House of Altoviti

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search
House of Altoviti
Noble family
Coat of arms Altoviti.png
Country Italy
France
Founded 1200; 818 years ago (1200)
Founder Altovito Corbizzi
(1200 - 1250)
Titles Marquis
Count
Patriarch of Antioch
Archbishop of Athens
Archbishop of Fiesole
Archbishop of Florence
Cadet branches Altoviti Medici
Altoviti Cybo
Altoviti Avila
Altoviti San Galletti

The Altoviti are a prominent noble family of Florence.

Since the Medieval they were one of the most distinguished banking and political families appointed to the highest offices of the Republic of Florence, friends and patrons of Galileo Galilei, Vasari, Raphael and Michelangelo.

Through a predominant endogamous marriage policy they established alliances with dynasties of principal and papal nobility as the Medici, Cybo, Aldobrandini, Rospigliosi, Sacchetti and Corsini.

Since the fourteenth century they had a close personal relationship with papacy. Three popes have blood relations with the Altoviti; Innocent VIII, Clement IX and Clement XII.

Pope Innocent VIII was the uncle of La Papessa Dianora Altoviti Cybo. Her son Bindo Altoviti became one of the most influential papal bankers and patron of the arts of the Renaissance.

The House of Altoviti is still present and possesses the title of marquis.

Notable members[edit]

Portrait of Bindo Altoviti by Raphael

Frequently members of the family distinguished themselves in value, defending or serving the Florentine Republic holding prestigious public, political, military and religious offices.

  • Giovanna Altoviti (1305-1395), know as Madonna Aldobrandini
  • Iacopo Altoviti (1348-1403), Bishop of Fiesole
  • Bardo di Altoviti (1342-1405), one of the Eight Saints
  • Antonio Altoviti (1454-1507), papal banker and papal Master of the Mint
  • Bindo Altoviti (1491-1557), papal banker and patron of the arts of the Renaissance
  • Antonio Altoviti (1521-1573), Archbishop of Florence
  • Giacomo Altoviti (1604-1693), Patriarch of Antiochia and Archbishop of Athens
  • Filippo Nero Altoviti (1634-1702), Bishop of Fiesole
  • Antonio Altoviti Avila (1914-), actor and producer, Academy Award-winning movie Yesterday, Today and Tomorrow.

Art[edit]

Madonna dell'Impannata by Raphael

Antonio Altoviti married Dianora Altoviti Cybo and was made papal Master of the Mint by her uncle Pope Innocent VIII. Like other Florentines banking families who provided loans to the popes in exchange for the rights to papal revenues, the Altoviti prospected.

After the death of Agostino Chigi and the sack of Rome in 1527, only a few wealthy banks had the capital to prevent economic chaos. Competing with fierce Genoese bankers and the Germans Fugger and Welser; the Strozzi, Salviati and Altoviti became the leading Florentine and curial bankers, given the chance to participate in massive credit transactions, controlling an enlarging sphere of papal finance.[1]

Antonio Altoviti's son and only heir Bindo Altoviti was appointed as Depository General, the leading banker of the Papal States and chief commissioner for collecting taxes, mainly allocated for the reconstruction of the St. Peter's Basilica. He gradually expanded and diversified his financial activities, established dependences of the Altoviti Bank in foreign money markets as France, Netherlands and England. Among his clients were duke Charles III of Savoy and king Henry II of France and by shrewd political and financial acumen he amassed one of the largest private fortunes in Italy.

Allegory of the Immaculate Conception by Vasari

Bindo Altoviti enjoyed the financial resources to undertake extensive renovations to the properties he inherited from his father and his suburban villa on the Tiber to indulge a growing passion for art. Known and endowed with a strong taste for art, he became a patron of the arts and friend to Vasari, Cellini, Raphael and Michelangelo.[2]

Immortalized by Raphael and Cellini, he harbored Michelangelo when he fled from Florence to Rome.[3] Michelangelo had such a high esteem for him (while he despised his rival Agostino Chigi) that he gave him as a gift the cartoon of Noah's Blessing, used in the vault of the Sistine Chapel (lost) as well as a design of a Venus (lost) colored then by Vasari.[4] It was also Michelangelo who convinced Bindo, not to rebuild, but to preserve the church Santi Apostoli. Vasari painted the Allegory of the Immaculate Conception for the family chapel.[5]

In Rome Vasari also used to stay at the Palazzo Altoviti where he frescoed the Triumph of Ceres, When the Palazzo Altoviti was demolished in order to create the Tiber's embankments, the frescos were removed and are now shown in the National Museum of Palazzo Venezia.[6] For Bindo's suburban villa Vasari frescoed a vast loggia called the Vineyard decorated with statues and burial marbles from emperor Hadrian's Villa Adriana.[7] Andrea Sansovino also gave Bindo as a gift a terra-cotta model of the statue of St. James he sculptured for the Duomo in Florence.

Bust of Bindo Altoviti by Cellini

In the late 16 century Giovanni Battista Sacchetti, a trading partner of the Barberini family of Pope Urban VIII and married Francesca Altoviti. The marriage had the effect of transferring to the Sacchetti financial resources, property including some of the collection of the Altoviti and profitable links with the curia and client relations already established by the Altoviti.[8] Their son Giulio Cesare Sacchetti was an influential cardinal, supporter of Galileo Galilei and twice included in the French Court's list of acceptable candidates (papal conclave of 1644 and papal conclave of 1655) for the papacy. Their other son Marcello Sacchetti became papal treasurer to Urban VIII and his art agent. He continued to expand the family collection and became one of the most respected collectors of the Barroque and patron of Nicolas Poussin, Guido Reni and Pietro da Cortona. The family collection had over 800 paintings and later became the foundation for the Capitoline Museum in Rome.[9]

In the 18 century Giovambattista Altoviti was able to expand his collection as he inherited at the request of his friend Pietro Paolo Avila, his palazzo in Rome together with is prestigious art collection and the name Avila was joined to the name Altoviti. When in the 19 century parts of the collection was sold, the portrait of Bindo Altoviti was sold to Ludwig I of Bavaria and the status of the Villa Adiana to the Borghese.[10]

Portrait of Bindo Altoviti by Iacopino del Conte

Stemma[edit]

Pope Pius II presumed the family would be of Roman origin as in Fiesole was found a tomb with a Roman inscription quoting Furio Cammillo Altovita grandson of Furio Camillo, general, statesman and one of the most famous heroes of the early Roman Republic, honored with the title of Second Founder of Rome for his victory over the Gauls during the Gallic siege of Rome.[11] According to the family legend, he silver Italian wolf on black background refers to the Roman origin of the family and is the mythical she-wolf Lupa Capitolina Romana who would have protected the founder of the dynasty Furio Camillo by devouring his enemies.

The family came to Florence in the twelfth century. They engaged in the usual mix of culture, commerce (mainly wool and salt), banking and politics. Many were respected judges and diplomates at royal and papal courts. They belonged to the pro-papal elite of the Guelph faction. With an old military tradition, not a few members of the family were considered supremely valiant captains in numerous decisive battles of the Florentine Republic. Therefore some scholars believe the heraldic wolf was granted by Emperor Frederick II as award for brave captains.[12]

Palazzos and villas[edit]

Stemma of princess Maria Vittoria Corsini Altoviti

Their palazzos and villas were propulsive centers of cultural life in Florence and Rome. In Florence On Piazza del Limbo they had a palazzo with a large family coat of arms on the facade and detained the patronage of the church Santi Apostoli.

Another palazzo was called dei Viscacci with portraits of famous Florentine people such as Amerigo Vespucci, Francesco Guicciardini and Dante carved in the facade, and the halls frescoed by Lorenzo del Moro and Tommaso Redi. Since 1978, the palazzo is home of the Florentine masonic lodge of the Grande Oriente d’Italia.[13]

Altoviti[edit]

  • Palazzo Altoviti (demolished / today Lungotevere degli Altoviti), Rome
  • Villa Altoviti (demolished / today Palazzo di Giustizia and Piazza Cavour), Rome
  • Palazzo Altoviti - Borgo Santi Apostoli, Florence
  • Palazzo Altoviti (Canonica) - Piazza del Limbo, Florence
  • Palazzo Altoviti - Via Porta Rossa, Florence
  • Palazzo Altoviti (Seminarum) - Piazza de Mino, Fiesole
  • Villa Altoviti di Casole - Vicchio, Tuscany

Altoviti Medici[edit]

  • Palazzo Ricci Altoviti (Medici Tornaquini) - Via de Vecchietti, Florence
  • Villa Altoviti (Medici Tornaquini) - Rignano sull'Arno, Tuscany

Altoviti Avila[edit]

  • Palazzo Altoviti Avila - Via del Governo Vecchio, Rome
  • Villa Altoviti Avila - Lastra a Signa Calcinaia, Tuscany
  • Villa Ottone - Elba, Tuscany

Altoviti SanGalletti[edit]

  • Palazzo Altoviti SanGalletti (Medici Tornaquinci) - Via Tornabuoni, Florence
  • Palazzo Altoviti SanGalletti dei Viscacci (Medici Tornaquinci) - Borgo degli Albizzi, Florence
  • Villa Altoviti SanGalletti (Medici Tornaquinci ) - Scandicci, Tuscany
  • Fattoria Altoviti SanGalletti (Medici Tornaquinci) - Figline e Incisa Valdarno, Tuscany

Churches and chapels[edit]

References[edit]

  1. ^ Ehrenberg, Richard (192). The Fuggers. Gustav Fischer. p. 274. 
  2. ^ de Tolnay, Charles (1969). Michelangelo. Princeton University Press. p. 131. 
  3. ^ Goffen, Rona (2002). Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian. Yale University Press. p. 191. 
  4. ^ Vasari, Giorgio (1993). Vita di Michelangelo. Edizioni Studio Tesi. p. 118. 
  5. ^ Giusti, Anna Maria (2006). Pierre Dure, The Art of Semiprecious Stonework. Thames & Hudson. p. 28. 
  6. ^ Lee Rubin, Patricia Lee (1995). Giorgio Vasari: Art and History. Yale University. pp. 11,14,117. 
  7. ^ Rendina, Claudio. La grande enciclopedia di Roma. Newton & Compton. p. 62. 
  8. ^ Trevor Dean, & K.J.P Lowe (1998). Marriage in Italy, 1300-1650. Cambridge University Press. p. 209. 
  9. ^ Zirpolo, Lilian H. (2005). Ave Papa/Ave Papabile: The Sacchetti Family, Their Art Patronage, and Political Aspirations. CRRS Publications University of Toronto. p. 116. 
  10. ^ David Alan Brown, Jane van Nimmen (2005). Raphael and the Beautiful Banker: The Story of the Bindo Altoviti Portrait. Yale University Press. p. 1. 
  11. ^ Emil, O'Brien (2015). The Commentaries of Pope Pius II (1458-1464). Toronto University Press. p. 166. 
  12. ^ Archivio della famiglia Altoviti
  13. ^ Conti, Fulvio (2007). La massoneria a Firenze. Il Mulino. p. 14.