Jump to content

Lalla Rookh

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Bellerophon5685 (talk | contribs) at 22:04, 27 September 2020 (→External links). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

This article is about a poem by Thomas Moore. For the last indigenous Tasmanian, nicknamed "Lalla Rooke", see Truganini. For the circus elephant, see Lallah Rookh. For the 1958 film, see Lala Rookh.
The Mughal imperial palace at Delhi (1701–1708), made by Johann Melchior Dinglinger[1]

Lalla Rookh is an Oriental romance by Irish poet Thomas Moore, published in 1817. The title is taken from the name of the heroine of the frame tale, the daughter of the 17th-century Mughal emperor Aurangzeb. The work consists of four narrative poems with a connecting tale in prose.

Overview

The name Lalla Rookh or Lala-Rukh (Persian: لاله رخ lâle rox), means "tulip-cheeked" and is an endearment frequently used in Persian poetry.[2]

Engaged to the young king of Bukhara, Lalla Rookh goes forth to meet him, but falls in love with Feramorz, a poet from her entourage. The bulk of the work consists of four interpolated tales sung by the poet: "The Veiled Prophet of Khorassan" (loosely based upon the story of Al-Muqanna), "Paradise and the Peri", "The Fire-Worshippers", and "The Light of the Harem". When Lalla Rookh enters the palace of her bridegroom she swoons away, but revives at the sound of a familiar voice. She awakes with rapture to find that the poet she loves is none other than the king to whom she is engaged.[3]

Adaptations

Lalla Rookh was the basis of number of musical settings, including a cantata by Frederic Clay & W. G. Wills (1877) featuring the famous song I'll Sing Thee Songs of Araby .[4] It is also the basis of the operas Lalla-Rûkh, festival pageant (1821) by Gaspare Spontini, partly reworked into Nurmahal oder das Rosenfest von Caschmir (1822), Lalla-Roukh by Félicien David (1862), Feramors by Anton Rubinstein (1863), and The Veiled Prophet by Charles Villiers Stanford (1879). One of the interpolated tales, Paradise and the Peri, was set as a choral-orchestral work by Robert Schumann (1843). Lines from the poem form the lyrics of the song "Bendemeer Stream".

Legacy

Mystic Order of Veiled Prophets of the Enchanted Realm (founded 1889), often known as "the Grotto", a social group with membership restricted to Master Masons, and its female auxiliary, the Daughters of Mokanna (founded 1919), also take their names from Thomas Moore's poem.[5] [6]

References

  1. ^ Schimmel, A.; Waghmar, B. K. (2004). The Empire of the Great Mughals: History, Art and Culture. Reaktion Books. p. 17. ISBN 9781861891853. Retrieved 3 October 2014.
  2. ^ Balfour, Edward (1885). The Cyclopædia of India and of Eastern and Southern Asia. Vol. II. London: Bernard Quaritch. p. 661.
  3. ^ Wood, James, ed. (1907). "Lalla-Rookh" . The Nuttall Encyclopædia. London and New York: Frederick Warne.
  4. ^ Michael Kilgariff (1998) Sing Us One of the Old Songs: A Guide to Popular Song 1860–1920
  5. ^ The Grotto, MasonicDictionary.com, 2007, retrieved 2009-12-15
  6. ^ Lalla Rookh Caldron, Daughters of Mokanna, Lalla Rookh Grotto, archived from the original on 2009-10-31, retrieved 2009-12-15
Stub icon

This article related to a poem is a stub. You can help Wikipedia by expanding it.

Retrieved from "https://en.wikipedia.org/w/index.php?title=Lalla_Rookh&oldid=980689954"