Salvador Dalí Museum
The Salvador Dalí Museum pictured in 2011
|Location||St. Petersburg, Florida, US|
The Salvador Dalí Museum is an art museum in St. Petersburg, Florida, United States, dedicated to the work of Salvador Dalí. It houses the largest collection of Dalí's works outside Europe. It is located on the downtown St. Petersburg waterfront by 5th Avenue Southeast, Bay Shore Drive, and Dan Wheldon Way. On April 18, 2012, the AIA's Florida Chapter placed the building on its list of Florida Architecture: 100 Years. 100 Places.
Shortly before marrying in 1942, A. Reynolds Morse & Eleanor R. Morse attended a Dalí retrospective at the Cleveland Museum of Art. Intrigued by the artist's subject matter, and impressed by his draftsmanship, they bought their first painting a year later. The purchase began a 40-year relationship as patrons and friends of Dalí that resulted in a comprehensive collection of original Dalí work.
Until 1971, the Morses displayed their collection in their Cleveland, Ohio, home. When they loaned over 200 pieces to a Dalí retrospective in 1965, they realized that 25 years of collecting produced a mini-retrospective that needed a permanent home.
In March 1971, with Dalí presiding over the opening, the Morses opened a museum adjacent to their office building in Beachwood, Ohio. By the end of the decade with an overwhelming number of visitors, the Morses decided to again move their collection.
After a search that drew national attention, a marine warehouse in downtown St. Petersburg, Florida was rehabilitated and the museum opened on March 7, 1982.
In mid-2008, a new location for the Dali museum was announced. Designed by Yann Weymouth of the architectural firm HOK and built by The Beck Groupunder the leadership of then-CEO Henry C. Beck III, it was built on the downtown waterfront next to the Mahaffey Theater, on the former site of the Bayfront Center, an arena that was demolished in 2004. The new, larger and more storm-secure museum opened on January 11, 2011. Reportedly costing over $30 million, this structure features a large glass entryway and skylight made of 1.5 inch thick glass. Referred to as the “Enigma”, the glass entryway is 75 feet tall and encompasses a spiral staircase. The remaining walls are composed of 18-inch thick concrete, designed to protect the collection from hurricanes.
The museum's collection includes 96 oil paintings, over 100 watercolors and drawings, 1,300 graphics, photographs, sculptures and objets d'art, and an extensive archival library. Permanent collection displays are periodically rotated, and several temporary shows are mounted each year.
The museum is home to 7 of the 18 "masterwork" paintings by Dalí (including The Hallucinogenic Toreador and The Discovery of America by Christopher Columbus), the most of any museum in the world. To be considered a masterwork these paintings must measure at least 5 feet (1.5 m) in any direction, and have been worked on for over a year.
In addition to displaying the work of Dalí, the museum aims to educate the public and promote understanding, enjoyment and scholarly examination of art through the exhibition of works by Dalí and artists of similar vision.
- Dalí Theatre and Museum — Museum of Dalí in his home town of Figueres, Catalonia, Spain
- Gala Dali Castle Museum-House – in Púbol, Spain
- Espace Dalí — in Paris, France, museum of Dalí's drawings and sculptures
- A. Reynolds Morse & Eleanor R. Morse - Dalí's patrons
- Apparatus and Hand - 1927
- Florida Architecture: 100 Years. 100 Places
- Wach, Kenneth (1996). Salvador Dalí: masterpieces from the collection of the Salvador Dalí Museum. New York: Harry N. Abrams. pp. 6–7. ISBN 0-8109-3235-0.
- "Salvador Dali Museum". The Beck Group. Retrieved 22 June 2015.
- Adam, Georgina (2011). "Spanish royal seal of approval for Dalí's Florida Home". Art Newspaper 20 (221): 16.
- Post, Nadine M. (5 January 2011). "Salvador Dalí Museum by HOK Opens This Month in Florida". Architectural record. Retrieved 7 October 2014.
- De Monchaux, Thomas (March 2011). "Truly Surreal". Architect 100 (3): 72, 74–5.
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