Fernando del Valle
|Fernando del Valle|
del Valle in 2010
|Birth name||Brian Stephen Skinner|
February 28, 1964|
New Orleans, Louisiana, United States
Fernando del Valle (né Brian Stephen Skinner; February 28, 1964) is an American operatic tenor. He is the son of Edward King Skinner II, a Korean War veteran and Concha Marina Meléndez del Valle, daughter of Baroness Aranka von Bischitz. He is the nephew of the Architect Manuel Roberto Meléndez Bischitz.
He is the great-great-grandson of Andrés del Valle, President of El Salvador in 1876 and a direct descendant of Colonel José María San Martín, President of El Salvador (1854–56) and founder of Santa Tecla, El Salvador.
He is the grandson of the Honorable Judge Robert J. Skinner, former recorder and treasurer (for the City of New Orleans), a regimental sergeant-major in World War One, and the great grandson of Judge Edward King Skinner, who served on the city, criminal and civil district court benches, successively, over a total period of 52 years
He was born in New Orleans. A graduate of Brother Martin High School, he received his Bachelor of Fine Arts from Tulane University as the recipient of the Treville Scholarship in Voice, and the Artists Diploma from Southern Methodist University as the Haggar Scholar.
As a winner of the Dallas Opera Guild Vocal Competition he was awarded a Career Grant from The Dallas Opera, the winner of the Stewart Award, the Austin Lyric Opera Vocal Competition, the Fort Worth Opera Competition and the Vocal Competition of the San Antonio Opera judged by Evelyn Lear and Richard Gaddes.
He is an alumnus of the San Francisco Opera's Merola Opera Program where he studied under the direction of Patrick Summers in 1992 and 1993. He later won the "Bel Canto" competition of Chicago and subsequently relocated to Italy where he studied under Carlo Bergonzi and, later, Thomas Hayward and Nicolai Gedda.
Del Valle made his operatic debut at the age of seventeen (1981), as the First Shepherd in John Blow's Venus and Adonis (Blow), at Loyola University followed by roles in La rondine, conducted by Maurice Peress, Brigadoon, Shenandoah and The Merry Widow.
The next year, after the intervention and advice of his Tulane professor, Deborah Drattell, he became tenor soloist in Bach's "St Matthew Passion" with the New Orleans Philharmonic-Symphony Orchestra, Andrew Massey, conducting. In 1986, he made his Boston debut in that composer's Christmas Oratorio in Jordan Hall as the winner of the Boston Premiere Ensembles Young Artist Competition. The following spring, his New York debut took place at Alice Tully Hall, Lincoln Center, with the Beethoven Society of New York.
He continued his career as a concert tenor with a repertoire that included Beethoven's Missa Solemnis, and the Requiems of Verdi, Britten and Lloyd Webber. The tenor's Carnegie Hall debut occurred in 1993, with Mozart's "Great" Mass in C minor with the American Symphony Orchestra. He performed the tenor solos in George Frideric Handel's Messiah for the Dallas Symphony Orchestra, at the Morton H. Meyerson Symphony Center in 1994. He made his European debut in 1995, singing in Beethoven's Symphony No. 9 with the Orchestra Sinfonica di Milano Giuseppe Verdi.
Del Valle's European operatic debut took place with the role of "Don José" in the Hugo de Ana production of Carmen at the Teatro Comunale di Treviso under the vocal direction of Regina Resnik and conducted by Peter Maag. In 1996, he appeared as Rodolfo in La bohème, at the Teatro dell'Opera di Roma, Vladimir Jurowski, conducting.
In 1997, del Valle appeared as 'don José' at the Gran Teatro La Fenice in Venice, Isaac Karabtchevsky, conducting 'Pinkerton' in Madama Butterfly with the Palm Beach Opera, Anton Guadagno, conducting and 'Faust' in Colmar, France. He made his German debut in 1998 as 'Rodolfo' with the Frankfurt Opera, under the direction of the venerated pedagogue/conductor, Klauspeter Seibel, immediately following he appeared to critical acclaim, at the Wexford Festival in Ireland as 'Paolo' in Fosca (opera) by Antônio Carlos Gomes. A series of important engagements followed, and since 1999, del Valle has appeared around the world, including performances in Frankfurt Alte Oper, Strasbourg (Beethoven 9th Symphony, op. 125, with John Storgards conducting), Maastricht, Deutsche Oper am Rhein, Theater Augsburg, Tonhalle Düsseldorf, Deutsche Oper Berlin, Theater Dortmund, Teatro Carlo Felice, Bremen, Bergen, Costa Rica, Munich Gasteig, Finnish National Opera, Helsinki, Belo Horizonte in Brazil, the HIFA Festival in Harare, Zimbabwe, Malmö, Sweden, New Symphony Orchestra of Sofia, Bulgaria, Teatro Petruzzelli di Bari, Torino, Baveno, Inaugural concert of the Umberto Giordano Festival with the RAI National Symphony Orchestra, National Theatre Mannheim, Badisches Staatstheater Karlsruhe, Staatstheater Kassel, Hamburg and Hessisches Staatstheater Wiesbaden.
For some years, del Valle was engaged as the Principal Tenor at the Staatstheater Darmstadt, at the invitation of Marc Albrecht. His career followed by performances in Israel, Korea, Catania, Sydney (recording Elgar's The Dream of Gerontius at the Sydney Opera House), Lisbon and Prague.
He has collaborated with some of the most notable conductors in the world including, Vladimir Jurowski, Ralf Otto, Asher Fisch, Anton Guadagno, Roberto Paternostro, Claudio Abbado, Eduardo Mata, Benjamin Zander, Isaac Karabtchevsky, Peter Maag, John DeMain, Carl St. Clair, JoAnn Falletta, John Nelson, Dan Ettinger, Carlo Maria Giulini, Alexander Lazarev. Stefan Blunier, Philippe Entremont, Joseph Rescigno and Richard Bonynge.
In 2003 his portrait was realised by Ricarda Jaccobi protégé of Oskar Kokoschka. On the occasion of the 150th (1854–2004) Anniversary of Santa Tecla, El Salvador, Mr. del Valle was invited by former Salvadoran Ambassador Ernesto Rivas-Gallont to present 2 Concerts. A devotee of Saint Thérèse of Lisieux, the Tenor requested that the first performance take place on September 23, the feast-day of Saint Thecla, the Saint for whom the city is named.
Since 2004, due to health issues, he does not perform in large scale productions but does still work as a singer, for instance at charity events. He continues training his voice and rehearses with a piano-player to keep his repertoire in good shape.
In 1995, he was diagnosed with Type 1 diabetes when he was 31 years old, and treated at Parkland Memorial Hospital. Legally blind, he suffers from diabetic retinopathy, glaucoma, macular degeneration, Ocular ischemic syndrome, cataracts, macular edema, diabetic cardiomyopathy and diabetic neuropathy.
Roles sung on stage
- Mefistofele - Faust
- Andrea Chénier - Title role
- Faust - Title role
- Zémire et Azor - Azor
- Die lustige Witwe - Camille de Rosillon
- Pagliacci - Canio
- Cavalleria rusticana - Turiddu
- Die Zauberflöte - Tamino
- La Gioconda - Enzo
- Les contes d'Hoffmann - Title role
- La fanciulla del West - Dick Johnson
- Tosca - Cavaradossi
- La rondine - Prunier
- La bohème - Rodolfo
- Madama Butterfly - B.F. Pinkerton
- Manon Lescaut - des Grieux
- Le Villi - Roberto
- Die Fledermaus - Alfred, Eisenstein
- Attila - Foresto
- I Lombardi alla prima crociata - Oronte
- La traviata - Alfredo Germont
- Macbeth - Macduff
- Nabucco - Ismaele
- Rigoletto - Duca di Mantua
- Falstaff - Fenton/Bardolfo
- Simon Boccanegra - Gabriele Adorno
- Messa da Requiem
- Tannhauser - Walther von der Vogelweide
- The Flying Dutchman - Steuermann
- Tristan und Isolde - Stimme eines jungen Seemanns
- Antonín Dvořák Stabat Mater, op. 58, Akademischer Chor Zuerich, Universitaetsorchester Innsbruck, December 2010
- Elgar's The Dream of Gerontius, Sydney Philharmonia Choirs, recorded live at Sydney Opera House, June 13, 2010
- Beethoven's Symphony No. 9, Orchestra Sinfonica di Roma, La Vecchia, ASIN B003916FH6 (Allegro)
- Antônio Carlos Gomes's Salvator Rosa (opera), Patrick Shelly, Dorset Opera and the Musicians Union of Great Britain, ASIN B000G16FG6
- "Fernando del Valle" Arias, Eraldo Salmieri The New Symphony Orchestra of Sofia Producer: Michael A. Skinner, ASIN B00004RKGZ
- "Magna res est amor", Martin Sander, Organ, ASIN B00008ZAZD
- Verdi's Requiem, John Nelson with Staatsphilharmonie Rheinland-Pfalz, ASIN B00IT6SHTA (Naxos)
- "Edward Skinner Obituary - Metairie, Louisiana - Lake Lawn Metairie Funeral Home and Cemeteries". www.tributes.com.
- [dead link]
- "Santa Tecla, Cronología" ISBN 99923-0-141-4 Recopilada por Dr. Juan José Contreras Callejas, Mauricio Alvarado Cea Campo, Ángela Margarita Alvarado: Consejo National para la Cultura y el Arte, CONCULTURA, San Salvador 2004: Page 14, "El Diario de Hoy", November 30, 1985.
- New Orleans Magazine, July 1999.
- Cuisine, Texas: a multiethnic feast, page 258, Joanne Smith, University of Texas Press (September 1, 2010), ISBN 978-0292728516
- "La distinguida genealogía de los San Martín", Prensa Grafica, August 22, 2004.
- Morena Azucena, "Un tenor lírico con raíces tecleñas", elsalvador.com, September 22, 2004, pg. 106
- Gobernantes de El Salvador, Maria y Freddy Leistenschneider, 1980, pg. 137 (A. del Valle) & pg. 97 (J.M. San Martin) Publicaciones Del MinisterIo Del Interior, Imprenta Nacional, San Salvador, El Salvador.
- Gary Krist, Empire of Sin, New York Times Sunday Book Review, November 6, 2014.
- John C. Kelly, "R.J. Skinner Taken by Death", The New Orleans Item, July 18, 1949.
- Library Archives Analyst II, The Times-Picayune.
- Thomas K. Griffin, "Skinner's Ward is on the Way", The Times-Picayune Library Archives.
- 'E.K. Skinner retired Judge of Civil Court Dies" The Times Picayune/New Orleans States Volume C---NO. 134, New Orleans, Sunday, June 7, 1936, pg. 6
- 'E.K. Skinner retired Judge of Civil Court Dies" The Times Picayune/New Orleans States Volume C---NO. 134, New Orleans, Sunday, June 7, 1936, Pages 1 and 6
- "Biographical and Historical Memoirs of Louisiana", Volume 2, pp. 388-89, Goodspeed Publishing Company, Chicago, 1892.
- Richard Siklos, "New Orleans: "Big year for the Big Easy", January 17, 2003.
- Andrew Porter, Financial Times, October 26, 1998.
"This Fosca was Wexford at its best. It brought forward a tenor of uncommon merit: del Valle was as firm as Domingo in his pure, true utterance but also able and eager, Bergonzi-wise, to "melt" from note to note in shapely phrases. (Caruso's splendour plus Gigli's charm make a good model)"
- Rodney Milnes, The Times, October 28, 1998.
"....an exciting tenor, especially at the top of the register, who can shape a phrase with real sensitivity."
- Maxwell Sibanda, "Zimbabwe: International Acts Set to Flavour Hifa", The Harare Daily News, April 29, 2003.
- Orpheus Oper International, Rittersstrasse 11, D-10969 Berlin, Heft 5, June 2001: Thema: "Tenöre!" A 4848 E
- Frankfurter Rundschau, August 3, 2004.
- "Wer? Wann? Was?", Darmstädter Echo, October 9, 2001.
- "Malen wie ein Vogel, der sein Lied Pfeift" - Interview Archived September 28, 2007, at the Wayback Machine.
- de:Deutsche Nationalbibliothek
- * Literature by and about Fernando del Valle in the German National Library catalogue
- Eugenia Velásquez,[email@example.com "Santa Tecla con 150 años"], El Diario de Hoy, August 9, 2004.
- Darmstädter Echo, February 20, 2015.
- Tanz und Toene fuer fluechlings, October 21, 2015.
- "Freund, greift ein!" BENEFITZKONZERT Muskier des Staatstheater Darmstadt sammeln 21,000 Euro an Spender fuer Fluechtlingshlfe.(in German)
- Frankfurter Rundschau, 3 August 2004.
- "You searched for fernando del valle - Icaretonometer". Icaretonometer.
- GmbH, Echo Zeitungen. "Mutmacher mit starker Stimme".
- https://books.google.de/books?id=sJjHbguwR1oC&pg=RA1-PA7&lpg=RA1-PA7&dq=fernando+del+valle+TENOR&source=bl&ots=QV3hQHHrr7&sig=0PWTdWgtnHuk8mOEyiFYD-6e2bY&hl=de&sa=X&ei=TIobVaC-OMTnarLPgogJ&ved=0CEAQ6AEwBjgK#v=onepage&q=fernando%20del%20valle%20TENOR&f=false seite 6,