts of human diet, with their cannibalistic nature fully accepted. The show, created by Matt Groening, depicts billboards that advertise a variety of "soylent" foods, including "soylent cola" (the taste of which, according to Leela, "varies from person to person"). Also, in the episode "30% Iron Chef" (based on Iron Chef) the main ingredient is Soylent Green, causing one judge to comment "Soylent Green is my kind of people!"

Groening also makes references to soylent green food in several episodes of the animated comedy show The Simpsons. Also, in the episode "Million Dollar Abie" when Grandpa attempts to commit assisted suicide, the doctor asks him what music he wants to hear and what he wants to watch, (He chooses the Glenn Miller Orchestra and a video of cops beating up hippies).

In the American crime drama television series Millennium (1996–1999), the main character Frank Black (Lance Henriksen) uses the phrase "Soylent Green is people" as a login to the Millennium Group Database.[12]

In the American comedy television series Mystery Science Theatre 3000, during episode 507, the main characters watch a short film on modern farming. Crow T. Robot mocks the mass-production of vegetables by quipping "Soylent Green is made of people!"

In Jonathan Coulton's Christmas song "Chiron Beta Prime," Soylent Green is jokingly referenced as the holiday food of the enslaved humans.

The mockumentary dark comedy film Drop Dead Gorgeous features a beauty pageant contestant who performs a monologue from Soylent Green, ending with the famous line "Soylent Green is people."

A 1993 episode of Saturday Night Live purported that Soylent Green had been made into a franchise, consisting of increasingly unsuccessful cinematic sequels. All clips shown played off the dramatic final scene of the original film. A clip from the fifth sequel, Soylent Green II, shows Thorn (played by Charlton Heston (Phil Hartman)) crying, "Soylent Green is STILL made out of people! They didn't change the recipe like they said they were going to! It's STILL people!!"[13]

In Summer of 2011, a green wafer containing plankton under the Soylent Green brand was released. Created and produced by The Parallax Corporation,[14] and manufactured under official license, its packaging is an imaginary conceptualization of how Soylent Green might have been sold.[15]

References

  1. ^ a b c Jeff Stafford. "Soylent Green (1973)". Turner Classic Movies. Retrieved 2011-06-12.
  2. ^ Harry Harrison (1984). "A Cannibalised Novel Becomes Soylent Green". Omni's Screen Flights/Screen Fantasies. IOL.ie. Retrieved 2009-09-07.
  3. ^ Old School Reviews
  4. ^ The Sci-Fi Legacy of Charlton Heston, an April 6, 2008 obituary from cineleet.com
  5. ^ "Cinema: Quick Cuts". Time. April 30, 1973. Retrieved 2011-06-12.
  6. ^ A.H. Weiler (April 20, 1973). "Soylent Green (1973)". The New York Times. Retrieved 2011-06-12.
  7. ^ "Soylent Green Movie Reviews, Pictures". Rotten Tomatoes. Retrieved 2011-06-12.
  8. ^ AFI's 100 Years...100 Thrills Nominees
  9. ^ AFI's 10 Top 10 Ballot
  10. ^ "Soylent green / Metro-Goldwyn-Mayer, Inc". Miami University Libraries. Retrieved 2011-06-12.
  11. ^ "The Future Is Then". New York Sun. November 27, 2007. Retrieved 2011-06-12.
  12. ^ Link text
  13. ^ Saturday Night Live Transcripts http://snltranscripts.jt.org/92/92osoylent.phtml. {{cite web}}: Missing or empty |title= (help)
  14. ^ http://www.parallax-corp.com
  15. ^ http://www.buysoylentgreen.com
Awards and achievements
Preceded by Saturn Award for Best Science Fiction Film
1973
Succeeded by