Early life and education
Uzoigwe was born in Umuahia, Abia State (formerly Imo State), Nigeria. He began his education at the village primary school in Umuagu. Most of his early life was spent with his older brother, Sunday Uzoigwe, who was then employed at the University of Ibadan. For his secondary education, Joshua attended King's College, Lagos before going on to International School Ibadan to study for his Advanced Level Certificate.
From 1970 to 1973, he was at the University of Nigeria, Nsukka where he began his studies in music. He completed his undergraduate degree (1973–1977) at Guildhall College of Music, London and from 1977 to 1981 he attended Queen's University Belfast, attaining both an M.A. and a Ph.D. in ethnomusicology.
Uzoigwe lectured in Music at three Universities in Nigeria, starting from the Obafemi Awolowo University, Ife, then University of Nigeria Nsukka and finally University of Uyo in Akwa Ibom State. He got very lucky with a breakthrough when he was 21.
Joshua’s best-known compositions include: ‘Day is passing’
An accomplished pianist, Joshua accompanied many other musicians in live performances, including Ori Enyi Okoro and Joyce Akinwumi. He performed many concerts during the Biafran Civil War and was a member of the Odunke Community of Artists, which strove to sustain cultural life during that civil war and to foster Igbo culture in all its dimensions from its base at the University of Nigeria, Nsukka.
Poetry and other publications
Three of Joshua’s poems, ‘On the fading shadows’, ‘Transition’ and ‘Drying Lake, Rising Spring’ taken from Nsukka Harvest: Poetry from Nsukka, 1966–72, ed. Chukwuma Azuonye, Nsukka: Odunke Publications, 1972, pp. 13–15 appear on http://www.sentinelpoetry.org.uk/magonline1105/Joshua_Uzoigwe.htm
Joshua married Joanne McGuckin in Nigeria in 1981. They had met whilst he was studying at Queen’s University Belfast. Joanne was a lecturer at the University of Ibadan, Nigeria and was completing her postgraduate studies when she died in 1991. They had three children, Uzoma, Ejike and Nneka.
Joyce Adewumi, founder of the New York African Chorus Ensemble (http://www.nyafricanensemble.com/) and a close friend and former colleague of Joshua’s writes that her ‘work at the New York African Chorus Ensemble is dedicated to Joshua and it couldn't have been possible without his influence in my life’.
Essays About Joshua Uzoigwe
- Sadoh, Godwin. "Creativity and Dance in Joshua Uzoigwe's Music." ComposerUSA 9, No. 2 (2003): 4-5.
- _____________. "Intercultural Creativity in Joshua Uzoigwe's Music." Africa 74, No. 4 (December 2004): 633-661.
- _____________. "The Creative Experience of a Contemporary Nigerian Composer." Living Music 20, No. 1 (Spring 2005): 6-9.
- _____________. "Hybrid Composition: An Introduction to the Age of Atonality in Nigeria." The Diapason 97, No. 11 (November 2006): 22-25.
- _____________. "Twentieth Century Nigerian Composers." NTAMA, January 10, 2007.
- Froelich, Hildegard; Kris Chesky (2000). The education of the professional musician, Volume 2. Routledge. p. 59. ISBN 978-90-5755-130-7.
- Konye, Paul (2007). African art music: political, social, and cultural factors behind its development and practice in Nigeria. Edwin Mellen Press. p. 24. ISBN 978-0-7734-5253-4.
- Sadoh, Godwin (1998). "Joshua Uzoigwe: An Introduction to the Life and Music of a Nigerian Composer." M.A. thesis. Pittsburgh, Pennsylvania: University of Pittsburgh.
- Sadoh, Godwin (2007). Joshua Uzoigwe: Memoirs of a Nigerian Composer-Ethnomusicologist. New York: iUniverse Publishing.