Ma Rainey
Ma Rainey | |
---|---|
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Background information | |
Birth name | Gertrude Pridgett |
Born | 1882 or Columbus, Georgia, U.S. | April 26, 1886
Died | (aged 53) Rome, Georgia, U.S. |
Genres | |
Occupation(s) | Vocalist |
Years active | 1899–1933 |
Labels | Paramount |
"Ma" Rainey (born Gertrude Pridgett, September 1882[1] or April 26, 1886 – December 22, 1939)[2] was one of the earliest African-American professional blues singers and one of the first generation of blues singers to record.[3] She was billed as the "Mother of the Blues".
She began performing as a teenager and became known as Ma Rainey after her marriage to Will Rainey, in 1904. They toured with the Rabbit Foot Minstrels and later formed their own group, Rainey and Rainey, Assassinators of the Blues. Her first recording was made in 1923. In the next five years, she made over 100 recordings, including "Bo-Weevil Blues" (1923), "Moonshine Blues" (1923), "See See Rider Blues" (1924), "Black Bottom" (1927), and "Soon This Morning" (1927).[4]
Rainey was known for her powerful vocal abilities, energetic disposition, majestic phrasing, and a "moaning" style of singing. Her qualities are present and most evident in her early recordings "Bo-Weevil Blues" and "Moonshine Blues".
Rainey recorded with Louis Armstrong, and she toured and recorded with the Georgia Jazz Band. She continued to tour until 1935, when she retired and went to live in her hometown.[2]
Early life
Pridgett claimed to have been born on April 26, 1886 (beginning with the 1910 census, taken April 25, 1910), in Columbus, Georgia.[5] However, the 1900 census indicates she was born in September 1882 in Alabama, and researchers Bob Eagle and Eric LeBlanc suggest that her birthplace was in Russell County, Alabama.[1][6] She was the second of five children of Thomas and Ella (née Allen) Pridgett, from Alabama. She had at least two brothers and a sister, Malissa, with whom Gertrude was later confused by some writers.[5]
Early career
She began her career as a performer at a talent show in Columbus, Georgia, when she was about 12 to 14 years old.[2][7] A member of the First African Baptist Church, she began performing in black minstrel shows. She later claimed that she was first exposed to blues music around 1902.[8] She formed the Alabama Fun Makers Company with her husband, Will Rainey, but in 1906 they both joined Pat Chappelle's much larger and more popular Rabbit's Foot Company, in which they were billed together as "Black Face Song and Dance Comedians, Jubilee Singers [and] Cake Walkers".[9] In 1910, she was described as "Mrs. Gertrude Rainey, our coon shouter".[9] She continued with the Rabbit's Foot Company after it was taken over by a new owner, F. S. Wolcott, in 1912.[2]
Beginning in 1914, the Raineys were billed as Rainey and Rainey, Assassinators of the Blues. Wintering in New Orleans, she met numerous musicians, including Joe "King" Oliver, Louis Armstrong, Sidney Bechet and Pops Foster. As the popularity of blues music increased, she became well known.[10] Around this time, she met Bessie Smith, a young blues singer who was also making a name for herself.[A] A story later developed that Rainey kidnapped Smith, forced her to join the Rabbit's Foot Minstrels, and taught her to sing the blues; the story was disputed by Smith's sister-in-law Maud Smith.[11]
Recordings
From the late 1910s, there was an increasing demand for recordings by black musicians.[12] In 1920, Mamie Smith was the first black woman to be recorded.[13] In 1923, Rainey was discovered by Paramount Records producer J. Mayo Williams. She signed a recording contract with Paramount, and in December she made her first eight recordings in Chicago,[14] including "Bad Luck Blues", "Bo-Weevil Blues" and "Moonshine Blues". She made more than 100 other recordings over the next five years, which brought her fame beyond the South.[2][15] Paramount marketed her extensively, calling her the "Mother of the Blues", the "Songbird of the South", the "Gold-Neck Woman of the Blues" and the "Paramount Wildcat".[16]
In 1924 she made some recordings with Louis Armstrong, including "Jelly Bean Blues", "Countin' the Blues" and "See, See Rider".[17] In the same year she embarked on a tour of the Theater Owners Booking Association (TOBA) in the South and Midwest of the United States, singing for black and white audiences.[18] She was accompanied by the bandleader and pianist Thomas Dorsey and the band he assembled, the Wildcats Jazz Band.[19] They began their tour with an appearance in Chicago in April 1924 and continued, on and off, until 1928.[20] Dorsey left the group in 1926 because of ill health and was replaced as pianist by Lillian Hardaway Henderson, the wife of Rainey's cornetist Fuller Henderson, who became the band's leader.[21]
Although most of Rainey's songs that mention sexuality refer to love affairs with men, some of her lyrics contain references to lesbianism or bisexuality,[22] such as the 1928 song "Prove It on Me":
They said I do it, ain't nobody caught me.
Sure got to prove it on me.
Went out last night with a crowd of my friends.
They must've been women, 'cause I don't like no men.[23]
According to the website queerculturalcenter.org, the lyrics refer to an incident in 1925 in which Rainey was "arrested for taking part in an orgy at [her] home involving women in her chorus."[24] The political activist and scholar Angela Y. Davis noted that "'Prove It on Me' is a cultural precursor to the lesbian cultural movement of the 1970s, which began to crystallize around the performance and recording of lesbian-affirming songs."[25]
Towards the end of the 1920s, live vaudeville went into decline, being replaced by radio and recordings.[21] Rainey's career was not immediately affected; she continued recording for Paramount and earned enough money from touring to buy a bus with her name on it.[26] In 1928, she worked with Dorsey again and recorded 20 songs, before Paramount terminated her contract.[27] Her style of blues was no longer considered fashionable by the label.[28]
Death
In 1935, Rainey returned to her hometown, Columbus, Georgia, where she ran three theatres, the Lyric, the Airdrome, and the Liberty Theatre[29] until her death. She died of a heart attack in 1939, at the age of 53[30] (or 57, according to the research of Bob Eagle), in Rome, Georgia.[31]
Legacy
Honours and awards
Rainey was inducted into the Blues Foundation's Hall of Fame in 1983 and the Rock and Roll Hall of Fame in 1990.[32]
In 1994, the U.S. Post Office issued a 29-cent commemorative postage stamp honoring her.
In 2004, "See See Rider Blues" (performed in 1924) was inducted into the Grammy Hall of Fame and was added to the National Recording Registry by the National Recording Preservation Board of the Library of Congress.[33]
The first annual Ma Rainey International Blues Festival was held in April 2016 in Columbus, Georgia, near the home that Rainey owned and lived in at the time of her death.[34][35]
In 2017, the Rainey-McCullers School of the Arts opened in Columbus, Georgia, named in honor of Rainey and author Carson McCullers.[36]
References and portrayals
In 1981 Sandra Lieb wrote the first full-length book about Rainey, Mother of the Blues: A Study of Ma Rainey.
Ma Rainey's Black Bottom, a 1982 play by August Wilson, is a fictionalized account of the recording of her song of the same title in December 1927. Whoopi Goldberg starred as Rainey in the Broadway production. Viola Davis will portray Rainey in a film adaption of the play, set to be distributed by Netflix.
Sterling A. Brown wrote a poem, "Ma Rainey", in 1932, about how "When Ma Rainey / comes to town" people everywhere would hear her sing.
Comedienne Mo'Nique played Rainey in the 2015 film Bessie.
Recordings
This sortable table presents all 94 titles recorded by Rainey.[37]
- The recording dates are approximated.
- The classification, by Sandra Lieb, is almost entirely by form. Blues songs which are only partly of twelve-bar structure are classified as mixtures of blues and popular song forms. Songs without any twelve-bar or eight-bar structure are classified as non-blues.[38]
- The JSP and DOCD columns refer to the two complete CD reissues.[39][40]
- Click any label to sort. To return to chronological order, click #.
# | Matrix | Recording date |
Title | Accompaniment | Paramount issue no. |
Sandra Lieb classification |
JSP 77933 |
Document DOCD |
Notes |
---|---|---|---|---|---|---|---|---|---|
01 | 1596 | 1923/12 | "Bad Luck Blues" | Lovie Austin Blues Serenaders |
12081 | Twelve-bar blues | A | 5581 | |
02 | 1597 | 1923/12 | "Bo-Weavil Blues" | Lovie Austin Blues Serenaders |
12080 | Mixture of blues and popular song forms | A | 5581 | Another take on JSP & DOCD |
03 | 1598 | 1923/12 | "Barrel House Blues" | Lovie Austin Blues Serenaders |
12082 | Twelve-bar blues | A | 5581 | |
04 | 1599 | 1923/12 | "Those All Night Long Blues" | Lovie Austin Blues Serenaders |
12081 | Non-blues | A | 5581 | Another take on JSP & DOCD |
05 | 1608 | 1923/12 | "Moonshine Blues" | Lovie Austin Blues Serenaders |
12083 | Mixture of blues and popular song forms | A | 5581 | |
06 | 1609 | 1923/12 | "Last Minute Blues" | Lovie Austin Blues Serenaders |
12080 | Twelve-bar blues | A | 5581 | |
07 | 1612 | 1923/12 | "Southern Blues" | Lovie Austin Blues Serenaders |
12083 | Twelve-bar blues | A | 5581 | |
08 | 1613 | 1923/12 | "Walking Blues" | Lovie Austin Blues Serenaders |
12082 | Twelve-bar blues | A | 5581 | |
09 | 1698 | 1924/03 | "Lost Wandering Blues" | Pruit Twins | 12098 | Twelve-bar blues | A | 5581 | |
10 | 1699 | 1924/03 | "Dream Blues" | Pruit Twins | 12098 | Twelve-bar blues | A | 5581 | |
11 | 1701 | 1924/03 | "Honey Where You Been So Long?" | Lovie Austin Blues Serenaders |
12200 | Non-blues | A | 5581 | |
12 | 1702 | 1924/03 | "Ya-Da-Do" | Her Georgia Jazz Band | 12257 | Non-blues | A | 5581 | Another take on JSP & DOCD |
13 | 1703 | 1924/03 | "Those Dogs of Mine" "(Famous Cornfield Blues)" |
Lovie Austin Blues Serenaders |
12215 | Non-blues | A | 5581 | |
14 | 1704 | 1924/03 | "Lucky Rock Blues" | Lovie Austin Blues Serenaders |
12215 | Mixture of blues and popular song forms | A | 5581 | |
15 | 1741 | 1924/04 | "South Bound Blues" | Her Georgia Jazz Band | 12227 | Non-blues | A | 5581 | |
16 | 1758 | 1924/05 | "Lawd Send Me a Man Blues" | Her Georgia Jazz Band | 12227 | Non-blues | A | 5581 | |
17 | 1759 | 1924/05 | "Ma Rainey's Mystery Record" | Lovie Austin Blues Serenaders |
12200 | Twelve-bar blues | A | 5581 | |
18 | 1824 | 1924/08 | "Shave 'Em Dry Blues" | Two unknown guitars | 12222 | Eight-bar blues | B | 5581 | |
19 | 1825 | 1924/08 | "Farewell Daddy Blues" | Unknown guitar | 12222 | Twelve-bar blues | B | 5581 | |
20 | 1922 | 1924/10 | "Booze and Blues" | Her Georgia Jazz Band | 12242 | Twelve-bar blues | B | 5582 | |
21 | 1923 | 1924/10 | "Toad Frog Blues" | Her Georgia Jazz Band | 12242 | Twelve-bar blues | B | 5582 | |
22 | 1924 | 1924/10 | "Jealous Hearted Blues" | Her Georgia Jazz Band | 12252 | Twelve-bar blues | B | 5582 | |
23 | 1925 | 1924/10 | "See See Rider Blues" | Her Georgia Jazz Band | 12252 | Mixture of blues and popular song forms | B | 5582 | With Louis Armstrong; another take on JSP & DOCD |
24 | 1926 | 1924/10 | "Jelly Bean Blues" | Her Georgia Jazz Band | 12238 | Mixture of blues and popular song forms | B | 5582 | With Louis Armstrong |
25 | 1927 | 1924/10 | "Countin' the Blues" | Her Georgia Jazz Band | 12238 | Twelve-bar blues | B | 5582 | With Louis Armstrong; another take on JSP & DOCD |
26 | 10001 | 1924/11 | "Cell Bound Blues" | Her Georgia Jazz Band | 12257 | Mixture of blues and popular song forms | B | 5582 | |
27 | 2136 | 1925/05 | "Army Camp Harmony Blues" | Her Georgia Jazz Band | 12284 | Twelve-bar blues | B | 5582 | Another take on JSP & DOCD |
28 | 2137 | 1925/05 | "Explaining the Blues" | Her Georgia Jazz Band | 12284 | Twelve-bar blues | B | 5582 | Another take on JSP & DOCD |
29 | 2138 | 1925/05 | "Louisiana Hoo Doo Blues" | Her Georgia Jazz Band | 12290 | Twelve-bar blues | B | 5582 | |
30 | 2138 | 1925/05 | "Goodbye Daddy Blues" | Her Georgia Jazz Band | 12290 | Mixture of blues and popular song forms | B | 5582 | |
31 | 2209 | 1925/05 | "Stormy Seas Blues" | Her Georgia Band | 12295 | Twelve-bar blues | B | 5582 | Another take on DOCD5625 |
32 | 2210 | 1925/08 | "Rough and Tumble Blues" | Her Georgia Band | 12311 | Twelve-bar blues | B | 5582 | |
33 | 2211 | 1925/08 | "Night Time Blues" | Her Georgia Band | 12303 | Twelve-bar blues | B | 5582 | Another take on JSP & DOCD |
34 | 2212 | 1925/08 | "Levee Camp Moan" | Her Georgia Band | 12295 | Non-blues | B | 5582 | |
35 | 2213 | 1925/08 | "Four Day Honorary Scat" | Her Georgia Band | 12303 | Non-blues | B | 5582 | Misprint for "'Fore Day"; another take on JSP & DOCD |
36 | 2214 | 1925/08 | "Memphis Bound Blues" | Her Georgia Band | 12311 | Twelve-bar blues | B | 5582 | |
37 | 2369 | 1925/12 | "Slave to the Blues" | Her Georgia Band | 12332 | Twelve-bar blues | C | 5583 | |
38 | 2370 | 1925/12 | "Yonder Come the Blues" | Her Georgia Band | 12357 | Non-blues | C | 5583 | |
39 | 2371 | 1925/12 | "Titanic Man Blues" | Her Georgia Band | 12374 | Mixture of blues and popular song forms | C | 5583 | Another take on JSP & DOCD |
40 | 2372 | 1925/12 | "Chain Gang Blues" | Her Georgia Band | 12338 | Twelve-bar blues | C | 5583 | |
41 | 2373 | 1925/12 | "Bessemer Bound Blues" | Her Georgia Jazz Band | 12374 | Twelve-bar blues | C | 5583 | Another take on JSP & DOCD |
42 | 2374 | 1925/12 | "Oh My Babe Blues" | Her Georgia Band | 12332 | Non-blues | C | 5583 | |
43 | 2375 | 1925/12 | "Wringing and Twisting Blues" | Her Georgia Band | 12338 | Non-blues | C | 5583 | |
44 | 2369 | 1925/12 | "Stack O'Lee Blues" | Her Georgia Band | 12357 | Ballad | C | 5583 | |
45 | 2448 | 1926/03 | "Broken Hearted Blues" | Her Georgia Band | 12364 | Twelve-bar blues | C | 5583 | Another take on DOCD5625 |
46 | 2451 | 1926/03 | "Jealousy Blues" | Her Georgia Band | 12364 | Non-blues | C | 5583 | Another take on DOCD5660 |
47 | 2452 | 1926/03 | "Seeking Blues" | Her Georgia Band | 12352 | Mixture of blues and popular song forms | C | 5583 | Another take on JSP & DOCD |
48 | 2466 | 1926/03 | "Mountain Jack Blues" | Jimmy Blythe (piano) | 12352 | Twelve-bar blues | C | 5583 | Another take on JSP & DOCD |
49 | 2627 | 1926/06 | "Down in the Basement" | Her Georgia Band | 12395 | Non-blues | C | 5583 | |
50 | 2628 | 1926/06 | "Sissy Blues" | Her Georgia Band | 12384 | Twelve-bar blues | C | 5583 | |
51 | 2629 | 1926/06 | "Broken Soul Blues" | Her Georgia Band | 12384 | Non-blues | C | 5583 | |
52 | 2631 | 1926/06 | "Trust No Man" | Lillian Henderson (piano) | 12395 | Non-blues | C | 5583 | |
53 | 405 | 1926/11 | "Morning Hour Blues" | Jimmy Blythe (piano) Blind Blake (guitar) |
12455 | Twelve-bar blues | D | 5584 | |
54 | 407 | 1926/11 | "Weepin' Woman Blues" | Her Georgia Boys | 12455 | Twelve-bar blues | D | 5584 | |
55 | 408 | 1926/11 | "Soon This Morning" | Her Georgia Band | 12438 | Twelve-bar blues | D | 5584 | |
56 | 4019 | 1926/12 | "Little Low Mamma Blues" | Blind Blake (guitar) possibly Leroy Picket (violin) |
12419 | Twelve-bar blues | D | 5584 | |
57 | 4020 | 1926/12 | "Grievin Hearted Blues" | Blind Blake (guitar) possibly Leroy Picket (violin) |
12419 | Mixture of blues and popular song forms | D | 5584 | |
58 | 4021 | 1926/12 | "Don't Fish in My Sea" | Jimmy Blythe (piano) | 12438 | Twelve-bar blues | D | 5584 | |
59 | 4082 | 1927/08 | "Big Boy Blues" | Her Georgia Band | 12548 | Twelve-bar blues | D | 5584 | |
60 | 4083 | 1927/08 | "Blues Oh Blues" | Her Georgia Band | 12566 | Non-blues | D | 5584 | |
61 | 4090 | 1927/08 | "Damper Down Blues" | Her Georgia Band | 12548 | Twelve-bar blues | D | 5584 | |
62 | 4091 | 1927/08 | "Gone Daddy Blues" | Her Georgia Band | 12526 | Mixture of blues and popular song forms | D | 5584 | |
63 | 4092 | 1927/08 | "Oh Papa Blues" | Her Georgia Band | 12566 | Non-blues | D | 5584 | |
64 | 4707 | 1927/08 | "Misery Blues" | Her Georgia Band | 12508 | Non-blues | D | 5584 | |
65 | 4708 | 1927/08 | "Dead Drunk Blues" | Her Georgia Band | 12508 | Twelve-bar blues | D | 5584 | |
66 | 4709 | 1927/08 | "Slow Driving Moan" | Her Georgia Band | 12526 | Mixture of blues and popular song forms | D | 5584 | |
67 | 20228 | 1927/12 | "Blues the World Forgot—Part 1" | Her Georgia Band | 12647 | Comedy | D | 5584 | |
68 | 20229 | 1927/12 | "Ma Rainey's Black Bottom" | Her Georgia Band | 12590 | Non-blues | D | 5584 | |
69 | 20230 | 1927/12 | "Blues the World Forgot—Part 2" | Her Georgia Band | 12647 | Comedy | D | 5584 | |
70 | 20231 | 1927/12 | "Hellish Rag" | Her Georgia Band | 12612 | Non-blues | D | 5584 | |
71 | 20232 | 1927/12 | "Georgia Cake Walk" | Her Georgia Band | 12590 | Comedy | D | 5584 | |
72 | 20233 | 1927/12 | "New Bo-Weavil Blues" | Her Georgia Band | 12603 | Mixture of blues and popular song forms | D | 5584 | |
73 | 20232 | 1927/12 | "Moonshine Blues" | Her Georgia Band | 12603 | Mixture of blues and popular song forms | D | 5584 | |
74 | 20233 | 1927/12 | "Ice Bag Papa" | Her Georgia Band | 12612 | Non-blues | D | 5584 | |
75 | 20661 | 1928/06 | "Black Cat Hoot Owl Blues" | Her Tub Jug Washboard Band | 12687 | Twelve-bar blues | E | 5156 | Band led by Georgia Tom |
76 | 20662 | 1928/06 | "Log Camp Blues" | Her Tub Jug Washboard Band | 12804 | Twelve-bar blues | E | 5156 | Band led by Georgia Tom |
77 | 20663 | 1928/06 | "Hear Me Talking to You" | Her Tub Jug Washboard Band | 12668 | Twelve-bar blues | E | 5156 | Band led by Georgia Tom |
78 | 20664 | 1928/06 | "Hustlin' Blues" | Her Tub Jug Washboard Band | 12804 | Twelve-bar blues | E | 5156 | Band led by Georgia Tom |
79 | 20665 | 1928/06 | "Prove It on Me Blues" | Her Tub Jug Washboard Band | 12668 | Non-blues | E | 5156 | Band led by Georgia Tom |
80 | 20666 | 1928/06 | "Victim of the Blues" | Her Tub Jug Washboard Band | 12687 | Twelve-bar blues | E | 5156 | Band led by Georgia Tom |
81 | 20667 | 1928/06 | "Traveling Blues" | Her Tub Jug Washboard Band | 12707 | Twelve-bar blues | E | 5156 | Band led by Georgia Tom; another take on JSP and DOCD5216 |
82 | 20668 | 1928/06 | "Deep Moaning Blues Blues" | Her Tub Jug Washboard Band | 12707 | Twelve-bar blues | E | 5156 | Band led by Georgia Tom another take on JSP & DOCD |
83 | 20878 | 1928/09 | "Daddy Goodbye Blues" | Georgia Tom Dorsey (piano) Tampa Red (guitar) |
12963 | Eight-bar blues | E | 5156 | |
84 | 20879 | 1928/09 | "Sleep Talking Blues" | Georgia Tom Dorsey (piano) Tampa Red (guitar) |
12760 | Twelve-bar blues | E | 5156 | Another take on JSP & DOCD |
85 | 20880 | 1928/09 | "Tough Luck Blues" | Georgia Tom Dorsey (piano) Tampa Red (guitar) |
12735 | Twelve-bar blues | E | 5156 | |
86 | 20881 | 1928/09 | "Blame It on the Blues" | Georgia Tom Dorsey (piano) Tampa Red (guitar) |
12760 | Twelve-bar blues | E | 5156 | |
87 | 20882 | 1928/09 | "Sweet Rough Man" | Georgia Tom Dorsey (piano) Tampa Red (guitar) |
12926 | Twelve-bar blues | E | 5156 | |
88 | 20883 | 1928/09 | "Runaway Blues" | Georgia Tom Dorsey (piano) Tampa Red (guitar) |
12902 | Twelve-bar blues | E | 5156 | |
89 | 20885 | 1928/09 | "Screech Owl Blues" | Eddie Miller (piano) | 12735 | Twelve-bar blues | E | 5156 | |
90 | 20886 | 1928/09 | "Black Dust Blues" | Eddie Miller (piano) | 12926 | Twelve-bar blues | E | 5156 | |
91 | 20897 | 1928/09 | "Leaving This Morning" | Georgia Tom Dorsey (piano) Tampa Red (guitar) |
12902 | Twelve-bar blues | E | 5156 | |
92 | 20898 | 1928/09 | "Black Eye Blues" | Georgia Tom Dorsey (piano) Tampa Red (guitar) |
12963 | Twelve-bar blues | E | 5156 | Another take on JSP & DOCD |
93 | 20921 | 1928/10 | "Ma and Pa Poorhouse Blues" | Papa Charlie Jackson (duet & banjo) | 12718 | Twelve-bar blues | E | 5156 | |
94 | 20144 | 1928/10 | "Big Feeling Blues" | Papa Charlie Jackson (duet & banjo) | 12718 | Twelve-bar blues | E | 5156 |
Notes
References
Footnotes
- ^ a b Eagle, Bob; LeBlanc, Eric S. (2013). Blues: A Regional Experience. Santa Barbara, California: Praeger Publishers. p. 87. ISBN 978-0313344237.
- ^ a b c d e Oliver, Paul, "Rainey, Ma (née Pridgett, Gertrude)", Grove Dictionary of Music and Musicians, Oxford University Press, retrieved 20 April 2010
- ^ Southern, Eileen (1997). The Music of Black Americans: A History (3rd ed.). W. W. Norton. ISBN 0-393-97141-4.
- ^ Lieb, Sandra (1983). Mother of the Blues: A Study of Ma Rainey (3rd ed.). University of Massachusetts Press. ISBN 0-87023-394-7.
- ^ a b Lieb, p. 2
- ^ 1900 Census for Columbus Ward 5, Muscogee, Georgia, District 4, Enumeration district 91, Sheet 16A, line 20, 'Prigett, Gertrude, Sept 1882, 17.
- ^ Lieb, p. 3
- ^ Robert Palmer. Deep Blues. Penguin Books. p. 44. ISBN 978-0-14-006223-6.
- ^ a b Abbott, Lynn; Seroff, Doug (2009). Ragged but Right: Black Traveling Shows, Coon Songs, and the Dark Pathway to Blues and Jazz. University Press of Mississippi. p. 261.
- ^ Lieb, p. 5
- ^ a b Lieb, p. 15
- ^ Lieb, p. 19
- ^ Lieb, p. 20
- ^ Lieb, p. 21
- ^ Lieb, p. 23
- ^ Lieb, p. 25
- ^ Lieb, p. 26
- ^ Lieb, p. 27
- ^ Lieb, p. 28
- ^ Lieb, p. 35
- ^ a b Lieb, p. 37
- ^ Friederich, Brandon (June 7, 2017). "Ma Rainey's Lesbian Lyrics: 5 Times She Expressed Her Queerness in Song". Billboard. Retrieved June 9, 2017.
- ^ Ellison, Marvin M.; Brown Douglas, Kelly, eds. (2010). Sexuality and the Sacred: Sources for Theological Reflection (2nd ed.). Westminster John Knox Press. p. 54. ISBN 978-0664233662.
- ^ "Gladys Bentley". queerculturalcenter.org. Retrieved December 22, 2013.
- ^ Davis, Angela Y. (1999). Blues Legacies and Black Feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday. Vintage. pp. 40, 238. ISBN 978-0679771265.
- ^ Lieb, p. 39
- ^ Lieb, p. 40
- ^ Lieb, p. 90
- ^ Lieb, p. 1
- ^ Santelli, Robert. The Big Book of Blues. Penguin Books. p. 387.
- ^ "Ma Rainey". Britannica.com. 1939-12-22. Retrieved 2011-12-30.
- ^ Ma Rainey Induction Year: 1990. Rockhall.com. Accessed February 26, 2014.
- ^ 2004 National Recording Registry Choices. Loc.gov/rr. A ccessed February 26, 2014.
- ^ "Ma Rainey International Blues Festivial - Mad About Ma Blues Society". Maraineyinternationalbluesfestival.com. Retrieved 6 July 2018.
- ^ "Ma Rainey International Blues Festival". 29 January 2016. Archived from the original on 29 January 2016. Retrieved 6 July 2018.
- ^ "Rainey-McCullers School of the Arts opens as 2017-18 classes begin". Ledger-enquirer.com. Retrieved 6 July 2018.
- ^ Dixon, Robert M. W.; Godrich, John; and Rye, Howard W. (compilers) (1997). Blues and Gospel Records 1890–1943. Oxford University Press. ISBN 978-0198162391.
- ^ Lieb, pp. 189–191.
- ^ Ma Rainey. Mother of the Blues. 5-CD box set. JSP Records JSP7793 (A–E).
- ^ Ma Rainey. Complete Recorded Works in Chronological Order, vol. 1: December 1923 to c. August 1924, Document Records DOCD5581. Complete Recorded Works in Chronological Order, vol. 2: c. 15 October 1924 to c. August 1925, Document DOCD5582. Complete Recorded Works in Chronological Order, vol. 3: c. December 1925 to c. June 1926, Document DOCD5583. Complete Recorded Works in Chronological Order, vol. 4: c. November 1925 to c. December 1927, Document DOCD5584. The Complete 1928 Sessions in Chronological Order, Document DOCD5156. Too Late, Too Late, vol. 2: 1897–1935, Document DOCD5216. Too Late, Too Late, vol. 11: 1924–1939, Document DOCD5625. Too Late, Too Late, vol. 13: 1921–1940, Document DOCD5660.
Sources
- Lieb, Sandra (1983). Mother of the Blues: A Study of Ma Rainey. University of Massachusetts Press. ISBN 0-87023-334-3.
- Davis, Angela Y. (1998). Blues Legacies and Black Feminism. Pantheon. ISBN 0-679-45005-X.
Further reading
- Ma Rainey and the Classic Blues Singers by Derrick Stewart-Baxter (Stein and Day, 1970) ISBN 978-0812813210
External links
- Ma Rainey Blues Festival official website
- Gertrude “Ma” Rainey at the New Georgia Encyclopedia
- Ma Rainey discography at Discogs
- Ma Rainey at AllMusic
- Ma Rainey at IMDb
- Ma Rainey (1886-1939) at Red Hot Jazz Archive
- Ma Rainey at Find a Grave
- 1880s births
- 1939 deaths
- 20th-century American singers
- 20th-century American women singers
- Age controversies
- American blues singers
- American street performers
- African-American female singers
- Baptists from Georgia (U.S. state)
- Bisexual musicians
- Bisexual women
- Classic female blues singers
- LGBT African Americans
- LGBT singers
- LGBT musicians from the United States
- LGBT people from Georgia (U.S. state)
- LGBT people from Alabama
- Musicians from Columbus, Georgia
- Paramount Records artists
- People from Rome, Georgia
- Vaudeville performers
- LGBT singers from the United States