H. P. Lovecraft: Against the World, Against Life
 Cover artwork to the American and UK edition | |
| Author | Michel Houellebecq |
|---|---|
| Original title | H. P. Lovecraft : Contre le monde, contre la vie |
| Translator | Dorna Khazeni |
| Language | French |
| Subject | H. P. Lovecraft |
Publication date | 1991 |
| Publication place | France |
Published in English | May 2005 |
| Media type | |
| Pages | 150 pp |
| ISBN | 1-932416-18-8 |
| OCLC | 60350259 |
H. P. Lovecraft: Against the World, Against Life (French: H. P. Lovecraft : Contre le monde, contre la vie) is a work of literary criticism by French author Michel Houellebecq regarding the works of H. P. Lovecraft. The English-language edition for the American and UK market was translated by Dorna Khazeni and features an introduction by American novelist Stephen King. In some editions the book also includes[citation needed] two of Lovecraft's best known short stories: "The Call of Cthulhu" and "The Whisperer in Darkness."
Overview
In this early published work (which he calls his "first novel"), Houellebecq describes having discovered Lovecraft as a teenager and being struck by how each story was, as he describes, "an open slice of howling fear." He describes a fascination with Lovecraft's anti-modernity,[1] what he supposes is Lovecraft's profound hatred of life and philosophical denial of the real world; Houellebecq notes that his works include "not a single allusion to two of the realities to which we generally ascribe great importance: sex and money." He posits Lovecraft as an American existentialist for whom both life and death are meaningless. He also praises what he sees as Lovecraft's rejection of democracy and progressivism.[2]
Also noted is Houellebecq's exegesis of Lovecraft's racial preoccupations, which he traces to a 24-month period during which Lovecraft lived in the comparatively racially mixed New York City of the 1920s,[3] where, Houellebecq says, Lovecraft learned to take "racism back to its essential and most profound core: fear." He notes the recurring image in Lovecraft's fiction of a mammoth, hideous city teeming with terrifying beings.[2]
Houellebecq’s acceptance of Schopenhauer's philosophy [4] had a marked influence on his reaction to Lovecraft.
References
- ^ Gessen, Keith (2005-04-18). "From Beyond: Michel Houellebecq, France's bard of sex and anomie, finds an unlikely kindred spirit in H. P. Lovecraft". New York. Retrieved 2008-05-21.
{{cite news}}: Cite has empty unknown parameter:|coauthors=(help) - ^ a b Hoberman, J. (2005-05-10). "The Fear: Michel Houellebecq gives the legendary Lovecraft a new platform". The Village Voice. Retrieved 2008-05-21.
{{cite news}}: Cite has empty unknown parameter:|coauthors=(help) - ^ Wolk, Douglas (2005-04-17). "Houellebecq on Lovecraft". New York Times. Retrieved 2008-05-21.
{{cite news}}: Cite has empty unknown parameter:|coauthors=(help) - ^ …we should take seriously Houellebecq’s engagement with Schopenhauer if we are to gain a fuller understanding of his diagnosis of our contemporary condition, and his proposed 'solutions'. (Douglas Morrey, Humanity and its Aftermath)
