Starless

Not to be confused with Starless and Bible Black.

"Starless"
Song by King Crimson
from the album Red
Released	6 October 1974
Recorded	August 1974
Studio	Olympic, London
Genre	Progressive rock jazz-rock progressive metal
Length	12:18
Label	Atlantic
Composer(s)	Bill Bruford David Cross Robert Fripp John Wetton
Lyricist(s)	Richard Palmer-James John Wetton
Producer(s)	King Crimson

"Starless" is a suite by English progressive rock band King Crimson. It is the final track on their seventh studio album, Red, released on 6 October 1974.

Background

The original chords and melody for "Starless" were written by John Wetton, who intended the song to be the title track of the group's previous album Starless and Bible Black. Robert Fripp and Bill Bruford initially disliked the song and declined to record it for that album. Instead the group chose an instrumental improvisation as the title track. However, "Starless" was later revived, its lyrics altered and a long instrumental section (based on a bass riff written by Bruford) added to it, and performed live between March and June 1974. For the Red recording sessions, the lyrics were again altered (with contributions by Richard Palmer-James). The introductory theme, originally played by David Cross, was taken over by the guitar, with Fripp making minor alterations to the melody. As the title "Starless and Bible Black" had already been used, the original title was shortened to "Starless".

Composition

The piece is 12 minutes and 18 seconds in length, the longest on the Red album. It starts with mellotron strings, electric guitar and a saxophone. These introduce a vocal segment in conventional verse-chorus structure.

The middle section of the song is a build-up of dynamics and tone in 13/4. Starting with John Wetton's bass, shortly after joined by Bill Bruford on woodblocks and cymbals, it gradually progresses and increases until the entire drum kit is utilized. Robert Fripp's guitar repeats a single note theme on two adjacent guitar strings, gradually ascending in pitch while steadily increasing the loudness and distortion in line with the bass, while Bruford's drumming becomes more chaotic and complex. The tempo of this section remains consistent.

The song's final section begins with an abrupt transition to a fast, jazzy saxophone solo with distorted guitars and bass, expressive tribal drumming, and the tempo doubling up to a time signature of 13/8. Variations of the middle section's bassline are played under Fripp's layered and overdriven guitar parts. The saxophone returns to play a reprise of the vocal melody, then the final section is repeated with more overdubs from Fripp. Finally, the song ends with a reprise of the opening melody, played on the saxophone instead of the guitar.

Though the phrase "Starless and Bible Black" serves both as the chorus for the song's vocal segment and as the title of an instrumental track on the album Starless and Bible Black, there is little apparent similarity between the two pieces.

Personnel

• Robert Fripp – guitar, Mellotron
• John Wetton – vocals, bass
• Bill Bruford – drums, percussion

with:

• Mel Collins – soprano saxophone
• Ian McDonald – alto saxophone
• Uncredited – cello, double bass

Cover versions

Recorded cover versions of Starless include those by: Neal Morse, Mike Portnoy, and Randy George; Craig Armstrong, on his album As If to Nothing as "Starless II"; Banco de Gaia, on their album Memories Dreams Reflections; The Unthanks, on their 2011 album Last; the Crimson Jazz Trio, on their album King Crimson Songbook Volume One (2005).

The song has been covered live by Asia, a supergroup of which John Wetton was a founding member; 21st Century Schizoid Band, a group made up of earlier members of King Crimson (save for Jakko Jakszyk, who would later join King Crimson); After Crying, a Hungarian symphonic rock band, with guest vocals by Wetton; U.K., one of whose members was once again Wetton; and District 97, yet again featuring vocals from Wetton.

External links

• Template:MetroLyrics song