Ice Station Zebra
|Ice Station Zebra|
|Directed by||John Sturges|
|Produced by||James C. Pratt |
|Screenplay by||Douglas Heyes|
Harry Julian Fink
W. R. Burnett
|Based on||Ice Station Zebra|
by Alistair MacLean
|Music by||Michel Legrand|
|Cinematography||Daniel L. Fapp|
|Edited by||Ferris Webster|
|Budget||$8 million or $10 million|
|Box office||$4.6 million (USA rentals) $15.7 million (net gross)|
Ice Station Zebra is a 1968 Metrocolor Cold War era suspense and espionage film directed by John Sturges, starring Rock Hudson, Patrick McGoohan, Ernest Borgnine, and Jim Brown. The screenplay by Alistair MacLean, Douglas Heyes, Harry Julian Fink, and W. R. Burnett is loosely based upon MacLean's 1963 novel of the same name. Both have parallels to real-life events that took place in 1959. The film was photographed in Super Panavision 70 by Daniel L. Fapp, and presented in 70 mm Cinerama in premiere engagements. The original music score is by Michel Legrand.
A satellite reenters the atmosphere and ejects a capsule which parachutes to the Arctic, coordinates 85°N 21°W (approx 320 miles WNW of Nord, Greenland, in the Arctic Ocean ice pack). During an ice storm, a figure soon approaches, guided by a homing beacon, while a second person secretly watches from nearby.
The scene shifts to Commander James Ferraday, captain of the U.S. nuclear attack submarine USS Tigerfish (SSN-509), stationed at Holy Loch, Scotland. He is ordered by Admiral Garvey to rescue the personnel of Drift Ice Station Zebra, a British civilian scientific weather station moving with the ice pack. However, the mission is actually a cover for a highly classified assignment.
Ferraday welcomes aboard British intelligence agent "Mr. Jones" and a Marine platoon. While underway, a SH-2 Sea Sprite helicopter delivers USMC Captain Anders, who takes command of the Marines, and Boris Vaslov, an amiable Russian defector and spy, who is a trusted colleague of Jones.
Tigerfish makes her way under the ice to Zebra's last-known position. After several unsuccessful attempts to break through the ice with the conning tower, Ferraday decides to use a torpedo to blast an opening in the thick ice. When a crewman opens the inner torpedo hatch to load the torpedo, sea water rushes in, flooding the compartment - the outer hatch was open to the sea even though the indicators showed it was closed. Torpedo officer Lt. Mills is killed in the flood of water, and the weight from the flooding causes the submarine to nosedive, quickly descending beyond its crush depth. Jones helps to close the tube and stop the inflow of water, but even so, Ferraday and his crew are barely able to save the boat. During the investigation of the torpedo tube, Ferraday states this incident should have been impossible because the indicators showed the outer hatch was closed. Jones then describes how someone could intentionally rig the tube to malfunction. Ferraday investigates and finds epoxy glue was used to interfere with the tube's operation, resulting in incorrect readings showing the tube was safe to open. Both Jones and Ferraday conclude that there is a saboteur aboard. Ferraday suspects Vaslov, while Jones suspects Anders, who is the least known member of the rescue team to Jones, Ferraday and Vaslov, and universally disliked for his strict demeanor. Jones demands Ferraday complete the mission regardless of the risk, and Ferraday refuses, unless he knows the purpose of the mission first. At that moment, an area of thin ice is located, and Ferraday surfaces Tigerfish.
Ferraday, Vaslov, Jones, and the Marine platoon set out for the weather station in zero visibility. They reach Zebra to find several of its buildings burned and the scientists nearly dead from hypothermia. Jones and Vaslov begin questioning the survivors. It becomes obvious that the two spies are looking for something.
Ferraday reveals to Jones that he knows more about the mission than he is supposed to, saying "We don't believe in going on a mission totally blindfolded." Jones reveals to Ferraday that an advanced experimental British camera was stolen by the Soviets, along with an enhanced film emulsion developed by the Americans. The Soviets sent it into orbit to photograph the locations of all the American missile silos. However, the camera malfunctioned and continued to record Soviet missile sites as well. A second malfunction forced re-entry in the Arctic, close to Ice Station Zebra. Soon after, undercover Soviet and British agents arrived to recover the film capsule, and the civilian scientists at Zebra were caught in the crossfire between them.
As the weather clears, Ferraday sets his crew to search for the capsule. Jones eventually finds a hidden tracking device. He is blind-sided and knocked unconscious by Vaslov, who is in reality a Soviet double-agent and the saboteur they have been looking for. But before Vaslov can make off with his prize, he is confronted by Anders. As the two men fight, a dazed Jones shoots and kills Captain Anders due to Vaslov's manipulation of the scenario.
Tigerfish's radar picks up Soviet aircraft heading toward Zebra. Ferraday remains suspicious of Vaslov, but allows him to use the tracker to locate the capsule, buried in the ice. As Ferraday's crew extracts the capsule, Soviet paratroopers land at the scene. Their commander, Colonel Ostrovsky, demands the capsule. Believing that the Americans have already secured the canister, the Soviet commander threatens to activate the self-destruct mechanism with his radio-detonator. Ferraday stalls while Vaslov defuses the booby-trapped capsule and takes out the film. Ferraday hands over the empty container, but the deception is revealed and a brief firefight breaks out. In the confusion, Vaslov makes a break with the film canister. Jones stops Vaslov, mortally wounds him, and retrieves the film.
Ferraday orders Jones to hand the film over to the Soviets. However, Ferraday had earlier found a radio-detonator identical to Ostrovsky's. The Russians send the canister aloft by balloon for recovery by an approaching jet fighter. Marine Lieutenant Walker makes a desperate attempt to get Ostrovsky's detonator, but fails and is severely injured. Commander Ferraday activates his detonator, destroying the film and denying either side the locations of the other's missile silos. Ostrovsky realises the situation is futile and allows Ferraday to send a medic to Walker. Ostrovsky concedes that both his and Ferraday's missions are effectively accomplished, at least in part, and leaves, allowing Tigerfish to complete the rescue of the civilians. A dissolving segue shows a teletype machine churning out a news story hailing the success of the "humanitarian" mission as an example of cooperation between the West and the Soviet Union, while Tigerfish sails for home.
- Rock Hudson as Cdr. James Ferraday
- Ernest Borgnine as Boris Vaslov
- Patrick McGoohan as David Jones
- Jim Brown as Capt. Leslie Anders
- Tony Bill as LT. Russell Walker
- Lloyd Nolan as Admiral Garvey
- Alf Kjellin as Col. Ostrovsky
- Gerald S. O'Loughlin as Lt. Cdr. Bob Raeburn
- Ted Hartley as Lt. Jonathan Hansen
- Murray Rose as Lt. George Mills
- Ron Masak as Paul Zabrinczski
- Sherwood Price as Lt. Edgar Hackett
- Lee Stanley as Lt. Mitgang
- Joseph Bernard as Dr. Jack Benning
Differences from the novel
The most obvious changes involved the names of the novel's characters:
- The submarine Dolphin became Tigerfish as the real USS Dolphin, launched between the publication of the novel and the making of the film, was a diesel submarine.
- British spy Dr. Carpenter was renamed David Jones.
- Commander Swanson was changed to Commander Ferraday.
Beyond the name change, the film's submarine has a more traditionally conventional design similar to the first nuclear-powered submarine, the Nautilus, rather than the more streamlined, teardrop-shaped vessel (the contemporaneous Skipjack or Permit designs) described in the novel—simply because the production used the World War II diesel-electric submarine USS Ronquil (SS-396) to represent the fictitious Tigerfish. The Tigerfish hull number 509 has never been used for an actual U.S. Navy submarine, although it would appear again in fiction in the 1971 television movie Assault on the Wayne and the 1989 Mission: Impossible episode "Submarine".
Additional characters were added, such as Soviet defector Boris Vaslov, Marine Captain Leslie Anders, 1st Lt Russell Walker, and a United States Marine Corps platoon trained for Arctic warfare. Much of the characterization involving the submarine's crew found in the novel was jettisoned in favor of these new cinematic creations. Unlike the film, the novel describes little overt Soviet interest in recovering the film capsule other than a spy ship disguised as a fishing trawler waiting outside Holy Loch when the Tigerfish sets sail.
In the novel, there are no Soviets on the ice and no confrontation of any kind on the ice with the Soviets.
The novel's fire on board the submarine does not occur in the film, whereas the nearly fatal flooding of the forward torpedo room is common to the film and the novel.
The sabotage of the torpedo tubes is committed by a suspected intelligence agent (actually Vaslov) in the film. In the novel, a port maintenance worker is suspected.
The film's new climax involves a confrontation between Soviet paratroopers and the American Marines, but concludes on a more ambiguous note than the novel, reflecting the perceived thaw in the Cold War following the Cuban Missile Crisis.
The film rights to the 1963 novel were acquired the following year by producer Martin Ransohoff, who hoped to capitalize on the success of the 1961 blockbuster The Guns of Navarone by adapting another Alistair MacLean novel for the silver screen as a follow-up. He expected the film to cost around $5 million.
"Our aim is to produce films that are both interesting and commercial," said Ransohoff. "We are looking for stories that have something unique to say." Ransohoff's company, Filmways, had a deal with MGM who would provide finance.
Navarone stars Gregory Peck and David Niven were initially attached to this film, with Peck as the sub commander and Niven as the British spy, plus Edmond O'Brien and George Segal in the other key roles and John Sturges to direct. Surges was borrowed from the Mirisch Company.
Filming was set to begin in April 1965, but scheduling conflicts and U.S. Department of Defense objections over Paddy Chayefsky's screenplay because they felt it showed "an unfair distortion of military life" that would "damage the reputation of the navy and its personnel" delayed the start. A new script was commissioned.
In January 1967 MGM announced the film would be one of 13 movies it would make during the next year. (The other films were Point Blank, The Phantom Tollbooth, Sol Madrid, The Guns of San Sebastian, The Extraordinary Seaman, Cry Havoc with Robert Vaughan, The Impossible Tears with Peter Sellers, Very Special People with Natalie Wood, Potluck with Elvis Presley, The Power, The Most Dangerous Game with George Peppard, and Shoes of the Fisherman. Not all of these were made.)
Due to scheduling conflicts, the original cast was no longer available when filming began in the spring of 1967. Principal photography lasted nineteen weeks, ending in October 1967. Rock Hudson replaced Gregory Peck by February. Hudson had made four flop comedies in a row and was keen to change his image; he had just made Seconds and Tobruk and Ice Station Zebra was an attempt to continue this.
Filming began in June 1967. The film was budgeted at $8 million.
Ice Station Zebra was photographed in Super Panavision 70 by Daniel L. Fapp. The nuclear-powered Tigerfish (SSN-509) was portrayed in the movie by the diesel-electric Guppy IIA submarine USS Ronquil (SS-396) when seen on the surface. For submerging and surfacing scenes, the diesel-electric Guppy IA USS Blackfin (SS-322) was used, near Pearl Harbor. The underwater scenes used a model of a Skate class nuclear submarine.
George Davis, head of art department at MGM spent two years researching the design for the sub.
Second unit cameraman John M. Stephens developed an innovative underwater camera system that successfully filmed the first continuous dive of a submarine, which became the subject of the documentary featurette The Man Who Makes a Difference.
During filming, McGoohan had to be rescued from a flooded chamber by a diver who freed his trapped foot, saving his life.
Because his TV series The Prisoner was in production during principal photography in Ice Station Zebra, Patrick McGoohan had the episode "Do Not Forsake Me Oh My Darling" re-written to have the mind of his character transferred into the body of another character.
Filming finished in October 1967. By the time it was finished the cost had blown out to $10 million.
Plot origin and cultural impact
The plot has parallels to events reported in news stories from April 1959, concerning a missing experimental Corona satellite capsule (Discoverer II) that inadvertently landed near Spitsbergen, situated in the Arctic Ocean, on April 13, which was believed to have been recovered by Soviet agents. In 2006, the United States National Reconnaissance Office declassified information stating that "an individual formerly possessing Corona access was the technical adviser to the movie" and admitted "the resemblance of the loss of the Discoverer II capsule, and its probable recovery by the Soviets" on Spitsbergen Island, to the book by Alistair MacLean.
The story has parallels with the Central Intelligence Agency's Project COLDFEET, which took place in May–June 1962. In this operation, two American officers parachuted from a CIA-operated B‑17 Flying Fortress to an abandoned Soviet ice station. After searching the station, they were picked up three days later by the B-17 using the Fulton surface-to-air recovery system.
The attempted sinking of the US submarine is almost certainly based on the loss of the Royal Navy submarine HMS Thetis in Liverpool Bay in 1939. As in the film the drip cock was blocked on the newly built Thetis (by dockyard-applied fresh paint) which led to the rear cap being opened while the bow cap was already open to the ocean. Water entered at the rate of one ton per second and Thetis sank with the loss of 98 lives. In the movie the drip cock has been blocked with epoxy adhesive.
Reclusive billionaire Howard Hughes, who had experience both as a movie producer and a defense contractor for the United States, is said to have watched a private print of Ice Station Zebra 150 times on a continuous loop in his private hotel suite during the years prior to his death. In his 2013 autobiography My Way, singer Paul Anka writes that Hughes kept a permanent penthouse at the Desert Inn hotel in Las Vegas and owned a local TV station. "We knew when Hughes was in town," Anka wrote. "You'd get back to your room, turn on the TV at 2 a.m. and the movie 'Ice Station Zebra' would be playing. At 5 a.m., it would start all over again. It was on almost every night. Hughes loved that movie." Hughes' obsession with the film is referenced in the Stan Ridgway song "I Wanna Be a Boss".
The sets and miniature footage from the film were re-used for the 1971 ABC made-for-television movie Assault on the Wayne, starring Leonard Nimoy, Joseph Cotten, Keenan Wynn, William Windom, Sam Elliott, and Dewey Martin, which also featured Zebra cast members Lloyd Haynes and Ron Masak.
The name Zebra comes from the representation of the letter Z in the Joint Army/Navy phonetic alphabet. In the modern NATO phonetic alphabet later adopted by aviation and navigation, Zulu is being used instead of Zebra. In actuality, there was an Ice Station Alpha (phonetic for the letter "A") established by the US Air Force in 1957 as part of the International Geophysical Year (IGY.).
Footage from Ice Station Zebra (and the model of the Tigerfish) was also re-used in The Six Million Dollar Man two-part episode "Wine, Women, and War," the 1978 disaster film Gray Lady Down, the 1983 James Bond film Never Say Never Again, and the 1982 Cold War thriller Firefox.
In Breaking Bad, Saul Goodman has a holding company called Ice Station Zebra Associates, which he uses to dodge taxes. It is revealed in the spinoff series Better Call Saul that his love interest earlier in life listed this as her favorite movie.
In 2018 Jack White released the single Ice Station Zebra.
Ice Station Zebra was released on October 23, 1968. The film was described as being "bombsville at the box office."
The escalating production costs of this film, along with The Shoes of the Fisherman at the same time, led to the transfer of MGM President Robert O'Brien to Chairman of the Board, though he resigned that position in early 1969, after both films were released and failed to recoup their costs.
Ice Station Zebra received mixed reviews from critics. It currently holds a 43% "Rotten" rating on the review aggregator Rotten Tomatoes. Critic Roger Ebert of the Chicago Sun-Times described the film as "so flat and conventional that its three moments of interest are an embarrassment" and called it "a dull, stupid movie", expressing disappointment that the special effects did not, in his opinion, live up to advance claims.
- Glenn Lovell, Escape Artist: The Life and Films of John Sturges, University of Wisconsin Press, 2008 p264-269
- Thomas, K. (1967, Jul 17). North pole finds a place in the sun for 'ice station'. Los Angeles Times (1923-Current File) Retrieved from http://search.proquest.com/docview/155701551
- BO POLK AND B SCHOOL MOVIEMAKING Welles, Chris. Los Angeles Times 3 Aug 1969: l6.
- Scheuer, P. K. (1964, Apr 10). 'Tom jones' steals poll of U.S. critics. Los Angeles Times (1923-Current File) Retrieved from http://search.proquest.com/docview/168563381
- Filmways expects sharp rise in fiscal '64 profit. (1964, Apr 22). Wall Street Journal (1923 - Current File) Retrieved from http://search.proquest.com/docview/132971479
- TV STUDIOS TURN TO THEATER FILMS: Reply to Movie Competition With Bid for New Market By PETER BARTS New York Times 24 July 1964: 15.
- Message Merchant On The Run By PETER BART New York Times 3 Jan 1965: X9.
- Martin, B. (1965, Aug 06). MOVIE CALL SHEET. Los Angeles Times (1923-Current File) Retrieved from http://search.proquest.com/docview/155269498
- Suid, Lawrence H. (2002). Guts and Glory: The Making of the American Military Image in Film. Kentucky: The University Press of Kentucky. p. 402. ISBN 0-8131-9018-5.
- MGM Plans 14 Films on 1967 Budget Los Angeles Times 25 Jan 1967: d10.
- Martin, B. (1967, Jun 20). McLaglen to direct 'mace'. Los Angeles Times (1923-Current File) Retrieved from http://search.proquest.com/docview/155674517
- Hudson Joins 'Ice Station' Martin, Betty. Los Angeles Times (1923-1995); Los Angeles, Calif. [Los Angeles, Calif]06 Feb 1967: d25.
- A Change of Pace for Rock Hudson: Variety of Roles for Rock Hudson Thomas, Kevin. Los Angeles Times 21 Sep 1967: e1.
- Harvey and Hudson to Co-Star New York Times 6 June 1967: 53.
- Cassavetes Leaves 'Madrid' Martin, Betty. Los Angeles Times 6 July 1967: e14.
- Eva Renzie in 'Pink Jungle' Martin, Betty. Los Angeles Times 28 June 1967: e11.
- Dramatic Roles Lure Rock Hudson NORMA LEE BROWNING. Chicago Tribune 25 Aug 1967: b20.
- North Pole Finds a Place in the Sun for 'Ice Station': A PLACE IN THE SUN Thomas, Kevin. Los Angeles Times 17 July 1967: c1.
- Patrick McGoohan - Telegraph
- Actor McGoohan Sees Films, TV as Blessing and Threat LOIS DICKERT ARMSTRONG. Los Angeles Times 5 Nov 1967: d12.
- Metro-Goldwyn Omits Dividend; O' Brien Resigns: Board Cites Possible Loss Of Up to $19 Million in The Current Fiscal Year Bronfman Named Chairman Wall Street Journal 27 May 1969: 2.
- "National Reconnaissance Office Review and Redaction Guide, Appendix F" (PDF). 2006. p. 155. Retrieved 2016-07-12.
- How HMS Thetis sank off the coast of North Wales in 1939 - Daily Post
- Assault on the Wayne (TV Movie 1971) - IMDb
- Camp Commander's Diary - Project Ice Skate - Drifting Station Alpha
- Ice Station Zebra at Rotten Tomatoes
- Ebert, Roger (April 21, 1969). "Ice Station Zebra". Chicago Sun-Times. Retrieved September 30, 2015.
- Ice Station Zebra article by Lang Thompson at Turner Classic Movies Access date 2009-09-18.
- "Christopher McQuarrie to Write, Direct Remake of Ice Station Zebra] (Exclusive)". The Hollywood Reporter. May 6, 2013. Retrieved December 27, 2013.
- Lawrence H. Suid. Sailing the Silver Screen: Hollywood and the U.S. Navy (Annapolis, MD, USA, Naval Institute Press, 1996) ISBN 1-55750-787-2
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