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Ivan Puni

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Ivan Puni
Born
Ivan Albertovich Puni

(1890-04-03)3 April 1890
Kuokkala, Russian Empire
Died28 December 1956(1956-12-28) (aged 66)
Paris, France
Ivan Puni, 1914, Portrait of Artist's Wife (Портрет жены художника), oil on canvas, 89 x 62.5 cm, The Russian Museum, St. Petersburg

Ivan Albertovich Puni[1] (Russian: Иван Альбертович Пуни; also known as Jean Pougny; 3 April [O.S. 22 March] 1890 – 28 December 1956)[2][3][4] was a Russian avant-garde (Suprematist, Cubo-Futurist) and French artist, who intensively changed his style until it went into lyric Primitivism in the direction of Pierre Bonnard and Edouard Vuillard.

Biography

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Early life

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Ivan Puni was born in Kuokkala (then Grand Duchy of Finland in the Russian Empire, now Repino, a part of St. Petersburg in Russia). It was long believed that Ivan Puni was born in 1892 or 1894 until his birth certificate was found in 2019 in a St. Petersburg archive, showing his birth date as 22 March 1890 (old style).[5] He was the grandson of an eminent Italian composer of ballet music, Cesare Pugni. His father, a cellist, proposed him a military career, but Ivan instead decided to become a painter.

Career

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Puni continued his formal training in Paris in 1910–11 at the Académie Julien and other schools, where he painted in a derivative fauviste style. Upon his return to Russia in 1912, he married fellow artist Xenia Boguslavskaya, and met, and exhibited with, members of the St Petersburg avant-garde, including Kazimir Malevich and Vladimir Tatlin.[1] He made a second trip to Paris in 1914, returning to St. Petersburg with the outbreak of WWI. At this point, he began painting in a Cubist style reminiscent of Juan Gris. In 1915, Puni organized the exhibitions Tramway V and 0.10, both held in St Petersburg, in which Malevich, Tatlin, Aleksandra Ekster, Liubov Popova, Ivan Kliun, Olga Rozanova, Nadezhda Udaltsova, Boguslavskaya and others participated, and to which Puni contributed constructions, readymades, and paintings.[1][6] In 1915-1916 Puni, together with other Suprematist artists, worked at Verbovka Village Folk Centre. In 1919, he taught at the Vitebsk Art School under Marc Chagall.[1]

Years of exile

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Puni and his wife, Xenia Boguslavskaya, emigrated from Russia in 1920 (end of January), first to Finland, then to Berlin,[1] where his solo exhibition was held at the Galerie der Sturm (February 1920). While in Berlin, Puni also designed costumes and sets for theatrical productions, and published a theoretical book Modern Painting.[1]

Puni and Boguslavskaya relocated to Paris in 1923, where he carried on with development of his style, which experienced several metamorphoses until it stabilized at approximately 1943 to a variant of Post-Impressionism or lyric Primitivism in the direction of Pierre Bonnard and Edouard Vuillard. In France he became "Jean Pougny" and in 1947 obtained French citizenship. He died in Paris in 1956.

Literature

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  • Herman Berninger: Pougny. Jean Pougny (Iwan Puni) 1892–1956. Catalogue de l’Œuvre. Tome 1: Les Années d`avant-garde, Russie — Berlin, 1910—1923. E. Wasmuth Verlag, Tübingen 1972, ISBN 3-8030-3000-5
  • Herman Berninger: Pougny. Jean Pougny (Iwan Puni) 1892—1956. Catalogue de l` oeuvre. Tome 2: Paris-Cote d’Azur, 1924—1956, Peintures. E. Wasmuth Verlag, Tübingen, 1992, ISBN 3-8030-3045-5.
  • Iwan Puni. 1892—1956. Katalog zur Ausstellung des Musée d’Art Moderne de la Ville de Paris und der Berlinischen Galerie. Bearb. v. Jean-Louis Andral, Jean-Claude Marcadé und Marie-Anne Chambost. Hatje, Stuttgart, 1993, ISBN 3-927873-32-2.
  • Magdalena Nieslony: Bedingtheit der Malerei. Ivan Puni und die moderne Bildkritik. Berlin 2016, ISBN 978-3-7861-2764-2
  • Herman Berninger, 0,10 Iwan Puni. Werke Aus Der Sammlung Herman Berninger, Zuerich, Und Fotografien Der Russischen Revolution Aus Der Sammlung Ruth Und Peter Herzog, Basel, 2003, ISBN 3-7165-1308-3
  • W.E. Gröger, Galerie der Sturm, Iwan Puni, Petersburg, Gemälde, Aquarelle, Zeichnungen, Berlin, Februar 1921
  • André Salmon, Galerie Barbazanges, Œuvres de J. Pougni et Aquarelles de Xana Bougouslavska, Paris, 18.–30. April 1925
  • Galerie Jaques Bernheim, 30 Œuvres, Paris, 16.–30. April 1928
  • Galerie Jeanne Castel, Iwan Puni, Vorwort von Paul Guillaume, Paris, Juni 1933
  • Galerie Louis Carré, Iwan Puni, Paris, 5. Oktober – 20. Oktober 1943
  • Galerie de France, Iwan Puni, Vorwort zum Katalog von Charles Estienne, Paris, 3.–31. Mai 1947
  • Galerie Knoedler, Iwan Puni, New York, 26. März – 16. April, 1949
  • Adams Gallery, Jean Pougny, Vorwort zum Katalog von Alexander Watts, London, 13. April – 12. Mai 1950
  • Musée National d’Art Moderne, Rétrospective Pougny, Paris, 24. Januar – 23. Februar 1958
  • Musée Toulouse - Lautrec, Rétrospective Pougny, Vorwort zum Katalog von Édouard Julien und R.V. Gindertael, Albi, 29. März – 30. April 1958

Exhibitions

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See also

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References

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  1. ^ a b c d e f Sarabianov, Andrei D. "Ivan Albertovich Puni". Encyclopædia Britannica. Retrieved 6 June 2020.
  2. ^ "ru: Русская живопись // Пуни Иван Альбертович (1892—1956)". Archived from the original on 2019-09-20. Retrieved 2013-04-04.
  3. ^ ru: Пуни Иван Альбертович (1892—1956)
  4. ^ ru: ПУНИ Иван (Жан) Альбертович / Pougny Jean
  5. ^ А. Родионов. Расшифровывая Пуни. Часть 1. Ранние годы // Вестник истории, литературы, искусства, т. XV, 2022, с. 144-162.
  6. ^ Родионов, Алексей. Новое о выставке «0,10» и о ее организаторе Иване Пуни // Искусствознание, №1-2, 2020, с. 232-271.
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