Marriage Italian Style
|Marriage Italian Style|
US re-release film poster
|Directed by||Vittorio De Sica|
|Produced by||Carlo Ponti|
|Screenplay by||Renato Castellani|
Piero De Bernardi
|Based on||Filumena Marturano|
by Eduardo De Filippo
|Music by||Armando Trovajoli|
|Edited by||Adriana Novelli|
Compagnia Cinematografica Champion
Les Films Concordia
|Distributed by||Interfilm (Italy)|
Embassy Pictures (US)
|Box office||$4.1 million (US/Canada) (rentals)|
Marriage Italian Style (Italian: Matrimonio all'italiana [matriˈmɔːnjo allitaˈljaːna]) is a 1964 Italian film directed by Vittorio De Sica and starring Sophia Loren, Marcello Mastroianni and Vito Moricone.
It tells the World War II era story of a cynical, successful businessman named Domenico (Mastroianni), who, after meeting a naive country girl, Filumena (Loren), one night in a Neapolitan brothel, keeps frequenting her for years in an on again-off again relationship (as she continues working as a prostitute). He eventually takes her in his house as a semi-official mistress under the pretense that she take care of his ailing, senile mother. After having fallen for a younger, prettier girl and having planned to marry her, he finds himself cornered when Filumena feigns illness and "on her deathbed", asks to be married to him. Thinking she'll be dead in a matter of hours and that the 'marriage' won't even be registered, he agrees. After having been proclaimed his legal bride, the shrewd and resourceful Filumena drops the charade and reveals to have put up the show for the one child she bore from him (she gave birth to three sons but Domenico only maintained to have fathered one). Domenico tries to cajole her into telling him which one is his but she stalwartly refuses, telling him that sons can't be picked and chosen and that he has to be the father of all three.
One of the film's most memorable moments is when Domenico is on the phone with his new flame, shortly after having married the "moribund" Filumena. As he reassures his fiancée that death is near, a wild-eyed and vengeful Filumena emerges from a curtain behind him and exclaims in Neapolitan that she is in fact alive and well—the Madonna having taken pity on her.
A struggle ensues as Domenico obsesses over which son is his; Filumena reveals that his son was conceived on a night when he told her that they should "pretend they are in love". She wrote the date on the 100 lire note he gave her, now in her locket, and after which she became pregnant. If Domenico can remember this date he will know who his son is, but he cannot. He visits all the young men at work, searching for clues. But Filumena refuses to reveal any more.
When they meet again, he threatens to go the boys and tell them things she would not have them know. She says if he does she will kill him. They argue ferociously. But at last, fall into each others' arms.
At the church, the boys wait, and Domenico arrives. Dominco mentions that since he will be marrying their mother he will give them his name. However, he continues to prod them for clues. Filumena rushes in, and Domenico smiling with joy, tells her how wonderful she looks.
Back at home, the sons bid their mother goodnight. As Filumena sits and weeps with joy, the boys, one after another say goodnight to "Father". Domenico smiles broadly at this, and says, yes he will see them tomorrow.
When Domenico asks why she is crying, she states it feels wonderful to cry.
- Sophia Loren as Filumena Marturano
- Marcello Mastroianni as Domenico Soriano
- Aldo Puglisi as Alfredo
- Tecla Scarano as Rosalia
- Marilù Tolo as Diana (credited as Marilu' Tolo)
- Gianni Ridolfi as Umberto
- Generoso Cortini as Michele
- Vito Moricone as Riccardo
- Rita Piccione as Teresina, seamstress
- Lino Mattera
- Alfio Vita as Un pasticciere
- Alberto Castaldi as (credited as Alberto Gastaldi)
- Anna Santoro
- Enza Maggi as Lucia, maid
- Mara Marilli
Reception and Awards
The film was received favorably. The New York Times noted that it was the fourth quality collaboration between director Vittorio di Sica and Sophia Loren, and the second to include Marcello Mastroianni in the mix, the "warmup" for this movie having been 1963's Yesterday, Today and Tomorrow. The review described it as a "wonderfully flamboyant" film, and provided some context for the film, noting that Naples (at least in 1964) was "a quite unusual place, where the people are highly individual and may have bizarre relationships."
The film was nominated for Academy Awards for Best Foreign Language Film in 1965 and Loren for Best Actress in a Leading Role in 1964. It was also entered into the 4th Moscow International Film Festival.
- Filumena Marturano, the original play.
- List of submissions to the 38th Academy Awards for Best Foreign Language Film
- List of Italian submissions for the Academy Award for Best Foreign Language Film
- "All-time Film Rental Champs", Variety, 7 January 1976 p 50
- "NY Times: Marriage Italian-Style". NY Times.com. Retrieved 2009-03-22.
- "The 38th Academy Awards (1966) Nominees and Winners". oscars.org. Retrieved 2011-11-06.
- "4th Moscow International Film Festival (1965)". MIFF. Archived from the original on 2013-01-16. Retrieved 2012-12-02.
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