Roma (1972 film)
Original film poster
|Directed by||Federico Fellini|
|Produced by||Turi Vasile|
|Screenplay by||Federico Fellini
|Story by||Federico Fellini
|Music by||Nino Rota
|Edited by||Ruggero Mastroianni|
Les Productions Artistes Associés
|Distributed by||Ital-Noleggio Cinematografico (Italy)
119 minutes (Cut edit)
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Roma is formed by a series of loosely connected episodes. The plot is minimal, and the only "character" to develop significantly is Rome herself. Peter Gonzales plays the young Fellini, and the film features mainly unknowns in the cast.
Federico Fellini recounts his youth in Rome, an extremely crude, corrupt, cruel city, without shame or morals. Memorable is the scene where he along with his friends in their young teens go to a third-class theater to see some simple shows. People do not applaud; instead whistles, burps, fart sounds and angry tirades are hurled against the poor actors who eventually have had enough of their audiences' vulgar and unprecedented rudeness, leading them to turn against the public.
Alberto Sordi's performance
During editing a scene with Alberto Sordi was cut because it was considered too immoral and cruel. In it, he played a rich man sitting at a bar watching some poor kids who are playing ball. A poor man, blind, sick and lame, comes to cross the street, preventing the rich man from viewing the scene. Alberto Sordi, annoyed, begins shouting insults at the blind man: "Get out of the way, you ugly old man! Get out!".
- Peter Gonzales as Federico Fellini, age 18
- Fiona Florence as Dolores - young prostitute
- Pia De Doses as Princess Domitilla
- Renato Giovannoli as Cardinal Ottaviani
- Dennis Christopher as The Hippie
- Anna Magnani (her final film role) as herself
- Marcello Mastroianni as himself
- Feodor Chaliapin, Jr. as actor playing Julius Caesar
- Alberto Sordi as himself
- Gore Vidal as himself
- John Francis Lane as himself
- Elliott Murphy as extra
- Federico Fellini as himself
- Cassandra Peterson
Historical contrasts and modern alienation
Fellini repeatedly contrasts Roman life in wartime Fascist Italy with its counterpart in the early 1970s. The wartime scenes emphasize the congregation of neighbors in Rome's public places such as street restaurants, a variety show, and a bomb shelter. With the exception of hippies and a conversational scene with Fellini bemoaning the loss of Roman life with radical students, the analogous congregations of the 1970s are between automobiles and motorcycles. Fellini makes a comparison between the parade of prostitutes at wartime brothels and a fantasy runway fashion show featuring clerical garb and a papal audience.
The plot (such as it is) centers on two journeys to Rome by the director. The first is as a young man in the late 1930s and early 1940s. The second is as the director of a film crew creating a movie about Rome. The film alternates these two narratives.
The film was screened at the 1972 Cannes Film Festival, but wasn't entered into the main competition. The film was also selected as the Italian entry for the Best Foreign Language Film at the 45th Academy Awards, but was not accepted as a nominee.
- List of submissions to the 45th Academy Awards for Best Foreign Language Film
- List of Italian submissions for the Academy Award for Best Foreign Language Film
- "Festival de Cannes: Roma". festival-cannes.com. Retrieved 2009-04-17.
- Margaret Herrick Library, Academy of Motion Picture Arts and Sciences