Hazaaron Khwaishein Aisi

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Hazaaron Khwaishein Aisi
Hazaaron Khwaishein Aisi Official Poster.jpg
Theatrical release poster
Directed bySudhir Mishra
Written byRuchi Narain
Sudhir Mishra
Shiv Kumar Subramaniam
Sanjay Chauhan (Hindi dialogues)
Produced byRangita Pritish Nandy
StarringKay Kay Menon
Chitrangada Singh
Shiney Ahuja
Saurabh Shukla
Ram Kapoor
CinematographyRavi K. Chandran
Edited byCatherine D'Hoir
Music byShantanu Moitra
Release dates
  • December 2003 (2003-12) (Florence River to River Festival)
  • 15 April 2005 (2005-04-15)
Budget4 crores
Box office18.4 crores

Hazaaron Khwaishein Aisi (A Thousand Wishes Like This) is an Indian political drama film made by director Sudhir Mishra in 2003 but released in 2005. Set against the backdrop of the Indian Emergency, the movie tells the story of three young people in the 1970s, when India was undergoing massive social and political changes. The title is taken from a poem by Urdu poet Mirza Ghalib.

It went to 12 film festivals in 6 months including Turkey, Estonia, River to River (Florence), Berlin, Edinburgh, Washington, Goa, Bite The Mango (Bradford), Commonwealth (Manchester), India (Los Angeles), Dallas, and Pacific Rim (California).[1]


The film opens at Hindu College, Delhi with the story of three students, Siddharth Tyabji (Kay Kay Menon), Geeta Rao (Chitrangada Singh) and Vikram Malhotra (Shiney Ahuja).

Siddharth is a driven revolutionary who dreams of bringing a revolution in the state of Bihar that will end the caste-based discrimination there, bring social justice, and improve society. Geeta is a London-returned, South Indian in love with the firebrand Siddharth. She has led a very sheltered life and is yet to explore the terrain of the Indian socio-political landscape. While she finds Siddharth's Naxalite rhetoric attractive, she is not sure if she can whole-heartedly subscribe to it. Every time they come to a choice, Siddharth chooses his ideology over his love for her thus breaking her heart time and again. Vikram is a middle-class boy who dreams of making it big, whatever the cost. He is particularly afflicted by his father's Gandhian ideas, but irritated and frustrated at the same time, seeing his father's way of life as ineffective in bringing about change.

Siddharth leaves for Bihar to bring about a revolution; Geeta leaves for Oxford to get a degree; and Vikram sets up an office in Delhi.

A few years later, Vikram is a fixer in the power corridors of government, Geeta is married to promising IAS Officer Arun Mehta (Ram Kapoor) who, as Geeta says "has it all", and Siddharth is still trying to foment a revolution. But all is not as it seems. Below the mask of happiness, each is quite unhappy. Vikram has 'made it' but he cannot get Geeta, the love of his life. Geeta is married, but she meets Siddharth on the sly, cheating on her husband.

Geeta gets a divorce from her husband because of her love for Siddharth, even though she does not want to hurt her husband's feelings. Geeta joins Siddharth in the village and starts to teach the children, whilst the police repeatedly try to hunt down her now husband, Siddharth. She bears a child with Siddharth whom she sends to her parents in London since she believes he deserves more than to grow up in the remote village.

Eventually the police round up the entire village, capturing Siddharth and Geeta for intent to cause unrest and brutally assaulting them – fabricating a story of a villagers' riot to explain their injuries. Geeta is bailed out of prison by her now influential ex-husband. Siddharth, on the run, is shot by the police, admitted to a local hospital, and placed under arrest while Geeta believes him to have been killed.

Vikram, who has been consoling Geeta and taking care of her during the absences of her ex-husband and of Siddharth, is informed that Siddharth is alive. Vikram travels to meet Siddharth and release him using his influential contacts. However, he has an accident on the way and is admitted to the same hospital as Siddharth. During the night, local Naxalites break into the crude hospital and free Siddharth while Vikram lays there. The next morning, the policemen in charge of guarding Siddharth, frustrated, accuse Vikram of having conspiring to free Siddharth and beat him up. After discovering that he is a man of influence, they resolve to kill him and dump his body to make it unrecognisable. Vikram, terrified and injured, attempts to escape but is chased down. The policemen finds that the Naxalites have emptied their revolver and they beat Vikram with an iron rod. Soon, the police chief and a local politician come looking for Vikram and are able to stop the policemen from killing him.

Vikram suffers severe brain damage and is rendered mentally challenged, while Siddharth tells Geeta that he intends to leave. Geeta refuses to accompany him. Siddharth has moved beyond simply trying to foment a revolution. He is prepared to delay it because he feels that the people are not ready in spite of their saying otherwise. He goes to London to study medicine and, through a letter, voices his anguish and disillusion with the idea of revolution, writing "I hope the mysteries of the human body will be less confusing" (in reference to his studying medicine and quitting the revolution).

The last scenes shows Geeta working in the village and taking care of the handicapped Vikram, who can no longer speak. The movie ends with Vikram writing "I love you Geeta" on a rock, as they sit by a placid lake and watch the sunset.



  1. "Baawra Mann Dekhne Chala Ek Sapna" – Swanand Kirkire
  2. "Bor Bayi Na Aaye Piya" – Shobha Joshi
  3. "Hey Sajni" – Bhikhari Thakur
  4. "Banvara Mann Dekhne Chala Ek Sapna" – Shubha Mudgal
  5. "Hajaro Khwahishe Aisee Ke" – Shubha Mudgal
  6. "Hazaaro Khwaishe Aisi (2)" – Shubha Mudgal
  7. "He Sajni The (Club Mix)" – Bhikhari Thakur
  8. "Mann Yeh Baavra" – Swanand Kirkire, Ajay Jhingran

Critical reception[edit]

The film received positive reviews. The Hindu described it as a real reel from India. Avijit Ghosh of The Telegraph called it a "post-dated love letter to that lost generation."[2] Sukanya Verma of Rediff said, "Sudhir Mishra's drama is overwhelming, memorable."[3] Anupama Chopra of India Today called it a "finely crafted, textured film."[4]


Actor Shiney Ahuja received the Best Male Debut Award at the Filmfare Awards function.


  1. ^ "Bollywood loves politics". India Today. Retrieved 13 June 2016.
  2. ^ Ghosh, Avijit (22 April 2005). "Hazaaron Khwaishein Aisi". The Telegraph. Retrieved 13 June 2016.
  3. ^ Verma, Sukanya (15 April 2005). "Hazaaron Khwaishein is overwhelming!". Rediff.com. Retrieved 14 June 2016.
  4. ^ Chopra, Anupama (2 May 2005). "Film review: Hazaaron Khwaishein Aisi starring Kay Kay, Chitrangada, Shiny Ahuja". India Today. Retrieved 14 June 2016.

External links[edit]