|Ellen Louise Ripley|
Sigourney Weaver as Ellen Ripley in Aliens.
|Last appearance||Alien: Isolation|
|Created by||Dan O'Bannon and Ronald Shusett|
|Portrayed by||Sigourney Weaver|
|Voiced by||Laurel Lefkow (Alien: Out of the Shadows Audio Play)|
|Title||Lieutenant (First Class)|
|Children||Amanda Ripley (daughter)|
Ellen Louise Ripley is a fictional character and the protagonist of the Alien film series played by American actress Sigourney Weaver. The character earned Weaver world recognition, and the role remains her most famous to date. Sir Ridley Scott, director of the first film in the series, made the decision to switch Ripley from the standard male action hero to a heroine.
Alien (1979) and Aliens (1986) were heralded for challenging gender roles, particularly in the science fiction, action and horror genres. Weaver's performances are also highly praised: for Aliens, she earned her first Academy Award nomination for Best Actress, which is now seen as a landmark since the Academy, to that point, had given little recognition to the genres of science-fiction and horror. For her role in the franchise, Weaver has also been nominated for a Golden Globe Award for Best Actress in a Motion Picture Drama, a BAFTA Award for Best Leading Newcomer, and four Saturn Awards for Best Actress, winning one for Aliens.
Ripley is often considered one of the most significant female protagonists in all of cinema, and is a prominent figure in American popular culture. John Scalzi, film critic and president of the Science Fiction and Fantasy Writers of America, wrote in 2011:
She's not a sidekick, arm candy, or a damsel to be rescued. Starting with Alien, Ripley was a fully competent member of a crew or ensemble — not always liked and sometimes disrespected, but doing her job all the same. As each film progresses, she comes to the fore and faces challenges head-on — she's the hero of the piece, in other words [...] Ripley isn't a fantasy version of a woman. Science fiction film is filled with hot kickass women doing impossible things with guns and melee weapons while they spin about like a gymnast in a dryer. As fun as that is to watch, at the end of the day it's still giving women short shrift, since what they are then are idealized killer fembots rather than actual human beings. Ripley, on the other hand, is pushy, aggressive, rude, injured, suffering from post-traumatic syndrome, not wearing makeup, tired, smart, maternal, angry, empathetic, and determined to save others, even at great cost to herself. All without being a spinny killbot.
Today, Ripley's influence extends beyond that of the original film franchise; she has appeared in novels, comic books, and video games.
- 1 Biography of Ellen Ripley
- 1.1 Films
- 1.2 Video games
- 1.3 Biography of Ripley Clone 8
- 1.4 Spin-off media
- 2 Reception
- 3 See also
- 4 References
- 5 Further reading
- 6 External links
Biography of Ellen Ripley
Ripley is introduced as a warrant officer aboard the Nostromo, a spaceship from planet Thedus returning to Earth. Having been placed in stasis for the long journey home, the crew is awakened when the Nostromo receives a transmission of unknown origin from a nearby planetoid. Following their landing, an unknown creature infiltrates the ship, and kills every other member of the crew. Ripley is the only member to escape from the Nostromo prior to its explosion, which she deliberately commenced to kill the monster. However, she discovers that the Alien is also aboard the ship's shuttle, but expels it into space before putting herself in stasis for the return trip to Earth.
57 years later, Ripley awakes from her stasis. Her testimony regarding the Alien is met with extreme skepticism, and she loses her space flight license as a result of her "questionable judgment", and finds out that her daughter, Amanda, is dead. However, after contact was lost with a colony on LV-426, the planet where her crew first encountered the Alien eggs, Ripley is requested to go with Colonial Marines aboard the Sulaco to LV-426. They find the planet infested by many Aliens, who wipe out almost all of the marines. Ripley finally escapes the planet with Corporal Dwayne Hicks, the android Bishop, and Newt, a young girl and the last surviving colonist. Back on the Sulaco, they are soon attacked by the surviving Alien Queen, which is finally expelled into space by Ripley. Ripley enters into hypersleep alongside the three other survivors for the return to Earth.
The Sulaco launches an escape pod containing the four survivors, which then crashes on Fiorina 'Fury' 161, an abandoned foundry facility and penal colony. Ripley alone survives the crash. Unbeknownst to her, an Alien egg had been aboard the ship. Once hatched in the prison, the creature begins to kill inmates and guards, but strangely refuses to kill her. After rallying the inmates and preparing the defense against the creature, Ripley discovers the embryo of an Alien Queen growing inside her, thus realizing why she had not been attacked. After having killed the Alien by thermal shock, Ripley kills herself by diving into a gigantic furnace just as the alien Queen begins to erupt from her chest, exterminating the final trace of the Aliens and preventing the Weyland-Yutani Corporation from using it as a biological weapon.
In Alien: Resurrection (1997)
The film, which is set 200 years after the preceding installment Alien 3, Ellen Ripley (Sigourney Weaver) is cloned and an Alien queen is surgically removed from her body. The United Systems Military hopes to breed Aliens to study and research on the spaceship USM Auriga, using human hosts kidnapped and delivered to them by a group of mercenaries. The Aliens escape their enclosures, while Ripley and the mercenaries attempt to escape and destroy the Auriga before it reaches its destination, Earth. Ripley is taken to the Alien nest, where the Queen gives birth to a Newborn, a Xenomorph with human traits. The hybrid Alien recognizes Ripley as its mother and kills the queen Alien. Ripley finds her way onto the ship and manages to push the Newborn through a hole due to decompression. The survivors escape with another ship, "The Betty". The Auriga collides with Earth, causing a large explosion. Call and Ripley look down at Earth, and when Call asks what Ripley wants to do next, she says, "I'm a stranger here myself." In an alternate ending that is used in some extended adaptions, the Betty lands in a ruined Paris.
After director Neill Blomkamp announced on February 19, 2015 that his next film would be a fifth Alien movie, Weaver confirmed on February 25 that she will reprise her role as Ripley in the film. On 21 January 2017, in response to a fan question on Twitter asking what the chances were of his Alien project actually happening, Blomkamp responded "slim".
In Spin-Off Media
Ripley's life and career has been extensively expanded on in various spin-off comics and novels, many of which were written before her death on Fiorina 161, instead providing a chronology continuing on from the end of Aliens. In the Dark Horse novel series, Ripley appears at the end of Book 3, "The Female War"; but subsequent books, in order to bring the book continuity in line with the film continuity, reveal that she is actually an android created in Ripley's likeness and given false memories. All novels were rebooted in 2012, meaning the only canonical books featuring Ripley are Out of the Shadows (by Tim Lebbon), Sea of Sorrows (by James A. Moore) & River of Pain. In Out of the Shadows, Ripley is woken from stasis 37 years after the events of Alien, fights Xenomorphs alongside several miners, and is put in stasis again the end of the book. Ripley is mentioned repeatedly in Sea of Sorrows, which stars her descendant, and appears in River of Pain, which take place before and during the events of Alien.
In Aliens: Colonial Marines (2013)
Ripley has two cameos in the "Stasis Interrupted" DLC for the game. In this prequel campaign, Ripley is seen being impregnated by a facehugger and also appeared recreating the same final scene of Alien 3.
In Alien: Isolation (2014)
In 2014, Weaver reprised her role as Ripley for the first time in 17 years for a voice cameo in the video game Alien: Isolation, centered on Ripley's daughter Amanda, and more extensively in its two DLCs set during the events of Alien (alongside most of the original cast).
This game is set 15 years after the events of Alien and 42 years before the events of Aliens, features Ripley's daughter Amanda. Amanda was originally introduced in the extended version of Aliens, when Ripley learns that during her 57-years long stasis, Amanda grew up, married, and died. In the game, Amanda investigates potential clues regarding her mother's disappearance, and goes to the space station Sevastopol in hope to find answers. Near the end of the game, Amanda ultimately finds a vocal message from her mother (voiced by Weaver), who added a personal message to the Nostromo's final log entry at the end of Alien addressed to Amanda. In the message Ellen Ripley explains the true nature of the disappearance of the Nostromo, tells her she loves her, and hopes that she will get to hear this someday.
Weaver also reprises her role more extensively alongside several other original cast members in the game's two DLCs, set during the events of Alien. Ripley is joined by Dallas (Tom Skerritt), Lambert (Veronica Cartwright), Brett (Harry Dean Stanton), Parker (Yaphet Kotto) and Ash (Ian Holm, likeness only), allowing the player to play through two iconic scenes from the film. With the Nostromo Edition pre-order, the "Crew Expendable" bonus content allows gamers to play as one of the surviving crew members just after Brett's demise to entice the Alien to the ship's airlock. Those who purchase early from GameStop are privy to "Last Survivor," where Ripley initiates the self-destruct sequence before escaping on the Narcissus. For some of the original cast, this is their first appearance in an Alien video game.
Biography of Ripley Clone 8
In Alien: Resurrection (1997)
200 years after the death of Ellen Ripley, a clone of Ripley is successfully produced aboard the spaceship Auriga. Her DNA proved difficult to separate from that of the alien that was inside her during the events of Alien 3, so the first six clones were useless monstrosities. The seventh clone turned out human enough to warrant an attempt at retrieving the alien inside her, but this too ended in failure. The eighth clone proves successful, and becomes the central character of a new story. However, the separation was still not perfect. Number 8 has enhanced strength and reflexes, acidic blood, and an empathic link with the Aliens, and the aliens have slightly more human traits, including a browner skin coloration and changes to their reproductive cycle. Number Eight learns to talk and interact with humans, but soon Aliens escape their confinement and kill most of the crew. She escapes from her cell and later meets and joins a group of mercenaries; developing a close relationship with their youngest member Annalee Call. The now fully-grown Alien Queen, having developed a womb because of Ripley's DNA, gives birth to a human-Alien hybrid, who kills the Queen and imprints on Number Eight as its mother. After escaping the Auriga in the Betty, Ripley kills the newborn Alien by using her own acidic blood to burn a hole through a viewing pane, causing the creature to be sucked violently through the small hole and into the vacuum of space, saving Call. In a scene included in the extended edition of the film (referenced in the events of Alien: Sea of Sorrows), the Betty lands on Earth and Ripley and Call discover that Paris is desolate.
In Alien: Sea of Sorrows
At the beginning of Alien: Sea of Sorrows, set 200 years after the events of Alien: Resurrection, it is revealed that the crashing of the Auriga at the end of Alien: Resurrection caused the destruction in Paris seen at the end of that film. Additionally, the protagonist of the novel, Decker, is stated to be a descendant of Ellen Ripley, but there are several hints throughout the novel that Decker's grandmother was Ripley 8 (mainly his empathic abilities, the fact Amanda Ripley-McClaren is stated to have had no children in Aliens, and when Decker is shown a picture of Ripley he says that she isn't the person he sees in his head).
Although Sigourney Weaver initially expressed interest in reprising this character in further installments of the Alien franchise, the releases of Alien vs. Predator, Aliens vs. Predator: Requiem & Prometheus led the franchise on to a different path away from the central story of Ellen Ripley.
The comic book "Aliens vs. Predator vs. The Terminator" picks up where Alien Resurrection left off and continues the story of Ripley Clone 8 after Resurrection.
Ellen Ripley is often featured in lists of the best characters in film history: in 2008, American Film Institute ranked her as the eighth best hero in American film history in their list of the 100 greatest heroes and villains, the second highest ranked female character after Clarice Starling. In 2009, Entertainment Weekly ranked Ripley 5th on their list of The 20 All Time Coolest Heroes in Pop Culture, calling her "one of the first female movie characters who isn't defined by the men around her, or by her relationship to them". The same year she was ranked #9 on Empire magazine's compilation of The 100 Greatest Movie Characters in 2008 and #5 in 2015, being the highest ranked female in both.
She was ranked eight on Premiere magazine's list of The 100 Greatest Movie Characters of All Time, with her Defining Moment being "Ripley's nervy refusal to open the ship's hatch so that Kane (John Hurt) can be admitted - with a thing attached to his face". She was the third highest ranked female of the list, after Annie Hall and Scarlett O'Hara. She was ranked 57 on Fandomania's list of the 100 Greatest Fictional Characters. In 2009, MTV selected her as the second Greatest Movie Badasses Of All Time, the only women with Sarah Connor, ranked sixth. In 2011, UGO Networks ranked her the 75th Hottest Sci-Fi Girl of All Time. and website Total Sci-Fi ranked her first on their top of the 25 Women Who Shook Sci-Fi, stating "one of the most iconic characters in cinema history" and "one of the most critically analysed characters in the history of cinema".
Awards and impact for Sigourney Weaver
Although her performance had already been acclaimed in the first film, Aliens gave worldwide recognition to Weaver: she was the second horror actress in history (after Ellen Burstyn for The Exorcist) to be nominated for an Academy Award for Best Actress. She also received a nomination for the Golden Globe Award for Best Actress – Motion Picture Drama, and won the Saturn Award for Best Actress, the first award in her career (except a minor award, the Mystfest Award for Best Actress, won for Half Moon Street).
Weaver was also co-producer of the third and fourth films of the franchise. Although they were less successful critically, Weaver's performance was praised: she received her third and fourth Saturn Award for Best Actress nominations for both films and a nomination for a Blockbuster Entertainment Award for Favorite Actress – Sci-Fi for Alien: Resurrection. Although she didn't win awards specifically for Alien 3 and Alien: Resurrection, she won the Hasty Pudding Woman of the Year Award for her acting work during the 1997 film year, including Alien: Resurrection, The Ice Storm and Snow White: A Tale of Terror.
Weaver won a DVDX Award for Best Audio Commentary (New for DVD) for her audio participation, among numerous other members of the crew, in the audio commentary of Alien in its 2003-reissue in Alien Quadrilogy. On his presentation speech about Weaver before rewarding her for her overall career with the Heroine Award at the 2010 Scream Awards, Aliens director James Cameron stated her main participations in film history as the Alien franchise, Ghostbusters, and Avatar.
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- The Guardian The first action heroine
- Empire magazine, Part One: Sigourney Weaver On The Alien Saga & Ellen Ripley
- Bitch Flicks, Ellen Ripley, a Feminist Film Icon, Battles Horrifying Aliens … and Patriarchy
- Sf Gate, Weaver stands alone as female action hero
- Usa today, In search of a serious protagonist
- Comic Vine, Ellen Ripley