David Wise (writer)

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David Wise is a television and animation writer, tutored by writers such as Ursula K. Le Guin, Frank Herbert, Harlan Ellison and Theodore Sturgeon whilst attending the Clarion Workshop.

Early life[edit]

Wise began experimenting with animation and live-action film at the age of seven, under the tutelage of several artists and experimental filmmakers, including Len Lye, Francis Lee, and Stan VanDerBeek. Wise created dozens of brief animations using cut-outs, scratch-on-film techniques, as well as conventional cel animation. In 1963, at the age of eight, Wise released a compilation of his experiments, entitled "Short Circuit." Distributed by the Filmmakers' Cooperative, "Short Circuit" was shown throughout the world, won several awards, and was the U.S. entry in the "Child & the World" festival in Czechoslovakia. Writing in the Village Voice, filmmaker and critic Jonas Mekas called Wise "the Mozart of Cinema."[1]

By the time he was nine, he was lecturing on filmmaking at universities and film societies (including Washington & Lee and the University of Maryland at Baltimore)[citation needed], and appeared on numerous television shows, including I've Got a Secret with Steve Allen as host.


Star Trek: The Animated Series[edit]

At the age of sixteen, Wise abandoned film-making for writing, determined to become a professional science fiction writer. The following year Wise sold several SF short stories to various anthologies. This led directly to his first television writing job, an episode of Filmation's animated Star Trek series entitled "How Sharper Than a Serpent's Tooth," written in collaboration with Russell L Bates. The episode won Wise the Emmy for best children's series—the only Emmy the original version of Star Trek ever won.

Buck Rogers, Wonder Woman, He-Man and Mighty Orbots[edit]

After a successful stint of live action work, writing for Glen A. Larson's Buck Rogers (the "Space Vampire" episode) and the Lynda Carter series Wonder Woman, Wise returned to animation in the 1980s, collaborating on many of the animated endeavours of that period such as He-Man and Mighty Orbots.


Wise also wrote Transformers episodes during the second and fourth seasons, including the Optimus Prime origin story "War Dawn", the comedy chase format of "Kremzeek", and the final three episodes of the original G1 series "The Rebirth", which Wise was forced to edit from five parts to three due to diminishing popularity of the franchise[citation needed]. During this period Wise also wrote scripts for Jem and My Little Pony.

Teenage Mutant Ninja Turtles[edit]

In 1987, Wise was given the call to develop and write a five-part animated television pilot based on an independent comic, Teenage Mutant Ninja Turtles. Wise helped change the darker toned black and white Mirage title into a fun, bright, cheerful animated show. Wise left after the ninth season, writing and story editing over 100 episodes.

Disney and Batman: The Animated Series[edit]

Wise next worked on Disney's Chip 'n Dale Rescue Rangers, and Mighty Ducks cartoons, and also wrote three episodes for Batman: The Animated Series, "The Clock King," "The Strange Secret of Bruce Wayne (based on Steve Englehart's comic book story)," and the origin story of The Riddler, "If You're So Smart, Why Aren't you Rich?".

Other animated series and live-action projects[edit]

He wrote the Battletoads animated pilot episode, as well as the two-part pilot for C.O.P.S., "The Case of C.O.P.S. File 1." He wrote some episodes of Defenders of The Earth. He wrote and story-edited such comic-based series as Cadillacs and Dinosaurs and Jim Lee's WildC.A.T.S. He also developed, story-edited, and wrote most of the 26 episodes of Disney TV's Mighty Ducks: The Animated Series. During this period he also wrote and produced the live-action film Beastmaster III: The Eye of Braxus, and was the first writer/story-editor on an animated interpretation of Zorro.

Go! Media Entertainment[edit]

He was CEO of the multi-media company Go! Media Entertainment from 2005 - 2010. Go! Media Entertainment consisted of the publishing imprint Go! Comi, and the digital entertainment division oPlay.

Other work[edit]

He wrote the final episode of the fourth series of the Doctor Who-related Gallifrey audio drama series for UK-based Big Finish Productions.


  1. ^ Movie Journal, April 18, 1963.

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